A few examples of appraisal values for
RAPTURE

• A pair of Austrian Baroque carved
  A pair of Austrian Baroque carved wood and polychrome decorated figures of Saints in rapture . 18th century Both with arms raised and flowing robes raised on quadriform bases with scrolling acanthus carved feet.height of tallest 22in (55.9cm)
• ITALIAN SCHOOL, WOMAN IN
  ITALIAN SCHOOL, WOMAN IN RAPTUREItalian School19th centuryWoman in rapturepastel on paper10 1/4 x 8in (27 x 20in) Provenance:Property from the collection of John Nelson.
• ANALIA SABAN (B. 1980): RAPTURES:
  ANALIA SABAN (B. 1980): RAPTURES: SPIDER2011; ink and laser cut on paper, framed floating under acrylic; unsigned; Provenance: The Estate of Juliet McIver, Los Angeles, CA; 17 1/2 x 13 inches; 19 x 14 1/2 inches frame Condition:
• ANALIA SABAN (B. 1980): RAPTURES:
  ANALIA SABAN (B. 1980): RAPTURES: VASE2011; ink and laser cut on paper, framed floating under acrylic; unsigned; Provenance: The Estate of Juliet McIver, Los Angeles, CA; 15 x 12 1/4 inches; 16 1/2 x 14 inches frame Condition:
• MAX SANSING (AMERICAN/CHICAGO, B.
  MAX SANSING (AMERICAN/CHICAGO, B. 1981)Max Sansing (American/Chicago, b. 1981), "Rapture (Standard)", 2021, archival pigment print, pencil-signed and numbered "115/150" lower left, signed in plate, 25 in. x 24 in., framed. Condition: Overall good condition. Ext. Frame: 29 5/8 in. x 29 5/8 in. x 1 in.
• 1 vol. Fleming, Robert.
  1 vol. Fleming, Robert. Apocalyptical Key. An Extraordinary Discourse on The Rise and Fall of Papacy;... in The Revelation of St. John, Chap. XVI. London: for G. Terry, (1793). 8vo, orig. marbled bds.; scuffed, extremities rubbed. Double frontis.: portrait, Apocalyptical Key. Minor chipping to fore-edges of front matter, some foxing & minor dust soiling to front matter.
• Russian religious plaque
  Russian religious plaque depicting Christ holding an orb with two angels above; bone hands and visage, carved wooden polychrome surface. 20th century. 17"H. Good condition.
• A RUSSIAN EVANGELION IN METAL
  A RUSSIAN EVANGELION IN METAL BINDING, KIEV PECHERSK LA...A RUSSIAN EVANGELION IN METAL BINDING, KIEV PECHERSK LAVRA, 1898 [The Holy Evangelion of Our Lord Jesus Christ] , Kiev: Kiev Pechersk Lavra printery, 1897. 12mo (175 x 140 mm). Wooden cover, elaborate metal binding featuring chased images of Resurrection of Jesus and four Evangelists in the corners on the front, an oval medallion with the Holy Trinity on the back, machine-turned ornamental design on the spine. Printed in red and black ink; illustrated with four color and gilt plates depicting each of the four Evangelists in the beginning of the corresponding Gospels. Text in Church Slavonic.
• RUTHERFURD THE DIVINE RIGHT OF
  RUTHERFURD THE DIVINE RIGHT OF CHURCH-GOVERNMENT AND EXCOMMUNICATION... London: John Field 1646 full leather (later spine slit).
• Ruffino Tamayo (Mexican, 1899-1991)
  Ruffino Tamayo (Mexican, 1899-1991) "Apocalypse of St. Jean", chromolithograph, 2/15, sight 12-1/4" x 9-1/2", verso bears title and gallery label of Ferdinand Roten Galleries, Baltimore, MD. Glazed, matted and presented in a stained molding frame.
• Ruffino Tamayo (Mexican, 1899-1991)
  Ruffino Tamayo (Mexican, 1899-1991) "Apocalypse of St. Jean", chromolithograph, 2/15, sight 12-1/4" x 9-1/2", verso bears title and gallery label of Ferdinand Roten Galleries, Baltimore, MD. Glazed, matted and presented in a stained molding frame.
• ABRAHAM BLOEMAERT RELIGIOUS GENRE
  ABRAHAM BLOEMAERT RELIGIOUS GENRE SCENE ETCHING Netherlands,1564-1651Surreal depiction of a young man keeping watch over a sleeping shepherd while the sky above opens up with with many cherubic figures and a wall of Latin text explaining the context.
