A few examples of appraisal values for
POLLY KNIPP HILL

• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Granny Woman'' Etching sight size 9 1/2'' x 11 1/4'' signed titled and numbered 6/10 framed 17'' x 18 1/2''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Palm and Pine'' Etching sight size 9 1/2'' x 12 1/4'' signed lower right titled and numbered 6/10 framed 16 1/2'' x 19 1/2''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Swamp Road'' Etching sight size 9 1/2'' x 10 1/2'' signed lower right titled and numbered 6/10 framed 16 1/2'' x 17 1/2''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Quilting'' Etching sight size 12 1/2'' x 10 1/2'' signed lower right titled and numbered 6/10 lower left wooden frame 19 1/2'' x 17 1/2''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Green Benches'' Etching sight size 9 1/2'' x 11 1/4'' signed titled and numbered 6/10 framed 16 1/2'' x 18 1/2''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Calarassi'' Etching sight size 9 1/2'' x 12'' signed lower right titled and numbered 6/10 wooden frame 16 1/2'' x 19 1/4''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Fish Fry'' Etching sight size 10 1/2'' x 11 3/4'' signed lower right titled and numbered 6/10 framed 17 1/2'' x 19''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Fourth of July'' Etching sight size 10 1/2'' x 12'' signed titled and numbered 6/10 framed 17 1/2'' x 19''.
• HILL Polly Knipp (American
  HILL Polly Knipp (American 1900-1990): ''Sentinel Pines'' Etching sight size 9 1/2'' x 11 1/4'' signed lower right titled and numbered 6/10 framed 17'' x 18 1/2''.
• POLLY KNIPP HILL & KURT HAGERMAN
  POLLY KNIPP HILL & KURT HAGERMAN ART LOT: 1) ''Rock School'', Colored Etching, sight size 6.25'' x 8.5'' with margins, pencil signed lower right, numbered 9/100 lower left and titled, framed, 10.75'' x 13''; 2) Glengarry'', 9.75'' x 13'', pencil signed lower right, titled lower left; 3) ''Tropic Turf'', depicting a horse race scene, 9.75'' x 13.125'' with margins, pencil signed lower right, titled lower left; 4) ''Winter Show - Florida'', depicts a waterskiing scene, 8.75'' x 12'' with margins, pencil signed lower right, titled lower left; 5) Florida Bear Hunt, 9.75'' x 13'', pencil signed lower right; 6) ''Gamble Mansion'', 9.75'' x 12.75'', pencil signed lower right, titled lower left.
• Polly Page carvings: two cedar
  Polly Page carvings: two cedar figures, jointed knees and shoulders, hand made clothing, 13 in.; two figures, man marked "Uncle Pin(k)" with saw and sawhorse, woman marked "Aunt Jenny" with churn, 10 in., all attributed to Polly Page, circa 1950 (Pleasant Hill, Tennessee, born 1918); with two similar carvings of mountain man with walking stick and woman with bucket, each 7 in. (six figures). Excellent condition, minor surface abrasions, slight fading. Private Collection, Etowah, North Carolina.
• Aloys L. Eckart (German
  Aloys L. Eckart (German 1845-1906) Portrait of Polly Dix at age 4-1/2 years. Oval oil on celluloid signed at the lower right apprx. 2-7/8" x 2-1/8" framed under convex glass in a copper repousse oval frame (gilt at one time) with a ring at the top overall apprx. 3" x 2-1/2". Inside the frame the information about the sitter is written in pencil on a slip of paper cut from an advertisement for the artist's work in Dresden and dated May '99.
• Dorothy Atkins (1914-1997
  Dorothy Atkins (1914-1997 Australian) The Hill North Sydney, oil on board, approx 60 cm x 60 cm
• FREDERICK POLLEY, INDIANA
  FREDERICK POLLEY, INDIANA (1875-1957), HILLSIDE LANDSCAPE, OIL ON BOARD, 9 1/2"H X 11 1/2"W (IMAGE), 11"H X 13"W (FRAME)Frederick Polley Indiana (1875-1957) Hillside Landscape oil on board signed lower right From AskArt: Painter, Printmaker, Illustrator, Writer and Teacher. Indianapolis, IN. Born 15 August 1875 in Union City, IN; died 9 Sept 1957, Brown County, IN. Studied Indiana University, Corcoran Art School, Washington, DC. Teachers included James R. Hopkins and William Forsyth. Exhibited: Society of Etchers, Brooklyn, NY, Philadelphia Society of Etchers, Library of Congress 1944 and 1945, Carnegie Institute 1945, Delgado Museum. Prizes include Hoosier Salon 1942 and 1943, Indiana Art Club 1939, 43, 45, New Orleans Art League 1943, Herron Art Institute 1934. His work is contained in the collections of the National Museum, Washington, DC, Herron Art Institute, Iowa State University, University of Pittsburgh. He was author/illustrator of "Our America, Historic Churches in America" and illustrator for "Indianapolis Old and New". Polley was illustrator for the "Indianapolis Star" (Sunday edition) 1924-47. Also illustrator for "Ladies Home Journal" and "Esquire". Taught at Herron Art School, Indiana University and Arsenal Technical High School, 1917-1941. He headed the graphic arts department of Arsenal Technical High School for many years. 9 1/2"H x 11 1/2"W (image), 11"H x 13"W (frame) oil on board Dimensions: 9 1/2"H x 11 1/2"W (image), 11"H x 13"W (frame)
• POLLY APFELBAUM (AMERICAN, B. 1955)
  POLLY APFELBAUM (AMERICAN, B. 1955) "RED DOTS" circa 1995, unique wall relief - pillowcase with applied hand painted velvet.
