A few examples of appraisal values for
PHILLIPS SON

• PHILLIPS (UNITED STATES, 20TH
  PHILLIPS (UNITED STATES, 20TH CENTURY) PASTEL ON CPHILLIPS (United States, 20th century) pastel on canvas, young child on a pony with his mother proudly looking on. Signed "Phillips" lower right and dated 1925. Image measures 30" x 34.5". In a period gilt wood frame; 35.25" x 40.25" overall.
• Philip Wofford b.1935. Sonar. 1964,
  Philip Wofford b.1935. Sonar. 1964, oil on canvas. 26¾ h × 27¾ w in. result: $1,625. estimate: $600–800. Signed and dated to lower center ‘Wofford 64’. Signed, titled and dated to verso ‘Sonar 1964 Phillip Wofford’. Provenance: Allan Stone Gallery, New York | Collection of Albert Fried, Jr. | Greenville County Museum of Art, South Carolina | Private Collection
• PHILLIPS FAMILY WATERCOLOR
  PHILLIPS FAMILY WATERCOLOR MEMORIALPhillips family watercolor memorial , inscribed John Phillips died 1830, age 66 . . . , frame 15 1/4" x 19". Provenance: A Pennsylvania collection. Competitive in-house shipping is available for this lot. Condition: Several losses on plinth, ladies arm and around gentleman.
• G H Phillips after William Drummond
  G H Phillips after William Drummond and Charles Basebe/The Cricket Match Between Sussex and Kent, at Brighton/engraving 58cm x 91cm
• IAN PHILIPPS (B. 1968): POSTOil
  IAN PHILIPPS (B. 1968): POSTOil on canvas, 1994, signed 'I Philipps', titled and dated on the reverse. 60 x 48 1/2 in., 61 x 50 in. (frame). Condition In excellent condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• English oil on canvas portrait of
  English oil on canvas portrait of John Phillips Esq ca. 1800 30" x 25". ?
• CHARLES PHILIPS, PORTRAIT OF A
  CHARLES PHILIPS, PORTRAIT OF A GENTLEMAN, OIL Charles Philips (British 1748-1747), portrait of a gentleman, oil on canvas, bust length painting depicting a man in white wig, in ovolo, framed, signed "C. Philips pixt" to lower left of subject with additional text below. Approx. canvas h. 30", w. 25"; Overall h. 34.5", w. 29.5".
• PHILIP V OF SPAIN GRANDSON OF LOUIS
  PHILIP V OF SPAIN GRANDSON OF LOUIS XIV - LETTER SIGNED TO MICHEL-JEAN AMELOT CONCERNING THE MARRIAGE OF AMELOT'S DAUGHTER. Framed. Lot includes another framed French royal letter. Provenance: Estate of Louis S. Auchincloss
• PHOTOGRAPHS AND BOOK, LLOYD
  PHOTOGRAPHS AND BOOK, LLOYD PHILLIPS Lloyd Phillips (South African/American, 1949-2013), "Racing Stripes," 2003, thirty five (35) gelatin silver prints taken by Phillips during the filming of the movie, with a book with forward by Phillips, photograph sheets (each/unframed): 12"h x 16"w
• CHARLES PHILIPS (ENGLAND,
  CHARLES PHILIPS (ENGLAND, 1708-1747), PORTRAIT OF A GENTLEMAN., OIL ON CANVAS, 30" X 25". FRAMED 35" X 29".CHARLES PHILIPS, England, 1708-1747, Portrait of a gentleman. Signed and dated middle left "C. Phillips 1739". Dimensions: Oil on canvas, 30" x 25". Framed 35" x 29".
• § ROSE HILTON (BRITISH 1931-2019)
  § ROSE HILTON (BRITISH 1931-2019) YOUNG BOY, 1972 signed 'Phipps' (artist's maiden name), titled and dated (to reverse), oil on wooden cabinet door panel with keyhole lock25.5cm x 17cm (10in x 6.75in)Provenance:In Barns-Graham's notes about her collection she states she purchased a wood panel of a boy by Rose Hilton.
