A few examples of appraisal values for
PRICE GUIDE

• [Reference Books] Worcester
  [Reference Books] Worcester Porcelain (20 Volumes) Marshall, H. Rissik, COLOURED WORCESTER PORCELAIN OF THE FIRST PERIOD Sandon, Henry, FLIGHT AND BARR WORCESTER PORCELAIN 1783-1840 (signed) Twitchett, John and Sandon, Henry, LANDSCAPES ON DERBY AND WORCESTER PORCELAIN (signed by Twitchett) Godden, Geoffrey A., CAUGHLEY & WORCESTER PORCELAINS 1755-1800 (limited edition, numbered 775/1500 Sandon, Henry, COFFEE POTS AND TEAPOTS FOR THE COLLECTOR (signed) Branyan, Lawrence, French, Neal and Sandon, John, WORCESTER BLUE AND WHITE PORCELAIN 1751-1790 (signed by Henry Sandon and the three authors) Sandon, Henry, ROYAL WORCESTER PORCELAIN FROM 1862 TO THE PRESENT DAY (signed) Sandon, Henry, WORCESTER PORCELAIN 1751-1793 (signed) Godden, Geoffrey A., CHAMBERLAIN-WORCESTER PORCELAIN 1788-1852 Sandon, John, THE DICTIONARY OF WORCESTER PORCELAIN, VOLUME I 1751-1851 Sandon, Henry & John, GRAINGER'S WORCESTER PORCELAIN Reynolds, Dinah, WORCESTER PORCELAIN IN THE ASHMOLEAN MUSEUM Cast, John and Edwards, John, THE CHARLTON PRICE GUIDE TO ROYAL WORCESTER FIGURINES (signed by Cast) Bedford, John, OLD WORCESTER CHINA (2) Binns, R.W., WORCESTER CHINA, A RECORD OF THE WORK OF FORTY-FIVE YEARS, 1852-1897 Fisher, Stanley, WORCESTER PORCELAIN Barrett, Franklin A., WORCESTER PORCELAIN AND LUND'S BRISTOL Sandon, David, John & Henry, THE SANDON GUIDE TO ROYAL WORCESTER FIGURES 1900-1970 Jones, Roy, PORCELAIN IN WORCESTER 1751-1951, AN ILLUSTRATED SOCIAL HISTORY together with numerous related booklets, pamphlets, periodicals, proprietory and auction catalogues, etc.
• GROUP OF BOOKS: ROYAL DOULTON AND
  GROUP OF BOOKS: ROYAL DOULTON AND FIGURINES CATALOGUEGroup of 2 books: 1 "A Charlton Standard Catalogue: Royal Doulton Figurines 11th Edition" wrote by Jean Dale. Good condition. 1 "Official Price Guide to Royal Doulton 6th Edition" wrote by Ruth M. Pollard 1988. Fair condition. #book #Doulton #collectible #art #decor #vintage #figurines #priceguide Artist: Jean Dale and Ruth Pollard Manufacturer: The Charlton Press/House of Collectibles Country of Origin: Canada/USA
• ROYAL DOULTON. A LEGACY OF
  ROYAL DOULTON. A LEGACY OF EXCELLENCE 1871- 1945, BOOKHardcover; illustrated cover sheet. Lavishly illustrated collector's book and price guide by Gregg Whittecar and Arron Rimpley. Showcases the finest ceramic art wares by Royal Doulton. Features over 600 photographs of fine ceramic art. Issued: 2002 Dimensions: 12.25"L x 9.25"W Manufacturer: Schiffer Publishing LTD. Country of Origin: United States
• THE COLLECTOR'S ENCYCLOPEDIA OF
  THE COLLECTOR'S ENCYCLOPEDIA OF MAJOLICA AND ASSORTED C...A Hardcover Majolica book with photos and a price guide and includes several auction catalogs. Includes six Majolica Auction catalogs from Strawser auctions - lots and lots of photos and pricing, an excellent source of information - each catalog 70 pages +/-. Book has some staining on interior, but otherwise in good condition. Artist: Mariann Katz-Marks Dimensions: 9"L x 11"H Manufacturer: Collector Books A division of Schroeder Publishing Company, Inc. Country of Origin: USA
• GEORGE JONES CERAMICS 1861-1951
  GEORGE JONES CERAMICS 1861-1951 BOOK WITH PRICE GUIDEThis book presents a thorough look of George Jones and his firm with over 700 color photographs - 288 pages. Copyright 1998 by Robert E CluettLibrary of Congress Catalog Card Number: 97-45952ISBN: 0-7643-0470-4Hardcover #georgejones #majolica Artist: Robert Cluett Issued: 1998 Dimensions: 9"L x 11"H Manufacturer: Schiffer Publications Country of Origin: USA Condition: Good - paper sleeve is slightly bent at top, but book is in good condition.
• BOOK: ROYAL DOULTON FIGURINES
  BOOK: ROYAL DOULTON FIGURINES CHARLTON STANDARD CATALOG...Price guide; 10th edition by Jean Dale. Published by W. K. Cross. Introduction by Louise Irvine. Soft pictorial cover; 589 pages; black and white and colored images throughout. Use related wear. Issued: 20th c. Dimensions: 9"L x 7"W
• BOOK: ROYAL DOULTON FIGURINES
  BOOK: ROYAL DOULTON FIGURINES CHARLTON STANDARD CATALOG...Price guide; 12th edition by Jean Dale. Published by W. K. Cross. Soft pictorial cover; 589 pages; black and white and colored images throughout. Use related wear. Issued: 20th c. Dimensions: 9"L x 7"W
• DOULTON LAMBETH, GLAZED WARE
  DOULTON LAMBETH, GLAZED WARE FIREPLACE MINIATURE MODELRare salesman sample of a Doulton ware ceramic fireplace enclosed in wooden frame. Product description, size and price guide on the back. Weight - 1lb 8.0oz. Age related wares. Chips on the base of mantle. Overall good condition. Weight: 1.5 lbs #productsample #miniature #fireplace #mantelpice Issued: 1870 - 1930 Dimensions: 2"W x 6"H Manufacturer: Doulton Lambeth Country of Origin: England Condition: Age related wares. Chips on the base of mantle. Overall good condition.
