A few examples of appraisal values for
PETRUS

• Petrus (Pieter) Antonius van den
  Petrus (Pieter) Antonius van den Braken (Netherlands, 1896-1979) Mountain village. Oil on canvas, signature incised in the wet pigment at the lower right corner, approx. 31-1/2" x 23-3/4", framed overall approx. 39-1/2" x 32".
• PAAW, PETRUS. SUCCENTURIATUS
  PAAW, PETRUS. SUCCENTURIATUS ANATOMICUS...[Medical], Paaw, Petrus. Succenturiatus Anatomicus..., Leiden, Jodocus a Colster, 1616, 4to, 2 parts in one volume, title engraved in black and red, portrait of author en verso, 2 folding engraved plates, 58 engravings in text, contemporary vellum, Provenance: Sotheby's, London, 2/14/2001, lot 49U9; Windham Collection, Oxford, MS
• PETRUS GERARDUS VERTIN (DUTCH,
  PETRUS GERARDUS VERTIN (DUTCH, 1819-1893), GRENADIERSPOORT BINNENHOF, THE HAGUE Oil on mahogany panel, signed at lower left and with illegible date, retains old paper label and red wax collector's seal to the verso, presented in a later gilt frame with brass gallery plaque.
• Petrus Theodorus van Wyngaerdt
  Petrus Theodorus van Wyngaerdt (Dutch 1816-1893) oil on panel interior scene with mother and child signed lower right and dated... ?
• PETRUS CLOUET. "CHRISTOPHORUS
  PETRUS CLOUET. "CHRISTOPHORUS VANDER LAMEN," ENGRAVING (Dutch, 1629-1670). After the painting by A. Van Dyck, plate size: 9 3/4 x 7 in., framed.
• AFTER PETRUS CHRISTUS (DUTCH,
  AFTER PETRUS CHRISTUS (DUTCH, 1410-1472/73)After Petrus Christus (Dutch, 1410-1472/73), “Portrait of a Young Girl”, oil on panel, unsigned, 48 in. x 41 5/8 in., framed, overall 53 1/2 in. x 47 1/4 in. x 1 1/2 in. Condition: Overall fair condition.
• PETRUS CORNELIS WEYTS(Flemish,
  PETRUS CORNELIS WEYTS(Flemish, 1799-1855)ÿ Ontario of Newcastle Maine. John Holmes, Comd. Leaving Antwerp. 1840,ÿ signed lower right in eglomise mat "P. Weyts", reverse painted glass, sight 22 x 29-5/8 in.; wood veneer frame, 28-1/4 x 35-3/4 in. Provenance: Private Bluffton, South Carolina Collection Condition: moisture stains in sky; frame with some loose veneer and lossesÿ
• Petrus Gerardus Vertin (Dutch,
  Petrus Gerardus Vertin (Dutch, 1819-1893) large Winter cityscape depicting figures skating in the canal, oil on canvas, signed "P. G. Vertin Sr.", 27-3/4" x 34-1/4", framed 32-1/4" x 38-3/4", very good condition, no damage or repair, needs cleaning
• Gustav S. Peters fraktur
  Gustav S. Peters fraktur (Harrisburg, Pennsylvania, circa 1796-1847), depicting Christ before Caiphas and others, Pilate to the right, signed in plate at bottom, color engraving on paper, 9-7/8 x 13 in.; 19th century maple veneer frame. Surface wrinkled, loose, water stains, toning, creases; frame refinished. Deaccessioned from MESDA and Old Salem to benefit the Acquisition Fund.
• PETER CORNELIUS DOMMERSEN
  PETER CORNELIUS DOMMERSEN (DOMMERSHUIJZEN) (DUTCH 1834-1908) DUTCH HARBOR SCENE Oil on panel: 8 x 11 in. Framed: lower right signed and dated: Dommersen 1871
• Pieter Cornelis Dommersen (Dutch
  Pieter Cornelis Dommersen (Dutch 1834-1908) Antwerp Street oil on canvas 18 x 14 inches.
• Flemish School Style of Peter
  Flemish School Style of Peter Paul Rubens circa 1610-1620 A Greek Mythological Scene Depicting Cephalus Discovering Procris after Death with Cephalus' Hunting Dog Nearby all in a Naturalistic Forest Landscape unsigned oil on copper
• Adrianus Pieter (Piet) Bouter
  Adrianus Pieter (Piet) Bouter (Netherlands, 1887-1968). Flock of sheep in a landscape. Oil on canvas, signed at the lower right corner, approx. 16" x 19-3/4", framed in a modern gilt frame overall approx. 20-1/2" x 24-1/2".
