A few examples of appraisal values for
PRIMA

• A PAIR OF SEPTARIAN GEODE BOOKENDS,
  A PAIR OF SEPTARIAN GEODE BOOKENDS, MADAGASCARA pair of Septarian geode bookendsMadagascarCalcite, aragonite and limestone are the three primary components of this decorative stone, produced over 50 million years ago by nature's amazing forces. T
• MARTIN BRECHALL FRAKTUR BIRTH
  MARTIN BRECHALL FRAKTUR BIRTH CERTIFICATEMartin Brechall (Southeastern Pennsylvania active 1783-1830), Northampton County ink and watercolor fraktur birth certificate for Jonas Bertholt, b. 1805, 8" x 12 3/4", frame - 16" x 21". Competitive in-house shipping is available for this lot. Condition: Losses to black ink primarily top left corner. Small edge losses.
• Large old New Guinea carved bone
  Large old New Guinea carved bone dagger, Primative incised decoration, approx 41cm L
• FOLK ART CARVED BIRD ON STAND CA.
  FOLK ART CARVED BIRD ON STAND CA. LATE 19TH-EARLY20th century; attributed to an unidentified carved that worked primarily in the area of Virginville, Berks Co., PA; the smooth carved early softwood bird with light red milk paint to wings and boiled walnut husk staining to head, small glass bead eyes, mounted sawn and whittled placard type perch that is placed into chamfer molded square block base, 4 3/4"x 2 1/2"x 6 1/4"; Condition: all finishes appear correct, not stripped or refinished, small chip noted to tail
• FINE GRADUATED SET OF 4 "E. MURDOCK
  FINE GRADUATED SET OF 4 "E. MURDOCK & CO,Winchester, Mass" wooden buckets ca. 1879 dated; uncommon form softwood solid wood tapered bottom bucket with nail mounted loose wire handles; the two largest buckets impressed with maker's mark, the largest with pencil written "Cora Forner, 1879", 1 3/4"-4 1/2"d, 1 1/2"-3 1/2"h; [Note: Murdock & Co. buckets were primarily made for James Libby & Co]; Condition: only one appears to have been used; good
• SMALL SIZE WALLPAPER LIDDED BOX
  SMALL SIZE WALLPAPER LIDDED BOX ATTRIBUTED TO LANCca. 1830-1840; similar in construction to those found primarily in Lancaster Co., PA, the small cuff/collar box with softwood bottom with mounted cardstock band and cardstock and stitch constructed banded lid, the box with vibrant roll printed three color floral design on gray ground wallpaper, 3"x 3 1/4"x 1 3/4"; Condition: minor water spot, minor paper separation on lid, overall good
• FINE MENNONITE DOUBLE PATCH BLOCK
  FINE MENNONITE DOUBLE PATCH BLOCK DESIGN QUILTca. 1880-1920; non-uniform piecework patch block of dark red tone blocks with nine patch block small size in various tones, primarily cotton calicos and printed fabrics with 24 double nine patchwork blocks within red and white cotton weave fabric, backed with brown calico print fabric and bound with gray-brown tone binding, hand stitch quilted, 88"x 76"; Condition: some staining and water spots, used lightly, good
• FRAMED UNCOMMON "HAND & FLOWER"
  FRAMED UNCOMMON "HAND & FLOWER" DESIGN FRAKTUR ATTca. post date of 1858; interesting late era form, pencil outline and watercolor two-panel birth record statement on a blue lined composition paper, the upper fields has what is believed to be maker's name, date of birth and location (Paulding Co., OH), the bottom panel with delicate ladies hand holding stem of roses, framed in a 1920s era frame, 13 1/2"x 15 1/2"; [Note: Henry F. Schilt (1858-1937) was a farmer and taught in rural schools until 1914. He taught primarily in Paulding Co., OH]; Condition: minor foxing, overall very good
• FINE INK & WATERCOLOR BOOKPLATE
  FINE INK & WATERCOLOR BOOKPLATE OF BARBARA BIWIGHAca. 1790 printed book; ink and water Fraktur bookplate mounted into inside fly leaf, cover of leatherbound "Christliche Gemüths-Gesprach…" printed in 1790 by Michael Billmeyer in Germantown, PA; the bookplate artist unattributed but the artist has fine penmanship and used both red and black ink within watercolor frame, the upper field with unique inverted heart and speckle tulips on thin stems, the lower field with instruction reprimand against taking of book, 3 1/2"x 5 1/2"x 3/4"; Condition: book and cover very good, some soiling, one silver fish hole, water spots to bookplate, fine form
• JAN JOSEF HOREMANS I (ANTWERP,
  JAN JOSEF HOREMANS I (ANTWERP, 1682-1759) Oil on canvas. Jan Josef Horemans I (Antwerp, 1682-1759) Jan Josef Horemans the Elder is known primarily as a painter of historical and genre scenes. Horemans first studied under sculptor Michael van der Voort and continued as a student of Jan van Pel. In 1706, he became a master of the St. Luke's guild in Antwerp, where he spent his entire life. His genre paintings were created along the same line as his predecessor, David Teniers I, repeatedly depicting interiors with card players as well as cabaret interiors. His most famous pupil was his son, Jan Josef Horemans the Younger, who worked in a very similar style. In fact, father and son often collaborated and it is sometimes difficult to distinguish the style of one from that of the other. The Elder was called the "Brown Horemans" and the Younger was called the "Lighter Horemans" to distinguish between their slightly darker and lighter palettes.
