A few examples of appraisal values for
REGINALD

• PRINT, REGINALD HOLMES Reginald
  PRINT, REGINALD HOLMES Reginald Holmes (Canadian, b. 1934), "X," 1969, screenprint, pencil signed and dated lower right, edition 41/98, sheet: 19.25"h x 28.5"w, overall (with frame): 21"h x 30"w
• WILLIAM REGINALD WATKINS. LANDSCAPE
  WILLIAM REGINALD WATKINS. LANDSCAPE WITH POND, OIL (American, 1890-1985). Oil on canvas, signed and dated "W.R. Watkins, 1921" lr, sight size: 18 x 22 in., framed size: 24 x 28 x 3 inches.
• ATTRIBUTED TO REGINALD MARSH.
  ATTRIBUTED TO REGINALD MARSH. NUDE STUDY, CONTE CRAYON (American, 1898-1954). Red conte crayon on paper, attribution on verso with facsimile copy of a personal letter to Frank Redelius from the artist, sight size: 12 x 8 in., framed size: 17 3/4 x 13 3/4 x 1/2 inches.
• REGINALD NEAL (AMERICAN, 1909-1992)
  REGINALD NEAL (AMERICAN, 1909-1992) "SQUARE OF TWO" Color lithograph. Signed 'Reginald H. Neal' (lower right) and 'Square of Two 3/100' (lower left).
• STAFFORDSHIRE SALT-GLAZED STONEWARE
  STAFFORDSHIRE SALT-GLAZED STONEWARE POLYCHROME-ENAMELED TEAPOT AND COVER, CIRCA 1760 HEIGHT: 4 IN. (10.2 CM.), LENGTH FROM SPOUT TO HANDLE: 6 1/2 IN. (16.5 CM.)STAFFORDSHIRE SALT-GLAZED STONEWARE POLYCHROME-ENAMELED TEAPOT AND COVER, CIRCA 1760, globular with crabstock handle and spout, enameled in the famille rose palette with a rose flower spray above a blue rock, the shoulder and cover with crosshatched diaper design Dimensions: Height: 4 in. (10.2 cm.), Length from spout to handle: 6 1/2 in. (16.5 cm.) Provenance: Reginald French Collection With Hollis Broderick Antiques, May 2000, ($400) From the Collection of Diana Edwards Murnaghan, No. 329
• REGINALD POLLACK (AMERICAN
  REGINALD POLLACK (AMERICAN 1924-2001), BIRCHES, OIL ON BOARD, SIGNED L.R. AND DATED 1983, 23 X 31 IN. (58.4 X 78.7 CM.)Reginald Pollack (American 1924-2001), Birches, Oil on Board, Signed l.r. and Dated 1983,, Dimensions: 23 x 31 in. (58.4 x 78.7 cm.)
• REGINALD BOTTOMLEY (BRITISH,
  REGINALD BOTTOMLEY (BRITISH, 1856-1933). Oil on canvas. Portrait of a Woman. Signed lower left. From a White Plains, NY collection. Dimensions: 30" high x 25" wide Condition: Good. A small repair in hair and lower right.
• Reginald Marsh (American,
  Reginald Marsh (American, 1898-1954) etching "People's Follies", etching on paper, blindstamp "WM" for Whitney Museum, edition 35/100, Associated American Artists card on reverse, -1/4" x 11-3/4" plate, 14" x 17" sheet, framed 16-1/4" x 20-1/4", corner mounts, not laid down, very good condition
• ROY LICHTENSTEIN (1923-1997):
  ROY LICHTENSTEIN (1923-1997): THINKING NUDE (FROM NUDES)Roy Lichtenstein, American, (1923-1997) Thinking Nude (from Nudes) AFTER CONSERVATION, color lithograph signed in blue ink color lithograph Dimensions: Image: 5 1/2 x 8 1/2 in.; Sheet: 8 1/2 x 11 in. Provenance: Roy Fox Lichtenstein (October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! and Drowning Girl are generally regarded as Lichtenstein's most famous works. Drowning Girl, Whaam!, and Look Mickey are regarded as his most influential works.[8] His most expensive piece is Masterpiece, which was sold for $165 million in January 2017. Early years: Lichtenstein was Jewish, although he "played down his roots" and "didn't speak often of being Jewish".[10] His family was upper middle class.[1][11][12] His father, Milton, was a real estate broker, his mother, Beatrice (Werner), a homemaker.[13] He was raised on the Upper West Side and attended public school until the age of twelve. He then attended New York's Dwight School, graduating from there in 1940. Lichtenstein first became interested in art and design as a hobby, through school.[14] He was an avid jazz fan, often attending concerts at the Apollo Theater in Harlem.[14] He frequently drew portraits of the musicians playing their instruments.[14] In his last year of high school, 1939, Lichtenstein enrolled in summer classes at the Art Students League of New York, where he worked under the tutelage of Reginald Marsh.[15] Career: Lichtenstein then left New York to study at Ohio State University, which offered studio courses and a degree in fine arts.[1] His studies were interrupted by a three-year stint in the Army during and after World War II between 1943 and 1946.