• WATCH AS WELL AS PRAY, ALL WILL
  WATCH AS WELL AS PRAY, ALL WILL BE RIGHT IN JESUS' NAME...Johnson, Mama, b. 1918 or 21 June 1921, d., Watch as well as Pray, All will be right in Jesus' name, 8 1/4"x10 1/4", 2002, marker on mat board, purchased from artist
• PAIR OF RARE EARLY LITHOGRAPHS
  PAIR OF RARE EARLY LITHOGRAPHS HANDCOLORED - 1819 religious revival scenes New England first is of crowd traversing a long curving road second is of crowd listening to preacher speaking form an elevated podium in woods that are sheltering a row of ten
• Biblical religious scene; linocut
  Biblical religious scene; linocut print; 7" x 4 7/8"; pencil signed Herta? Gainsburg? lower margin.
• Russian icon of the Anastasis with
  Russian icon of the Anastasis with the Passion and main Ecclesiastical Feasts 18th century The central panel depicting Christ's descent into Hell enclosed by twelve scenes from the Passion of Christ, set within sixteen panels depicting the main ecclesiastical festivals, painted on a gilt ground with an ochre border. H: 15 1/2, W: 13 1/2 in. PROVENANCE: Private Bucks County collection ,000-
• 18C ARCHANGEL RELIGIOUS OLD
  18C ARCHANGEL RELIGIOUS OLD MASTER PAINTING Europe,18th CenturyDepicts the story from the Book of Revelation in which Archangel Michael led the angels against Satan and his creatures. Archangel Michael is depicted standing atop Lucifer with one foot pressed against his face and his sword drawn.
• RUSSIAN ICON, OLD TESTAMENT TRINITY
  RUSSIAN ICON, OLD TESTAMENT TRINITY A silvered riza icon, heavily chased, depiciting three angels representing the Father, Son, and Holy Spirit, seated at a table; 11"H 8.75"W
• Russian icon of Christ
  Russian icon of Christ Pantocrator with gilt halo. 19th century. 14" x 12"
• Russian icon of the Resurrection
  Russian icon of the Resurrection and Twelve Festivals circa 1900 The central panel depicting Christ rising from the tomb attended by angels, surrounded by twelve smaller panels depicting festival events, in a gilt and enamel decorated border. H: 14, W: 12 in. PROVENANCE: Private Bucks County collection
• Betrachtungen über das ganze Leiden
  Betrachtungen über das ganze Leiden Christi "Im Oelgarten vor dem geistlichen Gericht der Jüden vor dem weltlichen Gericht Pilati und Herodis und auf dem Berge Golgatha; Nach der Harmonischen Beschreibung der vier Evangelisten abgehandelt. (Nebst) Betrachtungen der sieben letzten Worte des Gekreuzigten Jesu. Translated; Views of all the sufferings of Christ "In Oelgarten before the spiritual court of the Jews before the secular court of Pilate and Herod and on Mount Calvary; treated by the harmonic description of the four evangelists Views of the seven last words of crucified Jesus" Jena: Johann Wilhelm Hartung 1746. 8 vo. Hardbound in full leather with red leather tile insert. text in German two color ink with copper engravings and woodblock devices. The main headings of the Evangelical Lutheran theologians of the Passion of Christ individually in the decade from 1722 his work at the Universities of Jena and Halle 1720-1730 was first published the preface as a collection of Fresenius .- Rambach (1693-1735) representatives of the pietistic theology in Spener's successor was one of the most distinguished preachers of the early Enlightenment in Germany reorganized the educational system in Hesse-Darmstadt and encouraged - to the doctrinal orthodoxy turned the development of the Pietism of Halle character in Hesse .- Fresenius (1705-1761) had in Gießen one's closest friends and Rambach was estimated since 1743 in Frankfurt am Main as a preacher much. As a strict opponent of the Moravian Church he referred in the preface to Rambach writings (dated December 1744) detailed comments against Zinzendorf Free Church Brethren
• RUSSIAN ICON, 19TH C. "Blaze of
  RUSSIAN ICON, 19TH C. "Blaze of Fire", egg tempera on wooden panel, depicting the fiery Ascension of Elijah the Prophet, four other Saints remain behind in the mountains,12" x 10". One flake lower left.
• AFT. REMBRANDT DEATH OF THE
  AFT. REMBRANDT DEATH OF THE VIRGIN ETCHING Netherlands,1606-1669Titled "Death of the Virgin" depicts an elderly Mary in a large bed with canopy surrounded by figures while angels descend from the sky.
• RUSSIAN TEMPURA ICON, ASCENSION
  RUSSIAN TEMPURA ICON, ASCENSION OF THE PROPHET ELIJAHReligious tempura on panel polychrome icon depicting the "Prophet Elijah and His Fiery Ascension" with a central image of the Prophet sitting in his cave in the desert surrounded by iconographic scenes including a vision of the angel to the left and of preparing to cross the river Jordan to the right. Above him in a fiery red cloud the Prophet ascends to heaven in a chariot drawn by four winged horses. The Prophet drops his mantle to Elisha, his successor, kneeled below. With Russian inscriptions describing the content throughout and additional saints flanking the central image within the border. The central image is recessed for emphasis. 14" H x 12" W x 1" D. Russian, late 19th century. Condition: With scattered areas of retouching to central image and paint restoration to border. Some minor losses to edges. Craquelure and natural wood separation to panel, cohesive with age.
