A few examples of appraisal values for
RED HOUSE

• CARL WENNEMOES, SNOW SCENE, OIL ON BURLAPCarl
  CARL WENNEMOES, SNOW SCENE, OIL ON BURLAPCarl Wennemoes, Snow Scene, Oil on Burlap, (Danish, 1890-1965) signed and dated '45, depicting a snowy street with trees and red house, in a giltwood frame. Frame size: 33 1/4 in. x 44 7/8 in. MEASURM
• JAPANESE GILT LACQUERED HOUSE SHAPED
  JAPANESE GILT LACQUERED HOUSE SHAPED KOGO INCENSE BOX Japanese gilt lacquered house shaped kogo incense box. Meiji period, 4.25"h x 4.125"w x 3.125"d.
• FLORENCE WILKINS. RED BOAT, RED HOUSE,
  FLORENCE WILKINS. RED BOAT, RED HOUSE, OIL Oil on canvas, unsigned, sight size: 17 1/2 x 23 1/2 in., framed.
• FRAMED HOOKED MATS BY AURORE BENOITTwo
  FRAMED HOOKED MATS BY AURORE BENOITTwo small hooked mats in pine frames; one depicting people in sleighs in winter, the other depicting a red house in winter. Both mats by the late Aurore Benoit (active mid 20th century) of Ste-Hyacinthe, Québec. Both in good condition. Circa 1960. Both measuring approx. 11 1/2" length, 9 1/2" width. The Shaun & Joan Markey Collection.
• JOSEPH BIEL LANDSCAPE OIL ON CANVAS
  JOSEPH BIEL LANDSCAPE OIL ON CANVAS Joseph Biel (American, 1891-1943) Landscape with Red House, depicting a domestic landscape scene with red houses, oil on canvas board, signed lower right corner. Image: 10.5" H x 14.5" W; frame: 14.75" H x 18.75" W.
• JOSEPH BIEL LANDSCAPE OIL ON CANVAS
  JOSEPH BIEL LANDSCAPE OIL ON CANVAS Joseph Biel (American, 1891-1943) Landscape with Red House, depicting a domestic landscape scene with red houses, oil on canvas board, signed lower right corner. Image: 10.5" H x 14.5" W; frame: 14.75" H x 18.75" W.
• OIL ON CANVAS WINTER SNOW SCENEca. 1890;
  OIL ON CANVAS WINTER SNOW SCENEca. 1890; winter nighttime snow scene in front of a snow covered house, all in a black molded frame, 16 1/2"x 13" sight; 21 1/2"x 18 1/2" overall; Condition: small spot of inpaint to upper left corner and lower left corner, minute touch up under white cloud
• OIL PAINTING OF WINTER SCENE, C. SEWEL,
  OIL PAINTING OF WINTER SCENE, C. SEWEL, DATED 1955An oil on artist board of a winter scene with a red house and a man cutting a pine tree -- mountains and a sunset in the background by Mrs. Caroline Sewel, February 1955. Signed C. Sewel / 55. Original frame. Dimensions, 20" x 24". FRANCAIS: Huile sur panneau d'artiste d'une scène hivernale d'une maison rouge et un homme coupant un pin, montagnes et coucher de soleil en arrière-plan par Mme Caroline Sewel, février 1955. Signé C. Sewel / 55. Cadre d'origine.
• RED HOUSE HOOKED RUGA Nova Scotia hooked
  RED HOUSE HOOKED RUGA Nova Scotia hooked rug of a red house with yellow windows and doors inside a red, grey and black border. With initials HF for Helen Feindel and the year 92 hooked into the lower right corner. Excellent condition. Measuring, 26.5" x 36.5". Helen Feindel participated in hooked rug exhibits at the Desbrisay Museum, Bridgewater, Nova Scotia, and the Acadia University Art Gallery, Wolfville, Nova Scotia in the 1990s. Provenance: Feindel Family.
• GREGORY CRANE (AMERICAN, B. 1951) 8
  GREGORY CRANE (AMERICAN, B. 1951) 8 ¼" x 20 ¼" "Red House in Brooklyn". Oil on canvas mounted to board, signed lower right corner, in wood frame, overall 9 ½" x 21 ½".
• Ginny Ruffner b.1952. The Wired House.