• CLIFFORD ULP (AMERICAN,
  CLIFFORD ULP (AMERICAN, 1885-1957) "INNER HARBOR, GLOUCESTER, MASSACHUSETTS" Oil on artist board. Signed 'Clifford Ulp' (lower right). Clifford Ulp (American, 1885-1957) Clifford McCormick Ulp was born August 23rd, 1885 in Olean, New York. Ulp attended the Mechanics Institute (now Rochester Institute of Technology), graduating in 1908 and then going on to teach as a professor there in 1913. He was made the director of the School of Applied Arts in 1921 and continued there until his retirement in 1952. Clifford Ulp was a teacher and mentor of Carl Peters and continued to show his numerous talents in illustration, composition, lettering, and perspective throughout his career. He died in Rochester, New York, on January 22nd, 1958. Ulp is remembered primarily for his landscape portrayals. He is also known for his religious works, murals, illustrations, and printmaking. Two styles of painting that fascinated Ulp were that of fresco and pastel. He enjoyed doing outdoor sketching in all kinds of weather and would usually do an outdoor sketch each day which he would then have his family critique.
• GEORGE A. RENOUARD (AMERICAN,
  GEORGE A. RENOUARD (AMERICAN, 1884-1954) Oil on artist board, pencil signed 'G. Renouard' (on reverse). George A. Renouard (American, 1884-1954) George A. Renouard was a noted painter, printer, and graphic artist. He was born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
• JOHN ENCINIAS (AMERICAN, B. 1949)
  JOHN ENCINIAS (AMERICAN, B. 1949) "BLUE AND WHITE VASE" Oil on artist board. Signed 'J. Encinias' (lower left). Giltwood frame.Artist BioJohn Encinias (American, b. 1949) John Encinias is a self-taught artist who started painting at the age of 15. He was encouraged to show his work by professional artists he met while working at a paint supply store. A show at a small gallery in Cherry Creek, Colorado led to Encinias quitting his job to begin working as a full-time professional artist at the age of 25. His paintings are characterized by a subdued and subtle quality, a natural quietness. Encinias, who describes his technique as "impressionistic realism", prefers painting directly from his subjects, whether still-life or landscapes. He works to bring his subjects to life at the level of the senses, using paint to convey smell, touch, temperature - even sound. Encinias restricts his palette to warm and cool versions of the primary colors, softer colors which capture the nuances of color of nature, the hues which change with the seasons. When painting plein air, Encinias works quickly to capture the effect of light. He has said that the most difficult part in painting plein air is avoiding over-refinement before capturing the basic light and color of a given scene.
• ABEL BERTRAM (FRENCH, 1871-1954)
  ABEL BERTRAM (FRENCH, 1871-1954) RECLINING NUDE WOMAN Watercolor on paper. Signed 'Abel Bertram' (lower left).Artist BioAbel Bertram (French, 1871-1954)Abel Bertram was a post-impressionist artist. His paintings are distinguished by a unique palette, and unusual use of color. Betram used primary colors, which he mixed himself to achieve the desired tone. He was able to create a sense of intimacy with the model seen him is nude paintings.