• ROYAL DOULTON, A LEGACY OF
  ROYAL DOULTON, A LEGACY OF EXCELLENCE 1871-1945, BOOKHardcover. Lavishly illustrated collector's book and price guide by Gregg Whittecar and Arron Rimpley. Showcases the finest ceramic art wares by Royal Doulton. Features over 600 photographs of fine ceramic art. Signed by the authors. #RoyalDoulton #book Artist: Gregg Whittecar and Arron Rimpley Issued: 2002 Dimensions: 12.25"H Edition Number: 25 of 250 Manufacturer: Royal Doulton Country of Origin: England Condition: Good
• COLLECTOR'S ENCYCLOPEDIA OF
  COLLECTOR'S ENCYCLOPEDIA OF AMERICAN DINNERWARE BOOK312-page hardcover reference book on selecting and identifying dinnerware pieces. Photos and descriptions of producers and styles. Paper price guide included. Artist: Jo Cunningham Issued: 1982 Dimensions: 8.25"L x 0.50"W x 11"H Manufacturer: Schroeder Publishing Co. Country of Origin: United States Condition: Age related wear.
• 6 ASSORTED COLLECTORS BOOKS ON
  6 ASSORTED COLLECTORS BOOKS ON HUMMEL FIGURINESVarious related subjects, including Marie Lynch: The Original Hummel Figures in Story and Picture (1st edition 1955); Robert L. Miller and Eric W. Ehrmann: M.I. Hummel The Golden Anniversary Album (1st edition 1984); Goebel: Guide for Collectors (1st edition 1986); Portfolio Press: The M.I. Hummel Album (1st edition 1992); Carl F. Luckey: 12th edition Luckey’s Hummel Figurines and Plates (2003); and Robert L. Miller: 9th edition The No. 1 Price Guide to M.I. Hummel (2003). Measurements of all 6 books: 9"W x 11.25"H x 4.75"D. Condition: Age related wear.
• (3 PC) JOHN F. HOTCHKISS ART
  (3 PC) JOHN F. HOTCHKISS ART GLASS PRICE HANDBOOKSDESCRIPTION: (3 Pc) A vintage art glass price guide handbooks grouping set. This set includes: (1) A "Carders Steuben Glass handbook and price guide" by John F. Hotchkiss. 1972. (1) A "Carders Steuben Glass" handbook by John F. Hotchkiss. 1967. (1) An "Art Glass Prices 3" handbook by John F. Hotchkiss. 1967. Provenance: Estate of Mr. and Ms. Alan Shovers. DIMENSIONS: H: 8 1/2" W: 5 1/2". CONDITION: Vintage condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN ROUGE FLAMBE
  STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION: Steuben rouge flambe tumbler with tomato red towards orange coloring. Finished with random reeding at the bottom, and pontil. Soda- Lime Glass Reference: Shape 6359, See advertising brochure where this piece is identified in the brochure as to shape #, not shown in Gardner. Fig. 6.15 p. 140 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. Likely, a set with Toothbrush Holder #6767, Piece # 245. Attribution to original owner, an employee of Steuben. Pictured at p. 99 of Objects of Desire, The Art of Frederick Carder by Alan Shovers Opaque and lined with flint white per Beth Shaut of Rockwell=s. Beth Shout originally opined that this wasn't an authentic piece of Rouge Flambe because she never saw rouge flambe with reeding. She also opined that Frederick Carder never signed pieces with that form of signature on the side of a piece, except for Intarsia pieces. Subsequently, on around Feb. 26, 2002 she reported talking to Bobby Rockwell who Said it was Steuben and that the color and translucency on the edge was from being over cooked. She then goes on to apologize because she was wrong. In Glass Art Reflect the Future: Art and technical glass from the collection of The Paul Vickers Gardner Glass Center, Published at Alfred University 2002 p.3 it states: Carder never produced this fragile glass commercially; 25 large pieces known to exist may be viewed in the Frederick Carder Collection of the Corning Museum of Glass. The experimental pieces in the exhibit demonstrate the variance between translucency and opacity, depending on the degree of crystallization that occurred. Jim Barlow reports on 5/30/02 following a research trip to the Rakow that he found a reference to a rouge flambe with reeded know shape #6158(puff box/candy jar). Retail $6.00; in Cerise Ruby the most common color, $7.50. This is the least likely glass to be encountered among any of the Carder opaques or semi opaques, or for that matter, among almost any type of his glass. A vivid dense warm red leaning toward the yellow or orange direction, it is made of a combination of chemicals, one of which was selenium that required careful proportioning and manipulation to produce the rich tomato-like color. Mr. Carder state that this was very difficult to make and that very few pieces were made. Ill. No. H-23, see p. 112 Carder=steuben Glass Handbook and Price Guide by John F. Hotchkiss. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 4/12/01 from dealer Neil Kohut of Los Vegas, NV CIRCA: 1900s DIMENSIONS: H: 4.5" x D: 2.75" CONDITION: Small chip in base. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN IVRENE TRIPLE LILY GLASS
  STEUBEN IVRENE TRIPLE LILY GLASS VASEDESCRIPTION: Steuben glass Ivrene triple lily vase. Iridized lead glass. Silver oval label "Steuben" Reference: Shape 7595, p. 298 Pictured at p. 123 of Objects of Desire, The Art of Frederick Carder by Alan Shovers. Pictured at Fig. 5.69, p. 135 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. Shape number shown as #7566 (Center trumpet with two side lilies vase) Shown in American Art Nouveau Glass by Revi at Fig. 338, p. 167. Called Ivrene tri-lily vase. Shown in The Fieldstone Porch Presents Creations by Carder of Steuben His American Art Glass by Philpot. Item #4 under Ivrene. Shown on the cover of Carders Steuben Glass Handbook and Price Guide by John F. Hotchkiss as Item H-16. Shown also on p. 24 of Frederick Carder, and his Steuben Glass 1903 - 1933 by Rockwell. Shown in full page picture at p. 93 of Frederick Carder: Portrait of a Glassmaker by Paul V. Gardner. Shown at p. 149 of American Art Glass by John A. Shuman III. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 2/2/00 from JoAnn Godawa of Bellevue, NE. CIRCA: Early 1900s DIMENSIONS: H: 12.5" x D: 6.5" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN VERRE DE SOIE