[1] After being in training programs for languages, engineering, and pilot training, all of which were cancelled, he served as an orderly, draftsman, and artist.[1] Lichtenstein returned home to visit his dying father and was discharged from the Army with eligibility for the G.I. Bill.[14] He returned to studies in Ohio under the supervision of one of his teachers, Hoyt L. Sherman, who is widely regarded to have had a significant impact on his future work (Lichtenstein would later name a new studio he funded at OSU as the Hoyt L. Sherman Studio Art Center).[16] Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. In 1949 Lichtenstein received a Master of Fine Arts degree from Ohio State University. In 1951, Lichtenstein had his first solo exhibition at the Carlebach Gallery in New York.[1][17] He moved to Cleveland in the same year, where he remained for six years, although he frequently traveled back to New York. During this time he undertook jobs as varied as a draftsman to a window decorator in between periods of painting.[1] His work at this time fluctuated between Cubism and Expressionism.[14] In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born. His second son, Mitchell Lichtenstein, was born in 1956.[18] In 1957, he moved back to upstate New York and began teaching again.[4] It was at this time that he adopted the Abstract Expressionism style, being a late convert to this style of painting.[19] Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into his abstract works. Condition: Please see photos for attached conservation report
• REGINALD MARSH, WATERCOLOR ON
  REGINALD MARSH, WATERCOLOR ON PAPER, 1944 Reginald Marsh (American,1898-1954) "Girl Walking by a Millinery Shop", signed and dated lower right, gallery label verso, framed under glass, 19.5"h x 13.5"w (sight), 25"h x 19.5"w (frame)
• REGINALD MARSH, HAND-TINTED
  REGINALD MARSH, HAND-TINTED ETCHING, 1930 Reginald Marsh (American, ,1898-1954), "Gaiety Burlesque" (Sasowski 102), pencil signed lower right, likely from an edition of 39, etching in applied colors on laid paper, matted and framed under glass, 11.75"h x 9.75"(sight), 17.5"h x 15.5"w (frame)
• William Reginald Watkins (American,
  William Reginald Watkins (American, 1890-1985) MD artist, landscape painting "Twin Oaks on the River Avon", oil on canvas, estate label on reverse, signed "W. R. Watkins 1923", 25" x 30", framed 31" 36", very good condition
• ALESSANDRO OSSANI (BRITISH, D.
  ALESSANDRO OSSANI (BRITISH, D. 1888) Double portrait of Caroline Essex Benson (nee Cholmondeley) and George Reginald Benson signed and dated 'Alesso Ossani 1890' (lower right) pastel 61 x 44cm
• A 1914/15 TRIO TO 26690 SJT R A
  A 1914/15 TRIO TO 26690 SJT R A BUMSTEAD RFA 1914/15 Star correctly impressed 26690 SJT R A Bumstead RFA Pair correctly impressed 26690 SJT R A Bumstead RA Condition VF Reginald Allison Bumstead was born in Maindee, Monmouthshire, in 1889. he attested on the 7th of September 1914 in Durham, joining the Royal Field Artillery. He landed in France on the 20th of July 1915. Bumstead survived the war and was transferred to the reserves in May 1919.
• REGINALD MARSH ETCHING THE
  REGINALD MARSH ETCHING THE BARKERReginald Marsh (France / American, New York, 1898-1954). Etching The Barker. Numbered in pencil 92/100 lower left margin, Whitney Museum edition, with WM blind stamp lower right margin. 5115 written in pencil on the mat. Plate 9 3/4" x 7 3/4" (with frame 22 1/2" x 18 1/2"). Discoloration and staining to mat.
• Watercolor of an abstract bird,
  Watercolor of an abstract bird, signed Weston (Reginald Weston, British) with Far Gallery, New York, label on reverse. Image 8”H x 12.75”W Frame 14”H x 19”W Condition: not examined out of frame, appears in good condition CT Transfer Fee $10
• Royal Worcester Pink Roses
  Royal Worcester Pink Roses Two-Handled Vase, Reginald Austin, 1912 height 13.1 in — 33.3 cm
• REGINALD G. BRUNDRIT (1883-1960)
  REGINALD G. BRUNDRIT (1883-1960) BRITISHReginald Grange Brundrit, a pair of Yorkshire landscapes: "The Beach, Sandsend & The North Landing, Flamborough", both are oil on canvas board. Each 10 x 13 ½ inches. Signed front, and signed & titled verso. Condition noted, crackling, loss and touch ups. Would benefit from a cleaning. Provenance: Ottawa Collection.
