A few examples of appraisal values for
RAPE OF THE SABINE

• AFTER GIAMBOLOGNA (1529 - 1608):
  AFTER GIAMBOLOGNA (1529 - 1608): RAPE OF THE SABINESpatinated bronze; unsigned; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA; 34 1/4 inches high Condition:
• BRONZE FIGURAL GROUP "RAPE OF THE
  BRONZE FIGURAL GROUP "RAPE OF THE SABINE WOMEN"Bronze Figural Group of "Rape of the Sabine Women" , after the marble by Giambologna, h. 12 3/4 in., w. 7 1/4 in., d. 4 3/4 in., marble base, overall h. 13 1/2 in . Provenance: The Friedle-Garrison Collection, New Orleans
• LARGE BRONZE SCULPTURE, THE RAPE OF
  LARGE BRONZE SCULPTURE, THE RAPE OF A SABINE, ON ROUND ...Large Bronze Sculpture, The Rape of a Sabine, on round base, unsigned, height 25 inches. Condition: In overall very good condition, minor discoloration to base. Early 20th century bronze sculpture. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Jack Levine (American b. 1915) Rape
  Jack Levine (American b. 1915) Rape of Sabines etching 2nd st. signed Jack Levine (lower right) and titled (lower left) 7 3/4 x 10 3/4 inches.
• After Giambologna (Italian,
  After Giambologna (Italian, 1529-1608) rape of the sabines Bronze, gold patina, modeled as nude male holding a nude woman aloft, another male figure crouching beneath them, raised on a square molded rouge marble base. H: 30 in.
• FRENCH SCHOOL: STUDY FOR A RAPE
  FRENCH SCHOOL: STUDY FOR A RAPE OF THE SABINES Ascribed on mount to Hubert Robert black chalk laid down; 17 3/4 x 11 7/8 in. together with two red chalk studies of a crucifixion and a putto.
• Bronze sculpture, Rape of Sabine,
  Bronze sculpture, Rape of Sabine, marble base, 20th c, 17" h Estimate $300-500
• Italian \"Grand Tour\"
  Italian \"Grand Tour\" Composition Marble Figural Group of \"The Rape of the Sabine Women\", after Benvenuto Cellini (1500-1571), second quarter 20th century, h. 10-3/4\".
• Adriaen Sgies (Hungarian, fl. ca.
  Adriaen Sgies (Hungarian, fl. ca. 1890-1957) after Peter Paul Rubens (Flemish, 1577-1640), "The Rape of the Sabine Women", oil on masonite panel, signed and dated 1929, presented in a gilded wooden frame in the late Arts and Crafts style, h. 22", w. 35".
• AFTER GIOVANNI DA BOLOGNA: RAPE
  AFTER GIOVANNI DA BOLOGNA: RAPE OF THE SABINESpatinated bronze, mounted on a marble plinth; signed in casting, foundry mark "Fonderia Artistica Marinelli Firenze"; 12 inches wide; 16 inches deep; 30 inches high; overall: 10 3/4 inches wide; 16 1/2 inches deep; 31 1/2 inches high; weight: approximately 52 lbs. Condition:
• GRAND TOUR BRONZE GROUP OF THREE
  GRAND TOUR BRONZE GROUP OF THREE FIGURES AFTER GIAMBOLA "The Rape of a Sabine" a reduction after the original by Giambologna (c.1529-1608), Florence, circa 1587-98, on integral rockwork form base; the standing Roman male figure holding the Sabine woman aloft, the Sabine man crouching below, raised on an ochre marble round molded pedestal with square foot. 13 3/4" tall bronze (not attached), 21" tall overall, 6" square at base. Small chips to marble, patinated bronze.