  STEUBEN VERRE DE SOIE PITCHERDESCRIPTION: Steuben Verre de Soie pitcher with iridized black reeding. Iridized lead glass with applied decoration. Large polished indented pontil. Reference: Shape #7199, p. 215 of Paul V. Gardner book. Pictured p. 49 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Steuben pitchers are relatively scarce and command a premium price over a comparable size vase. Carder Steuben Glass Handbook and Price Guide, by John f. Hotchkiss, p. 109. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 5/23/98 from Racine Antique Mall CIRCA:Early 1900s DIMENSIONS: H:9.25" L:7.5" D:6" in diameter CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN MOSS GREEN CLUTHRA VASE
  STEUBEN MOSS GREEN CLUTHRA VASE WITH OPALINE HANDLESDESCRIPTION: Steuben Moss Green Cluthra Vase with opaline handles. Case lead glass with applied handles. Large bubbles extruded into the glass surrounded by a lighter white to green coloring; organic appearance. Signed barely visible in center bottom. Shape #8508 Reference: Pictured p. 67 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. The Second most sought after Steuben item in colored crystal is the ware known by this name(Cluthra). As with items in the Acid Cut Back category, Cluthra was not produced in any great quantity, though most certainly a much greater number were crafted than the former. Another similarity between Cluthra and the Acid Cutbacks is the size, usually quite large and similarly thick and heavy. A Guide to Colored Steuben Glass 1903-1933 by Ericson, p. 43 Green (color) is quite unusual. Ref. Collectors Choice Review #18. Pictured Cluthra is one of several early Steuben glasses deriving their appearance from inclusions. Pictured, full page(different color) Art Glass Nouveau by Grover, p.141 See picture in Frederick Carder and his Steuben Glass by Dimitroff, p. 73 and 228 See picture in The Glass of Frederick Carder by Gardner, plate XVIII Shape shown on cover of Carders Steuben Glass Handbook and Price Guide by Hotchkiss, H-15 Shape shown in Am. Art Nouveau Glass by Revi, Fig. 306, p. 155 Pictured at p. 37 of the April/May 1999 Issue of the Glass Collectors Digest (Vol. XII Number 6). Article entitled Identifying carders Steuben by Maurice Crofford. Pictured in White Cluthra in the living room of Tom Armstrong, former director of the Whitney Museum p. 99 of the October, 2010 issue of Architectural Digest. Provenance: Estate of Mr. and Ms. Alan Shovers Purchased 12/23/99 from The Acorn Antiques Ltd. Chicago CIRCA: 1929-1933 DIMENSIONS: H: 10.25" W: 7" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN ROUGE FLAMBE
  STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION: Rouge flambe toothbrush holder with tomato red towards orange coloring and random reeding at the bottom. Soda-lime glass. Signed Fredk Carder at the side, above the reeding. Reference: Shape 6767, p. 245 Gardner. Pictured at p. 99-100 of Objects of Desire, The Art of Frederick Carder by Alan Shovers Eric E. Ericson in the first volume to his treatise, A Guide to Colored Steuben Glass 1903 - 1933 p. 9 says, Frederick Carders favorite and most difficult glass to make was the only production to carry his personal AFREDK CARDER in bold Spencerian script. Other special presentation pieces were often signed in the same manner, but these were not production Steuben in the sense we shall consider in this treatise. See Advertising brochure where this piece is identified in the brochure as to shape Fig. 6.15 p. 140 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. At p. 239 Fig. 10.92, a paperweight cologne is shown with the Intarsia style signature on the base on the side. Shape shown on the cover of Frederick Carder steuben Glass by Marshall Ketchum. See shape p. 55 of A Guide to Colored Steuben Glass 1903 - 1933 by Eric E. Ericson. Jim Barlow reports on 5/30/02 following a research trip to the Rakow that he found a reference to a rouge flambe with reeded know shape #6158(puff box/candy jar). Retail $6.00; in Cerise Ruby the most common color, $7.50. Toothbrush holders were commonly sold in sets with a tumbler and a soap dish. There is a matching Rouge Flambe tumbler, shape 1185, with reeding. In Alan Shovers collection, piece. This is the least likely glass to be encountered among any of the Carder opaques or semi opaques, or for that matter, among almost any type of his glass. A vivid dense warm red leaning toward the yellow or orange direction, it is made of a combination of chemicals, one of which was selenium that required careful proportioning and manipulation to produce the rich tomato-like color. Mr. Carder states that this was very difficult to make and that very few pieces were made. lll. No. H-23, see p. 112 Carder steuben Glass Handbook and Price Guide by John F. Hotchkiss. Like Mandarin Yellow, Rouge Flambe was also inspired by Chinese porcelains; both these glasses were made in shapes suggestive of oriental ceramics, and both were difficult to produce and particularly vulnerable to breakage caused by strains within the glass. Rouge Flambe pieces range in color from a rich red, as in Color Plate XXIII A, which was the color Carder was seeking, to an orange or coral tone. The color was produced by the addition of selenium and cadmium sulfide to the glass batch. As a result of the production difficulties, Rouge Flambe was made for only about two years, probably in 1916 and 1919. (See also Color Plate XXIV A.) The Glass of Frederick Carder by Paul V. Gardner, p. 81 Viewing Plate XXIII of Gardner the tallest piece is 6 2 A. Also, the decorated piece shown at plate XXIV is 4 1/4" H. Rouge Flambe is among the rarest of Carder glasses. Fig. 8.58, p. 198 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. Technical production difficulties, such as glass formulas that yielded unstable glass, also could result in very few items be made. This was the case with Mandarin Yellow, Rouge Flambe, and Moresque. As a result, all of these types are rare and extremely