A few examples of appraisal values for
PRINCE ALBERT

• American Victorian FB Smith and
  American Victorian FB Smith and Hartmann of New York Gutta Percha, embossed dancing scene with boarders of fruiting vines etc, with a coloured print of Prince Albert, needs attention, approx 13cm H x 10cm W
• Antique Royal Navy Officers pattern
  Antique Royal Navy Officers pattern 1901- tail dress coat, with attached Prince Albert jubilee medal.
• TWO VICTORIAN BOIS DURCI PORTRAIT
  TWO VICTORIAN BOIS DURCI PORTRAIT MEDALLIONS FEATURING PRINCE ALBERT. DIAMETER - 12CM
• (2) ROBERT ANCELL CASED ENGRAVED
  (2) ROBERT ANCELL CASED ENGRAVED PISTOLS, C.1860(pair) Cased British single shot percussion pistols, c. 1855-1865, believed to be about .38 caliber, foliate engraving at hammer receivers and butt, the octagonal barrels marked at the top "Robert Ancell, Perth" (Robert Ancell, Perth, Scotland, 1782-1857, gun maker to His Royal Highness Prince Albert), two Birmingham Proof House marks on each pistol, appearing on barrels: "crown over crossed pikes with letters B C P," appearing on frame: "crown over crossed pikes with letter V," housed in wood case with accessories, case: 2.5"h, 10"w, 7.5"d; 4.5lbs total
• PRINCE ALBERT FRAMED MEZZOTINT
  PRINCE ALBERT FRAMED MEZZOTINT AFTER JOHN LUCASFramed color mezzotint on paper, "His Royal Highness Prince Albert," after a painting by John Lucas (John Lindsay Lucas, United Kingdom, 1807-1874), the 1847 engraving by Henry S. Sadd (United Kingdom, 1811-1893), sight: appro 32"h, 22"w, overall: approx 40"h, 29"w, 12.75lbs
• (2) STAFFORDSHIRE FIGURES QUEEN
  (2) STAFFORDSHIRE FIGURES QUEEN VICTORIA & ALBERT(lot of 2) English Staffordshire mantel figures, mid to late 19th c., depicting Queen Victoria and Prince Albert, crazing, restoration, approx 11"h, 4.25"w, 4"d; 3.5lbs total
• GROUP OF SIGNATURES & AUTOGRAPHS
  GROUP OF SIGNATURES & AUTOGRAPHS VICTORIA & ALBERT 1) A small framed engraving of Queen Victoria (after Hater, 10 Aug, 1835) with a 4.75" x 7.5" sheet in a large hand "Her Royal Highness/ Princess Christina" signed lower left "Victoria", 2) A framed engraving of "Prince Albert", with a 5.25" x 3.5" card (?) "The / Viscount Duncannon/ Albert" signed, overall size 17.25" x 11.25", 3) Alexandra, Princess of Wales, writing from Marlborough House, signed one page note, undated "Monday". (3 pcs) From a Queens NY estate. Condition: Good.
• BRITISH WOOLWORK PICTURE OF THE
  BRITISH WOOLWORK PICTURE OF THE H.M.S. TRAFALGAR22 3/4 x 29 in. (framed). Note: The H.M.S. Trafalgar was a 120 gun first rate ship of the line of the Royal Navy. Construction started in November of 1829 and was launched on June 21, 1841 at the Woolwich Dockyard. The H.M.S. Trafalgar was the last ship to complete the successful Caledonia class. The ship was named by Lady Bridport, niece of Lord Nelson at the request of Queen Victorian and Prince Albert who attended the very popular and memorable launch. Condition In very good condition with very minor scattered stains.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• Two Staffordshire Figures Depicting
  Two Staffordshire Figures Depicting Queen Victoria and Prince Albert 19th Century and Later together with a Nymphenburg porcelain figure of a dog bearing an impressed shield and numbered 1111a/17 to the underside and a Halcyon Days figure modeled after Prince Albert's favorite greyhound Eos. Height of Prince Albert figure 17 3/4 inches. Property from the Estate of an Elegant Lady, Texas
• TWO VICTORIAN BOIS DURCI PORTRAIT
  TWO VICTORIAN BOIS DURCI PORTRAIT MEDALLIONS FEATURING PRINCE ALBERT. DIAMETER - 12CM
• Apsley Pellatt (English,
  Apsley Pellatt (English, 1791-1863), Miniature Prince Albert Sulphide Medallion Paperweight, 19th century diameter 2 in — 5 cm
• LOT OF AMERICAN TINSLot of three
  LOT OF AMERICAN TINSLot of three vintage American tins: Prince Albert, North Carolina; Patterson's Seal Cut Plug, Richmond Va.; and a Thomas Lipton orange pekoe tea tin from Hoboken N.J. with scenes from India. Allio Collection. Allio Collection. FRANCAIS: Lot de trois boîtes américaines vintage : Prince Albert, Caroline du Nord; Patterson's Seal Cut Plug, Richmond Va.; boîte à thé Thomas Lipton orange pekoe de Hoboken N.J. avec des scènes de l'Inde. Collection Allio.