• AFTER JEAN DE BOULOGNE: RAPE OF THE
  AFTER JEAN DE BOULOGNE: RAPE OF THE SABINEbronze, mounted to marble plinth; signed in casting "Vian" The bronze: 30 in. (76.2 cm.) high, Overall: 32 in. (81.3 cm.) high Condition:
• ITALIAN CARVED ALABASTER GROUP: THE
  ITALIAN CARVED ALABASTER GROUP: THE SABINE WOMENAn Italian carved alabaster group: The Rape of the Sabine Women 19th century height 18 1/2in (47cm); width 11in (28cm); depth 8in (20cm) Condition: Unsigned. General marks, scratches, scuffs, chips, scattered losses and inclusions to surfaces. Dirt accumulation overall. Notable wear to edges.
• After Giambologna, Late
  After Giambologna, Late 19th/Early 20th Century The Rape of the Sabines patinated cast metal with marble base Height overall 42 inches.
• ATTRIBUTED DANIEL HARINGH (DUTCH,
  ATTRIBUTED DANIEL HARINGH (DUTCH, CIRCA 1636-1713), ABDUCTION OF THE SABINE WOMEN Oil on canvas (lined), signed lower center, presented in a later frame with gallery plaque.
• Cherubino
  Cherubino Alberti (1553–1615) after Polidoro da Caravaggio (c. 1499-1543) - Rape of the Sabines, a set of four, numbered 1-4 and titled within the plate, s.l. [Rome?], n.d. [1570-1615], engravings, mixed sizes, the largest 17.5 x 49cm, uniformly framed in Hogarth-type frames, (4) More Information The Old Master prints good, slightly toned portions. Otherwise apparently good condition; please note they have not been examined out of their frames. The frames themselves have some slightly worn losses.
• After Giambologna, 19th Century
  After Giambologna, 19th Century Abduction of the Sabine Women bronze signed Jean de Bologne on base Height of bronze 19 7/8 inches. Property from the Collection of Michael Sarver, Paradise Valley, Arizona
• COINS: ANCIENT ROME L. TITURIUS
  COINS: ANCIENT ROME L. TITURIUS SABINUS (89 BC) DENARII TRIO. AR DENARIUS, TATIUS RIGHT, WHEAT STALK, PUNISHMENT OF TARPEIA. GEF WIT...COINS: Ancient Rome L. Titurius Sabinus (89 BC) Denarii Trio. AR Denarius, Tatius right, Wheat Stalk, Punishment of Tarpeia. gEF with reverse dig. 3.76 Grams, 17.6mm. AR Denarius, Tatius right with Monogram, Abduction of Sabine Women. VF. 3.99 Grams, 19.3mm. AR Denarius, Tatius right, Wheat Stalk, Capture of Sabine Woman. nVF. 3.61 Grams, 17.7 Grams (3) [Disclaimer: Descriptions of these ancient coins are believed to be accurate. However, bidders are expected to make their own evaluations of these items and bid accordingly, there is no guarantee of genuineness or of correct attribution.]
• After Jaques-Louis David
  After Jaques-Louis David (1748-1825) - A miniature painting on ivory - ''The Intervention of the Sabine Women'' 5.75ins x 9.75ins inscribed to lower right corner in two colour serpentine and brass frame and glazed Note : The scene depicts the moment when Hersilia intervenes between her father Jaticus leader of the Sabines and her husband Romulus the Roman leader. She is seen adjuring the warriors on both sides not to take wives from their husbands or mothers away from their children
• AFTER GIAMBOLOGNA ABDUCTION
  AFTER GIAMBOLOGNA ABDUCTION SABINE WOMAN MARBLEAfter Giambologna (Flemish/Italian, 1529-1608) A large marble depicting the Abduction of a Sabine Woman. Ht: 48" Wd: 18" Dpth: 16"
• AFTER GIAMBOLOGNA , (1529-1608,
  AFTER GIAMBOLOGNA , (1529-1608, FLEMISH/ITALIAN), "ABDUCTION OF A SABINE WOMAN," 20TH CENTURY, PATINATED BRONZE ON MARBLE BASE, 30" H XAfter Giambologna , (1529-1608, Flemish/Italian) "Abduction of a Sabine Woman," 20th Century Patinated bronze on marble base Unsigned 30" H x 14" Dia.; Overall: 36" H x 14" Dia. Patinated bronze on marble base Dimensions: 30" H x 14" Dia.; Overall: 36" H x 14" Dia.