• Phillips (C) Recollections of
  Phillips (C) Recollections of Curran, and some of his Contemporaries, 8vo, London 1822 and seven others of Irish interest (8)
• Ammi Phillips (American
  Ammi Phillips (American 1788-1865) oil on canvas portrait of a gentleman holding a book 32" x 27". ?
• PHILLIPS, Jerry (American b. 1958):
  PHILLIPS, Jerry (American b. 1958): ''Study of a Seated Figure'', O/C 40'' x 30'', signed lower left, inscribed Phillips Multa, Class 1977 verso, Edgewood frame, 40.5'' x 30.5''.
• PHILLIP PHILBECK (NC, B. 1968),
  PHILLIP PHILBECK (NC, B. 1968), STUDY FOR ANDREWS Oil on board, signed at lower right, presented within a wide linen mat and burlwood veneered frame with brass gallery plaque.
• Bert Geer Phillips (1868-1956 San
  Bert Geer Phillips (1868-1956 San Diego CA) A Native American Family in an Orchard
• PHILLIP LLOYD POWELL (1919-2008)
  PHILLIP LLOYD POWELL (1919-2008) WALNUT CORNER BANQUETTE
• D. PHILLIPS. STILL LIFE WITH
  D. PHILLIPS. STILL LIFE WITH APPLES, OIL Possibly Duncan Phillips? Oil on canvas, signed and dated "D. Phillips, 1941" lr, 25 x 30 in., framed.
• Philip Wofford (American, b. 1935)
  Philip Wofford (American, b. 1935) Kid Broccoli, 1973 acrylic on canvas signed Philip Wofford, titled and dated (verso) 72 x 72 inches. Property from a Private Art Collection
• AMMI PHILLIPS OIL ON CANVAS
  AMMI PHILLIPS OIL ON CANVAS PORTRAITAmmi Phillips (American 1788-1865) , oil on canvas portrait of Jane Livingston (1804-1871), daughter of Walter and Elizabeth and wife of John Sanders, 31 3/4"x 26 3/4". Condition: Frame - 33" x 38". Relined. Minor scattered small touch-ups. Provenance: Philadelphia, Pennsylvania collector. Old label verso from the Connecticut Historical Society attributing it to Phillips.
• WILLIAM S. PHILLIPS (OREGON, BORN
  WILLIAM S. PHILLIPS (OREGON, BORN 1945) OIL ON CANWILLIAM S. PHILLIPS (Oregon, born 1945) oil on canvas, "Three Fingered Jack, East Side," Oregon landscape with mountain in the background. Signed lower right and dated 1979. Gallery label attached verso from Soaring Wings, Ltd., Salem, Oregon. Image measures 30" x 40". In a wood frame; 36.5" x 46.75" overall.
• Peter Phillips (British, b. 1939)
  Peter Phillips (British, b. 1939) Pop Art composition Silkscreen Pencil signed, numbered 70/75, dated '75 35 3/4" x 25 1/4"
• BRITISH HENRY ELDEST SON OF CHARLES
  BRITISH HENRY ELDEST SON OF CHARLES BRANDON DUKE OF SUFFOLK and CHARLES 2ND SON OF CHARLES BRANDON DUKE OF SUFFOLK Colored engraving: 7 1/2 x 6 1/2 in. Framed
• GEORGE PHILLIPS ODOM, JR. (AMERICAN
  GEORGE PHILLIPS ODOM, JR. (AMERICAN 1941-2010), COMPLEMENTARY COLOR STUDIES: FIVE WORKSGeorge Phillips Odom, Jr. (American 1941-2010), Complementary Color Studies, : Five Works, Unsigned; each inscribed on verso with description of the color scale Paper collage on board; with minor scuffing. Each framed.* Each approximately: 9 x 31-1/4 in (22.9 x 79.4 cm) Dimensions: Each approximately: 9 x 31-1/4 in (22.9 x 79.4 cm)
• PHILIP JACKSON (B. 1944): "THE
  PHILIP JACKSON (B. 1944): "THE GRANDEES"signed, bronze and polished brass Provenance: The Estate of Lee Phillip Bell, co-creator of 'The Young and the Restless' and 'The Bold and the Beautiful' 30 inches wide; 26 inches deep; 20 inches high Condition:
• WILLIAM PHILLIPS (AMERICAN B. 1945)
  WILLIAM PHILLIPS (AMERICAN B. 1945) 30" x 40" "Advantage Eagle", 1982. Oil on canvas, signed and dated "William S. Phillips 1982" to the lower right corner and signed, titled, and dated to verso on stretcher bar 'Advantage Eagle' by William S. Phillips, oil on canvas 1982", in wood frame, overall 38" x 48".