• EDWARD BOREIN (AMERICAN, 1872 -
  EDWARD BOREIN (AMERICAN, 1872 - 1945) DRAWING Pen and ink on paper. Edward Borein was an American etcher and painter from California. His artwork depicted Spansih Colonial California, the Old West, and Mexico. He grew up as a vaquero on the Jesus Maria Rancho, later known as Camp Cooke. Borein studied art in New York City, where he became friends with Will Rogers, and in Paris. He was primarily trained as an illustrator. Borein began his career as a cowboy in 1893. He worked on the land for two decades. He became an etcher and a painter, and he opened a studio in El Paseo, Santa Barbara California in 1921. His works of art were nostalgic representations of the Western lifestyle, the Old West, and Native Americans and cowboys.
• DANIEL PETERMAN, FRAKTURDaniel
  DANIEL PETERMAN, FRAKTURDaniel Peterman (active 1797-1871) , Paradise Township, York County, Pennsylvania watercolor and ink on paper fraktur with central script flanked by women in long dresses carrying tulip vines, signed lower center, 13" x 16". Competitive in-house shipping is available for this lot. Condition: Two repaired tears to upper right and left, primarily in the background. Fold lines smoothed out. Some small color run and staining. Not glued down. Examined out of frame.
• LARRY LEVOW, EVEN IN EVENING, OIL
  LARRY LEVOW, EVEN IN EVENING, OIL ON CANVASLarry Levow, Even in Evening, Oil on Canvas, (Savannah, b. 1937), signed on back, depicting a marsh scene just after sunset, unframed. Larry Levow, a primarily self taught artist, has been active in t
• MORRIE CAMHI, PHOTOGRAPHER,
  MORRIE CAMHI, PHOTOGRAPHER, "ROADSIDE" SERIESMorrie Camhi (American, 1928-1999), lot of photographs and photographic materials from the artist's estate, primarily related to his series "Roadside Attractions", to include: appx. 234 loose gelatin
• MORRIE CAMHI, PHOTOGRAPHER,
  MORRIE CAMHI, PHOTOGRAPHER, "ESPEJO" SERIESMorrie Camhi (American, 1928-1999), lot of photographs and photographic materials from the artist's estate, primarily related to his series "Espejo", to include: 24 matted gelatin silver exhibition pr
• MORRIE CAMHI, PHOTOGRAPHER, "PRISON
  MORRIE CAMHI, PHOTOGRAPHER, "PRISON EXPERIENCE" SERIESMorrie Camhi (American, 1928-1999), lot of photographs and photographic materials from the artist's estate, primarily related to his series "The Prison Experience", to include: appx. 17 matted gelatin
• MORRIE CAMHI, PHOTOGRAPHER,
  MORRIE CAMHI, PHOTOGRAPHER, "FARMWORKERS" SERIESMorrie Camhi (American, 1928-1999), lot of photographs and photographic materials from the artist's estate, primarily related to his series "Farmworkers", to include: 9 matted and/or dry mounted gelat
• A Brewmaster's Porcelain
  A Brewmaster's Porcelain Occupational Shaving Mug Circa 1917-1920 bearing the name H. H. Gilson in gilt lettering and depicting a man holding a glass of beer and and brewer's trade emblem. underside marked T & V / Limoges / France. Height 3 1/2 inches. The crest is identified to the International Union of United Brewery Workmen of America, founded in 1886 as the National Union of United Brewery Workers. Through the early twentieth century, membership was comprised primarily of German immigrants and, for many years, the union's publications were issued exclusively in German. The name was changed in 1917 and was changed again just three years later to the International Union of United Brewery, Flour, Cereal and Soft Drink Workers of America, likely in the wake of Prohibition, as it operated until 1973 when the union merged with the Teamsters. Property from the Collection of James Carpenter, Montague, New Jersey
• A Football Coach's Porcelain
  A Football Coach's Porcelain Occupational Shaving Mug Belonging to Amos Alonzo Stagg Circa 1912 featuring a full wrap of transfer images of fourteen football players and coach Amos Alonzo Stagg against a maroon background. identified players include Paul "Shorty" Des Jardiens, Marion L. Skinner, and John Bennett Canning, all of whom played for the University of Chicago Maroons during the 1912 season. center features a C with a football in it encircling the date 1912. underside marked VESEY with impressed Austria. Height 3 5/8 inches. Amos Alonzo Stagg (1862-1965) was perhaps the most influential figure in the history of collegiate athletics. Having coached and contributed to the development of multiple