• Ivory carving after Giovanni
  Ivory carving after Giovanni Bologna, "The Abduction of the Sabine Woman", old mellow patina, three entwined figures on a rocky base set on a hollow oval base, 19th century, 12-1/2 in. Old separations, woman's left arm warped at joint. Collection of Earl Kuns and John E. Keeney, Iowa Falls, Iowa.
• SABINE WEISS (b. 1924): AVIGNON
  SABINE WEISS (b. 1924): AVIGNON FRANCE 1947 Gelatin silver print 11 1/8 x 8 3/4 in. (sight) signed on verso.
• After Giambologna (Italian,
  After Giambologna (Italian, 1529-1608) THE ABDUCTION OF A SABINE WOMAN patinated bronze on marble base signed in the mould height 32.25 in — 81.9 cm
• AFTER GIAMBOLOGNA (FLEMISH,
  AFTER GIAMBOLOGNA (FLEMISH, 1529-1608)Giambologna Flemish, 1529-1608 The Rape of the Sabine Women Alabaster Impressive sculpture in alabaster, late 19th century, on a plinth base with an inset plaque depicting the same subject. The original housed in the Loggia della Signoria in Florence. 40 in. (101.60 cm.) Condition: Female figure lacking all fingers to left hand and three on right, left arm restuctured. View online images for additional imperfections.
• BRONZE SCULPTURE AFTER GIAMBOLOGNAA
  BRONZE SCULPTURE AFTER GIAMBOLOGNAA bronze after Giambologna’s famous 1583 sculpture depicting the abduction of a Sabine Woman. The patinated bronze shows three nude figures in desperate struggle and is signed "Giambologna", mounted on a black marble base. Dimensions, 17" high x 5.5" wide.
• FRAMED PRINT ON CANVAS INTERVENTION
  FRAMED PRINT ON CANVAS INTERVENTION SABINE WOMENFramed digital print on stretched canvas, "The Intervention of the Sabine Women," after Jacques-Louis David (French, 1748-1825), sight: approx 54"h, 76.5"w, overall: 61"h, 83.5"d
• EARLY 19TH C. RAPE OF PROSERPINA,
  EARLY 19TH C. RAPE OF PROSERPINA, MYTHOLOGY Continental, 18th century. "Rape of Proserpina", mythological oil on canvas. Apparently unsigned; framed. Approx. 35" x 42" (frame), 29" x 36" (canvas)
• AN ITALIAN RELIEF CARVED MARBLE
  AN ITALIAN RELIEF CARVED MARBLE PANEL DEPICTING THE ABDUCTION OF THE SABINE WOMEN (2) Coleridge Collection, 19th Century Mounted on giltwood display stand, with ‘Anthony & Marietta Coleridge Collection’ label, 19.5cm wide; 15cm high; Together with an Italian alabaster plinth, 19th Century, the front carved with twin addorsed dolphins in low relief, 19th Century, 10cm wide; 11.5cm high
• COINS: ANCIENT ROME SABINA (128-137
  COINS: ANCIENT ROME SABINA (128-137 AD), WIFE OF HADRIAN SEXTET. AE PROVINCIAL ISSUE OF PERINTHOS, THRACE, DEMETER STANDING LEFT. VF...COINS: Ancient Rome Sabina (128-137 AD), Wife of Hadrian Sextet. AE Provincial issue of Perinthos, Thrace, Demeter standing left. VF with heavy pitting and roughness. 4.75 grams, 22.0 mm. AE Dupondius, Ceres seated. nVF with heavy green patina and edge chips. 9.07 Grams, 28.7mm. AE As, Ceres seated. VF with green patina. 10.67 grams, 25.1mm. AE Dupondius, Ceres seated reverse. gF. 13.13 grams, 26.4mm. AE Sestertius, Ceres seated. F with roughness, edge chip and deposits. 23.00 Grams, 35 mm. Also, AE most likely of Sabina but otherwise unidentifiable. Poor. 4.14 Grams, 16.5mm. (6) [Disclaimer: Descriptions of these ancient coins are believed to be accurate. However, bidders are expected to make their own evaluations of these items and bid accordingly, there is no guarantee of genuineness or of correct attribution.]