  Ginny Ruffner b.1952. The Wired House. 1996, painted hand-blown glass and mixed media. 21 h × 13 w × 13 d in. estimate: $3,500–5,000. Provenance: Acquired directly from the artist by the present owner
• HAND COLORED HOUSE BLESSING BY J. BAUMANN.Printed
  HAND COLORED HOUSE BLESSING BY J. BAUMANN.Printed and Hand Colored House Blessing by J. Baumann. (Ephrata, Lancaster County, Circa 1800-1810). Mirror image with central heart flanked by smaller hearts, birds, leap stags, and floral devices. Image 12-1/4" x 15"; in an antique painted mitered frame 16-3/4" x 19-1/2" overall. Condition: : Good with minor staining, losses and tears. Condition: Condition: : Good with minor staining, losses and tears.
• 2 CHINESE LANDSCAPE SCROLL PAINTINGS1st
  2 CHINESE LANDSCAPE SCROLL PAINTINGS1st item: Chinese ink and watercolor landscape scroll painting with travelling figures. Signed with red seal lower left. Mounted on beige silk brocade. Image - 38 1/2" H x 15 1/2" W. Overall - 73" H x 20" W. 2nd item: Chinese ink and watercolor snowscape scroll painting with lone figure and horse with snow covered houses. Signed with red seal lower left. Mounted on beige silk brocade. Image - 48" H x 16 1/4" W. Overall - 76 1/4" H - 21 1/2" W. Both Late 19th century/Early 20th century. Condition: 1st item: Tears and stain to upper mounting and one tear to right margin. Overall toning with scattered abrasions. 2nd item: Overall toning with some scattered spotting.
• TWO PAINTINGS BY JAMES P. FERIOLA O/CJames
  TWO PAINTINGS BY JAMES P. FERIOLA O/CJames P. Feriola, AWS (American, 1925-1988), two similar winter scenes comprising "The Red House and "Untitled" oil on canvas, both signed lower left and right. Sight size: 6 1/2" high, 8 1/2" wide. Frame size: 10 1/4" high, 12 1/4" wide. Condition: Condition: information and/or statements of condition are not included in auction item descriptions. Any condition information which may be included is for information purposes only and may not be relied upon as the equivalent of a formal Condition: Report. Condition: Reports must be requested in writing, and will be provided in writing.”
• JULIE BOZZI (1943- )Artist: Julie Bozzi
  JULIE BOZZI (1943- )Artist: Julie Bozzi (1943- ). Titled LC: Evening at Cactus Corners. Signed LR: Julie Ann Bozzi. Dated LL: 9-11-75. Medium: Watercolor. Dimensions: (housing size) 8 x 11 1/8 inches; (sight size) 6 3/4 x 9 3/4 inches; (image size) 2 x 6 1/4 inches. Housing: Wood frame with glass. Description: A scene of stacked yellow bricks in the foreground with a tree line just beyond, two partially obscured houses along the right side of the tree line, under a deep blue and purple cloudy sky with an airplane. Condition: : Very good. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• ALFRED GWYNNE MORANG (AMERICAN 1901-1958)
  ALFRED GWYNNE MORANG (AMERICAN 1901-1958) A PAINTING, "...ALFRED GWYNNE MORANG (American 1901-1958) A PAINTING, "Porch on the Red House," oil on pressed pulp board. 10" x 13" Provenance: Private Collection, Washington State Condition: Mild surface wear, unsigned, overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• JESSEE DAVIDSON SAMPLER "AGED 13 OCTO
  JESSEE DAVIDSON SAMPLER "AGED 13 OCTO 22, 1787"Jessee Davidson Sampler "Aged 13 Octo 22, 1787" with embroidered house, trees, birds and verse; in as found condition, oak frame with gilt liner. 19 ¼ in. x 12 in. Overall 24 ¾ in. x 17 ½ in. Condition: : Worn lettering, some of which are gone, 2 holes. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• ALEX POPLASKI (RUSSIAN/AMERICAN, 1906
  ALEX POPLASKI (RUSSIAN/AMERICAN, 1906 - 1988), RED HOUS...Alex Poplaski (Russian/American, 1906 - 1988), Red House on the Hill, oil on canvas, signed lower left: A. Poplaski, 25" x 30". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• EMILE COURTIN (1923 - 1997), OIL ON
  EMILE COURTIN (1923 - 1997), OIL ON CANVAS, STILL LIFE ...Emile Courtin (1923 - 1997), oil on canvas, still life of fruit and flowers with pink and red houses in background, signed lower right, in gilt frame, 23" x 35 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• PRIMITIVE PAINTING OF A RED HOUSE(American
  PRIMITIVE PAINTING OF A RED HOUSE(American School. 19th century) With a Mansard Roof, unsigned, watercolor and graphite on Bristol Board (Bristol board blind stamp upper right), 16-1/2 x 20-3/4 in.; period carved gilt wood frame, 19 x 23-1/4 in. Condition: toning, wear at all edges; frame with wear commensurate with age
• TWO FRAMED NEEDLEWORK SAMPLERSpossibly
  TWO FRAMED NEEDLEWORK SAMPLERSpossibly Scottish, 19th century, multicolored stitching on beige ground, one with lettering over red house and forest, flowering vine border, 16 x 12-1/2 in.; one with lettering over flowers, urns, and peacocks, 16 x 7-1/2 in.; wood frames, 18 x 14 in. and 18 x 9-1/2 in. Condition: apparently tacked down at corners (adhesive visible through frame), some fading and staining throughout, small losses and areas of shattering, not examined out of frames; frames with light wear
• HARE, John, (American, 1909-1978): 1)
  HARE, John, (American, 1909-1978): 1) Autumnal Country Landscape with Red Barn and Red House, Watercolor, sight size 12'' x 9.5'', signed lower right, framed 18.25'' x 16''; 2) New England Lighthouse, Watercolor, sight size 10'' x 9, signed lower right, framed, 18.5'' x 15.5''. CONDITION: 1) Possible water damage in right margins and spots of foxing. Not examined out of the frame; 2) Even toning throughout, several spots in upper right corner.