• TRANSFER DEC. IRONSTONE CHINA CREAM
  TRANSFER DEC. IRONSTONE CHINA CREAM PITCHER.Flow Blue Lustre and Transfer Decorated Ironstone China Cream Pitcher. Transfer scenes "Princess Royal and Prince of Prussia" on obverse, and street and architectural building scene on reverse. (Princess Victoria Adelaide Mary Louise, 1st child born to Queen Victoria and Prince Albert and Later Empress of Germany. Prince Leopold of Prussia, later the emperor of Prussia). Paneled form with dragon handle, 5-1/4"h. Very good with tiny pin nip on base. Condition: Very good with tiny pin nip on base.
• QUEEN VICTORIA D7152 - LARGE -
  QUEEN VICTORIA D7152 - LARGE - ROYAL DOULTON CHARACTER ...Limited edition gold, cream and black colors. Prince Albert, an elephant, Victorian cross and "Dash" the spaniel on handle. Classics royal character jug of the year edition number 0046 of 1000 with certificate. Original box. Royal Doulton backstamp. Artist: Robert Tabbenor Issued: 2001 Dimensions: 7"H Edition Number: 46 of 1000 Manufacturer: Royal Doulton Country of Origin: England
• 2 ROYAL DOULTON FIGURINES PRINCE
  2 ROYAL DOULTON FIGURINES PRINCE ALBERT AND ELIZABETH B...A pair of glossy porcelain figurines depicting Prince Albert, Duke of York, and Elizabeth Bowes-Lyon. Limited editions. Royal Doulton backstamp. Artist: Valerie Annand Issued: 2002 Dimensions: 9"H Edition Number: 433 of 1000 Manufacturer: Royal Doulton Country of Origin: England
• 2 STAFFORDSHIRE FIGURINES, PRINCE
  2 STAFFORDSHIRE FIGURINES, PRINCE ALBERT, QUEEN VICTORI...Lovely pair; hand painted porcelain. Polychrome; gilt accents. Unmarked. Age related wear and crazing. Issued: 20th c. Dimensions: 7.75"H Manufacturer: Staffordshire Country of Origin: England
• STEPHEN GREEN LAMBETH JUG, QUEEN
  STEPHEN GREEN LAMBETH JUG, QUEEN VICTORIA, PRINCE ALBER...Commemorates the marriage of Queen Victoria and Prince Albert. Glazed stoneware jug. Baluster like form with molded profile portraits of the couple and relief molded heraldic display, flags and acorns. S Green Lambeth backstamp. Weight: 1 lb #QueenVictoria Issued: 19th c. Dimensions: 5.75"H Manufacturer: Stephen Green Lambeth Country of Origin: England
• STEPHEN GREEN LAMBETH JUG, QUEEN
  STEPHEN GREEN LAMBETH JUG, QUEEN VICTORIA, PRINCE ALBER...Commemorates the marriage of Queen Victoria and Prince Albert. Glazed stoneware jug.