valuable. p. 239 In Color, this ware resembles a delicate tomato-red. It was made of the metallic substance selenium and a precise amount of cadmium sulfide. The manufacture of this glass was quite precarious due to the delicacy involved in both the melting process and heat treatment. The finished product has a soft, warm appearance. The marketing of this product was quite late in the 1920's and perhaps a year into the 1930's. It is an exceedingly scarce item, little being made or sold due to the tumultuous period of introduction. P. 67 of a Guide to Colored Steuben Glass 1903 -1933 (Book I), by Eric E. Ericson. Another of the little-seen type of Steuben Glass but remembered once seen for its striking rich red tomato color in a dense opaque body which Mr. Carder reported as extremely difficult to make and likely to be unstable structurally. The few pieces that are seen are almost without exception in important collections and therefore, like similar rarities, values can be an approximation of what a seller and buyer might agree upon. The scale of value would place it above Intarsia and below Diatreta. As a more specific valuation, it may be placed somewhere between the low and mid five figure prices. Art Glass Prices #3 by John F. Hotchkis 1967). Rouge Flambe glass is one of the most strikingly explosive shades achieved in glass. In view of the exact control needed for the mix, as well as the proper heat of the fire, very little variation may occur before a piece falls short of its natural brilliance. These pieces must be recognized, as they were rarely signed, but using Steuben shapes as reference along with the outstanding red color, it is highly unlikely that one will overlook such a piece. Art Glass Nouveau by Ray and Lee Grove, p. 156. This rare art glass type, consisting of fewer than one hundred examples, was produced by Frederick Carder about 1916-1917. Its color, ranging from tomato red to orange, and even coral pink, has a bright surface texture and was not acidized or iridized. Proved to be fragile, causing straining and cracking of the glass the addition of minute, metallic flecks of chrome oxide gave the ware a pearly finish. P. 40 of The Collector's Encyclopedia on American Art Glass by John A. Shuman III. See, similar wise, also at p. 146 of American Art Nouveau Glass by Albert Christian Revi. Color shown in a plate in a 1926 AD in House and Garden labeled {Steuben Glass hand wrought in the old tradition and bearing the label Steuben Glass Blown and modeled (id) at Steuben Furnaces, Corning, N.Y. The inscription reads Rouge flamme (id), the color of the small plate, is one of the rarest and most striking colors ever developed in glass. On the record interview between Carder and Philpot. The Fieldstone Porch Presents Conversations with Carder on Steuben his American Art Glass Carder says, contrary to several books that say the Intarsia signature is engraved, that he signed the Intarsia pieces, estimated at 35 in number. In the book, For Real bob Rockwell The an and His Collection by Mary Elizabeth Wahlig at p. 119 the author says: As far as Bob can recall, Aurene is the only type he would sign with its name with one exception; Bob recalls, Carder did sign just one piece Rouge flambe, fred Carder. Opaque and lined with flint white per Beth Shaut of Rockwells. Beth Shaut originally opined that this wasn't an authentic piece of Rouge Flambe because she never saw rouge flambe with reeding. She also opined that Frederick Carder never signed pieces with that form of signature on the side of a piece, except for Intarsia pieces. Subsequently, on around Feb. 26, 2002 she reported talking to Bobby Rockwell who Said it was Steuben and that the color and translucency on the edge was from being over cooked. She then goes on to apologize because she was wrong. In Glass Art Reflect the Future: Art and technical glass from the collection of The Paul Vickers Gardner Glass Center, Published at Alfred University 2002 p.3 it states: Carder never produced this fragile glass commercially; 25 large pieces known to exist may be viewed in the Frederick Carder Collection of the Corning Museum of Glass. The experimental pieces in the exhibit demonstrate the variance between translucency and opacity, depending on the degree of crystallization that occurred. Jim Barlow examined additional pictures of the signature and concluded it was engraved. He states the signature is one of two things. The work of a Master engraver who isn't bothered by forging something or it is by the person who put on all the signatures on the pieces of Intarsia at Steuben. He concludes the signature looks awfully authenticate. See signature at p. 234 of Dimitroff, Fig. 10.83, Frederick Carder and Steuben Glass and also p. 135 of The Glass of Frederick Carder by Paul V. Gardner. Also p. 200 of Thomas P. Dimitroff's book in fig. 8.65 a Rouge Flambe piece is signed with the AFredk Carder on the bottom post-production. Perfect match on an Intarsia piece shown at http://www.glassclub.org/8_22x.htm Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 3/8/02 from Troy Jenkins of Sarasota, FL. CIRCA: 1900s DIMENSIONS: H: 4.5" x D: 3" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN CLUTHRA GREEN GLASS