• IA KARLSSON, OIL ON CANVAS Ia Karlsson
  IA KARLSSON, OIL ON CANVAS Ia Karlsson (Swedish, b. 1959), "Red House", initialed "IA" at lower right, floating mount in shallow shadowbox frame, approx. 11"h x 8.75"w (sight), 19"h x 15.5"w (frame)
• WANG SHANGYI, SIGNED WATERCOLOR MOUNTAIN
  WANG SHANGYI, SIGNED WATERCOLOR MOUNTAIN LANDSCAPE Wang Shangyi, (American/Chinese, 1905?1972). Mountainous river scene - watercolor on paper, signed with red seal at left margin of characters. Large watercolor painting depicting a mountainous landscape with a river and scattered houses and
• (8) FRANKLIN LIBRARY & MYSTERY BOOKS(lot
  (8) FRANKLIN LIBRARY & MYSTERY BOOKS(lot of 8) Library shelf books, The Franklin Library and Franklin Mystery, including: (1) "Payment Deferred," C.S. Forester, 1990, (1) "The D.A. Calls it Murder," Erle Stanley Gardner, 1989, (1) "The Brothers Grimm: Favorite Household Tales," translated by Margaret Hunt, 1981, limited edition, (1) "Tinker, Tailor, Soldier, Spy," John Le Carre, 1988, (1) "The Red House Mystery," A.A. Milne, 1990, (1) "The Histories of Gargantua and Pantagruel," Francois Rabelais, 1982, (1) "The Patience of Maigret," Georges Simenon, 1989, (1) "The Aeneid of Virgil," translated by John Dryden, 1975, from the limited-edition collection The 100 Greatest Books of All Time; largest book: approx 9.5"h, 6.5"w, 14lbs total
• PICTORIAL NEEDLEWORK SAMPLER DATED 1827
  PICTORIAL NEEDLEWORK SAMPLER DATED 1827 18” X 17” SIGHT. FRAMED 22” X 21”.PICTORIAL NEEDLEWORK SAMPLER, Dated 1827, Wrought by "Emma Lee Aged 9 Years 1827". Upper half with verse "See Israel's gentle Shepherd stands ..." surrounded by potted plants, a butterfly and multi-pointed stars. Lower half with pastoral landscape depicting animals grazing in front of a large red house nestled amongst trees. Flower vine border. Vibrant colors. Dimensions: 18" x 17" sight. Framed 22" x 21".
• CHESTER "CHET" JONES (MASSACHUSETTS,
  CHESTER "CHET" JONES (MASSACHUSETTS, B. 1957), RED HOUSE., OIL ON CANVAS, 32" X 30". FRAMED 33" X 30.5".CHESTER "CHET" JONES, Massachusetts, b. 1957, Red house. Signed lower left "Chester Jones". Signed and dated 1994 verso. Dimensions: Oil on canvas, 32" x 30". Framed 33" x 30.5".
• BRUCE MCKAIN (MASSACHUSETTS/INDIANA,
  BRUCE MCKAIN (MASSACHUSETTS/INDIANA, 1900-1990), RED HOUSE, WINTER., WATERCOLOR ON PAPER, 19" X 14" SIGHT. FRAMED 29" X 23".BRUCE MCKAIN, Massachusetts/Indiana, 1900-1990, Red house, winter. Signed lower right "McKain". Dimensions: Watercolor on paper, 19" x 14" sight. Framed 29" x 23".