• QUEEN VICTORIA AND PRINCE ALBERT
  QUEEN VICTORIA AND PRINCE ALBERT - ROYAL DOULTON FIGURI...Limited edition group figure of England's queen and prince commemorating the 150th anniversary of their marriage. HN3256. Royal Doulton backstamp. #RoyalDoulton #Figurine #QueenVictoria #PrinceAlbert Artist: Douglas V. Tootle Issued: 1990 Dimensions: 6" L x 5" W x 9" H Edition Number: 226 of 2500 Manufacturer: Royal Doulton Country of Origin: England Condition: Good
• ANTIQUE ENGLISH STONEWARE PUZZLE
  ANTIQUE ENGLISH STONEWARE PUZZLE JUG QUEEN VICTORIADeep relief jug depicting Queen Victoria, Prince Albert and The Dutchess of Kent. #Ceramics #England #Antiques Issued: 19th c. Dimensions: 7.5"H Country of Origin: England Condition: Some chipping and loose of paint on the bottom.
• QUEEN VICTORIA & PRINCE ALBERT PAIR
  QUEEN VICTORIA & PRINCE ALBERT PAIR D7072 & D7073 - SMA...Set includes: Queen Victoria (brown, red, white, blue, and yellow) and Prince Albert (black, red, yellow, and white). Issued in 1997 by Lawleys By Post in a limited edition of 2,500 pairs, these character jugs commemorate the marriage of Victoria and Albert in 1840. Series: Royalty. Royal Doulton backstamp. Artist: Willam K. Harper Issued: 1997 Dimensions: 4"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• ROYAL ALBERT BONE CHINA TEACUP
  ROYAL ALBERT BONE CHINA TEACUP AND SAUCER, SERENAThe Royal Albert Bone China Serena teacup and saucer graces with a timeless elegance, introduced in the mid-1940s as a beloved pattern. Adorned with delicate pink roses, along with charming purple and yellow flowers, this set exudes delicate beauty. The teacup's interior is adorned with a gold border and two nosegays, while the rims, handle, and foot of both the teacup and saucer shimmer with gold gilt trim. The Serena pattern, a tribute to the birth of Prince Albert who became King George VI in 1936, adds a touch of regal history to this exquisite set. Royal Albert backstamp. Largest piece measures 1"H x 5.75"dia. Issued: c. 1940 Manufacturer: Royal Albert Country of Origin: England Condition: Age related wear.
• SIX TOBACCO TINSSix Tobacco Tins.
  SIX TOBACCO TINSSix Tobacco Tins. Including Velvet canister, Spaulding & Merrick, Chicago, with minor paint loss in spots, (6î x 5 _î); Velvet pocket tin, Liggett & Meyers, light rust on lid, (4 _î long); Edgeworth canister, Larus & Bro. Co., Richmond, VA., paint loss to one side otherwise very good (5 _î x 6î); Edgeworth small tin, Larus Bro. Co., Richmond, VA., small amount of rust on bottom of lid (3î x 2 _î); Prince Albert pocket tin, R.J. Reynolds Tobacco Co., near mint and appears to be full of tobacco (4 _î x 3î) and Tuxedo tobacco pocket tin, The American Tobacco Co., very good (4 _î x 3î).
• ALEC GUINNESS "THE SWAN" PAIR OF
  ALEC GUINNESS "THE SWAN" PAIR OF COSTUME PANTS.Alec Guinness "The Swan" Pair of Costume Pants. [Hollywood], 1956. Thick blue wool pants with red stripes down the leg, bearing an MGM label on the waistline inscribed with Guinness's name. Worn by Guinness as Prince Albert, the leading male role in the historical romance following the prince as he searches Europe for a wife. Guinness is best known today for his role as Ben"Obi-Wan" Kenobi in episodes four through six of the Star Wars franchise. Mild signs of wear including yellowed waistline and specks and scuffs on the legs.
