A few examples of appraisal values for
QUINLONG

• Chinese bronze model of
  Chinese bronze model of Quanyin 17th century Single casting, seated on a tall double lotus throne, framed by lotus flowers. H: 11 in.
• CHINESE PAINTING OF GUANYIN,
  CHINESE PAINTING OF GUANYIN, QIANLONG PERIOD Chinese, Qianlong Period,depicting a Guanyin figure holding a basket walking with bear foot in a hill scene, her face looking away ,dressing with a white green and red robe. H: 26 1/2" (67.2 cm) x D: 15 3/4" (40 cm) Provenance: collection of a private Connecticut collector Condition: in good condition with breakage to the upper right corner ,silk crease and abrasion
• A Longquan Celadon Jarlet,
  A Longquan Celadon Jarlet, Yuan/Ming Dynasty ?/? ???? ?/? ????
• CHINESE BRONZE GUANYIN ON QILIN,
  CHINESE BRONZE GUANYIN ON QILIN, QING DYNASTY Chinese ,Qing D ,a bronze statue of a guanyin seated on a mythical beast like animal with four legs, guanyin, with a beaded necklace, wearing a long folded robe with one leg crossed with both hands resting on the back of the animal, with its tail in an upright position. H: 13.2"(33.5cm) D: 10.9"(27.7cm) Condition: in good condition, free of damage
• Good Chinese giltwood quanyin
  Good Chinese giltwood quanyin late qing dynasty The tall standing figure is carved to show a open robe, jewellery to chest, fine serene expression, over a single lotus throne, relic to back, good period wear. H: 3 foot.
• ATTRIBUTED TO GU JIANLONG
  ATTRIBUTED TO GU JIANLONG (1606-AFTER 1687) LARGE INK PAINTING OF THE GOD OF LONGEVITY, SHOULAO AND BOY, QING DYNASTY, 19TH CENTURY ? ???? ?????????? ??????????/?????/?????????/????????????????ink and colour on paper, framed, titled 'Changshou Xianzhi' (The Magical Fungus of Longevity) on central upper left, further inscribed stating painted in the year to Ji Wei in Autumn, correspondent to 1679 , in the manner of Tang Ziwei (also known as Tang Yin, 1470-1523), painted in the Studying Straw Hall of Deep Willow, signed 'Yun Chen Gu Jian Long, applied two red seals 'Gu Jian Long Yin' and 'Yun Chen'(1)216cm x 107cmProvenance: From the collection of the late James Kedzie Penfield (1908-2004), who joined the American Diplomatic Corps to China in the 1930s and 1940s. In 1954, Penfield became United States' High Commissioner for Austria with the mission to re-establish an independent, neutral and democratic Austria. In 1961, he was appointed American Ambassador Extraordinary and Plenipotentiary to Iceland; thence by direct family descent.James was born in NYC in 1908. His mother was one of the first women to drive a car by herself all the way across the United States within a week. James must have inherited her pioneering spirit, because as a young Stanford graduate, he joined the small hand-picked team who travelled to China to work for the American Diplomatic Corps in the 1930s and 1940s. Although his diplomatic career later took him to posts all around the world, his daughter remembers him speaking fondly of "the best years of his life in Peking, Canton and Chunking". Whilst in China, James established friendships with prominent local artists, he was gifted a painting, as a token of farewell, by and from Zhang Daqian (1899-1983), one of the most celebrated 20th-century Chinese artists. The painting, which is dated 1944, subsequently sold in this saleroom, 08 November 2017, lot 87.Note: There is little known about the painter Gu Jianlong, except that he served as a court artist in the 1660s-70s. He was born in Suzhou Taichang, and painted portraits of Qing emperors and imperial family members. His works are in the collection of The British Museum, see a portrait of Guanyin, museum numbers 1910,0212,0.486. Other extensive works are in The Nelson Gallery-Atkins Museum of Art, see a portrait of Ma Shiqi (1650–1714), illustrated in Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 347-348, no. 255. For similar theme to this lot, compare with a smaller ink and colour on silk scroll painting, attributed to Gu Jianlong, depicting related subject matter 'Shoulao on White Deer', was sold at Christie's New York, 19 March 2021, lot 852; Another slightly smaller ink and colour on silk, with the signature of Gu Jianlong, was sold at Christie's New York, 19 Mar 2021, lot 852.
