A few examples of appraisal values for
PLATE 1

• A GILT BRONZE MOUNTED SEVRES
  A GILT BRONZE MOUNTED SEVRES STYLE PORCELAIN VASEA gilt bronze mounted Sevres style porcelain vase, now mounted as a lamplate 19th centuryheight of vase without electrical fittings 15in (38cm); height overall 21in (53.5cm); width across handles 10in
• DORA DE LARIOS, FOUR WORKS,
  DORA DE LARIOS, FOUR WORKS, GLAZED EARTHENWAREDora De Larios(American, 1933-2018)Four worksglazed earthenwareeach incised de Lariosheight of bowl 4 1/4in (10.7cm); diameter of largest plate 10 3/4in (27.3cm)
• A FRENCH PORCELAIN VASE, NOW AS A
  A FRENCH PORCELAIN VASE, NOW AS A LAMPA French gilt bronze and champleve enamel mounted porcelain vase, now as a lamplate 19th centuryheight of vase 17 1/2in (44.5cm); diameter 7in (18cm)
• A FRENCH PATINATED BRONZE FIGURAL
  A FRENCH PATINATED BRONZE FIGURAL GROUPA French patinated bronze figural grouplate 19th centuryOn associated wooden plinth.height 15 1/4in (39cm); width 13 1/2in (34.5cm); depth 6 1/4in (16cm)
• A GROUP OF ENGLISH AND
  A GROUP OF ENGLISH AND CONTINENTAL GREEN MAJOLICAA group of English and Continental green majolicalate 19th/early 20th centuryComprising eighteen plates and two cake plates. (20)length of largest cake plate 12in (30.5cm); diameters ranging from 8in
• FIFTEEN ENGLISH PORCELAIN AND
  FIFTEEN ENGLISH PORCELAIN AND CERAMIC ARTICLESA collection of English porcelain and ceramic articles19th centurydiameter of plate 10in (25.5cm); height of tallest tankard 5 1/8in (13cm)
• A FRENCH BRONZE AND MARBLE FIGURE
  A FRENCH BRONZE AND MARBLE FIGURE NOW AS A LAMPA French gilt and patinated bronze and rouge griotte marble figure now mounted as lamplate 19th centuryheight of figure 14in (35.5cm); diameter 5 1/2in (14cm)
• A FRENCH BRONZE MODEL OF A MAIDEN
  A FRENCH BRONZE MODEL OF A MAIDEN AS A LAMPA French patinated bronze model of a maiden, now as a lamplate 19th/early 20th centurythe figure height 19in (48cm) Provenance: Property from a Private Collection, Palm Desert, California.
• AN ENGLISH MAHOGANY LIBRARY
  AN ENGLISH MAHOGANY LIBRARY STEPAn English mahogany library steplate 19th centuryTops to upper and second step hinged.height 26 1/4in (67cm); width 18in (46cm); 27 1/2in (70cm)
• A LARGE CONTINENTAL EARTHENWARE
  A LARGE CONTINENTAL EARTHENWARE FIGURAL GROUPA large Continental glazed earthenware figural grouplate 19th centuryheight 35 1/2in (90cm); width 18in (46 cm); depth 13 1/2in (34.5cm)
• JOAN MIRO, PLATE 12, FROM L ENFANCE
  JOAN MIRO, PLATE 12, FROM L ENFANCE D UBUJoan Miro (Spanish, 1893-1983)Plate 12, from L'Enfance d'Ubu (M. 1009), 1975lithograph in colors on Arches wove papersigned in pencil, annotated ‘E.A.’, published/printed by Teriade Editeur/Mourlo
• JOAN MIRO, PLATE 17, FROM L ENFANCE
  JOAN MIRO, PLATE 17, FROM L ENFANCE D UBUJoan Miro (Spanish, 1893 -1983)Plate 17, from L'Enfance d'Ubu (M. 1010), 1975lithograph in colors on Arches wove papersigned in pencil, annotated ‘E.A.’, published/printed by Teriade Editeur/Mourl
• JOAN MIRO, PLATE 14, FROM L ENFANCE
  JOAN MIRO, PLATE 14, FROM L ENFANCE D UBUJoan Miro (Spanish, 1893-1983)Plate 14, from L'Enfance d'Ubu (M. 1011), 1975lithograph in colors on Arches wove papersigned in pencil, annotated ‘E.A.’, published/printed by Teriade Editeur/Mourlo
• EDWARD CURTIS (1868-1952), WATCHING
  EDWARD CURTIS (1868-1952), WATCHING FOR THE SIGNAL - APSAROKE Title: Edward Curtis (1868-1952), Watching for the Signal - Apsaroke Medium: photogravure, plate 116 Dimensions: 11 7/8 x 15 3/4 Framed dimension: 23 5/8 x 26 5/8 x 1 1/4
• A Continental round pierced steel
  A Continental round pierced steel trunk lock and key, 18th c, the lockplate with design of strapwork and two 'squirrels', 16cm diam and a George III steel trunk lock and key, lockplate 12 x 16cm More Information Complete and working order, rusty