• SCOTTISH GEORGIAN ROYAL COAT OF
  SCOTTISH GEORGIAN ROYAL COAT OF ARMS, JOHN STEELLA monumental Scottish Georgian grey painted Royal Coat of Arms Sir John Steell RSA, Edinburgh first half 19th century Signed J Steell / Edn. height 59in (150cm); width 93in (236cm); depth 21in (53cm)Provenance: Property from a Collector, New York City.Footnote: Sir John Robert Steell RSA (18 September 1804 - 15 September 1891) was one of thirteen children born to John Steell senior (1779-1849), a carver and guilder, and Margaret Gourlay. Steell initially followed his father, training to be a carver himself, being apprenticed in 1818. Working with his father, his first major commission came in 1827 when the North British Fire Insurance Company commissioned a huge timber statue of St Andrew to be placed on the outside of their office. His first work to attract international attention was Alexander taming Bucephalus carved in 1832-33 (cast in bronze in 1883, and now standing in the quadrangle of Edinburgh City Chambers). Around 1838 he was appointed as Sculptor to Her Majesty the Queen, a post which was later recognized as part of the Royal Household in Scotland. In 1840 he opened Scotlands first foundry dedicated to sculpture, on Grove Street in Edinburgh, to cast his model of the Duke of Wellington. Steell frequently exhibited at the Royal Scottish Academy and the Royal Academy in London. He was knighted by Queen Victoria in 1876 following the unveiling of his statue The Prince Consort, an equestrian depiction of Prince Albert, which stands in the center of Charlotte Square in Edinburgh. Steells best known pieces include the statue of Sir Walter Scott sitting with his dog Maida under the Scott Monument, carved 1840-46 from a single 30 ton block of Carrara marble; a stone statue of Queen Victoria on top of the Royal Scottish Academy, 1844 and a bronze equestrian statue of the Duke of Wellington outside Register House in Edinburgh, 1852. Steel also produced several likenesses of Robert Burns, national poet of Scotland among many other works. Condition: Signed to banner under unicorn. Worn condition overall. General marks, nicks, scratches, cracking, rubbing and losses, some elements retained. Re-decorated. Formerly polychrome painted Losses to painted decoration revealing old paint, white gesso and bare wood. Losses to elements overall, particularly lower portion including banner. Unicorn with losses to mane and horn loose. Would benefit from overall restoration.
• COLLECTION OF QUEEN VICTORIA
  COLLECTION OF QUEEN VICTORIA MEMORABILIAcomprising various royal memorabilia featuring Queen Victoria and Prince Albert including Royal Worcester plate, glassware, lidded milk glass figural jar, two Doulton pitchers (one with sterling rim), R&L Parian bust, Bristol glass vases and much more. Largest: 10 1/4" high, approximately 4 1/2" diameter. Various wear, some with cracks, chips, repairs, age and use wear. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• TWO PIECE FRAMED LOTTwo Piece
  TWO PIECE FRAMED LOTTwo Piece Framed Lot, to include a carved marble oval plaque showing profile, inscribed on the lower center "John Gould 1868", 13 1/2" x 10 1/2"; along with gilt metal profile of Prince Albert, housed in a custom shadow box, overall 18" x 16". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• 3 EUROPEAN BRONZE COMMEMORATIVE
  3 EUROPEAN BRONZE COMMEMORATIVE MEDALS3 European bronze commemorative medals. Circular medal Deutsche Kampfspiele 1926, Koln (The German Combat Games, Cologne), 2 1/4"-diameter; rectangular medal La jeunesse Bruxelloise au Prince Albert a son retour d'Afrique Aout 1909 (Brussels youth to Prince Albert on his return from Africa in August 1909), signed Paul Wisseart, 2 3/4" x 2"; rectangular medal Liberte Egalite Fraternite, dated 1914-1915 with Victor Hugo quote Qu'est cela? Cest la nuit... (What is that? It's night...) on one side and L'aurore... et que sera la fin (Dawn... and what will be the end) on the reverse, signed L. (Leon-Joseph) Chavalliaud, 3" x 2 3/4". Wear to all
• A LATE 19TH-CENTURY GILT-COPPER