  STEUBEN CLUTHRA GREEN GLASS "BOOTHBAY" PATTERN VASEDESCRIPTION: Steuben Cluthra green to rose to brown glass "Boothbay" pattern vase Cased acid-etched lead glass. Marked: f-d-l on side next to base. Reference: #7007, p.316 Paul V. Gardner. Shown in 1932 Steuben catalogue. Part of the Carder Steuben collection of the Wichita Art Museum Pictured p. 74 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Seen in 1932 Steuben Catalog at p. 18. Color described as Green over Brown into Rose Cluthra” Retail $40.00. “One piece in the writer’s collection has black dragons superimposed over blue jade and shows four different levels which indicate that three different resists were applied and a similar number of acid dips. Another is #7007 Boothby showing a design in Brown over Green over Rose Cluthra. A separate treatise needs to be written to do this portion of Carder’s work full justice.” Carder Steuben Glass Handbook and Price Guide by John F. Hotchkiss, p. 33. See coloring in Turn of the Century Glass The Murray Collection of Glass at fig. 60. Boothbay pattern in black over alabaster at fig. 6.25, p. 145, Frederick Carder and Steuben Glass by Dimitroff. Per discussion with west Coast dealer Sol Zwirn the Boothbay pattern is rare. “The second most sought after Steuben item in colored crystal is the ware known by this name. Nineteenth Century European in origin, where undoubtedly Mr. Carder first saw some, it remained for his Steuben Glass Works to perfect it to a magnificent degree of creative effort. “As with items in the Acid Cut Back category, Cluthra was not produced in any great quantity, though most certainly a much greater number were crafted than the former. “Another similarity between Cluthra and the Acid Cutbacks is the size, usually quite large and similarly thick and heavy.” “More often than not a Carder Cluthra will not be signed. If one is signed it will have the Steuben Fleur de Lis acid etched on the base in a random position. As one becomes familiar with signed Steuben, and in particular the Fleur d’Lis, it will be noted that the signature may occur at any portion of the base, from pontil to outer edge, with absolutely no position uniformity.” “The manufacture of Cluthra was carried on at periodic intervals, approximately between 1915 to 1933.” “The chemical additive burst into a gaseous mass of bubbles, which in the finished product resembles miniature fired eggs, ranging from 1/8 inch diameter to as large as one inch in diameter.” A Guide to Colored Steuben Glass 1903-1933(Vol I) by Eric E. Ericson, pp. 45-47. “Now then, let us consider the specific example of Cluthra. Acid Cut Back. Experience, as well as knowledge, points to a solid conclusion that indeed this is a rare item. Figuratively speaking five are known.” P. 131 of Ericson’s Book Two. See a somewhat similar Art Deco vase discussed by Louise Luther in her book, Miller’s Art Glass How to Compare Values. She notes that the raised, flared rim complements the oval, neo-classical form; the spiked border with graduated dots adds to the Art Deco style. The two-color Cluthra of bubbled and mottled glass, shading from yellow into pink-rose, makes this a rare and costly example. Dramatic and collectible, this god-ruby glass was acid-etched with Art Deco elements in the Steuben ‘Cliftwood’ pattern. Heavy and wide, the vase exhibits an elegant graphic impact. Bot its size and decoration increases its collectibility and its market value. The difficult technical processes increase its value. P. 79 The piece featured in the Luther book is 10 inches H, and 14" for the Boothbay piece. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired from Rochdale’s of Orange, CA 4/2/00 CIRCA: Early 1900s DIMENSIONS: H: 14" x D: 10" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• (5PC) SILVER REFERENCE
  (5PC) SILVER REFERENCE BOOKSDESCRIPTION: (5Pc) Silver Reference Books. Includes: (1) Miller's Collecting silver Jill Bace. (1) The book of old silver by Seymour B. Wyler. (1) Modern Silver by Graham Hughes. (1) The price guide to Antique Silver by Peter Waldron. (1) Millers Silver & Sheffield plate marks by John Bly. CIRCA: 20th Cent. ORIGIN: Continental DIMENSIONS: (Largest) H: 11" x W: 1" x L: 9" Have a similar item to sell? Contact: Info@Akibaantiques.com CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN CLUTHRA GREEN GLASS
  STEUBEN CLUTHRA GREEN GLASS "HUNTING" PATTERN VASEDESCRIPTION: Steuben Cluthra green to rose to brown glass "Hunting" pattern vase. Cased acid-etched lead glass. Reference: Shape 7007, p.316 Paul V. Gardner. Shown in 1932 Steuben catalogue. Part of the Carder Steuben collection of the Wichita Art Museum Pictured p. 74 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Seen in 1932 Steuben Catalog at p. 18. Color described as Green over Brown into Rose Cluthra" Retail $40.00. "One piece in the writer's collection has black dragons superimposed over blue jade and shows four different levels which indicate that three different resists were applied and a similar number of acid dips. Another is #7007 Boothby showing a design in Brown over Green over Rose Cluthra. A separate treatise needs to be written to do this portion of Carder's work full justice." Carder Steuben Glass Handbook and Price Guide by John F. Hotchkiss, p. 33. See coloring in Turn of the Century Glass The Murray Collection of Glass at fig. 60. Boothbay pattern in black over alabaster at fig. 6.25, p. 145, Frederick Carder and Steuben Glass by Dimitroff. Per discussion with west Coast dealer Sol Zwirn the Boothbay pattern is rare. "The second most sought after Steuben item in colored crystal is the ware known by this name. Nineteenth Century European in origin, where undoubtedly Mr. Carder first saw some, it remained for his Steuben Glass Works to perfect it to a magnificent degree of creative effort. "As with items in the Acid Cut Back category, Cluthra was not produced in any great quantity, though most certainly a much greater number were crafted than the former. "Another similarity between Cluthra and the Acid Cutbacks is the size, usually quite large and similarly thick and heavy." "More often than not a Carder Cluthra will not be signed. If one is signed it will have the Steuben Fleur de Lis acid etched on the base in a random position. As one becomes familiar with signed Steuben, and in particular the Fleur d'Lis, it will be noted that the signature may occur at any portion of the base, from pontil to outer edge, with absolutely no position uniformity." "The manufacture of Cluthra was carried on at periodic intervals, approximately between 1915 to 1933." "The chemical additive burst into a gaseous mass of bubbles, which in the finished product resembles miniature fired eggs, ranging from 1/8 inch diameter to as large as