• A Royal Worcester teacup, saucer
  A Royal Worcester teacup, saucer and plate, 1926 and 1929, painted by E Townsend, all signed, with fruit, plate 15.5cm diam, printed mark More Information Cup and plate in good condition. Saucer broken in two and re-stuck
• WROUGHT IRON CAMP STOVE, 18TH
  WROUGHT IRON CAMP STOVE, 18TH C.Wrought iron camp stove, 18th c. , with penny pot supports, hinged grill, and turned wooden handle, 6 3/4" h., 13 1/2" w. For a similar example, see Donald Fennimore, Iron at Winterthur , plate 193A. Provenance: The Collection of Douglas and Janet Connor, Aspen, Colorado. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• RARE BLOWN THREE-MOLD GLASS HAT,
  RARE BLOWN THREE-MOLD GLASS HAT, CIRCA 1820-1830Extremely rare blown three-mold olive-green bottle glass hat, circa 1820-1830 , GII-18 with a 16-diamond type XII base, 2 1/4" h., brim - 2 5/8" dia., 1 7/8" dia. base. Pictured in McKearin, American Glass , plate 107, no. 9. Provenance: George McKearin's collection retaining the collection labels, Knotty Pine Gallery sale, October 2002, sold to Norman Heckler. Competitive in-house shipping is available for this lot. Condition: 1/8 inch repair to base edge with small associated hairline.
• LE CORBUSIER (1887 -
  LE CORBUSIER (1887 - 1965)Charles-Edouard Jeanneret Le Corbusier, Swiss (1887 - 1965) Color Etching and Aquatint on Rives BFK Paper "Unite, Plate 18" Signed in Pencil and Numbered 70/130. Dated 14-8-53 in the plate. Sight meas
• MARC CHAGALL ETCHINGS (2)Marc
  MARC CHAGALL ETCHINGS (2)Marc Chagall Etchings (2). Two Roosters, signed in plate on BFK RIVES paper. Plate 11 1/2" x 9 1/2". Sheet: 15" x 12" and Hagar in the Desert, Original double sided lithograph on paper, 14" x 10". Bot
• AUDUBON, John James (1785-1851),
  AUDUBON, John James (1785-1851), after. A group of 190 octavo-format lithographs, including: 1) Snowy Owl (Plate 28) 2) Tyrant Flycatcher or King Bird (Plate 56) 3) Audubon’s Wood-Warbler (Plate 77) 4) Black-throated Green Wood Warbler (Plate 84) 5) Rock-Wren (Plate 116) 6) Black cap Titmouse (Plate 126) 7) Arctic Bluebird (Plate 136) 8) Tawny Thrush (Plate 145) 9) Painted Lark-Bunting (Plate 153) 10) Swamp Sparrow (Plate 175) 11) Bachman’s Pinewood Finch (Plate 176) 12) Song Finch (Plate 189) 13) Wandering Rice-bird (Plate 211) 14) Common Magpie (Plate 227) 15) Clarke’s Nutcracker (Plate 235) 16) Red-bellied Nuthatch (Plate 248) 17) Zenaida Dove (Plate 281) 18) Black-bellied Plover (Plate 315) 19) Rocky-Mountain Plover (Plate 318) 20) Great Marbled Godwit (Plate 348) 21) American Swan (Plate 384) 22) Duskey Duck (Plate 386) 23) Townsend’s Cormorant (Plate 418) 24) Kittiwake Gull (Plate 444) 25) Common or Arctic Puffin (Plate 464) 26) Brewer’s Blackbird (Plate 492) 27) Shattuck’s Bunting (Plate 493) 28) Maryland Marmot. Woodchuck. Groundhog (Plate II) 29) Downy Squirrel (Plate XXV) 30) Polar Bear (Plate XCI) And 160 others. Together, 190 lithographs after J.J. Audubon et al by J.T. Bowen, from The Birds of North America (Philadelphia), mixed Octavo editions, or Viviparous Quadrupeds of North America (Philadelphia & New York), J.T. Bowen et al, n.d. [ca 19th-century]. Each approximately 10 ½ x 6 3/4-in. or smaller, most with stab-holes from old sewing and adhesive remnants along gutter margin, condition generally very good, most with a leaf or leaves of corresponding textual description. Complete list available upon request. Provenance for the lot: Many plates from the Public Library, Duluth, MN (stamps verso); most with a Certificate of Authenticity by Georgetown Galleries dated 16 June 1994 or 28 July 1994.
