A few examples of appraisal values for
POINTON

• CHET RENESON (B. 1934)On Point
  CHET RENESON (B. 1934)On Point signed "Reneson" lower right watercolor, 17 1/2 by 27 1/2 in.
• Victorian Chromolithograph of
  Victorian Chromolithograph of Pointers 'on point' image area 20'' x 16'' in Victorian frame.
• F.M. Spiegle Chromolithograph of
  F.M. Spiegle Chromolithograph of English Pointer ''on point'' 16'' x 24''.
• Capt J D Guille/The Point to
  Capt J D Guille/The Point to Point/signed/oil on canvas, 38cm x 48cm
• Richard Fayerweather Babcock
  Richard Fayerweather Babcock (American, 1887-1954) "On Point", hunting dog in fall landscape oil on canvas signed lower right 19 1/2" x 25 3/4"
• Leon Danchin Print of Setters 'on
  Leon Danchin Print of Setters 'on point' pencil signed image area 13'' x 26'' unframed.
• Chromolithograph of Two Setters
  Chromolithograph of Two Setters withpointer ''on point'' Victorian textured 22'' x 28''.
• Victorian Chromolithograph of
  Victorian Chromolithograph of Setter & Pointer 'on point' image area 18'' x 14'' in Victorian frame.
• PATINATED BRONZE SCULPTURE OF A
  PATINATED BRONZE SCULPTURE OF A POINTING DOGPatinated bronze sculpture, Pointer, on a green marble base, approx 5.25"h, 9.75"w, 4.75"w, 6.75lbs **Provenance: A prominent Houstonian's River Oaks Estate**
• STANFORD FENELLE (1909-1995)On
  STANFORD FENELLE (1909-1995)On Point, c. 1940s signed "Fenelle" lower left oil on canvas, 22 by 30 in. Stan Fenelle was born in Minneapolis and trained at art schools locally. He worked for the Works Progress Administration and the Walker Art Center in the 1930s, taught at the St. Paul School of Art, and created illustrations for many years for Brown and Bigelow. Provenance: Private Collection, Texas
• Edmund H. Osthhaus Lithograph
  Edmund H. Osthhaus Lithograph 1892 printed by Arthur Hoeber Setters ''On Point'' image area approx. 30'' x 20''.
• PATTI OLEON, VANISHING POINT,
  PATTI OLEON, VANISHING POINT, 2004Patti Oleon (American, 20th/21st century)Vanishing Point, 2004oil on panelwith printed gallery label to reverse38 x 40in (97 x 102cm) Provenance:With Hunsacker/Schlesigner Fine Art
• J. JENNY (20TH CENTURY) POINTER
  J. JENNY (20TH CENTURY) POINTER ON THE LOOKOUT OIL ON CANVAS; SIGNED LOWER RIGHT 36" (height) 91.4cm (height) 28" (width) 71.1cm (width)
• ANNE YOUKELES "ROUND POINT"
  ANNE YOUKELES "ROUND POINT" THREE-DIMENSIONAL MULTIMEDI...DESCRIPTION:A three dimensional mixed media silk screen by Anne Youkeles, titled: "Round Point" . Done to create a three-dimensional effect of colors on folded strips of thin card. Signed in pencil. CIRCA: Late 20th Ct. ORIGIN: Austria DIMENSIONS: (With Frame) H: 28" L:28" CONDITION: Good condition, not inspected out of the frame. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• POINTS, STONES AND EFFIGIES.
  POINTS, STONES AND EFFIGIES. Approximately 40 arrows, points and bird arrows. Together with 19 effigies, including eagles, buffalo, and turtles. Varying wear.
• PONSIN, J.N. (TRANS. S.H.
  PONSIN, J.N. (TRANS. S.H. SHARPE). PONSIN ON CONJURING....Ponsin, J.N. (trans. S.H. Sharpe). Ponsin on Conjuring. London: George Johnson, 1937. Decoratively gilt-stamped full green leather, maroon spine title. Inscribed and signed to George Johnson by S.H. Sharpe on the ffep. 8vo. All edged gilded. Ex-libris J.B. Findlay. Fine.
• Pierre Jules Mêne (1810-1879)/A
  Pierre Jules Mêne (1810-1879)/A Pointer and Setter with Partridge/bronze, 40cm wide/on an ebonised base
• After Leon Danchin (French,
  After Leon Danchin (French, 1887-1939) four sporting scenes: Setters on Point, 189/500, tears at top left margin; Brittany Spaniels on Point, 183/500; Spaniel Chasing Rabbit, 292/500; Woodcock, 188/500, label verso "Levausseur & Cie…Paris", signed "Leon Danchin", unframed color engravings on wove paper, each approximately 20-7/8 x 29-1/2 in.,
• NATIVE AMERICAN POINTS.
  NATIVE AMERICAN POINTS. Approximately 60 pieces. Points and arrow points. Varying wear.