• Phillips F. Lewis (1892-1930
  Phillips F. Lewis (1892-1930 Oakland CA) Sunset in the Estuary
• CHESTERFIELD, PHILIP DORMER
  CHESTERFIELD, PHILIP DORMER STANHOPE, EARL Letters Written ... to His Son, Philip Stanhope. Estimate:$400-$600
• Philip Richard Morris English,
  Philip Richard Morris English, 1833-1902 Young Shepherd in a Pastoral Landscape with Figures Estimate:$2,000-$3,000
• PHILIP WHITE (AMERICAN, 1935 -
  PHILIP WHITE (AMERICAN, 1935 - 2000) 12" x 9" "Red Jacket", 1968. Oil on masonite board, signed and dated lower left, in a gold tone frame with linen liner, overall 21 ¼" x 18 ½". Artist studio address, title, and original price inscribed on stretcher verso.
• EXHIBITED 1962 W. DRAPER PORTRAIT
  EXHIBITED 1962 W. DRAPER PORTRAIT OF SON "WILLY"William Franklin Draper American, 1912-2003), "Willy" oil on canvas, 1962. Signed "Wm. F. Draper '62" on lower left. A large-scale portrait by American award-winning portraitist William Draper, depicting his son and namesake William "Willy" Jr. who was a star tennis player in his teens and went on to teach at the Georgia Tennis Club in East Hampton, Long Island. William Jr. is presented as a handsome nineteen year old, sitting with his arms on the rails of a chair, and gazing toward his left. He wears a patterned blue and beige sweater over a sky blue polo shirt with khaki shorts. The blue hues of his garments beautifully match his twinkling bright blue eyes, a trait he shared with his father. A wonderful portrait of the artist's son, set in an attractive custom frame. Size of painting: 41.5" L x 27.5" W (105.4 cm x 69.8 cm) Size of frame: 49.875" L x 35.875" W (126.7 cm x 91.1 cm) Though a respected as "an artistic descendant of John Singer Sargent" - noted for his expressive style and freely brushed and textured paintings, Draper once said, "Portraits are always a challenge. It's like a puzzle." According to Edgar J. Driscoll, Jr's memorial statement, "Paul E. Curran, a friend of 20 years, said a Draper portrait was a 'five day affair,' begun on Monday and wrapped up Friday afternoon. Before he finished, he always got an objective opinion of the piece from someone who knew his subject. 'He'd get an opinion of how well he portrayed the individual,' Curran said." Peter Rathbone, Director Emeritus of the Boston Museum of Fine Arts, whose portrait Draper also painted stated, "Nature endowed William F. Draper with enough talents to require him to choose among them before embarking on a professional career. Yet to those who know him, it is hard to imagine that any natural bent could rival his personal endowment as a painter of portraits . . . Draper's painting belongs to the tradition of Sargent. Like Sargent's, his style is fluid with virtuoso brushwork as the identifying characteristic. Like Sargent, the preparation of the painting by Draper is all in the artist's eye. Unlike Sargent's detachment, Draper's understanding and love of people and his appreciations of physical subtleties are happily projected into his work. These traits are the source of the warmth and vitality of his portraiture. They are also the reasons why his portraits are fine likenesses. And it is not too much to say that something of his own vibrant personality is reflected in everything he paints." ("Portraits Period" by Portrait Brokers of America, 1990, p. 46) William Draper's career spanned seven decades and his subjects included a portrait of John F. Kennedy that hangs in the National Portrait Gallery in Washington D.C. based upon an oil sketch for which the president sat in 1962. Draper was actually the only artist who painted JFK from life. Draper showed at Knoedler, the Graham Gallery, Portraits, Inc., the Far Gallery, The Findlay Galleries (New York, NY) and the Robert C. Vose Galleries (Boston, MA). His work has been included in shows at the National Portrait Gallery and the Corcoran Gallery of Art (Washington, D.C.), The National Academy of Design (New York, NY), The Boston Museum of Fine