A few examples of appraisal values for
QUIANLONG

• CHINA QING EMPEROR PORCELAIN
  CHINA QING EMPEROR PORCELAIN FIGURINEDESCRIPTION: China Porcelain sculpture, representing Qing dynasty emperor Qianlong (reigned 1736-95). completed with a glaze finish, with a makers mark engraved on bottom. CIRCA: 20th Century. ORIGIN: China. DIMENSIONS: H: 11" W: 4 1/2" D: 4 1/2". CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• Chinese Qing Qianlong cloisonne
  Chinese Qing Qianlong cloisonne octagonal vasedepicting phoenix and flowers. Four character Qianlong mark on the base. 14.75''H Circa - 18th C.
• CHINESE PAINTING OF GUANYIN,
  CHINESE PAINTING OF GUANYIN, QIANLONG PERIOD Chinese, Qianlong Period,depicting a Guanyin figure holding a basket walking with bear foot in a hill scene, her face looking away ,dressing with a white green and red robe. H: 26 1/2" (67.2 cm) x D: 15 3/4" (40 cm) Provenance: collection of a private Connecticut collector Condition: in good condition with breakage to the upper right corner ,silk crease and abrasion
• Pr. Chinese Qing Qianlong
  Pr. Chinese Qing Qianlong embroidered panelsdepicting elephants carrying vases on their backs with lions peonies and bats. 59''H x 19.5''W Circa - 18th C.
• Chinese (attr. to Qianlong Emperor)
  Chinese (attr. to Qianlong Emperor) calligraphypoem on gold splashed wax paper. Signed and dated with Huanghuali scroll ends. Provenance: Purchased from the Estate of General Zhang Zhe (Chinese 1900-1950) born in Changde Hunan Provence. Site: 26''H x 9.25''W Circa - 1711-1799.
• Monumental Jade Bixie Qing Dynasty,
  Monumental Jade Bixie Qing Dynasty, probably Qianlong period (1735-1795), celadon with brown inclusions, the female beast with leonine body crouching on four feet with hooked claws, head turned backwards with eyes glaring and mouth open in a roar, stylized wings at shoulders, a coat of luxuriant fur spilling over its defined spine, tail spread over its rump and displaying its gender, with fitted wood stand, 75-1/2 lbs., 12-3/4 x 19 x 8 in.,
• CHINESE PAVILION AMIDST MOUNTAINS
  CHINESE PAVILION AMIDST MOUNTAINS QING DYNASTY (POSSIBLY QIANLONG PERIOD (1736-1795)) ink and color on silk with apocryphal inscription on right side now framed 70 x 40 in (sight size) Chinese Pavilion Amidst Mountains Provenance: Asian Art Museum of San Francisco ex- Bender Collection Other Notes: Accompanied by a Certificate of Authenticity TK Oriental Antiques Inc. Williamsburg VA
• PAIR CHINESE PORTRAIT
  PAIR CHINESE PORTRAIT WATERCOLORS, YOUNG QIANLONGPAIR CHINESE PORTRAIT WATERCOLORS, young Qianlong Emperor (1711-1799) and Empress Xiaoyichun (1727-1775) of the Qing Dynasty, each in seated pose, image 18 x 14 inches, 30.75" x 26" molded wood frames.
• Chinese Yuan-Ming longquan
  Chinese Yuan-Ming longquan celadon porcelaincharger molded to depict flowers. 13'' Dia. Circa - 14th - 16th C.
• A Longquan Celadon 'Dragon'
  A Longquan Celadon 'Dragon' Charger, Yuan Dynasty (1271-1368) ? ????????????? ? ?????????????
• A large Chinese print of a
  A large Chinese print of a Yuanmingyuan Western style palace a 1977 limited edition copy of the 1786 original copper plate engravings commissioned by the Quianlong Emperor. 88 x 50 cm.
• Chinese Qing Qianlong Imperial
  Chinese Qing Qianlong Imperial oxblood porcelainbowl. Six character Qianlong mark on the base. 7'' Dia. Circa - 1735-1796.