• Pieter Caspar Christ (Dutch
  Pieter Caspar Christ (Dutch 1822-1888) "Path to the Castle" oil on wood panel signed lower right 6 3/4 in. x 11 1/4 in. framed.
• Petrus Paulus Schiedges II (Dutch
  Petrus Paulus Schiedges II (Dutch 1860-1922) watercolor gouache on paper marsh scene with trees on banks signed LL matted and framed water damage visible on mat ss: 14 1/4'' h. x 22 1/4'' w.
• PETRI, Meta, (Danish, 1957-): 2
  PETRI, Meta, (Danish, 1957-): 2 prints; 1) ''A Graceful Weapon'', Lithograph with Drypoint, 22'' x 30'', signed lower right, titled and numbered lower left 5/50, unframed. 2) ''When Wild Things Grow'', Hard Ground/Spit Bite/Handwork/Drypoint, 36'' x 27'', signed lower right and dated '92, titled and numbered lower left 5/50, unframed.
• MAN OF PETER FRANS CASTEELS, FLORAL
  MAN OF PETER FRANS CASTEELS, FLORAL STILL LIFEManner of Peter Frans Casteels (Flemish, b. circa 1675)Floral still lifeoil on canvas40 x 32in (101.5 x 81cm)
• AFTER PIETER CRAMER (1721-1776),
  AFTER PIETER CRAMER (1721-1776), SHEET FROM DE UITLANDSCHE KAPELLEN Hand-colored engraving, archival framing.
• PETRUS VAN SCHENDEL (SCHOOL), OIL
  PETRUS VAN SCHENDEL (SCHOOL), OIL ON PANEL School of Petrus van Schendel (Belgian, 1806-1870), Night Market, oil on cradled panel, no signature observed, metal artist tag on frame, 19"h x 16"w (panel), 30"h x 27"w (frame)
• PIETER YKENS (FLEMISH, 1648-AFTER
  PIETER YKENS (FLEMISH, 1648-AFTER 1695) 11 ¾" x 7 ½" "The Risen Christ". Pen and brown ink and wash over black chalk, signed in the lower left "P. Eykens", numbered verso 7201, in a gilded frame with conservation matting and UV protected glass, overall 23" x 18". Provenance: Sotheby's Old Master Drawings Sale AM0711, Amsterdam, Tuesday November 10, 1998, Lot 169. Original Sotheby's catalog included with lot.
• PETRUS PIETER GERARDUS VERTIN
  PETRUS PIETER GERARDUS VERTIN (DUTCH/BELGIAN 1819-1893)...PETRUS PIETER GERARDUS VERTIN (Dutch/Belgian 1819-1893) A PAINTING, "Clock Tower View from the Street," oil on panel, signed L/L. 9 1/2" x 7" Condition: Very mild surface wear, but overall in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• HENDRIK GOLTZIUS (1558-1617) COPPER
  HENDRIK GOLTZIUS (1558-1617) COPPER ENGRAVINGtitled "12 Apostels" depicting Saint Peter with the keys to Heaven. Image size 6" x 4", overall 6 1/2" x 4 3/4". Signed in plate and dated 1589. It comes with a booklet titled "Hendrik Goltzius and the Printmakers of Haarlem", 1972, University of Connecticut. 100 pages. Booklet shows some light foxing to edges and some discoloration. The print is in good, as-found condition.
• PIETER DOMMERSEN, VESSELS IN
  PIETER DOMMERSEN, VESSELS IN CALM WATERSPieter Christian Dommersen (Dutch, 1833-1918)Vessels in calm watersoil on panelsigned and dated lower left and with old gallery label to reverse11 1/2 x 16in (29.5 x 41cm) Provenance:
• After Paulus Potter (Dutch,
  After Paulus Potter (Dutch, 1625-1654) Farm Near the Hague oil on panel inscribed Paulus Potter and dated (lower center) 15 1/2 x 20 1/4 inches.
• PETER PAULUS SCHIEDGES II
  PETER PAULUS SCHIEDGES II (NETHERLANDS, 1860-1922)PETER PAULUS SCHIEDGES II (Netherlands, 1860-1922) oil on canvas, house along a canal with small bridge and figure in the garden. Signed lower left and dated 1905. Image measures 30" x 20.5". In a period gilt wood and gesso frame; 41" x 32" overall.
• MAERTEN VOS, AKA MARTIN DE VOS
  MAERTEN VOS, AKA MARTIN DE VOS (NETHERLANDS, 1532-1603) Christ with the Temple Priest, oil on oak panel, signed verso "Martin de Vos, pinxit." in red paint, in 20th c. black molded frame with gold painted liner, OS: 17 3/4" x 15", SS: 11 1/2" x 9". Slightly bowed, minor flaking and retouch, heavily varnished.