Arts, (Boston, MA) the Fogg Art Museum, (one of the Harvard Art Museums, Cambridge, MA), the National Gallery, (London), Salon de la Marine (Paris) and in museums in Australia. He also taught at the Art Students League of New York, and received a lifetime achievement award from the Portrait Society of America in 1999. More on the artist's background: William Franklin Draper was born in Hopedale, Massachusetts on December 24, 1912. A child prodigy, he studied classical piano at Harvard University. He later changed his focus to fine art and studied with Charles Webster Hawthorne and Henry Hensche in Provincetown, Rhode Island. Draper also attended the National Academy of Design in New York and the Cape Cod School of Art in Massachusetts. Then he traveled to Spain and studied with Harry Zimmerman, moved on to France and attended the Academie de la Grande Chaumiere. In 1937, he moved to Boston to study sculpture with George Demetrius and also studied with Jon Corbino in beautiful Rockport, Massachusetts. In 1942, Draper joined the Navy and served as a combat artist when stationed on the Aleutian Islands and in the South Pacific. He observed and painted battle scenes on Bougainville, Guam, Saipan, and other locations, as well as genre scenes of soldiers who were not engaged in combat but rather at work and at play. National Geographic magazine reproduced 25 of his war images in four issues in 1944. In 1945, the Corcoran Gallery of Art in Washington D.C. organized a group exhibition of works by five official war artists, including Draper. That same year the Metropolitan Museum of Art included Draper in an exhibition entitled, ''The War Against Japan.'' Draper was also featured in a PBS television show about combat artists entitled, "They Drew Fire" in May of 2000. After the war, Draper opened a studio on Park Avenue in New York City and continued to not only paint, but also play classical and jazz piano. On the verso are two exhibition labels, one from Portraits, Inc. in New York City and another from FAR Gallery in New York City. This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world’s largest database of stolen art, collectibles, and antiques. Provenance: The William F. Draper Collection, New York City, USA, acquired via descent from the late William Franklin Draper (1912-2003) All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #152319 Condition: Portrait is in excellent condition. Signed "Wm. F. Draper '62" on lower left. On the verso are two exhibition labels, one from Portraits, Inc. in New York City and another from FAR Gallery in New York City. Draper Estate stamp on verso as well. Frame has some inactive insect holes and age wear with scuffs, abrasions, and nicks/chips as shown. Minor stains on verso of framing that do not interfere with the painted portrait. Perforations on verso of frame, likely from previous display.
• P* PHILIPPE (continental school
  P* PHILIPPE (continental school 20th century) HARBOR SCENE Signed bottom right, oil on canvas 24 x 30 in. provenance: Estate of Alan S. Kushner, Wyndmoor, Pennsylvania.
• PHILLIP SANDERS(British, born 1938)
  PHILLIP SANDERS(British, born 1938) Richard Blakeney - East Kent Hunt, signed lower left "Phillip Sanders", oil on plywood, 24 x 28-1/8 in.; gilt wood frame, 29-1/8 x 33-1/8 in. Condition: good condition; frame with minor abrasions
• WILLIAM S. PHILLIPS TWO LIMITED
  WILLIAM S. PHILLIPS TWO LIMITED EDITION LITHOGRAPHS (Oregon born 1945) Aviation themes titled ''Ploesti: Into the Fire and Fury'' and ''Into the Throne Room of God.'' Images measure 18.5'' x 28'' and 10.75'' x 24'' both are pencil signed and numbered. With Certificates of Authenticity Unframed.
• Phillip Sanders (born
  Phillip Sanders (born 1938)/Adjustments/horse racing scene/signed/watercolour, 25cm x 33cm/Exhibited: Henry-Brett Galleries, Horses, Hunting and Racing, March 1988
• HALSMAN, PHILIPPE (1906-1979)
  HALSMAN, PHILIPPE (1906-1979) Marilyn at drive-in. Estimate:$1,000-$1,500