one inch in diameter." A Guide to Colored Steuben Glass 1903-1933(Vol I) by Eric E. Ericson, pp. 45-47. "Now then, let us consider the specific example of Cluthra. Acid Cut Back. Experience, as well as knowledge, points to a solid conclusion that indeed this is a rare item. Figuratively speaking five are known." P. 131 of Ericson's Book Two. See a somewhat similar Art Deco vase discussed by Louise Luther in her book, Miller's Art Glass How to Compare Values. She notes that the raised, flared rim complements the oval, neo-classical form; the spiked border with graduated dots adds to the Art Deco style. The two-color Cluthra of bubbled and mottled glass, shading from yellow into pink-rose, makes this a rare and costly example. Dramatic and collectible, this god-ruby glass was acid-etched with Art Deco elements in the Steuben "Cliftwood" pattern. Heavy and wide, the vase exhibits an elegant graphic impact. Bot its size and decoration increases its collectibility and its market value. The difficult technical processes increase its value. P. 79 The piece featured in the Luther book is 10 inches H, and 14" for the Boothbay piece. CIRCA: 1920s-1932 ORIGIN: USA DIMENSIONS: D: 9.75" H: 13.25" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• LOT OF 19 GUIDES AND PERIODICALS ON
  LOT OF 19 GUIDES AND PERIODICALS ON CASINO HISTORY AND ...Lot of 19 Guides and Periodicals on Casino History and Memorabilia. Including complete set of Chip Forum (April – August 1996) and later title Gaming Times (September 1996 – July 1999), The Fascination of Ivory (1991) by Godfrey Harris, Casinos and Their Ashtrays (1994) by Art Anderson, Revised List of American Game Counters (1952) by Howard Kurth, two editions of The Official U.S. Casino Chip Price Guide (1999) by Steve Campiglia and Steve Wells, The Gaming Table (1998) by Dale Seymour, and A Collector’s Guide to Nevada Gaming Checks and Chips (1995) by Howard and Kregg Herz, among others. Sizes and bindings vary. Some aging on periodicals, overall very good to fine condition.
• 70 REFERENCE BOOKS ON GLASS AND
  70 REFERENCE BOOKS ON GLASS AND PERFUMESincluding: Commercial Perfume Bottles by Jacquelyne Y. Jones-North, Pennsylvania: Schiffer Publishing, 1987; Scent Bottles by Kate Foster, London: The Connoisseur, 1966; Sulphides : The Art of Cameo Incrustation by Paul Jokelson, New York: Nelson, 1968; The Book of Perfume by Elisabeth Barille and Catherine Laroze, New York/Paris: Flammarion, 1995; DeVilbiss Perfume and Vanity Items: The Catalogues , compiled by Marsha Crafts, 2008; The Reference Guide for Commercial Perfumes 1860-1960 by Ken Leach, Toronto: Kres Publishing, 1997; Art Glass Identification and Price Guide by John A. Shuman III, Wisconsin: Krause Publications, 2003; Frederick Carder's Steuben Glass by Marshall Ketchum, Pennsylvania: Schiffer Publishing, 2002; British Glass 1800-1914 by Charles R. Hajdamach, published by the Antique Collector's Club, 1991; Baccarat by Jean-Louis Curtis, New York: Thames and Hudson, 1992; and others Provenance: Collection of Janice and Joe Boyd Condition: all with light wear to extremities, bumped corners, some tears and losses to dust jackets
• Assortment of Miller, Lyles price
  Assortment of Miller, Lyles price guides along with some Carters
• RARE HUMMEL 105 ADORATION WITH BIRD
  RARE HUMMEL 105 ADORATION WITH BIRD TMK1Hummel 105 Adoration with Bird (VERY RARE) TMK1. Very limited production. Listed CE at factory 24 May 1938. "This figurine is considered "extremely rare" per Robert Miller Price guide 7th edition. Straight Pigtail. Figurine is in mint condition. Hummel measures 4 3/4" tall, TMK-1, Hum 105. No cracks, chips, crazing or repairs. No box. Provenance: From the estate collection of Donald Deeks (1931-2020) of Venice, Florida, who assembled what is purported to be one of the most important collections of rare Hummel figurines in existence. Blackwell Auctions has been commissioned by his family to sell the entire collection of about 2,000 pieces, many of them either unique or nearly so. The auction of the entire estate collection will take place in December or January. A small selection is being offered in today's auction. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• AMERICAN INDIAN ART 15PC MAGAZINE
  AMERICAN INDIAN ART 15PC MAGAZINE AND BOOK GROUP: 10 1/2"H X 8 1/2"W X 7/8"D (ALASKA NATIVE ART)American Indian art 15pc magazine and book group:, Sacred Circles, North American Showing, 1977; Antiques & Fine Art magazine, Feb. 1989; Style 1900 magazine, winter/spring 2004; Sotheby's Pre-Columbian and American Indian Art auction catalogue, May 17 & 18, 2000; Christie's New York American Indian Art auction catalogue, Wednesday, June 5, 1996; Warman's North American Indian Artifacts Identification & Price Guide, Russell E. Lewis, 2006; American Indian Art magazine, spring 2009; American Indian Art magazine, Autumn 2010; American Indian Art magazine, summer 2005; By Native Hands: Woven Treasures from the Lauren Rogers Museum of Art, 2005; Western Art & Architecture magazine, fall/winter 2009; Fourteen Families in Pueblo Pottery, Rick Dillingham, 1995; Indian Baskets, Sarah Peabody Turnbaugh & William A. Turnbaugh, 2004; Navajo Rugs, Don Dedera,1990; Alaska Native Art, Susan W. Fair, 2006. Dimensions: 10 1/2"H x 8 1/2"W x 7/8"D (Alaska Native Art)
• CHRISTMAS: APPROXIMATELY 50 GLASS
  CHRISTMAS: APPROXIMATELY 50 GLASS AND OTHER ORNAMENTS WITH BOOK, FERRANDIZ FIGURINE DISPLAY; ORNAMENTS INCLUDING OLDE WORLD CHRISTMA...CHRISTMAS: Approximately 50 glass and other ornaments with book, Ferrandiz figurine display; ornaments including Olde World Christmas and others, details include: Santa's toy soldiers, nutcrackers, reindeer, camels, White House Historical 3D ornaments, bottle brush trees, glittered pinecones, and more, with "The Glass Christmas Ornament: Old & New", a collector's compendium and price guide; along with display by Anri Ferrandiz (Italy) children playing instruments on wood stand; wear on all consistent with age and use.