• REGINALD MARSH (AMERICAN,
  REGINALD MARSH (AMERICAN, 1898-1954) 14" x 18" "Flying Figures". Oil on canvas, partial signature lower right, framed in a Spanish style gilt frame with velvet matting, overall 21 ½" x 25 ¾". Provenance: From a private Virginia collection; Estate of William Benton, Barridoff Galleries, Portland ME Auction 1982; Estate of Mary Lou B. Wein M.D., Bethesda, MD. Women on swings at Coney Island is a popular Marsh theme.
• REGINALD LESLIE GROOMS (AMERICAN,
  REGINALD LESLIE GROOMS (AMERICAN, 1900-1989) 25½" x 27" sight "The Illimitability of Being". Oil on canvas on masonite, signed upper left, Cincinnati Art Club label to verso, in frame behind glass, 39½" x 32" overall.
• PRINT, REGINALD MARSH Reginald
  PRINT, REGINALD MARSH Reginald Marsh (American, 1898-1954), "Loco-Erie Watering," 1929, etching, pencil signed lower right, final state, edition of approximately 50, image: 7"h x 10"w, overall (with mat): 16"h x 20"w. Provenance: Purchased from David Tunick, Inc, New York, NY,
• PRINT, REGINALD MARSH Reginald
  PRINT, REGINALD MARSH Reginald Marsh (American, 1898-1954), "Erie R.R. and Factories," 1930, etching, pencil signed lower right, dated lower left, final state, signed and dated in plate lower right, image: 8"h x 11.75"w, overall (with mat): 16"h x 20"w
• PAINTING, REGINALD MURRAY POLLACK
  PAINTING, REGINALD MURRAY POLLACK Reginald Murray Pollack (American, 1924-2001), "Place of Uncertainity," 1982, oil on panel, signed and dated lower left, signed, dated, and titled verso, panel (unframed): 12"h x 12"w
• PRINT, REGINALD MARSH Reginald
  PRINT, REGINALD MARSH Reginald Marsh (American, 1898-1954), Coney Island, 1934, etching, signed and dated in plate lower right, Whitney Museum blind stamp lower right mat, edition 45/100, sight: 10.5"h x 10.5"w, overall (with frame): 15.5"h x 19.5"w. Provenance: Collection of Ann and Norman Bikales (Pebble Beach, California)
• Richard Marquis. Reginald Tower #4.
  Richard Marquis. Reginald Tower #4. 1999, blown and fabricated lead crystal. 14 h × 10½ dia in. result: $4,032. estimate: $4,000–6,000. Etched signature and date to base ‘© 1999 Marquis’. Provenance: Elliott Brown Gallery, Seattle | Collection of Pamela Lee Biallas
• REGINALD MITCHELL (20TH C.) "NEW
  REGINALD MITCHELL (20TH C.) "NEW ORLEANS FRENCH QUARTER...Reginald Mitchell (American, 20th c.) "New Orleans French Quarter", 1990's, Acrylic painting on board, signed. Unframed. Size: 14'' x 16'', 36 x 41 cm (board).
• BENJAMIN KOPMAN, REGINALD MARSH:
  BENJAMIN KOPMAN, REGINALD MARSH: THREE WORKSTwo lithographs by Benjamin Kopman: 1) "In the Art Gallery" ed. 12/20, 1945. 2) "The Old Scholar" ed. 12/20, 1945. [Art: 13 x 9 1/2 inches; Frame: 21 1/2 x 17 inches (x2)]. Reginald Marsh print of a woman. [Art: 14 1/2 x 9 inches; Frame: 21 1/4 x 17 1/4 inches].
• ROBERT VICKREY TEMPERA ON BOARD
  ROBERT VICKREY TEMPERA ON BOARD PAINTING OF A NUN, RAIN...Robert Remsen Vickrey (American, 1926-2011), "Rainy Crossing," egg tempura on board, imaginative realist painting depicting a nun wading or traversing across a reflective green surface toward a white horizontal line, her back to the viewer. Signed "Robert Vickrey" lower right. Titled en verso on label from Harmon Meek Gallery, Naples, FL. Housed in a simple giltwood frame with a linen mat and gilt filet. Sight: 11" H x 15" W. Framed: 18" H x 22" W. Biography: Robert Vickrey once described his artistic objective as "the perfect fusion of a beautiful abstract shape and a spiritual anachronism." He was known for his expressive realist paintings -often featuring nuns and clowns - produced in one of the most difficult mediums in art: egg tempera. He was first introduced to the medium during his studies at Yale University under Lewis E. York. He also studied briefly at the Art Students League in New York under Reginald Marsh and Kenneth Hayes Miller. As well as having a successful career as a painter, Vickrey was an avante-garde filmmaker, winning awards at the New York Golden Reel Festival, and illustrated over seventy-five cover portraits for Time magazine beginning in 1957. Condition: Overall very good condition with two slight abrasions to upper edge.