sports, his legacy remains primarily with football and basketball. The legendary Notre Dame coach Knute Rockne once said that "all football comes from Stagg." He is enshrined in two Halls of Fame, and the NCAA Division III football championship is known as the Stagg Bowl. Stagg's football career began at Yale University, where he was selected to the first Football All-American team as a player in 1889. The following year, he began his football coaching career at Springfield College (1890-1891), where James Naismith, later famous as the inventor of basketball, played under him. Stagg's most significant contributions to football occurred during his forty-one-year tenure as head coach of the University of Chicago (1892-1932). Under his guidance, Chicago became known as a football powerhouse during the first quarter of the twentieth century, winning seven Big Ten championships (1899, 1905, 1907, 1908, 1913, 1922, and 1924). In addition to his football duties, he also coached track, baseball, and basketball and is credited with helping to organize the Big Ten Conference. In 1912, the year identified on this mug, the Maroons finished second in the Western Conference with a 6-1 record and outscored all their opponents. Property from the Collection of James Carpenter, Montague, New Jersey
• [AFRICA] - [HUNTING] - [TRAVEL] -
  [AFRICA] - [HUNTING] - [TRAVEL] - [SAFARI PRESS]. A group of approximately 64 volumes, including works primarily related to Africa, hunting, and travel, many of which are published by the Safari Press, including: 1-23) [Classics in African Hunting Series]. An incomplete run of 23 volumes, all published in Long Beach, CA: Safari Press, Inc., [1983-2011], all FIRST EDITIONS (vol. 67: FIRST ENGLISH EDITION), LIMITED ISSUE, each numbered out of 1,000 copies, EACH SIGNED BY THE EDITOR, AUTHOR, AND/OR ILLUSTRATOR. 24) CHILTON, Johnny. [Classics in Big Game Hunting Series.] Out of Bullets! Safari Press, Inc., [2011]. Vol. 38 only. FIRST EDITION, LIMITED ISSUE, 44 of 250 copies, SIGNED. 25) STANLEY, Henry M. How I How I Found Livingstone: Travels, Adventures, and Discoveries in Central Africa. NY: Scribner, Armstrong & Co., 1872. (Covers detached.) FIRST AMERICAN EDITION. 26) STANLEY, Henry M. Through the Dark Continent. NY: Harper & Brothers, 1878. 2 vols. FIRST AMERICAN EDITION. 27) SYKES, C.A. Service and Sport on the Tropical Nile. L: John Murray, 1903. FIRST EDITION. 28) BELL, W.D.M. The Wanderings of an Elephant Hunter. L: "Country Life," Ltd., et al, 1923. Provenance: Noreen Curry (bookplate). FIRST EDITION. 29) BOYCE, William D. Illustrated Africa Noth Tropical South. Chicago et al: Rand McNally & Company, [1925]. FIRST EDITION. PRESENTATION COPY, WITH COMPLIMENTS CARD SIGNED BY BOYCE and tipped in. 30) PATTERSON, Frederick B. African Adventures. NY et al: G.P. Putnam's Sons, 1928. (Lacking dust jacket.) FIRST EDITION. 31) DINESEN, Isak [Karen BLIXEN]. Out of Africa. NY: Random House, [1938]. (Lacking dust jacket.) FIRST AMERICAN EDITION. 32) WARD, Don, editor. Wild Streets Tales of the Frontier Towns by members of the Western Writers of America. Garden City, NY, 1958. FIRST EDITION. 33) MELLON, James. African Hunter. Safari Press Inc., [1975]. FIRST EDITION. 34) BEST, Anthony A., editor. Rowland Ward's Records of Big Game. Sussex, England, 1977. Seventeenth edition, LIMITED ISSUE, 143 of 150 copies, SIGNED. 35) [ENCYCLOPEDIA]. Encyclopedia of Big Game Animals in Africa with their Trophies. NY et al: Pierre Fiorenza\Larousse, [1983]. FIRST EDITION. 36) BODDINGTON, Craig T. Where Lions Roar Ten More Years of African Hunting. Safari Press Inc., [1997]. FIRST EDITION. SIGNED. 37) KISTNER, Alzada Carlisle. An Affair with Africa Expeditions and Adventures Across a Continent. Washington, D.C. et al, [1998]. FIRST EDITION. PRESENTATION COPY, INSCRIBED BY KISTNER: "Adventure is addictive - Enjoy! Alzada C. Kistner." 38) KLINEBURGER, Bert. International Hunter 1945-1999 Hunting's Greatest Era. [Kerrville, TX,1999]. FIRST EDITION, LIMITED ISSUE, lettered AR of 1,000 copies. PRESENTATION COPY, INSCRIBED BY KLINEBURGER: "To my friend Michael Keith Good hunting Bert Klineburger." And 25 others. Together, 63 works in 64 volumes, various sizes, all in original bindings, most with their publisher's dust jackets and slipcases, many FIRST EDITIONS, many SIGNED, condition generally very good. Complete list available upon request.