• A Longquan Celadon 'Dragon'
  A Longquan Celadon 'Dragon' Charger, Yuan Dynasty (1271-1368) ? ????????????? ? ?????????????
• Chinese blanc-de-chine Quanyin
  Chinese blanc-de-chine Quanyin he chaozong mark, 19th century Well carved seated figure, hands clasped to chest, open robe, scrolling at the feet, over a double lotus throne. H: 13 in.
• CHINESE SILVER INLAID BRONZE FIGURE
  CHINESE SILVER INLAID BRONZE FIGURE OF QILIN. - 7 1/4 in. long.
• A Chinese Longquan Celadon vase.
  A Chinese Longquan Celadon vase. Song dynasty. Gu shape. Property of an eminent Hong Kong collector.
• THREE CHINESE LONGQUAN CELADON
  THREE CHINESE LONGQUAN CELADON POTTERY SCULPTURES,THREE CHINESE LONGQUAN CELADON POTTERY SCULPTURES, comprised of a seated Guanyin incense holder, 5.25"H; a crouched Qilin one-horned creature, 4.25"L; together with a foo-lion in repose, 6.75"L.
• A 20th Century Chinese jar
  A 20th Century Chinese jar depicting the story of Zhulin Qixian, Dongguaguan, 28cm high
• CHINESE PALE CELADON JADE FIGURE 0F
  CHINESE PALE CELADON JADE FIGURE 0F QUANYINThe standing deity in long robes, holding a whisp, on a carved wood base. Height 9.5 in., overall 10.5 in. (Cond: small chip to handle of scepter)
• Chinese Republic Delicately and
  Chinese Republic Delicately and Elaborately Enameled Porcelain Vase, second quarter 20th century, of baluster form in "Quilong Dragons Amidst Flowering Vines" decor over a lemon-yellow ground, the base with a four character Quinlong mark in overglaze rouge de fer, h. 8", dia. 3".
• LARGE CHINESE WELL-CARVED FIGURE OF
  LARGE CHINESE WELL-CARVED FIGURE OF QUANYINCirca 1920. Elegantly dressed, with multiple attributes, two rams by her side. Height 17 in. (Cond: good)
• LARGE CHINESE BLANC-DE-CHINE
  LARGE CHINESE BLANC-DE-CHINE QUANYINLate 19th/Early 20th Century. Standing upon a blossoming lotus, with a serene gaze, dressed in elegant robes, her hair coiffed into a rising knot, one arm poised with palm facing out, the other hold a ruyi scepter. Height 22.5 in. (Cond: good)
• Chinese Yuan-Ming longquan
  Chinese Yuan-Ming longquan celadon porcelaincharger molded to depict flowers. 13'' Dia. Circa - 14th - 16th C.
• Chinese blanc de chine Quanyin
  Chinese blanc de chine Quanyin figure Tall standing figure flaowing robe, fine expression over scrolling sea. H: 17 in. PROVENANCE: Property from the estate of John Norton
• A Chinese charger, Qianlong mark
  A Chinese charger, Qianlong mark but of a later period, 40cm diameter
• Pr. Chinese Qing cloisonne
  Pr. Chinese Qing cloisonne Qilin.8''H x 12.25''W Circa - 19th C.
• Zheng Qu (Chinese, 19th Century)
  Zheng Qu (Chinese, 19th Century) Landscape ink on paper, hanging scroll signed and dated year bingxu, with a dedication, two artist seals and two collector's seals. ?? ????? ??? ??????? ???????????????????????? ???????? Image: height 77 x width 44 in., 195.6 x 111.8 cm.
• Rare Chinese Ming Longquan
  Rare Chinese Ming Longquan Porcelain FigureFinely molded to depict a bare-headed monk with elongated ear lobes standing on a lotus flower pedestal holding his hands together in prayer. He is dressed in long flowing robes and shoes raised on later carved hardwood stand. The base is stamped with a studio or factory mark which reads Jiang Bo Xiangzao ( made by Jiang Boxiang ). Circa Ming dynasty ( 1573 - 1620 ) 21.5cm not including the stand for a identical example see Ming Ceramics in the Britsh Museum figure 16.99 given anonymously in 1937 inventory number 2-18.1. Property from an important Michigan collection.
