- THREE LATIN AMERICAN PHOTOGRAPH ALBUM
THREE LATIN AMERICAN PHOTOGRAPH ALBUM PORTFOLIOSA group of three early 20th century Latin American photograph album portfolios,Max T. Vargas and others. Collected by Arthur George Keith-Falconer, 10th Earl of KintoreLot includes three albums: 1. An
- INSOMNIA, OR THE DEVIL AT LARGE, HENRY
INSOMNIA, OR THE DEVIL AT LARGE, HENRY MILLERInsomnia, or the Devil at large, portfolio. Henry Miller, 1970Miller, Henry. Insomnia, or the Devil at large. Albuquerque: Lujon Press, 1970. complete watercolor suite with illustrated text in comb bo
- AFTER GEORGES BRAQUE, GRENADE ET PIPE,
AFTER GEORGES BRAQUE, GRENADE ET PIPE, ESPACEAfter Georges Braque (French, 1882-1963)Grenade et Pipe, from the Espace Portfolio, 1957collotype with pochoir on Richard de Bas wove paperprinted signature, from an edition of 300, published/printed
- 6 ARCHITECTURAL PORTFOLIOS: FRANCE,
6 ARCHITECTURAL PORTFOLIOS: FRANCE, SICILY & ROMESix architectural portfolios: France, Sicily, and Romelot includes: 1-3. The Petit Trianon Versailles (mixed volumes in three parts, however plates not complete, 130 total plates with volume one repea
- PHILIP GUSTON SCREENPRINTPhilip Guston
PHILIP GUSTON SCREENPRINTPhilip Guston screenprint {August}, with Robert Kulicke frame - 30 1/4" x 40 1/4".
NO in-house shipping for this lot.
Condition:
From the portfolio Four on Plexiglas, 1965. Good condition. No apparent damages or repairs.
- PORTFOLIO OF "J. PILLEMENT" PRINTS CA.
PORTFOLIO OF "J. PILLEMENT" PRINTS CA. LATE 19THcentury; published by "Henri Ernst, Paris", portfolio entitled "Fleurs Oiseaux et Fantaisies", containing colorized prints in four panel block prints, mounted to gray construction paper, the cover heavy cardstock with fabric corners, 11 1/2"x 15 1/2"x 1" portfolio; Condition: extensive wear
- PORTFOLIO OF INK & WATERCOLOR FRAKTUR
PORTFOLIO OF INK & WATERCOLOR FRAKTUR TYPE DRAWINGca. late 19th-early 20th century; group including 25 watercolor enhanced drawings following forms found on 1830s era Frakturs by various artist including: birds on flowers, dove with stem in mouth and Daniel Otto-type tulips, all believed to be late 1800s-early 1900s on screen laid browned artist paper, including three Amish-type pencil drawings of farmlife scenes, 8"x 11" pages, 13"x 15 3/4" portfolio; Condition: some noted damage to pages, all old reproduction following form of old Frakturs
- FIVE PRINTS FROM THE PUEBLO INDIAN PAINTING
FIVE PRINTS FROM THE PUEBLO INDIAN PAINTING PORTFOLIO Editions d'Art C. Szwedzicki, 98 - Rue de France - Nice (France)'. Color lithographs. Artists including (2) Richard Martinez, Miguel Martinez, Louis Gonzalez.
- BRIDGET RILEY (BRITISH, B. 1931) PRINT
BRIDGET RILEY (BRITISH, B. 1931) PRINT FOR CHICAGO 8 (FROM THE PORTFOLIO CONSPIRACY: THE ARTIST AS WITNESS) Colored serigraph. Signed, numbered, and dated 'Bridget Riley 83/150 '71' (lower left).Bridget Riley (British, b. 1931)
Bridget Riley is an English painter known for her op art paintings. In 1959, Riley met painter and art educator Maurice de Sausmarez at a residential summer school that he ran with Harry and Diane Thubron. Sausmarez became her friend and mentor, inspiring her to look closer at Futurism and Divisionism and artists such as Klee and Seurat. Riley began to develop her signature Op Art style consisting of black and white geometric patterns that explore the dynamism of sight and produce a disorienting effect on the eye and produces movement and color.