• PAUL EVANS STUDIO SCULPTED BRONZE
  PAUL EVANS STUDIO SCULPTED BRONZE CABINET (1972)Paul Evans Sculpted bronze cabinet, Paul Evans Studio 1972 Wood, epoxy overlay, applied bronze composition 77 1/2" x 24" x 24" Signed "PE 72" to the underside. The two-door cabinet contains hidden handles on front and opens to reveal a mirrored bar with three glass shelves above a lower sliding two-door compartment. The interior is lighted from the top. The cabinet was reviewed and authenticated by Dorsey Reading, Evans' primary studio collaborator, who stated that Paul Evans Studio produced only approximately 25 cabinets of this type. The signed letter of authentication will be included with the cabinet. To our knowledge, only four examples have been offered at auction in the last 50 years and each one was unique in it's detailing. Literature: Paul Evans: Designer & Sculptor , Head, ppg. 55 Condition The sculpted exterior is in good condition, noting a horizontal hairline around the base and a 1/2" flake along the bottom of the cabinet on the left side. The interior mirrors show some signs of aging. There is a translucent plastic light diffuser at the top of the interior which is warped due to heat proximity. The lighting is tested and working, noting one area of the wiring reinforced with electrical tape.
• Primary Color Enameled Metal Coat
  Primary Color Enameled Metal Coat Hat Rack. Standing. Modernist style. Dimensions: Height: 48 inches, Width: 21 inches, Depth: 21 inches. --- Condition: Light wear.
• BURHAN DOGANCAY "UNTITLED" (WALLS
  BURHAN DOGANCAY "UNTITLED" (WALLS V-VI) LITHOGRAPH Burhan Dogancay (American, 1929-2013), "Untitled" (Walls V-VI), Lithograph in Colors, printed by Charles Ringness (American, b. 1946), wood frame. Image: 23" H x 19" W; frame: 30" H x 24" W. Provenance: From a 177 75th Street collection. Keywords: Multiples, Prints, Peel, Illusion, Polychrome, Primary colors
• JOAN SHAPIRO ABSTRACT EXPRESSIONIST
  JOAN SHAPIRO ABSTRACT EXPRESSIONIST OIL ON CANVAS Joan Hyde Shapiro (American, XX-XXI) Oil Painting on Canvas, depicting an Abstract Expressionist composition in primary colors on a scarlet red ground, signed lower right, housed in a wood frame. Image: 36" H x 30" W; frame: 37.25" H x 31.25" W.
• GROUP CRECHE ACCESSORIES &
  GROUP CRECHE ACCESSORIES & DEVOTIONAL OBJECTS 18th-20th c., (25+) pieces, incl. wire halos, aureole, cherubs, crowns, swords, a Thurible, parts and pieces, etc., primarily assorted metals, some silver (content unknown), 9"l x 5.75"w (largest), 1"h (smallest)
• MARK TWAIN, CELEBRATED JUMPING
  MARK TWAIN, CELEBRATED JUMPING FROG, FIRST STATE The Celebrated Jumping Frog of Calaveras County by Mark Twain. Published 1867 by C.H. Webb. First edition. First state. Meets all first state error points, including a lack of type break on last page. One of the first 1000 printed which started Mark Twain on his writing career. Ad page opposite title page is no longer present. Copies were bound simultaneously in green, terra cotta, dark brown, lavender, blue deep purple, maroon, and red cloth (MacDonnell, "The Primary First Editions of Mark Twain", Firsts, Vol. 8, no. 7/8). This copy features the gilt stamp of the leaping frog positioned to the lower left of the front cover as usual. Bound in the blue colored boards. Yellow leaf at front not present. 12mo. 198pp.