• ATTRIBUTED TO GU JIANLONG
  ATTRIBUTED TO GU JIANLONG (1606-AFTER 1687) LARGE INK PAINTING OF THE GOD OF LONGEVITY, SHOULAO AND BOY, QING DYNASTY, 19TH CENTURY ? ???? ?????????? ??????????/?????/?????????/????????????????ink and colour on paper, framed, titled 'Changshou Xianzhi' (The Magical Fungus of Longevity) on central upper left, further inscribed stating painted in the year to Ji Wei in Autumn, correspondent to 1679 , in the manner of Tang Ziwei (also known as Tang Yin, 1470-1523), painted in the Studying Straw Hall of Deep Willow, signed 'Yun Chen Gu Jian Long, applied two red seals 'Gu Jian Long Yin' and 'Yun Chen'(1)216cm x 107cmProvenance: From the collection of the late James Kedzie Penfield (1908-2004), who joined the American Diplomatic Corps to China in the 1930s and 1940s. In 1954, Penfield became United States' High Commissioner for Austria with the mission to re-establish an independent, neutral and democratic Austria. In 1961, he was appointed American Ambassador Extraordinary and Plenipotentiary to Iceland; thence by direct family descent.James was born in NYC in 1908. His mother was one of the first women to drive a car by herself all the way across the United States within a week. James must have inherited her pioneering spirit, because as a young Stanford graduate, he joined the small hand-picked team who travelled to China to work for the American Diplomatic Corps in the 1930s and 1940s. Although his diplomatic career later took him to posts all around the world, his daughter remembers him speaking fondly of "the best years of his life in Peking, Canton and Chunking". Whilst in China, James established friendships with prominent local artists, he was gifted a painting, as a token of farewell, by and from Zhang Daqian (1899-1983), one of the most celebrated 20th-century Chinese artists. The painting, which is dated 1944, subsequently sold in this saleroom, 08 November 2017, lot 87.Note: There is little known about the painter Gu Jianlong, except that he served as a court artist in the 1660s-70s. He was born in Suzhou Taichang, and painted portraits of Qing emperors and imperial family members. His works are in the collection of The British Museum, see a portrait of Guanyin, museum numbers 1910,0212,0.486. Other extensive works are in The Nelson Gallery-Atkins Museum of Art, see a portrait of Ma Shiqi (1650–1714), illustrated in Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 347-348, no. 255. For similar theme to this lot, compare with a smaller ink and colour on silk scroll painting, attributed to Gu Jianlong, depicting related subject matter 'Shoulao on White Deer', was sold at Christie's New York, 19 March 2021, lot 852; Another slightly smaller ink and colour on silk, with the signature of Gu Jianlong, was sold at Christie's New York, 19 Mar 2021, lot 852.
• A Chinese charger, Qianlong mark
  A Chinese charger, Qianlong mark but of a later period, 40cm diameter
• Pr. Chinese Qing Qianlong enamel
  Pr. Chinese Qing Qianlong enamel over bronzeplanters depicting busts of Western women and landscapes. 2.75''H x 3.5'' Sq. Circa - 18th C.
• Pr. Chinese Qing Qianlong cloisonne
  Pr. Chinese Qing Qianlong cloisonne vases depicting scholar's items raised on gilt bronze stands. Without stand: 18''H Circa - 1735-1795.
• Cloisonné Enamel Longevity Crane
  Cloisonné Enamel Longevity Crane Censer Qianlong Period (1736-1795) Striding forward the plump bird with black blue and white feathers sweeping towards it back 7.5" (height) 19cm (height)
• PAIR CHINESE BLUE AND WHITE
  PAIR CHINESE BLUE AND WHITE PORCELAIN PLAQUES Qianlong period. One painted to depict a dignitary and attendants the other one with a man on horse back brocade border. - 9 in. long.
• A Longquan Celadon Jarlet,
  A Longquan Celadon Jarlet, Yuan/Ming Dynasty ?/? ???? ?/? ????
• Good Chinese giltwood quanyin
  Good Chinese giltwood quanyin late qing dynasty The tall standing figure is carved to show a open robe, jewellery to chest, fine serene expression, over a single lotus throne, relic to back, good period wear. H: 3 foot.
• Large and Impressive Chinese
  Large and Impressive Chinese Blanc-de-Chine Porcelain Figure of the Goddess Guanyin, Qianlong Reign (1736-1795), the standing figure dressed in loosely draped robes with extensive jewelry drapery, wearing a tiara over a chignon and long tresses, the figure depicted standing on elaborate cresting waves holding the remnant of a ruyi scepter, glazed all over in a creamy white glaze, h. 25".
• PAIR CHINESE IVORY FIGURES OF
  PAIR CHINESE IVORY FIGURES OF EMPEROR AND EMPRESS Qianlong four character mark. Standing wearing long robes with dragon motifs holding ruyi sceptre and sword - 16 in. high.