• FLEMISH BIBLICAL TAPESTRY, THE
  FLEMISH BIBLICAL TAPESTRY, THE DEPARTURE OF THE PRODIGAL SON LATE 17TH CENTURY in wool and silk, to the foreground a young man stands before a seated older bearded man, and gestures to a city in the distance, a staff in his hand, within a border with fruit, flowers, birds, and putti315cm x 240cmNote: The Parable of the Prodigal Son, one of the most important of the New Testament parables of Jesus, teaches the virtues of repentance and forgiveness and the dangers of vice and extravagance. The Prodigal Son is the third and final parable of a cycle on redemption, Luke 15: 11-32, following the parable of the Lost Sheep and the parable of the Lost Coin. The scene in the tapestry depicts the younger son standing before his father before his departure, while his older sibling works in the field in the middle distance. He gestures to a far-off city on hill, where intends to go, and where he inevitably squanders his inheritance with extravagant and wasteful living.
• Indian ''Dream Catcher''.
  Indian ''Dream Catcher''.
• Early Continental pierced metal
  Early Continental pierced metal religious plaque used as a relic for private devotion. It depicts the Holy Trinity (God the Father, God the Son, and God the Holy Spirit) at the center. 9" x 9".
• RUSSIAN ICON, THE POKROV Large
  RUSSIAN ICON, THE POKROV Large colorful icon depicting the Mother of God among angels and seraphims, commemorating the event in 911 A.D. when the Saracens threatened the city of Constantinople and the people fled to the Church of the Vlakhernae to implore heavenly intervention. The icon combines two subjects: the vision of the Holy Fool Andrey, who saw the Mother of God appear on a cloud over the Church holding a veil of protection over the people, also depicting Romanos the Methodist, who could not sing well until the Mother of God appeared to him in a dream, giving him a scroll to eat which bestowed on him the gift of song, two splines intact on reverse, 19th century; 21"H 18"W
• RUSSIAN ICON, THE RAISING OF
  RUSSIAN ICON, THE RAISING OF LAZARUS An Orthodox icon, most likely Greek in a Russian style, depicting Christ opening the tomb of Lazurus, revealing him in his burial cloths, his sisters rejoicing at the Savior's feet, early 20th century; 16"H 11"W
• RUSSIAN MONASTIC PAINTED ICON OF
  RUSSIAN MONASTIC PAINTED ICON OF THE RISEN CHRISTLate 19th Century. Depicting the risen Christ appearing before his disciples, Jesus extends his hand to Thomas or another, figures under a canopy in a terrace above. Measuring 14 by 12 in. (Cond: a half inch gouge to the area where Christ extends his hand, border repainted) Provenance: From a South Florida Private Collection.
• MINATURE PAINTING - Oil on Ivory
  MINATURE PAINTING - Oil on Ivory Ascension of Louis XVI a Royalist deification of the martyred French King ca 1800 depicting him departing this world dressed as a Legionnaire Royal cloak around his shoulders surrounded by family angels putti and a
• RADEMES POTRONY. "REVELACION DE LOS
  RADEMES POTRONY. "REVELACION DE LOS ORICHAS," ACRYLIC Acrylic on canvas, signed lr, 20 x 20 in., unframed.
• Good Large Polychromed Wooden
  Good Large Polychromed Wooden Russian Ikon of "Christ Pantocrator", depicted standing on a cloud and holding an open book, his proper right hand raised in benediction, second quarter 19th century, the surround of richly rouletted and chased gilt damask patterns and strapwork, h. 48-1/2", w. 19", d. 1-3/4".
• MINATURE PAINTING - Oil on Ivory
  MINATURE PAINTING - Oil on Ivory Ascension of Louis XVI a Royalist deification of the martyred French King ca 1800 depicting him departing this world dressed as a Legionnaire Royal cloak around his shoulders surrounded by family angels putti and a
• Hendrik Goltzius (Dutch
  Hendrik Goltzius (Dutch 1558-1617) The Resurrection and The Flagellation (from The Passion) engravings; later impressions 7 3/4 x 5 inches.
• Khlebnikov Russian icon, titled
  Khlebnikov Russian icon, titled below in Cyrillic "Unexpected Supreme Joy", paragraph translation "A certain man, a stranger, had the custom of praying daily to the Most Holy Mother of God in the words of the archangel, kissing the Joyous One, full of grace, to avert being sent into foul lawlessness", marks for Ivan Khlebnikov with imperial mark and "BC", .916 fine, 12-1/2 x 10-1/2 in. Oklad with wear to gilt surface, dents, repair upper right corner; painting with yellowed varnish, draw crackle, craquelure. Private Collection, Townsend, Tennessee