• Zhu Xinjian (Chinese, born 1953),
  Zhu Xinjian (Chinese, born 1953), Three Swordsmen, 1990, artist name middle left, title upper right, watercolor and ink on mulberry paper, silk border, 19 x 20 in. (sight); modern gilt wood frame,
• Chinese green glazed pottery qilin
  Chinese green glazed pottery qilin
• LONGQUAN SEATED FIGURE OF
  LONGQUAN SEATED FIGURE OF GUANYINA celadon glazed Guanyin figure seated, overall covered in celadon glazed with the face and Buddhist chest and foot ring unglazed, hollow out from the base.H:35cm.
• Deng Longguan (Chinese 1896-1979
  Deng Longguan (Chinese 1896-1979 Lieutenant-General Kuomintang) "Calligraphy" ink on paper with two seals lower left inscribed on paper label "To Dr. Bird/Liang Seto" en verso 30 in. x 13 5/8 in. mounted as a hanging scroll.
• Chinese Qing Qianlong cloisonne
  Chinese Qing Qianlong cloisonne octagonal vasedepicting phoenix and flowers. Four character Qianlong mark on the base. 14.75''H Circa - 18th C.
• Fine and Large Chinese
  Fine and Large Chinese Blanc-de-chine figure of Quanyin 18/19th century Seated in rajalilsama, with one knee pendant and one knee raised supporting the right arm, well applied ruyi and lotus head crown, over a serene expression, detailed earrings hanging from the ears and bead jewellery applied to a partialy revealed chest, fine bands to robe, seated over a rocky outcrop, slight blue hue to white glaze, solid unglazed base. H: 22 in. PROVENANCE: Sold to benefit a West Coast Institution ,000-5,000 Unusual bonding to base running the length of the base, signs of black pigment or paint to details of crown and robe, dirt in recesses, minor chipping to base edge, very minor scratching to outer wall of body overall 8/
• Chinese hardwood Quanyin Qing
  Chinese hardwood Quanyin Qing dynasty Carved to depict the subject seated in rajalila asana, dressed in flowing robes left open at the chest to reveal holy beads. H: 10 in.
• A Qing Chinese ancestor portrait of
  A Qing Chinese ancestor portrait of a gentleman, his wife and daughter, wearing red Mandarin jackets, watercolour on linen, now framed, 178cm x 95cm
• CHINESE QILIN BRONZE SCULPTURE
  CHINESE QILIN BRONZE SCULPTURE 8" x 7 ¾" x 3" Cast bronze sculpture, the head with antlers, eyes with thick eyelashes, mane flowing upward and beard. The body is scaled and shaped like a horse with cloven hooves. Marked with symbols of Longevity and Prosperity on the back cover.
• Chinese Qing enamel over bronze
  Chinese Qing enamel over bronze figuredepicting a monk. 7''H Circa - 18th C.
• Chinese rock crystal carving of
  Chinese rock crystal carving of Quanyin late qing dynasty Of single section, well carved to show standing figure supported by egret and incense stand. H: 4 1/2 in.
• Monumental Jade Bixie Qing Dynasty,
  Monumental Jade Bixie Qing Dynasty, probably Qianlong period (1735-1795), celadon with brown inclusions, the female beast with leonine body crouching on four feet with hooked claws, head turned backwards with eyes glaring and mouth open in a roar, stylized wings at shoulders, a coat of luxuriant fur spilling over its defined spine, tail spread over its rump and displaying its gender, with fitted wood stand, 75-1/2 lbs., 12-3/4 x 19 x 8 in.,
• Rare Chinese Ming Longquan
  Rare Chinese Ming Longquan Porcelain FigureFinely molded to depict a bare-headed monk with elongated ear lobes standing on a lotus flower pedestal holding his hands together in prayer. He is dressed in long flowing robes and shoes raised on later carved hardwood stand. The base is stamped with a studio or factory mark which reads Jiang Bo Xiangzao ( made by Jiang Boxiang ). Circa Ming dynasty ( 1573 - 1620 ) 21.5cm not including the stand for a identical example see Ming Ceramics in the Britsh Museum figure 16.99 given anonymously in 1937 inventory number 2-18.1. Property from an important Michigan collection.
• AFTER WU QINNU (Chinese 1894-1953).
  AFTER WU QINNU (Chinese 1894-1953). LANDSCAPE ink and color on paper scroll signed and sealed - Sight: 24 1/4 in. x 51 in.