• MARK TWAIN, CELEBRATED JUMPING
  MARK TWAIN, CELEBRATED JUMPING FROG, FIRST EDITION The Celebrated Jumping Frog of Calaveras County by Mark Twain. Published 1868 by C.H. Webb. First edition, second state. Copies were bound simultaneously in green, terra cotta, dark brown, lavender, blue deep purple, maroon, and red cloth (MacDonnell, "The Primary First Editions of Mark Twain", Firsts, Vol. 8, no. 7/8). This copy features the gilt stamp of the leaping frog positioned to the lower left of the front cover as usual. Dark red boards. 12mo. 198pp.
• MARK TWAIN, CELEBRATED JUMPING
  MARK TWAIN, CELEBRATED JUMPING FROG, FIRST EDITION The Celebrated Jumping Frog of Calaveras County by Mark Twain. Published 1867, C.H. Webb. First edition. Second state. Copies were bound simultaneously in green, terra cotta, dark brown, lavender, blue deep purple, maroon, and red cloth (MacDonnell, "The Primary First Editions of Mark Twain", Firsts, Vol. 8, no. 7/8). This copy features the gilt stamp of the leaping frog positioned to the lower left of the front cover as usual. Maroon boards. 12mo. 198pp.
• MARK TWAIN, CELEBRATED JUMPING
  MARK TWAIN, CELEBRATED JUMPING FROG, FIRST EDITION The Celebrated Jumping Frog of Calaveras County by Mark Twain. Published 1867 by C.H. Webb. First edition. Second state. Copies were bound simultaneously in green, terra cotta, dark brown, lavender, blue deep purple, maroon, and red cloth (MacDonnell, "The Primary First Editions of Mark Twain", Firsts, Vol. 8, no. 7/8). This copy features the gilt stamp of the leaping frog positioned to the lower left of the front cover as usual. Maroon boards. 12mo. 198pp.
• MARK TWAIN, CELEBRATED JUMPING
  MARK TWAIN, CELEBRATED JUMPING FROG, FIRST EDITION The Celebrated Jumping Frog of Calaveras County by Mark Twain. Published 1867 by C.H. Webb. First edition. Second state. Copies were bound simultaneously in green, terra cotta, dark brown, lavender, blue deep purple, maroon, and red cloth (MacDonnell, "The Primary First Editions of Mark Twain", Firsts, Vol. 8, no. 7/8). This copy features the gilt stamp of the leaping frog positioned to the lower left of the front cover as usual. Maroon boards. 12mo. 198pp.
• MARTIN CHEMNITZ, LOCI THEOLOGICI,
  MARTIN CHEMNITZ, LOCI THEOLOGICI, PRINTED 1623 A bound collection of works by Martin Chemnitz. Primarily consisting of Loci Theologici, published 1623 by Johannis Gormanni, Witebergae. Also bound with this is parts 2 and 3 of Loci Theologici Corum, published by the same printer and Fundamenta Sanae Doctrinae de Vera Et Substantiali Praesentia, Exhibitone, et Sumptione by Martin Chemnitz. Book no longer has the front or back boards. Straps on the spine keep the book bound together.
• GABRIELLO CHIABRERA, RIME DI
  GABRIELLO CHIABRERA, RIME DI GABRIELLO, 1718 CHIABRERA ,GABRIELLO. (1552-1638), Rime di Gabriello Chiabrera in questa nuova edizione unite, accresciute, e corrette ... Parte prima terza Delle rime di Gabriello Chiabrera parte terza. Contiene poemetti profani, by Gabriello Chiabrera. Published 1718 by Salvioni. Period vellum. Raised bands on the spine. 8vo. 391pp.