  A LATE 19TH-CENTURY GILT-COPPER ELECTROTYPE TANKARD Elkington Mason & Co. of Birmingham circa 1860, of cylindrical form, with S-scroll handle, the hinged lid with baby Bacchus finial, after a 17th-century ivory tankard with silver mounts, representing the drunken Silenus, scroll handle and baby Bacchus finial, the underside inscribed 'From the original ivory in the possession of Henry Bedford Esqr, executed by Elkington Mason & Co. 1348'Height: 29cmNote:The Victorian era brought much invention and discovery, both industrial and for the arts. The firm Elkington & Co. were the epitome of innovation and were at the forefront of developments of electro-metallurgy.Elkington & co. honed their skills to create electroplate masterpieces and in particular electrotype facsimile copies of museum quality artefacts. They were also the only British company to consistently win the highest awards at all seven of the International Exhibitions held from 1851-1878.Founded by cousins, George Richards Elkington and Henry Elkington, and financed by the steel pen magnate Josiah Mason the company formed a relationship with the pre-cursor to the Victoria and Albert Museum, the South Kensington Museum to produce facsimile copies of museum artefacts for educational purposes known as a ‘type pattern’.In order to re-produce these type patterns, a mould is first made of the original piece and then sprayed with a silver paint to help conduct electricity, dipped in a solution with copper wires this first helps connect the copper and then the silver. The complex process produces a product that can be handled and examined for further research.Elkington & Co. was a commercial enterprise and did sell their electrotype wares. The Bedford tankard was the third project between the South Kensington Museum and Elkington & Co. It is the only known example where the name of the owner was credited on the piece. Various options were provided for the tankard with entirely copper costing 7l 7s to gilt or parcel gilt with a price of 10l 10s.Francis Bedford (1815-1894) loaned the 17th-century tankard to the museum in 1854. He was the founder of the Photographic Society of London (later the Royal Photographic Society), Prince Albert had commissioned him to photograph items in the Royal Collection and even purchased an image of the tankard taken by Bedford which still resides in the Royal collections today RCIN 2906112. The Bedford family were primarily civil servants, but their link to Sir Horace Walpole (1717-1797) might explain their interest in the arts. Horace was the youngest son of Sir Robert Walpole, Britain's first Prime Minister. His house Strawberry hill in Sussex became a living museum itself encompassing Renaissance maiolica, Holbein drawings, arms and armour among other collections. Bedford consequently was keen for further investigation on his museum worthy tankard.The purpose of their exercise was to provide educational tools, but with Elkington's success, they began to use the elements of the original 'type patterns' such as a handle, for other designs. This created a conflict of interest and may have been a contributing factor to why the relationship ended.There is today still a silver-gilt mounted ivory tankard carved with the same version of the Silenus story but with a different finial, in the Victoria & Albert Museum (accession number 880-1882), from the bequest in 1882 of John Jones, and is on display in the Whitely Galleries. More recent research has deemed that Ivory drum attributed to Flemish Baroque sculptor François Duquesnoy is now thought to be Augsburg Germany.Lots 3 and 4 offer an interesting insight into the Victorian period where the commercial industrial drive meets the desire to improve social and public order.
• DAVID WATSON STEPHENSON, ARSA
  DAVID WATSON STEPHENSON, ARSA (SCOTTISH 1842-1904) PAIR OF WHITE MARBLE FIGURES FROM SIR WALTER SCOTT'S 'THE FAIR MAID OF PERTH' in white marble,the first titled 'The Fair Maid of Perth', on a circular plinth base signed 'D.W.STEVENSON, ARSA, SC, EDN 1876'; the other figure titled 'The Glee Maiden', similarly signed and dated 1878, with a pair of metal mounted revolving ebonised pedestals(2)100cm high, 32cm diameterProvenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard RawcliffeNote: David Watson Stevenson was a successful Scottish sculptor who studied in Rome and apprenticed under the sculptor William Brodie. He worked as an assistant to the eminent sculptor Sir John Steell, contributing figures to the Prince Albert monument in Charlotte Square, Edinburgh, as well as numerous public and private commissions. He became a member of the Royal Scottish Academy and is best remembered for his most famous sculpture, the bronze figure of William Wallace on the National Wallace Monument, Stirling.The Fair Maid of Perth was written by Sir Walter Scott in 1828 and is one of the Waverly novels. It was inspired by the strange but historically true tale of Battle of the North Inch set in Perth and other parts of Scotland around 1400. Stevenson has chosen to depict two of the youthful female characters: Catherine Glover, the ingenue and one of the central figures of the tale, and Louise, a young French minstrel.
• VICTORIAN, LOVE NECKLACE, CA.