• After Albert-Ernest De
  After Albert-Ernest De Carrier-Belleuse (1824-1887) The Rape of Hippodamia bronze, on marble base signed C.B. Albert on base Height overall 21 1/2 inches.
• AN ITALIAN VERDE ANTICO MARBLE
  AN ITALIAN VERDE ANTICO MARBLE GROUP OF THE RAPE OF THE SABINES AFTER GIAMBOLOGNA: 27'' h sculpture, the verde antico marble base is 13'' h x 9 1/2'' x 9 3/4'', total height of 40'', the pedestal has an inset bronze plaque depicting the same theme.CONDITION: Several repairs depicted in photos of fingers and feet.
• COIN: ANCIENT ROME. 128-136 AD
  COIN: ANCIENT ROME. 128-136 AD SABINA WIFE OF HADRIAN AE SESTERTIUS. CERES REVERSE. F WITH HEAVY PITTING. 24.68 GRAMS, 32.1MM [DISCL...COIN: Ancient Rome. 128-136 AD Sabina Wife of Hadrian AE Sestertius. Ceres reverse. F with heavy pitting. 24.68 Grams, 32.1mm [Disclaimer: Descriptions of these ancient coins are believed to be accurate. However, bidders are expected to make their own evaluations of these items and bid accordingly, there is no guarantee of genuineness or of correct attribution.]
• MEISSEN PORCELAIN GROUP OF THE
  MEISSEN PORCELAIN GROUP OF THE "RAPE OF PERSEPHONE Meissen porcelain figural group of the "Rape of Persephone" 1860-1890 after the model by Joachim Kaendler of 1750, and depicting Hades with Persephone, clothed, over his left shoulder, on a parcel gilded rocaille base, the underside marked with the cobalt crossed swords, impressed mark "59" and incised mark "1787" and black number 34. 7" H x 5" W x 4" D.
• After C. B. Albert (French,
  After C. B. Albert (French, 1860-1913), large patinated bronze group of "The Rape of the Daughter of Leucippus", signed at the left facade edge of the plinth "C. B. Albert", presented on an oblong stepped Byzantin marble base, h. 22", w. 17", d. 10".
• Betrachtungen über das ganze Leiden
  Betrachtungen über das ganze Leiden Christi "Im Oelgarten vor dem geistlichen Gericht der Jüden vor dem weltlichen Gericht Pilati und Herodis und auf dem Berge Golgatha; Nach der Harmonischen Beschreibung der vier Evangelisten abgehandelt. (Nebst) Betrachtungen der sieben letzten Worte des Gekreuzigten Jesu. Translated; Views of all the sufferings of Christ "In Oelgarten before the spiritual court of the Jews before the secular court of Pilate and Herod and on Mount Calvary; treated by the harmonic description of the four evangelists Views of the seven last words of crucified Jesus" Jena: Johann Wilhelm Hartung 1746. 8 vo. Hardbound in full leather with red leather tile insert. text in German two color ink with copper engravings and woodblock devices. The main headings of the Evangelical Lutheran theologians of the Passion of Christ individually in the decade from 1722 his work at the Universities of Jena and Halle 1720-1730 was first published the preface as a collection of Fresenius .- Rambach (1693-1735) representatives of the pietistic theology in Spener's successor was one of the most distinguished preachers of the early Enlightenment in Germany reorganized the educational system in Hesse-Darmstadt and encouraged - to the doctrinal orthodoxy turned the development of the Pietism of Halle character in Hesse .- Fresenius (1705-1761) had in Gießen one's closest friends and Rambach was estimated since 1743 in Frankfurt am Main as a preacher much. As a strict opponent of the Moravian Church he referred in the preface to Rambach writings (dated December 1744) detailed comments against Zinzendorf Free Church Brethren