• After Petrus van Schendel (Belgian,
  After Petrus van Schendel (Belgian, 1806-1870, 19th century) Young Woman in Candlelight, unsigned, oil on panel, 12 x 8-3/4 in.; fine gold leaf frame,
• PETRUS VAN SCHENDEL (ATTRIB.),
  PETRUS VAN SCHENDEL (ATTRIB.), OIL ON PANEL Attributed to Petrus Van Schendel (Dutch-Belgian, 1806-1870) or, Circle of the Artist, Night Market: The Seller, metal artist label on frame, attribution in pen on verso of frame, illegible letters carved into top verso of panel "P...", 13.5"h x 10.5"w (panel), 17.75"h x 13.75"w (frame)
• PORTRAIT OF ST. PETER (EUROPEAN
  PORTRAIT OF ST. PETER (EUROPEAN SCHOOL 18TH CENTURY). Oil on canvas unsigned. St. Peter with keys. Identified ''S. Pietre''. Imperfections. Unframed 19.25''h. 14.5''w. Surface wear loose canvas loss. Rebacked on canvas
• JAN C. SCHOTEL (1787-1838) DUTCHJan
  JAN C. SCHOTEL (1787-1838) DUTCHJan Christianus Schotel, pilot boat guiding a three master in stormy weather, Antwerp, oil on canvas (relined), signed J.C.Schotel bottom right, inscribed on the pilot boat "Pilotage Anvers". Flemish, 19th Century. Giltwood frame. 22.5 x 31.5 inches.
• PAULUS POTTER (DUTCH, 1525-1554)
  PAULUS POTTER (DUTCH, 1525-1554) KUHHIRTE MIT HERDE ETCHING: 7 X 8 IN. (SIGHT)PAULUS POTTER, (DUTCH, 1525-1554) KUHHIRTE MIT HERDE, Etching: 7 x 8 in. (sight) Framed; lower left signed and dated in plate: Paulus Potter fn - et - f 1649 Provenance: Estate of Ronald Sperling
• PIETER CORNELIS STEENHOUWER,
  PIETER CORNELIS STEENHOUWER, DUTCH STREET, FRAMED Pieter Cornelis Steenhouwer (Dutch, 1896-1972). "Dutch Street Scene", oil on canvas. Signed lower right.
• AFTER PIETER MORTIER (DUTCH,
  AFTER PIETER MORTIER (DUTCH, 1661–1711) 22" x 26¼" "Arcvs Portvgalliae Dictvs in via Flaminia ad Adems Lavrentii in Lvcina in Regione Campi Martii". Verre Églomisé detailed engraving with reverse painted glass black surround, framed in a gilt key-fret frame, overall 25 ½" x 30".
• Jacobus Johannes Poorten (German
  Jacobus Johannes Poorten (German 1841-1914) Boy Fishing in the Woods oil on canvas signed J.V. Poorten (lower right) 14 x 10 3/4 inches.
• Pieter Nolpe (Dutch, 1613-1652)
  Pieter Nolpe (Dutch, 1613-1652) Village Landscape with Figures oil on panel 14 1/8 x 22 3/8 inches (sight). Property from the European Family Collection of a Pharmaceutical Executive and Venture Capitalist
• AFTER PETER PAUL RUBENS (FLEMISH
  AFTER PETER PAUL RUBENS (FLEMISH 1577-1640) A PAINTING,...after PETER PAUL RUBENS (Flemish 1577-1640) A PAINTING, "Christ and the Penitent Sinners," MUNICH, 1923, oil on canvas, signed "Rich. Pfeiffer, Munchen, Cop. 1923," artist, Richard Pfeiffer (1878-1962). 58" x 52" Note: A "sacra conversione"(Sacred Conversation) between Christ, Saints, King and criminal. The sacra conversione is a composition meant to inspire the viewer towards religious contemplation, they are also noted for grouping historical characters with no regard to time or space. The weeping, nude figure of Mary Magdalene kneels, wrapped in a white robe, acknowledging the divinity of the risen Christ. Christ stands at the opening of a cave/tomb, showing his wounds to Saint Peter who clasps his hands asking for forgiveness; Peter denied his teacher three times previous; the criminal Dismas, "The Good Thief," present at the Crucifixion, holds a cross, and King David reminds the viewer of Christ's royal bloodline and fulfillment of biblical prophecy. Provenance: Private collection, Saint Louis.; Private Collection, Houston. Condition: Some darkening, frame rubbing, minor losses, craquelure, stretch marks, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."