A few examples of appraisal values for
REFUGE

• MARK WORKMAN (B. 1960), "REFUGE,"
  MARK WORKMAN (B. 1960), "REFUGE," 1996, ACRYLIC ON PAPER, 17" H X 60" WMark Workman, (b. 1960) "Refuge," 1996, Acrylic on paper Signed and dated in pencil in the lower margin, at right: Mark Workman; initialed and dated in the lower right corner of the image Acrylic on paper Dimensions: 17" H x 60" W Provenance: Fischbach Gallery, New York, NY
• LJUBOMIR MILINKOV, UN
  LJUBOMIR MILINKOV, UN REFUGELjubomir Milinkov(Serbian, b. 1938)Un refugeoil on boardsigned upper right Milinkov8 x 10in (20 x 25.5cm) Provenance:With Wally Findlay Galleries, Paris, 1977.The Colle
• + KERR EBY (CANADIAN, 1889 -
  + KERR EBY (CANADIAN, 1889 - 1946) "REFUGEES", ED 100, 1934, ETCHING, PENCIL SIGNED LOWER RIGHT, DEPICTS REFUGEES FLEEING WAR, MATTE...+ Kerr Eby (Canadian, 1889 - 1946) "Refugees", ed 100, 1934, Etching, pencil signed lower right, depicts refugees fleeing war, matted, wear consistent with age, including foxing and scattered discoloration on paper border, ss: 10" h. x 14 1/2" l. [PROVENANCE: Consignor purchased from Grand Central Art Galleries, NY in 1935. Receipt available to successful bidder.]
• OUR LADY OF REFUGE OIL ON
  OUR LADY OF REFUGE OIL ON CANVAS19th C. Spanish Colonial oil on canvas of Our Lady of Refuge, 35.5" x 26" Condition: Lined with minor inpainting. Please contact gallery for further information or further condition of this lot, all items are sold as is, all sales are final.
• FRAMED OIL ON TIN RETABLO, OUR LADY
  FRAMED OIL ON TIN RETABLO, OUR LADY OF REFUGEFramed oil on tin retablo, Nuestra Senora del Refugio (Our Lady of Refuge), late 19th/ early 20th c., the Virgin Mary and Christ Child enthroned above clouds, encircled by a garland of roses, sight: approx 13 3/8"h, 9 3/8"w, overall: 18.5"h, 15"w, 1lbs **Provenance: a private Alabama collection**
• GOD IS OUR REFUGE BY ELIJAH
  GOD IS OUR REFUGE BY ELIJAH PIERCE (COLUMBUS OHIO 1892-1984). Wood signed and dated February 18 1960. Relief carved panel with verse and imagery. Original polychrome paint. In a frame with cardboard backing 14 1/2''h. 18''w. This plaque and lot 10 were both acquired from Pierce by the parents of the current owner. This plaque is inscribed on verso '' Mr + Mrs James Morgan Started feb. 18. 1860. God is our refuge and strength + Present Help in time of Trouble Psalms 46.1. Presented by Mrs + E. Pierce its A Part of me.'' There is a small repair to the frame.
• Theophile Alexandre Steinlen French
  Theophile Alexandre Steinlen French 1859-1923 ''Refugies'' lithograph ed. 84/100 signed and dated ''Steinlen 1913'' ll in stone signed in pencil ''Steinlen'' lr 15 1/4 x 20 in. framed Estimate $ 100-200 Creases foxing. Paintings have not been examined by blacklight.
• OIL ON TIN RETABLO NUESTRA SENORA
  OIL ON TIN RETABLO NUESTRA SENORA DEL REFUGIOUnframed oil on tin retablo, Nuestra Senora del Refugio (Our Lady of Refuge), depicting the Virgin Mary and Christ Child enthroned above clouds, approx 14"h, 10"w, 0.5lbs
• John Rogers (America, 1829-1904)
  John Rogers (America, 1829-1904) Union Refugees pale brown-painted plaster Stamped JOHN ROGERS/NEW YORK; APRIL 19, 1864, titled below. Height 23 x width 13 x depth 10 inches. Property from the Collection of Harry Peterson, Lantana, Florida
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOFramed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting the crowned Madonna and Child, draped in red and blue vestments with lace and embroidered details, seated on clouds, sight: 11"h, 9"w; overall: 16.5"h, 14.5"w, 3.5lbs
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOFramed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting the Madonna and Child, crowned and surrounded by a halo of roses, seated on dark clouds, sight: 6.5"h, 4.5"w; overall: 10.25"h, 8.25"w, 1lbs
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOUnframed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting crowned Madonna and Christ Child, enthroned above clouds, overall: approx 10"h, 7"w, 0.25lbs
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOUnframed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting crowned Madonna and Christ Child, enthroned above clouds, overall: approx 14"h, 10"w, 0.5lbs
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOFramed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting crowned Madonna and Christ Child, enthroned above clouds, retablo: 8.75"h, 7"w, overall: 14"h, 12.25"w, 0.75lbs
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOUnframed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting crowned Madonna and Christ Child, a garland of roses above their heads, overall: 14"h, 10"w, 0.5lbs
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOFramed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting crowned Madonna and Christ Child, enthroned above clouds, retablo: 20"h, 14"w, overall: 26.75"h, 22.75"w, 5.25lbs
• OIL ON TIN RETABLO, OUR LADY OF
  OIL ON TIN RETABLO, OUR LADY OF REFUGE, MEXICOFramed oil on tin retablo, Mexico, Nuestra Senora del Refugio (Our Lady Refuge of Sinners), depicting crowned Madonna and Christ Child, enthroned above clouds, retablo: 13.5"h, 9.5"w, overall: 19.5"h, 15.5"w, 1.75lbs
• JONI FALK (AMERICAN, B. 1933),
  JONI FALK (AMERICAN, B. 1933), WILDERNESS REFUGE Oil on canvas, signed lower left, presented in an attractive weathered frame with gilt gallery plaque.