• AUDUBON, John James (1785-1852)
  AUDUBON, John James (1785-1852) et al, after A group of 10 octavo-format prints, comprising: 1) Great Horned Owl (Plate 39) 2) Arctic Ground Finch (Plate 194) 3) Common Pine-finch (Plate 199) 4) Canadian Woodpecker (Plate 258) 5) Hairy Woodpecker (Plate 262) 6) Cock of the Plains (Plate 297) 7) Sharp-tailed Grouse (Plate 298) 8) Musk Rat Musquash (Plate XIII) 9) Jumping Mouse (Plate LXXXV) 10) Musk Ox (Plate CXL) Together, 10 lithographs in color, some with hand-coloring, ca 19th-century or later, each visible area approximately 9 1/2 x 6-in. or smaller, condition generally very good, all similarly matted and framed (unexamined out of frame).
• A Hering Berlin Polite Platinum
  A Hering Berlin Polite Platinum Porcelain Dinner Service comprising: 12 dinner plates 12 salad plates 12 teacups 12 saucers; 48 items total. Diameter of dinner plate 14 1/2 inches.
• A Bernardaud Limoges Porcelain
  A Bernardaud Limoges Porcelain Dinner Service Madison pattern, comprising: 12 dinner plates 12 salad plates 12 bread and butter plates 12 flat cups 13 saucers, together with twelve Charleston pattern salad plates; 73 items total. Diameter of dinner plate 10 1/2 inches.
• Robert Sperry Studio Pottery
  Robert Sperry Studio Pottery Abstract Plate 10''
• CHINESE JADE CARVED "9 COIN"PLAQUE,
  CHINESE JADE CARVED "9 COIN"PLAQUE, QING DYNASTY A Chinese jade carved plaque with inscriptions on both sides, dating from the Qing dynasty. A rounded plaque a big coin surrounded by eight smaller coin, each with a square hole in the center. Inscriptions on each of the coin, on both sides of the plaque. D. 2 1/4" (5.7 cm) Provenance: Collection of the Estate of Mary Snite Boardman, San Francisco, CA Catalogue Note: the nine coins symbolizing the Nine Prosperities,similar plaque can be found in "The Story of Jade" by Herbert P. Whitlock and Martin L. Ehrmann, Sheridan House, New York, 1965, page 149, plate 106 Link to HD Natural Light photos:Click here for high resolution imagesCondition: in good condition with minor surface wear
• 7 AMERICAN STERLING SILVER
  7 AMERICAN STERLING SILVER PLATESLot of 7 American sterling silver plates. Meriden with pierced rim and basket of flowers motif, Wallace, Preisner, Gorham, Watrous, Spaulding. Meriden plate 10 1/4"-diameter. 1680 grams total. All with some scratches and tarnish, smaller pierced rim plate with some pitting, dents to Wallace plate. Provenance: From the Estate of Angela Gross Folk.
• AFTER MARY CASSATT ETCHING IN THE
  AFTER MARY CASSATT ETCHING IN THE OMNIBUSAfter Mary Cassatt (American, 1844-1926), Etching with aquatint, In the Omnibus (The Tramway). Artist's monogram in the plate, lower center. With Bibliotheque Nationale Claude Tchou & Sons Replique blindstamp lower right. Plate 14 5/8" x 10 1/2" (with frame 23 3/4" x 18").
• AFTER MARY CASSATT ETCHING THE
  AFTER MARY CASSATT ETCHING THE LETTERAfter Mary Cassatt (American, 1844-1926), Etching with aquatint, The Letter. With Bibliotheque Nationale Claude Tchou & Sons Replique blindstamp lower right. Plate 13 1/4" x 8 3/4" (with frame 23 3/4" x 18").
• AFTER MARY CASSATT ETCHING
  AFTER MARY CASSATT ETCHING AFTERNOON TEA PARTYAfter Mary Cassatt (American, 1844-1926), Etching with aquatint, Afternoon Tea Party. Artist's monogram in the plate, lower center. With Bibliotheque Nationale Claude Tchou & Sons Replique blindstamp lower right. Plate 13 1/8" x 10 1/8" (with frame 23 3/4" x 18").