- R.B. KITAJ (1932 - 2007) "A DAY BOOK"
R.B. KITAJ (1932 - 2007) "A DAY BOOK" PLATESR.B. Kitaj, American (1932 - 2007) "A Day Book" Plates by Robert Creeley, American (1926 - 2005). Graphis, Berlin. Edition 3 of 25. Portfolio consists of 14 graphics in the tete edition and 13 in the
- R.B. KITAJ (1932 - 2007) "A DAY BOOK"
R.B. KITAJ (1932 - 2007) "A DAY BOOK" PLATESR.B. Kitaj, American (1932 - 2007) "A Day Book" Plates by Robert Creeley, American (1926 - 2005). Graphis, Berlin. Edition 172 of 200. Portfolio consists of 14 graphics in the tete edition and 13 in t
- R.B. KITAJ (1932 - 2007) "A DAY BOOK"
R.B. KITAJ (1932 - 2007) "A DAY BOOK" PLATESR.B. Kitaj, American (1932 - 2007) "A Day Book" Plates by Robert Creeley, American (1926 - 2005). Graphis, Berlin. Edition 3 of 25. Portfolio consists of 14 graphics in the tete edition and 13 in the
- THREE PLATES FROM THE "MEXICAN PEOPLE"
THREE PLATES FROM THE "MEXICAN PEOPLE" PORTFOLIO, 1946: RAUL ANGUIANO (1915-2006), "LIME KILNS; "Three plates from the "Mexican People" portfolio: Raul Anguiano (1915-2006), Pablo O'Higgins (1904-1983), and Francisco Mora (1922-2002)Three works:Raul Anguiano (1915-2006)"Lime Kilns,
- JOSE LUIS CUEVAS (B. 1934), IMAGE FROM
JOSE LUIS CUEVAS (B. 1934), IMAGE FROM THE COLOPHON PAGE OF THE "HOMAGE TO QUEVEDO" PORTFOLIO, 1969,Jose Luis Cuevas(b. 1934)Image from the colophon page of the "Homage to Quevedo" portfolio, 1969Lithograph in colors on paperEdition: X/XXVSigned and numbered in pencil at the lower margin e
- RAFAEL CANOGAR (B. 1935), "THE EARTH"
RAFAEL CANOGAR (B. 1935), "THE EARTH" PORTFOLIO, 1969, THE COMPLETE SET OF 14 LITHOGRAPHS ON WOVERafael Canogar(b. 1935)"The Earth" portfolio, 1969The complete set of 14 lithographs on wove paper, with the Rives and Tamarind watermarksEdition: 16/20 (there were also 9 sets reserved for
- NICK VACCARO UNTITLED (1968 ACRYLIC
NICK VACCARO UNTITLED (1968 ACRYLIC ON CANVAS)Nick Vaccaro
(Kansas, 1931-2002)
Untitled, 1968
Acrylic on canvas
34" x 34"
Estate stamp signature to the reverse. Dated on a small study on paper found among the artist's portfolios.
Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts.
Condition
Mildew faintly scattered across the painting and more pronounced to the reverse of the canvas. There is a horizontal moisture stain tideline about halfway up the canvas.
- NICK VACCARO UNTITLED (1968 ACRYLIC
NICK VACCARO UNTITLED (1968 ACRYLIC ON CANVAS)Nick Vaccaro
(Kansas, 1931-2002)
Untitled, 1968
Acrylic on canvas
36" x 36"
Estate stamp signature to the reverse. Dated on a small study on paper found among the artist's portfolios.
Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts.
Condition
There is mildew faintly scattered across the painting and more pronounced to the reverse of the canvas.
- NICK VACCARO "COLORED GRID" (1968 ACRYLIC)Nick
NICK VACCARO "COLORED GRID" (1968 ACRYLIC)Nick Vaccaro
(Kansas, 1931-2002)
Colored Grid , 1968
Acrylic on canvas
50" x 50"
Estate stamp signature and title to the reverse. Dated on a small study on paper found among the artist's portfolios.
Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts.
Condition
Good condition, with scattered soiling. Some mildew to the reverse of the canvas.