• PONCET Antoine. Abstract Bronze
  PONCET Antoine. Abstract Bronze on Marble Base.Signed along bottom and numbered 1/6 with Fonderia Tesconi Pietrasanta foundry mark. Antoine Poncet Swiss 1928. From a Scarsdale NY collector. Dimensions: 5.25'' high (plus base) x 3.25'' wide x 2. Condition:
• Gino Severini Italian, 1883-1966
  Gino Severini Italian, 1883-1966 Relevee Sur Pointe Estimate:$10,000-$15,000
• G. Muss-Arnolt Lithograph of
  G. Muss-Arnolt Lithograph of Setters 'on point' image area 22'' x 28''.
• PORTRAIT CAMEO OF A GENTLEMAN- in a
  PORTRAIT CAMEO OF A GENTLEMAN- in a fine gold and pearl setting fitted with a pin back and pendant hook. Signed 'Bernard Bonet New York 1868' on back. 2'' x 1 1/2'' oval fine condition. From the Marvin Sadik Collection.
• PRINT, SUSAN POINT Susan Point
  PRINT, SUSAN POINT Susan Point (Canadian, b. 1952), "Anew," 1992, screenprint, pencil signed and title lower right, edition 30/70, overall (with frame): 24.25"h x 24.25"w
• Lèon Danchin (French, 1887-1939)
  Lèon Danchin (French, 1887-1939) Two watercolors signed "Lèon Danchin": Pointer with Quail, 17-3/8 x 25-1/2 in. (page); Pointer Head, 21-1/4 x 14-1/2 in. (page), watercolors over pencil on paper, unframed,
• Edmund H. Osthaus Lithograph Setter
  Edmund H. Osthaus Lithograph Setter ''on point'' carved & gilt frame image area 22'' x 16''.
• A small collection of stick pins,
  A small collection of stick pins, one with a coral finial/Provenance: The Estate of Anthony J Beeson
• MORE THAN NINETY NATIVE AMERICAN
  MORE THAN NINETY NATIVE AMERICAN POINTSCOLLECTION OF MORE THAN NINETY NATIVE AMERICAN POINTS, hand knapped from quartz, jasper, obsidian and agate. All displayed in a 18 1/4" by 10 1/4" wood frame with glass face.
• GROUP OF APPROXIMATELY FORTY
  GROUP OF APPROXIMATELY FORTY POINTS. Native American points. Various stone types. Varying wear.
• AFTER EGLANTINE LEMAITRE (FRENCH
  AFTER EGLANTINE LEMAITRE (FRENCH 1852-1920), PATINATED METAL FIGURAL GROUP OF POINTERS, OVERALL: 10 1/4 X 16 X 7 IN. (26.04 X 40.64 X 17.78 CM.)After Eglantine Lemaitre (French 1852-1920), Patinated Metal Figural Group of Pointers,, 'Au Coup De Fusil'; mounted to faux slate plinth, Dimensions: Overall: 10 1/4 x 16 x 7 in. (26.04 x 40.64 x 17.78 cm.)
• JOHN PURPURA, (AMERICAN B. 1933),
  JOHN PURPURA, (AMERICAN B. 1933), ON POINT, CIRCA 1970, OIL ON CANVAS, UNFRAMED: 45 X 30 3/4 IN. (114.30 X 78.11 CM.)John Purpura, (American, b. 1933) On Point, Circa 1970, Oil on Canvas Apparently unsigned Oil on Canvas Dimensions: Unframed: 45 x 30 3/4 in. (114.30 x 78.11 cm.)
• Penin Poncet (French 19th/20th
  Penin Poncet (French 19th/20th century). Silvered and gilt-metal and onyx holy water font relief image of Saint Bernadette of Lourdes in silver and gilt metal mounted on onyx backing with silvered and gilt metal holy water container inscribled ''Poncet'' on portrait titled plate marked ''N.D. de Lourdes Par. Poncet '' backing - 10 x 5 1/2 in. Estimate $ 200-300 Loss of gilt and sivering scratches to onyx.
• A COLLECTION OF APPROXIMATELY
  A COLLECTION OF APPROXIMATELY FORTY-FIVE NATIVE AMERICAN HUNTING POINTS various shapes and styles: quartz flint obsidian jasper etc. Displayed in border of wood frame with color print in center. Over all 21'' by 15.50''.
• CAMACHO Paul. 1969 Optical Oil on
  CAMACHO Paul. 1969 Optical Oil on Canvas ''Point.''Signed titled and dated verso. A 1970 Arts Magazine review of Camacho's work states that ''In paintings such as...''Point'' he proves himself to be a color magician capable of creating unlimited possibilities of striking contrasts and pulsating rhythms in his own inimitable way.'' Signed and dated verso label verso. Paul Camacho Puerto Rican 1929-1989. From a Greenwich CT estate Dimensions: 52.25'' high x 52.25'' wide. Condition: Vertical purple crayon (?) mark approx. 17'' long lower left corner. Some light surface abrasions and scuffing. Area pressure marks particularly in the lower right corner.
• PONSIN ON CONJURING.Sharpe, S.H.
  PONSIN ON CONJURING.Sharpe, S.H. (Trans.). Ponsin on Conjuring. London: George Johnson, 1937. Inscribed and signed by S.H. Sharpe. Dark green cloth stamped in gilt. Illustrated. 8vo. Original jacket chipped and stained, book very good.
• H. Baillevy Oil Setters ''On
  H. Baillevy Oil Setters ''On Point'' image area 30'' x 20''.