• POLIA PILLIN (1909-1992): "KATHY
  POLIA PILLIN (1909-1992): "KATHY II"watercolor and gouache on paper; signed lower right; titled to Challis Galleries, Laguna Beach, California label verso 15 1/4 x 10 1/2 inches sight; 24 1/4 x 18 1/4 inches frame Condition: with possible repair or damage to paper
• Pennsylvania wool on linen
  Pennsylvania wool on linen needlework sampler wrought by Catherine MacIntyre 1831 Hilltown with houses an alphabet potted... ?
• +SCHOOLGIRL SAMPLER: MARY "POLLY"
  +SCHOOLGIRL SAMPLER: MARY "POLLY" ELLIOT (AMERICAN, 1776 - 1859), NEEDLEWORK SAMPLER, 1795, SILK ON LINEN, CROSS-STITCH ON BLACK GROUND, POLYCHROME FLOWERING VINE ON TOP AND SIDE BORDERS, CENTER OF NEEDLEWORK DESCRIBE...+SCHOOLGIRL SAMPLER: Mary "Polly" Elliot (American, 1776 - 1859), needlework sampler, 1795, silk on linen, cross-stitch on black ground, polychrome flowering vine on top and side borders, center of needlework described in descending order: four lines of alpha-numeric, over flowers in pot centered between two stylized oak leaf and acorn motifs, over legend: "Tis Not for Mortals always to be/ Blest, but Them the Least the dull or/ painful hours. Of life oppress whom so/ ber Sense conducts. And virtue/ Through the Labyrinth we tread", bands below verse depict a house flanked by four stylized flowers and two trees, the lowest band that identifies the maker and date "Polly Elliots Samplar [sic] 1795" is worked in a band filled with white stitching and also includes a meandering green vine with pink flowers, two manuscript paper labels attached verso which read "Sampler made by/Mary (Polly) Eliot/ b. Jan.24, 1775/d. Oct. 9, 1858/ descended from John Eliot 1604-1690/ Apostle to the Indians/ For disposal: consult Edgar [Confreri?], Binghamton", sight size: 19 1/4" x 15 1/2". [PROVENANCE: Made by Mary (Polly) Eliot (1775/6 - 1859) of Killingworth, Connecticut in 1795 and owned by descent to the current owner. Full genealogy/ lineage available to successful bidder.]
• "Polly Special (edition) Brushing
  "Polly Special (edition) Brushing her Hair", porcelain head and hands, soft jersey body. 15"h
• WORK ON PAPER, RALPH STACKPOLE
  WORK ON PAPER, RALPH STACKPOLE Ralph Stackpole (American, 1885-1973), "Woman on a Pillow," ink on paper, signed lower center, sight: 6"h x 4.5"w, overall (with frame): 20.75"h x 16.75"w
• Paul Wilhelm Tubbecke (German,
  Paul Wilhelm Tubbecke (German, 1848-1924) "View of a Hillside Village", oil on canvas laid down on board, 13-3/4" x 20-1/4", signed and inscribed on board verso "Paul Tubbecke/Weimer/Motiv bei Kronach Bajern". Framed.
• Paul Wilhelm Tubbecke (German,
  Paul Wilhelm Tubbecke (German, 1848-1924) "View of a Hillside Village", oil on canvas laid down on board, 13-3/4" x 20-1/4", signed and inscribed on board verso "Paul Tubbecke/Weimer/Motiv bei Kronach Bajern". Framed.
• Pearl Binder, Lady Elwyn-Jones
  Pearl Binder, Lady Elwyn-Jones (1904-1990)/Immigrants/signed in pencil and dated 1958 and inscribed with a dedication 'For Bill with love from Polly', artist's proof/lithograph, 30cm x 40cm
• Coralie Tweed (North
  Coralie Tweed (North Carolina/Tennessee, born 1939) Road at the Base of a Hill, signed lower right "Coralie Tweed 1993", pastel on paper, 16 x 22-1/4 (sight); modern gilt wood frame,
• Elizabeth Fisher Washington
  Elizabeth Fisher Washington (American 1871-1953) two pastels on paper one titled The House on the Hill and the other Apple... ?