• Quiet Waters Blackwater Refuge by
  Quiet Waters Blackwater Refuge by Jeff Gaudert Jeff Gaudert (American 20th Century).? Oil on panel signed Jeff Gaudert; 6.5 x 10 in. (Sight)
• (2) RETABLOS, LADY OF REFUGE,
  (2) RETABLOS, LADY OF REFUGE, MADONNA & CHILD(lot of 2) Retablos, both featuring the Virgin Mary holding the Christ child, including: (1) framed oil on wood panel, sight: approx 3"h, 2.25"w, overall: approx 5.5"h, 4.5"w, (1) unframed oil on tin, Mexico, Nuestra Senora del Refugio (Our Lady of Refuge), approx 7"h, 6"w; 0.25lbs total
• TWO SMALL EARLY OILS, THE FIRST A
  TWO SMALL EARLY OILS, THE FIRST A RETABLO, OIL ON TIN, MEXICAN, 19TH C., DEPICTING "LA VIRGEN REFUGIO" (OUR LADY, REFUGE OF SINNERS)...Two small early oils, the first a retablo, oil on tin, Mexican, 19th C., depicting "La Virgen Refugio" (Our Lady, Refuge of Sinners), unframed, label verso reads "Santos Retablo, Spanish American, Our Lady of Sinners, very fine, had been kept under glass", scattered scratches and surface loss, 7" x 5"; the second an oval reverse painting on glass, Continental, 18th C., depicting a warrior saint/angel holding a martyr's palm and model of a city/church, in a period carved and gilt frame, very fragile with significant loss, overall: 9 3/4" h., both pieces sold as is.
• KIM CASEBEER (B. 1970) OIL ON
  KIM CASEBEER (B. 1970) OIL ON LINENKim Casebeer (Born 1970)Dusk on the Refuge (2011)The sweeping study of a tranquil refuge at sunset captures that short atmospheric period when the color of everything is most intense, just before turning monochromatic at twilight. The work is signed lower left front and titled verso.Board measures 24.25 x 48 with a framed size of 32.5 x 56.5 inches.Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.Provenance: A Leawood, Kansas corporate collection.
• Joan Rutkowski (American,
  Joan Rutkowski (American, Louisiana, Contemporary) "Enter the Sanctuary Space", acrylic on canvas, 12" x 9", signed verso: Joan_?_Rutkowski", from the Urban Sanctuary series '91-'93 and so inscribed. Presented in a pine frame.
• ''Restful Retreat'' oil on
  ''Restful Retreat'' oil on canvas. 20'' H x 30'' W.
• DENISE SALTER (20TH/21ST C.)
  DENISE SALTER (20TH/21ST C.) "RETREAT", PASTEL ON PAPER, DEPICTS A SMALL CABIN IN WOODS, WITH SNOW COVER ON GROUND, SIGNED LOWER RIG...Denise Salter (20th/21st C.) "Retreat", pastel on paper, depicts a small cabin in woods, with snow cover on ground, signed lower right corner, framed and matted behind glass, label verso, not examined out of frame, ss: 16 1/4" h. x 21 1/4" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• A Hand Made Folk Art Diorama
  A Hand Made Folk Art Diorama Charmingly naive mixed materials shadow box containing a mother and child welcoming the hunter home with game in a log cabin interior with velvet bear skins moose trophy stone fireplace and furnishings all made from found materials at hand.