• PRATTWARE AND ROYAL DOULTON,
  PRATTWARE AND ROYAL DOULTON, THREE PIECES OF ENGLISH POTTERY WITH BOOK, INCLUDING: PRATTWARE LOVING CUP DECORATED WITH POLYCHROME PA...Prattware and Royal Doulton, three pieces of English pottery with book, including: Prattware loving cup decorated with polychrome pastoral scenes against a pink ground; polychrome decorated Prattware potlid, "The Red Bull Inn", both 19th C.; and a Royal Doulton "Autumn" series pitcher, decoration with horses and rider in a landscape against an amber ground, small flake to spout rim; along with "The Price Guide to Pot-Lids and other Underglaze Multicolour Prints on Ware", 1980; all pieces with wear consistent with age and use, largest: 5 3/4" h.
• GROUP OF 10 REFERENCE BOOKS
  GROUP OF 10 REFERENCE BOOKS RELATING TO BARYE BRONZE SCULPTURES AND BRONZE ANIMAL SCULPTURESGROUP OF 10 REFERENCE BOOKS RELATING TO BARYE BRONZE SCULPTURES AND BRONZE ANIMAL SCULPTURES, including Christie's, New York, Barye Bronzes: An Important Private Collection including rediscovered modeles from the sculptor's atelier sale, Friday 25 April 2003; Barye, catalogue raisonne des sculptures, Michel Poletti, Alain Richarme; Barye, Fogg Art Museum Handbook, Vol. 4; Antoine-Louis Barye, The Corcoran Collection; Untamed, The Art of Antoine-Louis Barye; The Barye Bronzes, A Catalogue Raisonne by Stuart Pivar; The Animaliers, A Collector's Guide to the Animal Sculptors of the 19th and 20th Centuries, James Mackay; Bronze Sculpture of "Les Animaliers" Reference and Price Guide by Jane Horswell; Antoine Louis Barye Bronzes, From the Collection of the Late Geraldine Rockefeller Dodge, Public Auction, Wednesday October 29, 1975, Sotheby Parke Bernet Inc., New York; Animals in Bronze, Reference and Price Guide, Christopher Payne (10)
• SET OF NINE ART BOOKS To include:
  SET OF NINE ART BOOKS To include: Paul Duval, A.J. Casson: His Life & Works/A Tribute (Cerebus/Prentice-Hall, 1980) Angiolo D'Andrea, 1880-1942 (Skira) Martin Streibel, Porto Alegre: Brasil (Editora da Imagem, 1994) Roy Henry Vickers, Spirit Transformed: A Journey from Tree to Totem (Raincoast Books, 1996) Currier's Price Guide to American and European Prints at Auction (2nd ed. 1991) Rebecca Stone Miller, Art of the Andes: from Chavín to Inca (Thames & Hudson, 2nd ed., 2002) Mary Ellen Miller, The Art of Mesoamerica: from Olmec to Aztec (Thames & Hudson, 4th ed., 2006) Focus on Switzerland: The Significance of the Landscape, Switzerland - Vacationland (1975) Christopher Hibbert, Versailles (Newsweek, 1972)
• THIRTEEN REFERENCE BOOKS AND
  THIRTEEN REFERENCE BOOKS AND MAGAZINES ON CHANEL AND COSTUME JEWELRY. 12 3/4"H X 9 1/4"W X 3/4"D (LARGEST)Thirteen reference books and magazines on Chanel and costume jewelry., Chanel: Fine Jewelry by Francois Baudot, 2000 Jewelry by Chanel by Patrick Mauries, 1993 Collector's Compass: Jewelry, 2000 Costume Jewelry Variations by Marion Cohen, 2003 Warman's Jewelry by Christie Romero, 2002 Costume Jewelry by Fred Rezazadeh, 1998 Price Guide to Costume Jewelry by Harrice Simons Miller, 2002 Ornament Magazine, 1998 Costume Jewelry Magazine 2010: three issues and two directories Dimensions: 12 3/4"H x 9 1/4"W x 3/4"D (largest)
• 14 CLOCK REFERENCE BOOKS14
  14 CLOCK REFERENCE BOOKS14 horological reference books: Britten's Watch & Clock Maker's Handbook Dictionary and Guide, 16th edition, 1978; American Clocks A Guide to Identification and Prices, Tran Duy Ly, 1989, signed by the author; American Clocks Volume 2, Tran Duy Ly, 1990; American Clocks Volume 3, 2002; Clocks, Simon Fleet, 1961; A Treasury of American Clocks, Brooks Palmer, 9th printing, 1977; White Dial Clocks The Complete Guide, Brian Loomes, 1981; Black Forest Clocks, E. John Tyler, 1977; Pennsylvania Clocks and Clockmakers, George H. Eckhardt, 5th printing, 1955; Novelty and Animated Pendulette Wall Clocks, Don and Alice Nicholson, 1977; Clock Identification and Price Guide Book 3, Roy Ehrhardt and Red Rabeneck, 2nd printing, 1987; Comtoise Clocks The Morbier The Morez, Francis Maitzner and Jean Moreau, 1st English edition, 1990; The French Marble Clock, Nicholas M. Thorpe, 1993. All with wear to dust jackets, covers, corners and spines, some with minor discoloration to pages.