• AFTER MARY CASSATT ETCHING THE
  AFTER MARY CASSATT ETCHING THE FITTINGAfter Mary Cassatt (American, 1844-1926), Etching with aquatint, The Fitting. Artist's monogram in the plate, lower center. With Bibliotheque Nationale Claude Tchou & Sons Replique blindstamp lower right. Plate 14 3/4" x 10" (with frame 23 3/4" x 18"). Some foxing in the right margin.
• 3PCS RON MEYERS STUDIO ART
  3PCS RON MEYERS STUDIO ART POTTERY PIECES Ron Meyers (American 1934), three studio pottery pieces, including an irregular shaped lidded jar with handles featuring an image of a cat, a platter depicting two human figures and an animal, and a large shallow sided bowl depicting two female forms, apparently unsigned. Approximate Dimensions:jar: h. 7.5", w. 7.5"; diameter of plate 1 is 13.5" and plate 2 is 14".
• PICASSO "SCULPTEUR DEVANT SA
  PICASSO "SCULPTEUR DEVANT SA SCULPTURE" ETCHING Pablo Picasso (Spanish 1881-1973). "Sculpteur devant sa sculpture: Plate 1 from Le Chef-d'Oeuvre Inconnu" 1927, etching on Japon paper depicting a young woman in a headdress next the sculptor and his sculpture, having no apparent signature, framed. Note: Accompanied by Richard Reed Armstrong, Chicago Illinois COA. Provenance: From the Estate of Joyce Lowenstein, Atlanta, Georgia. Approximate Dimensions:plate h. 7.5", w. 10.875"; paper h. 8.875", w. 12"; frame h.
• A TIFFANY & CO. STERLING SILVER
  A TIFFANY & CO. STERLING SILVER BRANDY WARMER AND UNDERPLATE 1956-1965 period mark, directorship of William T. Lusk, pattern number 22739, with a flared rim, wood handle, and round underplate.
• FOUR COMIC BOOK ART PORTFOLIOS,
  FOUR COMIC BOOK ART PORTFOLIOS, INCLUDING A SIGNED LIMITED EDITION 1970s and 1980s, to include: Berni Wrightson. APPARITIONS. Brooklyn, NY: Sal Quartuccio, 1978. With (4) color plates in a b&w illustrated envelope. (Plates 14 x 11 in.) (Plates near fine with some corners slightly bent, (1) with light scuffing en verso; envelope good with edgewear, corners rubbed, light scuffing and creasing, several tears, and small losses at flap.) M.W. Kaluta. CHILDREN OF THE TWILIGHT PORTFOLIO. Brooklyn, NY: S.Q. Productions, 1979. With (4) color plates in a b&w illustrated envelope. (Plates 14 x 11 in.) (Plates mostly near fine with small bend at (1) corner, (1) very good with green mark to front; envelope good with toning, edgewear, corners rubbed, light scuffing and creasing, small tears and (1) tiny stain, split at crease on both sides.) Dave Sim. SIX DEADLY SINS OF CEREBUS. San Diego: Schanes & Schanes, 1981. With (6) b&w plates in an illustrated color folder. Signed limited edition; no. 1359 of 1750 copies; signed by Sim and numbered in pencil on Plate 1. (Plates 11 x 13 7/8 in.) (Plates about near fine; mildly toned, with occasional light creasing and edgewear, (1) with small amount of minor offsetting; folder near fine with very light edgewear and creasing.) Dave Sim, Berni Wrightson, Steve Gerber, et al. F.O.O.G (FRIENDS OF OLD GERBER), [1982]. (9) b&w plates by Wendy Pini, Jeff Jones, Barry Windsor Smith, Frank Thorne, Steve Gerber and Gene Colan, Wm. Marshall Rogers, Berni Wrightson, Dave Sim, and Michael Wm. Kaluta; in a b&w envelope illustrated by Jack Kirby and Alfredo Alcala. (Plates 14 1/4 x 11 1/4 in.) (Missing plate by Charles Vess; plates generally very good or better with light creasing and edgewear, (1) with mark to verso, Kaluta plate with overall light grime; envelope good with creasing and light toning, edgewear and rubbed corners, scuffing, light grime, and small tears.)
• ORTHOCERAS AND AMMONITE COMPOSITE
  ORTHOCERAS AND AMMONITE COMPOSITE PLATE 16 ½" x 14 ½" x 3" Prehistoric orthoceras and ammonite plate.