• MELVIN WARREN (1920-1995),
  MELVIN WARREN (1920-1995), SEARCHING FOR SHELTER Fine Art
• 19TH C. MEXICAN TIN RETABLOS REFUGE
  19TH C. MEXICAN TIN RETABLOS REFUGE OF SINNERS, CHRISTLatin America, Mexico, Spanish Colonial Period, ca. 19th century CE. This is a finely painted pair of Spanish Colonial style retablos on heavy gauge tin depicting religious scenes of saints and Christ. The larger is of the Virgin Mary and Christ Child, a composition that is often referred to as N.S. Refugio de Pecadores (Our Lady, Refuge of Sinners); the Virgin wears a golden crown and supports a crowned Christ Child whose nude body is covered by a transparent robe. She wears a dark blue cape that is initialed with her ciphers. Christ rests his right hand on her right arm and grips her right thumb with his left hand. The touching scene is framed by a wreath of red roses as they float upon heavenly clouds. The other retablo depicts St. Joseph in a green robe and a yellow cloak as he holds the Christ Child, who is draped in red. The Child leans on Joseph's shoulder, and both their heads are surrounded by golden beams of light or a hallo. Size (Mary retablo): 14" L x 10" W (35.6 cm x 25.4 cm); (Saint Joseph): 9.35" L x 6.5" W (23.7 cm x 16.5 cm) The cult of Joseph originated during the time of Luther when the Catholic Church was seeking out new heroes to meet the needs of the Counter Reformation. Prior to this time, Joseph was somewhat ignored. The Carmelite Order, under the direction of St. Theresa, rejuvenated the image of St. Joseph. Instead of being portrayed as an elderly man who watched over Mary, he grew to be depicted as a virile man in the prime of his life, full of youth and strength, yet portrayed as a gentle man of tenderness as we see in this example. In 1719, a Jesuit missionary brought a version of a painting originally created for an altar formerly at Frascati, Italy, in the style of Guido or Salvator Rosa, to the city of Zacatecas in Mexico. The painting inspired the locals to adopt N.S., Refugio de Pecadores as their patron, and the composition of this retablo was modeled upon that painting's composition. Renditions of the original Italian painting were among the most favored in retablo art. Icons like these were placed above household altars to venerate the saints. The translation of the word retablo literally means "behind the altar." Provenance: ex-Dr. David Harner collection, Arkansas, USA, 1950s-1960s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #161365 Condition: The Joseph retablo has losses and flaking to painted pigments and details of the child and Joseph's body are faint and indiscernible. Both retablos have surface abrasions, chipping, and fading to pigments. Finer details are not discernable. Joseph's face is clear enough to discern the saint's expression, but Christ is faint. Stable fissure along lover edge of Joseph retablo, and corners are pierced for suspension, with a cord through the top. Tearing and folding to Virgin Mary's retablo, and losses to pigments. Surface abrasions and fading to pigments. Finer details are not discernable. Corners are pierced for suspension and has a cord through the top. Nice patina on both.
• Claude Tabet (1924-1979 French)
  Claude Tabet (1924-1979 French) Reflux French Village with Boats and Figures in a Bay
• SPANISH RETABLO OF OUR LADY, REFUGE
  SPANISH RETABLO OF OUR LADY, REFUGE OF SINNERS. Nineteenth century. Oil on tin of with crowned lady holding a crowned child. Original paint with minor loss. Unframed, 7"h. 5"w.
• SHELTER SERRA, (2) SILKSCREEN
  SHELTER SERRA, (2) SILKSCREEN PRINTS Shelter Serra (American, b. 1972), "Handbag", 2014, black and silver silkscreen on rag paper, signed lower right and numbered as printer's proof (PP 5/5), with, "Rolley", 2015, silkscreen on rag paper, signed lower right, numbered (PP 1/2), printed and published by Gary Lichtenstein Editions, loose and unframed, sheet sizes: 22"squ (handbag), 30"h x 22"w (Rolley)
• Husenbeth, Rev. F C. The
  Husenbeth, Rev. F C. The Christian's Refuge in time of Epidemic Diseases or Other Calamities, London 1832; Pinamonti, Rev. F. Hell Opened to Christians to caution them from Entering into it, Dublin 1836; Bona Mors; or The Art of Dying Happily, London 1840 and another small religious text (4)/Provenance: Spetchley Park
• ELMA TAYLOR (HAWAII, 20TH
  ELMA TAYLOR (HAWAII, 20TH CENTURY) OIL ON CANVAS,ELMA TAYLOR (Hawaii, 20th century) oil on canvas, "Reflecting Lagoon," 'City of Refuge' Pu'uhonua O Honaunau Nation Historic Park, Hawaii. Signed lower right, titled and signed again verso, dated 1969. Image measures 30" x 20". In a wood frame; 31.5" x 21.5" overall.
• A quantity of United Kingdom
  A quantity of United Kingdom Civil Defence Corps Rescue armbands, an EPNS and slate holy water stoup, two seashells, two Cornish tin bars, etc
• RETREAT THROUGH THE JERSIES BY JOHN
  RETREAT THROUGH THE JERSIES BY JOHN WARD DUNSMORE (MICHIGAN/MASSACHUSETTS 1856-1945). Oil on canvas unsigned. Study of Lafayette and Washingon on horseback. 16''h. 12''w. in a frame 25 1/2''h. 22''w.
• Frank Whipple Oil Nuns trying
  Frank Whipple Oil Nuns trying Torescue a cat out of a tree image area 5'' square on panel well listed artist.