• Chinese Qianlong period blue and
  Chinese Qianlong period blue and white porcelain charger. Decorated inside and out with a blue under-glaze dragon motif. Qianlong ideograph on base and sides reading ''Da Qing Qianlong Nian Zhi'' (Great Qing Qianlong Period Make). Condition: good no chips or cracks see images. Measures 16'' across x 3.25'' tall. Shipping weight 8.5 lbs.
• Chinese Imperial School (Qing
  Chinese Imperial School (Qing Dynasty - 18th Century) - Body colour pen ink and gilt on paper - A part set of eight pictures depicting scenes from the Fengshen Yani The Investiture of the Gods each with inscribed titles in Kaishu (standard script) and Manchurian each 17ins square (with some discolouration and foxing to paper and some hole damage and rubbing) in modern gilt moulded frames and glazed Provenance : The Du Boulay Family Collection - By descent to the present vendor Note : Manchu was the primary language of the Qing Dynasty Imperial court but as Manchu officials became increasingly Sinicized many started losing the language. The use of the language among the bannermen was in decline throughout the 1700s. Historical records report that as early as 1776 the Qianlong Emperor was shocked to see a high Manchu official Guo'ermin not understand what the emperor was telling him in Manchu despite coming from the Manchu stronghold of Shengjing (now Shenyang). By the 19th century even the Imperial court had lost fluency in the language. The Jiaqing Emperor (1796 to 1820) complained about his officials being good neither at understanding nor writing Manchu. As late as 1906-1907 Qing education and military officials insisted that schools teach the Manchu language and that the officials testing soldiers' continued to conduct an oral examination in Manchu.
• Chinese Dragon Decorated Brush
  Chinese Dragon Decorated Brush Washwith seal for Qianlong Reign brightly painted in greens and iron red with mirrored dragons raised on a short ring foot.3 x 8 in.Loss to gilding on rim; no restorations seen under black light examination.
• Chinese Ivory God of Longevity
  Chinese Ivory God of Longevity Chinese early 20th century.  A carved and inked god of longevity standing figure with a four-character incised Qianlong mark on bottom; lg. 10 in. International shipping is not available for this item. This item will only be shipped within the United States except to California. Condition: Staining especially to the foot.
• A Qing Chinese ancestor portrait of
  A Qing Chinese ancestor portrait of a gentleman, his wife and daughter, wearing red Mandarin jackets, watercolour on linen, now framed, 178cm x 95cm
• A large Chinese vase, Qianlong mark
  A large Chinese vase, Qianlong mark but of a later period, 60cm high
• Chinese Qing Qianlong Jihong
  Chinese Qing Qianlong Jihong oxblood porcelainplate six character mark for ''Great Qing Qianlong Production''. 7'' Dia. Circa - 1735-1795.
• Chinese Qing Qianlong cloisonne
  Chinese Qing Qianlong cloisonne tray and boxdepicting bats and Shou characters the box with transparent enamel in gilt bronze. 5.5''H x 4.25''W Circa - 18th C.
• A Chinese bowl Qianlong the
  A Chinese bowl Qianlong the exterior painted flowers the interior border with puce fish scale panels 23cm (9") diameter
• Chinese Qing watercolor
  Chinese Qing watercolor paintingdepicting lohans with dragons. 58.5''H x 31''W Circa - 18th C.
• A Chinese Hardwood Tray of circular
  A Chinese Hardwood Tray of circular form having calligraphic inscription and cyclical date mark indicating the Qianlong Period and bearing a six-character Qianlong reign mark within a square cartouche. Diameter 9 3/8 inches.
• Chinese Qing Qianlong carved jade
  Chinese Qing Qianlong carved jade brush washerhaving a ruyi shape depicting bats and Lingzhi. 1.5''H x 3''W x 3.5''D Circa - 18th C.
• Chinese Qing Qianlong cloisonne
  Chinese Qing Qianlong cloisonne cosmetic box having a fan shape depicting lucky symbols and the character for longevity. 2.5''H x 2.75''W Circa - 18th C.
• Chinese blanc-de-chine Quanyin
  Chinese blanc-de-chine Quanyin he chaozong mark, 19th century Well carved seated figure, hands clasped to chest, open robe, scrolling at the feet, over a double lotus throne. H: 13 in.