• ANTIQUES REFERENCE[ANTIQUES
  ANTIQUES REFERENCE[ANTIQUES REFERENCE] incl.: A Directory of Antique Furniture, by F. Lewis Hinckley; American Antiques, The New and Revised Catalog, by William C. Ketchum, Jr.; Treasury of American Antiques, A Pictorial Survey of Popular Folk Arts and Crafts, by Clarence P. Hornung; Collecting Farm Antiques, by Lar Hothem; A Dictionary of Lace, by Pat Earnshaw; The Revised Price Guide to Pattern Glass, Third Edition, by Ruth Webb Lee, Confusing Collectables, 101 Patchwork Paterns, Important European Porecelain, etc., Collecting Antiques in America, The Concise Encyclopedia of American Antiques, Glass Flowers, Christmas Revisted, Care and Repair of Antiques, The Book of Furniture, Primer of American Antiques, American Furniture, The Practical Book of American Furniture, Dress
• Bing & Grondahl Figurines Reference
  Bing & Grondahl Figurines Reference Book with Price Guide, Schiffer Books, 2002. 247pp. Hardcover. Excellent condition.
• WILLIAM ARNOLD EYDEN SR, INDIANA
  WILLIAM ARNOLD EYDEN SR, INDIANA (1859 - 1919), UNTITLED WOODLAND SCENE, OIL ON CANVAS, 17 1/2"H X 23 1/2"W, 24 1/4"H X 30 1/2"W (FRAME)William Arnold Eyden Sr, Indiana, (1859 - 1919) untitled woodland scene, oil on canvas Signed lower left. Biography from the Archives of askART: William Arnold Eyden Sr. was born in August 1859 in Hanover, Germany. Wilhelm Eyden arrived in New York on on 13 July 1868 with his mother Doris Eyden and siblings Helene, Johanna, and Johanne. Family tradition says that William's mother died on the voyage from Germany, but this is obviously incorrect. The 1880 census confirms that he was born in Hanover, Germany. He married Elvina Goodwin in 1880 in Wayne County, IN. She was born in January 1862 in Ohio a daughter of George and Luisa Goodwin. Their son Walter Earnest was born on 29 November 1881 in Richmond, Indiana. The Eydens were living in Richmond City, Wayne County, IN in 1880 with Elvina's parents where William was employed as a chair maker. William was employed as an artist in 1900 and 1910 in Richmond where the Eydens rented a home. Censuses show that the Eydens had six children, but only Walter Earnest, Florence, and William A. Jr. appear in census records. Eyden Sr. was an early and prominent member of the Richmond Group of artists and a founding member of the Artists Association of Richmond. He is mentioned in Mallett's Index of Artists where he is misidentified as "William T. Eyden". He is also mentioned in Davenport's Art Reference and Price Guide. William A. Eyden Sr. died 21 March 1919 in Richmond and is buried in the Earlham Cemetery, Richmond, IN. W. A. oil on canvas Dimensions: 17 1/2"H x 23 1/2"W, 24 1/4"H x 30 1/2"W (frame)
• BARYE, BONHEUR: BRONZE ANIMAL
  BARYE, BONHEUR: BRONZE ANIMAL SCULPTURE MONOGRAPH BOOK AND EXHIBITION CATALOG 9PC GROUP 11 3/4"H X 9 1/4"W (LARGEST)Barye, Bonheur: bronze animal sculpture monograph book and exhibition catalog 9pc group, Bronze Sculpture of "Les Animaliers" Reference and Price Guide, Jane Horswell, 1971 Sculpture, The Sladmore Gallery, 2002 19th Century Bronze Sculpture for the Collector, The Sladmore Gallery, 1990 Nineteenth Century Animalier Sculpture, The Sladmore Gallery, 1996 Sporting Sculpture, The Sladmore Gallery, 1993 Nineteenth Century Animal Sculpture for the Collector, The Sladmore Gallery, 1989 Barye to Bonheur: 75 Years of Animal Sculpture, The Sladmore Gallery, 1992 Antoine-Louis Barye: Myth Monument and Menagerie, The Sladmore Gallery, 1990 L'Atelier de Barye: A Group of Rare Sculptures From the Artist's Atelier, The Sladmore Gallery, 2002 Dimensions: 11 3/4"H x 9 1/4"W (largest)
• SALVADOR DALI (SPANISH,
  SALVADOR DALI (SPANISH, 1904-1989) 28 ¾" x 20 ?" paper Frontispiece for Signs of the Zodiac. Lithograph from original gouache, published by Leon Amiel, Paris, numbered 158/250 from the edition of 250 on Arches (Arches watermark on right edge), initialed on the back by Bruce Hochman and dated 9/18/13, matted and framed under glass, overall 34 ¼" x 25 ¾". Field 67-6. Hochman is the exclusive distributor of The Official Catalog of the Graphic Works of Salvador Dali by Albert Field, the definitive source of information on Dali graphic works. He is also author and distributor of The Print Price Guide to the Graphic Works of Salvador Dali, now in its 12th edition.