- SALVADOR DALI "DIVINE BACK OF GALA"
SALVADOR DALI "DIVINE BACK OF GALA" (1974 ETCHING)Salvador Dali
(Spanish, 1904-1989)
Divine Back of Gala , 1974
Hand-colored etching on paper
15 1/2" x 12" (plate size)
Pencil-signed and numbered (F55/ 195) to the bottom margin. From the portfolio After 50 Years of Surrealism , printed by Ateliers Rigal (Fontenay-Aux-Roses, France) and published by Transworld Art (Fribourg, Switzerland). Published in two editions of 195, this from the French edition, executed on Velin de Rives paper. Housed in a glazed frame measuring 28" x 23 1/2".
Condition
Very good condition. There is a slight crease from handling at the bottom right margin. Minor wear to the frame.
- Antique Alexander Spelt ''The Coloured
Antique Alexander Spelt ''The Coloured Ornament'' Print Portfolio 15''
- Sakai Miyoshi ''Four Seasons'' Woodblock
Sakai Miyoshi ''Four Seasons'' Woodblock Portfolio 10,5'' x 9.5''
- Portfolio 5pc Hiroshige Woodblock Prints
Portfolio 5pc Hiroshige Woodblock Prints 13'' x 10''
- WILLIAM STRANG DOINGS OF DEATH WOODCUT
WILLIAM STRANG DOINGS OF DEATH WOODCUT PORTFOLIOWilliam Strang (Scottish, 1859-1921). Portfolio, The Doings of Death. 12 woodcuts on paper in a cloth folio. Each with artist's S monogram or initialed W.S. in the plate, numbered No. 9 in ink on the index page. Each sheet 16 5/8" x 23", portfolio 23 3/4" x 17 1/2". Portfolio stained, warped and water damaged, with fraying to edges and corners, tie torn and fraying; woodcuts all with water damage, staining, waviness and warping to paper, minor tears and creasing to edges and corners.
- A. COLASANTI BYZANTINE ART IN ITALY
A. COLASANTI BYZANTINE ART IN ITALY PORTFOLIOA. Colasanti, L'Arte Bisantina in Italia portfolio, 1923. Bound text pages and index with 100 loose plates, cloth covers. 19" x 13 1/2". Covers torn, fraying and stained, pages all with toning, discoloration, creases, and losses at corners and edges, large losses to plate 80.
- ALFRED JENSEN "UNTITLED #1" SCREENPRINT,
ALFRED JENSEN "UNTITLED #1" SCREENPRINT, 1973 Alfred Jensen (Guatemalan/American, 1903-1981), "Untitled #1", from Pace Editions Inc. Portfolio, Color Screenprint, 1973, numbered "126/150" lower left, signed and dated lower right, labeled to verso by Pace Editions Inc., silver-tone metal frame. Image: 29.5" H x 29.5" W, frame: 35.5" H x 35.5" W. Provenance: From the collection of the curator and owner of Berry Hill Gallery. Keywords: Silkscreen, Screen Print, Multiples, Abstract, Geometric, Colorful
- ALFRED JENSEN "UNTITLED #2" SCREENPRINT,
ALFRED JENSEN "UNTITLED #2" SCREENPRINT, 1973 Alfred Jensen (Guatemalan/American, 1903-1981), "Untitled #2," from Pace Editions Inc. Portfolio, Color Screenprint, 1973, numbered "126/150" lower left, signed and dated lower right, labeled to verso by Pace Editions Inc., silver-tone metal frame. Image: 29.5" H x 29.5" W, frame: 35.5" H x 35.5" W. Provenance: From the collection of the curator and owner of Berry Hill Gallery. Keywords: Silkscreen, Screen Print, Multiples, Abstract, Geometric, Colorful
- 300 MASTERPIECES OF CHINESE PAINTING,
300 MASTERPIECES OF CHINESE PAINTING, 6 VOLUMES Six Volumes of Three Hundred Masterpieces of Chinese Painting in the Palace Museum, Republic of China, Taipei, Taiwan, 1959-1980. Each portfolio of three volumes: 17.25" H x 13" W x 3.25" D. Provenance: From a 50 Madison Avenue estate.