  VICTORIAN, LOVE NECKLACE, CA. 1840 - 1850Victorian, Love Necklace, ca. 1840 - 1850, 15-18 karat gold, emerald, diamond, ruby necklace featuring concealed memento overall weight: 24.10 grams 13 emeralds ranging in size from 2.5 x 2.1 mm to 1.5 x 1 mm 20 diamonds ranging in size from 1.7 x 1.5 mm to 1 x 1 mm 2 rubies approximately 1.7 x 1.7 mm While gifting jewelry is a time-honored custom, its heyday was during the Victorian Era (1837 - 1901) in British history, which coincided not only with the Romantic movement (1837 - 1860) in literature and the arts, bu also with Queen Victoria's happy marriage to Prince Albert. At that time, hair was reminder of love and friendship and could last a long time if well preserved. Between 1837 - 1901, hair within jewelry and hair work art was extremely popular. Victoria and Albert set the fashion world on its head by exchanging locks of hair in 1839. Victoria blushingly declared that she wore Albert's in a locket at her neck, "night and day". The Victorians also associated the snake motif with eternal love, and Queen Victoria put snake jewelry under the fashion spotlight when Prince Albert bought her a snake engagement ring, with an emerald (her birthstone) embedded into it, accenting the creature's head. Lot 231 is a striking example from this period and bears a tiny lock of hair under glass on the back of the locket. It was recently presented to the Antiques Road Show and will appear in an episode due to air in the Spring of 2023. (Gere, Charlotte, and Rudoe, Judy. Jewellery in the Age of Queen Victoria: A Mirror to the World. British Museum, 2010.) Dimensions: hanging length: 8 1/2 in. (21.59 cm.), pendant: 1 1/2 x 3/4 in. (2.54 x 1.91 cm.) Provenance: Private Collection, HI
• ATTR. THOMAS SIDNEY COOPER COW
  ATTR. THOMAS SIDNEY COOPER COW PAINTING United Kingdom, 1803-1902Impressionist depiction of a herd of cows and sheep grazing by a watering hole, the animal's musculature enhanced by the sunlight. Cooper studied at the Royal Academy in London and was commissioned by Prince Albert and Queen Victoria to paint their herds. Cooper became a regular exhibitor at the Royal Academy and founded an art school in Canterbury. His works can now be found at the Canterbury Royal Museum.
• 19TH C. STAFFORDSHIRE FIGURES,
  19TH C. STAFFORDSHIRE FIGURES, SHAKESPEARE, 7PCS English, 19th century. Selection of seven Staffordshire pottery figures, some with bocage decoration, comprising: William Shakespeare and John Milton, two of Prince Albert of Saxe-Coburg and Gotha, "Soldier's Dream", a female figure with
• PAIR OF POLYCHROME SCRIMSHAW
  PAIR OF POLYCHROME SCRIMSHAW WHALE'S TEETH WITH FIGURAL PORTRAITS MID-19TH CENTURY LENGTHS 5.5".PAIR OF POLYCHROME SCRIMSHAW WHALE'S TEETH WITH FIGURAL PORTRAITS, Mid-19th Century, Obverses depict a man and a woman in fancy costume, probably a stage actor and actress. Reverses with "VR" monograms within laurel garlands above bust portraits of a man and woman, possibly actors playing Queen Victoria and Prince Albert. Dimensions: Lengths 5.5".
• A Bronze Plaque of Prince Albert
  A Bronze Plaque of Prince Albert 19th Century signed R. H. Jenks 1868 to the underside of the relief. Frame: 27 x 22 1/2 inches.
• LOT OF 8 EARLY 20TH CENTURY
  LOT OF 8 EARLY 20TH CENTURY ADVERTISING TINS8 advertising tins ranging from 1923 to 1963. Adressograph company typewriter ribbon, lithographed images of women with orange and black circle background circa 1940, 1 11/16" Lx 1 11/16" W x 2 1/6" H, Some wear to the edges of the lid. Royal Cream of Tartar Baking Powder Can, Standard Brands Inc. New York NY turned into coin bank, red, white, yellow, and blue printed label, marked '03103' on the bottom. Lander New York N.Y Victorian Lithographed 'Poudre de Toilette' tin box with bouquets of flowers on each side, genre scene on lid. Prince Albert Crimp Cut Tobacco Tin with Lev-a-lift lid. Schimmelpenninck Duet Holland Cigar tin with Class E sale notice on bottom. Bayuk Philadelphia Handmade Perfecto Tin, factory manufacture mark on bottom (NO.1674), tobacco tax stamp on left side. Schrafft's Chocolates with poinsettia illustration, 8 1/4" L x 8 1/4" W x 2" H. Art nouveau Whitman's Salmagundi candy tin, 1lb net weight, print by Alphonse Mucha on Lid circa 1923.