• POLIA PILLIN (1909-1992), FIGURE
  POLIA PILLIN (1909-1992), FIGURE FLYING A KITE, OIL ON PAPER, SIGHT: 13" H X 10" WPolia Pillin, (1909-1992) Figure flying a kite, Oil on paper Signed lower right: Polia Pillin Oil on paper Dimensions: Sight: 13" H x 10" W
• Margaret Patterson (American,
  Margaret Patterson (American, 1867-1950) Cottage on Sunny Hillside oil on canvas signed LR Approx. 25 x 28 inches. Collection of Mrs. A. Edward Allinson
• OIL PAINTING ON CANVAS, CA 1840,
  OIL PAINTING ON CANVAS, CA 1840, PORTRAIT OFPOLLY GIBBS IN WHITE BONNET, CLEANED WITH MINOR INPAINTING. SIGHT SIZE 27" X 23", OVERALL 35" X 30 1/2" IN PERIOD CARVED AND GILDED FRAME.
• A group of seven Royal Worcester
  A group of seven Royal Worcester Nursery Rhyme figures by Freda Doughty, 'Polly put the Kettle On', 'Babes in the Wood', 'Little Miss Muffett' 'Little Jack Horner' and 'Goosie Goosie Gander', 'Little boy Blue' and 'Happy Days'
• An early 19th Century needlework
  An early 19th Century needlework sampler with verse, named buildings, Horse Hill House, near London and Kenton Cottage, with a surround of flowers and birds, by Sarah Wood Stephens, May 14th 1823, 48.5cm x 50cm
• PAINTING, THOMAS HILL Thomas Hill
  PAINTING, THOMAS HILL Thomas Hill (American, 1828-1908), Woman on a Path with Mountains Beyond, oil on canvas board, signed lower left, board: 12"h x 16"w, overall (with frame): 18"h x 22"w
• POLLY A. BURNELL (MASSACHUSETTS,
  POLLY A. BURNELL (MASSACHUSETTS, 1956-), SURREALIST MOUNTAIN LANDSCAPE WITH A FISH IN A CENTRAL LAKE., OIL ON BOARD, 7" X 8". FRAMED 8" X 9".POLLY A. BURNELL, Massachusetts, 1956-, Surrealist mountain landscape with a fish in a central lake. Signed and dated verso "Polly A. Burnell 1989". Dimensions: Oil on board, 7" x 8". Framed 8" x 9".
• KATHLEEN WHEELER CRUMP CERAMIC
  KATHLEEN WHEELER CRUMP CERAMIC EQUESTRIAN POLO SCULPTUR...Kathleen Wheeler Crump (Maryland/Wisconsin/District Of Columbia/Canada, 1884-1977) glazed ceramic equestrian sculpture depicting two riders on horseback playing polo, the blue rider holding a polo mallet. Signed on the top of the base "K. Wheeler". 9" H x 8" L x 5 1/2" W. The Estate of Margaret Harold Roberts, Lookout Mountain, Georgia. Condition: Overall light scattered glaze exfoliation and wear, especially on edges of sculpture. Jockey wearing blue jersey with losses to hat brim and tip of right foot.
• Agnes Yarnall 1904–1998. Polly
  Agnes Yarnall 1904–1998. Polly Thayer Starr. 1934, bronze. 13 h × 7 w × 10 d in. result: $1,625. estimate: $600–800. Incised signature to verso ‘A. Yarnall 1934’ and ’Roman Bronze Works N.Y.’. Provenance: Collection of Frances Gelman
• POLLY BUSHONG MIXED MEDIA
  POLLY BUSHONG MIXED MEDIA PORTRAIT "MS. FLAPPER"Polly Bushong (American 1910-1990) Mixed Media Portrait "Ms. Flapper" , watercolor and ink with applied beaded decoration on her dress and her jewelry, signed lower left "Polly Bushong", in original gilt frame with gilt liner 10 in. x 8 in. Overall 15.5 in. x 12.5 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• POLIA PILLIN (1909-1992):
  POLIA PILLIN (1909-1992): ABSTRACTPolia Pillin, Polish/American, 1909-1992 Abstract, watercolor on paper signed lower right watercolor on paper Dimensions: Sheet: 18 1/2 x 24 in. (46.99 x 60.96 cm.), Frame: 26 3/4 x 32 1/2 in. (67.95 x 82.55 cm.) Condition: Framed under acrylic. No apparent tears. Inherent wrinkling to paper. Not examined out of frame.