Keywords: Books, Complete set
- PHOTOGRAPHS, JIM MILLETT (lot of 10)
PHOTOGRAPHS, JIM MILLETT (lot of 10) Jim Millett (American, 20th/21st century), Various Portfolio Pieces, gelatin silver prints, some pencil signed to mats, largest overall (with mat): 18"h x 14"w
- PRINT, JAMES ENSOR James Ensor (Belgian,
PRINT, JAMES ENSOR James Ensor (Belgian, 1860-1949), "La Descente de Croix XXIV" from the portfolio "Scenes de la Vie du Christ," 1921, lithograph in colors, signed in plate upper left, published by Galerie Georges Giroux, image: 6"h x 8.25"w, overall (with mat): 14"h x 17"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
- PRINT PORTFOLIO, JEAN GOODWIN AMES Jean
PRINT PORTFOLIO, JEAN GOODWIN AMES Jean Goodwin Ames (American, 1903-1986), "Block Prints of the Southland," 1931, portfolio of linocuts, printed by Thomas Ellingsworth Williams and Arthur Ames, published by the Press of the Santa Ana Junior College, overall: 12.25"h x 9.5"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
- PRINT PORTFOLIO, KATHAN BROWN Kathan
PRINT PORTFOLIO, KATHAN BROWN Kathan Brown (American, b. 1935), "Serenade," 1967, portfolio of twenty-two (22) etchings, each pencil signed, edition 2/20, text by Judson Jerome, published by Crown Point Press (Berkeley, CA), overall (with cover): 13"h x 9.5"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
- PRINT PORTFOLIO, DOCUMENTA: THE SUPER
PRINT PORTFOLIO, DOCUMENTA: THE SUPER REALISTS (lot of 5) "Documenta: The Super Realists," 1972, five (5) from the portfolio of ten (10) lithographs in colors, including works by Paul Staiger, Don Eddy, Ben Schonzeit, Ralph Goings, and Franz Gertsch, edition 298/300, each print pencil signed, printed and published by Shorewood Atelier (New York, NY), sheets (each/unframed): 34.5"h x 24.5"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
- PHOTOGRAPH, JAROSLAV ROSSLER Jaroslav
PHOTOGRAPH, JAROSLAV ROSSLER Jaroslav Rossler (Czech, 1902-1990), "Paris, January 25,1927," 1927, printed 1982, gelatin silver print, pencil signed lower right, publisher's stamp verso, print number 9 from portfolio 1/30, published by Rudolf Kicken Gallery (Cologne), image: 9.75"h x 9.5"w, sheet: 14"h x 11"w, overall (with cloth covered case): 17"h x 14"w. Provenance: Collection of Alan Klotz
- PHOTOGRAPH, MARSHA BURNS Marsha Burns
PHOTOGRAPH, MARSHA BURNS Marsha Burns (American, b. 1945), Untitled (Woman with Suspenders) from Dreamers portfolio, silver gelatin print, signed and stamped verso of mat, image: 9"h x 6"w, overall (with mat): 15"h x 13"w
- PRINTS, GUSTAVE BAUMANN (lot of 4) Gustave
PRINTS, GUSTAVE BAUMANN (lot of 4) Gustave Baumann (American, 1881-1971), "The Suspension Bridge," "The Print Shop," "The Wagon Shop," and "The Rug Weaver" from the portfolio "In the Hills o' Brown," 1910, woodcuts in colors, each pencil signed lower right, plate: 9"h x 13"w, largest overall (with frame): 15"h x 19"w
- LARRY RIVERS 'FROM THE BOSTON MASSACRE'
LARRY RIVERS 'FROM THE BOSTON MASSACRE' SERIGRAPH Larry Rivers (American (1923-2002), 'Some Visual Afterthoughts of the Boston Massacre,' serigraph from a portfolio titled 'The Boston Massacre', 1971, depicting soldiers set against neon colors, editioned 3/150, and signed to lower right, framed, having a Heath Gallery, Atlanta, GA label affixed en verso. Approximate Dimensions:print h. 19.375", w. 27.34"; frame h. 27.75", w. 36.25", d. 1.75"