• (VIEW) CAPE COD - PROVINCETOWN - COMMERCIAL
  (VIEW) CAPE COD - PROVINCETOWN - COMMERCIAL STREET: 101 POSTCARDS EARLY TO MID-20TH CENTURY(VIEW) CAPE COD - PROVINCETOWN - COMMERCIAL STREET: 101 POSTCARDS, Early to Mid-20th Century, East End (38) and West End (63) views. Fourteen real photo: digging out after a snow storm, laying rocks for bulkhead, launching boat with skids onshore and near pilings, High Street near Gifford House and more. Also: several "Way Up Along" cards, "Commercial St., Provincetown, Mass. 18 feet in width, with 4 foot sidewalk", cottages in East End, "Willow From Napoleon's Grave", Figure Head Tea Room, The Red House and more.
• JONATHAN BRADLEY MORSE (AMERICAN, 1834-1898),
  JONATHAN BRADLEY MORSE (AMERICAN, 1834-1898), LANDSCAPE WITH RED HOUSE Oil on canvas (lined), signed at lower right, presented in a period style gilt frame.
• AN UNUSUAL JAPANESE LACQUERED PICNIC
  AN UNUSUAL JAPANESE LACQUERED PICNIC SET 20th century, a black lacquered house with reticulated windows and "wood thatch" style motifs to sides opens to reveal a red sake box above six small square plates with wood grain sides, a large box with silk painting of a landscape, above a tiered lacquer food box, to left another box with marbled wood grain exterior and above a small square tray, above the house on the roof rests a lacquer tray with ducks swimming in a stream, the same decoration is featured along the bottom side of the house and two front drawers.
• NELS HAGERUP OIL ON CANVASNELS HAGERUP
  NELS HAGERUP OIL ON CANVASNELS HAGERUP (San Francisco, CA, 1864-1922) oil on canvas, tugboat with snow-covered house in the background. Signed lower right and dated 1908. Image measures 10" x 16". In a gilt wood frame; 16.5" x 22.5" overall.
• MAX KUEHNE (AMERICAN, 1880-1968) LANDSCAPE
  MAX KUEHNE (AMERICAN, 1880-1968) LANDSCAPE WITH RED HOUSE WATERCOLOR ON PAPER: 7 1/2 X 11 1/4 IN. (SIGHT)MAX KUEHNE, (AMERICAN, 1880-1968) LANDSCAPE WITH RED HOUSE, Watercolor on paper: 7 1/2 x 11 1/4 in. (sight) Framed; lower right signed: Kuehne
• WOLF KAHN (AMERICAN/GERMAN, 1927) RED
  WOLF KAHN (AMERICAN/GERMAN, 1927) RED HOUSE IN THE SNOW, 1980 PASTEL ON PAPER: 12 X 17 1/2 IN. (SIGHT)WOLF KAHN, (AMERICAN/GERMAN, 1927) RED HOUSE IN THE SNOW, 1980, Pastel on paper: 12 x 17 1/2 in. (sight) Framed; lower right signed and dated: Kahn 80 Provenance: Private collection New York by at least 1988 and by descent to the present owner
• A PAIR OF 19TH CENTURY NEEDLEWORKS,
  A PAIR OF 19TH CENTURY NEEDLEWORKS, VICTORIAN HOUSES (American, 19th century). Needlework houses, both initialed "ED" 1) Red House, sight size: 11 3/4 x 13 1/2 in., framed without glass 2) Yellow House, 16 1/2 x 11 1/2 in., framed.
• MULTICOLOR THEO AND SUSAN HARLANDER
  MULTICOLOR THEO AND SUSAN HARLANDER POTTERY VASETheo and Susan Harlander ceramic vase. Hand decorated with vertical scenes down the top two-thirds.. Signed on the bottom. Very good condition with some flaking around the top edge. 10.75" H x 4.5" W. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping is not available on this lot, please contact one of our third party shippers for a quote. According to Winnipeg Art Gallery, German immigrants Theo and Susan Harlander established the Brooklin Pottery studio in 1952 in Brooklin, Ontario, introducing a continental approach to the field of Canadian studio production. They specialized in custom-ordered household items. Theo would throw the pieces on the wheel and Susan decorated them with freehand sgraffito patterns, designs incised or scratched through the slip or glaze to the earthenware ground. The incised designs on Harlander pieces wrap effortlessly around the vessel form, displaying Susan’s exceptional understanding of design aesthetics. The Harlanders added new breadth to early Canadian studio pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed functional wares (such as those influenced by Bernard Leach and the early British studio pottery movement) made during this time period. (#957)