• REGINALD NICKERSON O/C PAINTING
  REGINALD NICKERSON O/C PAINTING OF WHALING SHIP, THE BA...Reginald Eugene Nickerson (American/Massachusetts, 1915-1999) oil on canvas maritime painting depicting the ship "Whaling Bark Wanderer" at sea with full sails, flying an American flag and "W" flag, The ship is surrounded by whales and figures hunting the whales from fishing boats rowing in the foreground, with additional ships and a mountain landscape visible in the background under a cloudy blue sky. Signed "R.E. Nickerson" lower right. Inscribed BARK 'WANDERER' ARRIVING AT SOUTH SEAS WHALE FISHERIES-1879- to stretcher. Housed in a simple white painted wood frame. Sight: 21 1/2" H x 35 1/2" W. Framed: 24 1/2" H x 38 3/4" W. Note: The Bark Wanderer was first launched in 1878, setting sail from New Bedford, MA commanded by Capt. Andrew Heyer. It was one of the last whaling ships produced in Mattapoisett, MA as the whaling industry was approaching its demise, due to the replacement of whale oil by petroleum. By 1882, her registry had changed to San Francisco and her whaling grounds became the North Pacific and Arctic Oceans. She finally returned to New Bedford in 1904 where, during the next 20 years, the Wanderer made eleven whaling voyages out of New Bedford. In 1924, the ship set out on its last voyage and was driven into the island of Cuttyhunk by gale-force winds from a tropical storm. (Adapted from the Mattapoisett Museum, Mattapoisett, MA. : https://www.mattapoisettmuseum.org/post/the-bark-wanderer). Condition: Painting in overall very good condition with no visible losses or retouching. Frame with wear and losses throughout.
• CHARLES BURDICK KNIGHT ON HORSE INK
  CHARLES BURDICK KNIGHT ON HORSE INK & WATERCOLORCharles Burdick (American, 1924- ) ink and watercolor depicting a semi abstract knight on a rearing horse, signed "Burdick" to the lower left hand corner. Framed and matted under glass. Wooden frame measures 28" in height by 18" in width with the sight image measuring 21-1/4" in height by 12-1/4" in width. All measurements are approximate. Charles Burdick (American, 1924- ) was born and raised in Providence, Rhode Island. After returning from the Pacific during WWII, he attended the Rhode Island School of Design and the Art Students League of New York, where he studied with Reginald Marsh, Edwin Dickinson and Will Barnett. Throughout his long award winning career he has exhibited in many festivals, galleries and museums, including the Boston Museum of Fine Arts, the Smithsonian Institute, the Society of American Artists and the Provincetown Art Association. The latest of his many solo shows was at the Cahoon Museum of American Art in October of 2007 and at the Wellfleet Library in 2012. In 2009 he won Best In Show in Tarpon Springs, Florida.
• REGGIE NICKERSON WHALING
  REGGIE NICKERSON WHALING PAINTINGPrimitive American oil on canvas of a South Seas whaling scene SPERM WHALING, GOVERNOR STRONG signed Asa Chase (Reginald Nickerson). 15 x 23 inches, framed 18 x 26.
• REGINALD NICKERSON WHALING SCENE
  REGINALD NICKERSON WHALING SCENE PAINTINGLarge oil painting on wood panel of a South Seas whaling scene with active volcano and the whale ship SEA RANGER. Sailors are in a longboat about to harpoon a whale. Unsigned, back has estate information about the artist. 18.5 x 37 inches, framed 22 x 40.5 inches (some craquelure to paint).
• REGINALD NICKERSON YACHT
  REGINALD NICKERSON YACHT PAINTINGLarge oil oil on canvas, portrait of the yacht REPUBLIC (10 men aboard) with other sailboats and lighthouse. Signed RE Nickerson in lower right. 26 x 38 inches, framed 30 x 42.
• REGINALD NICKERSON NANTUCKET SHIP
  REGINALD NICKERSON NANTUCKET SHIP PORTRAITLarge oil painting on canvas of ship portrait of the NANTUCKET near lighthouse signed RE Nickerson. 21.5 x 35.5 in, framed 26 x 39.5. (Reginald Eugene Nickerson 1915-1999 was a MA ship and marine painter)
• ATTR. R.A. BORSTEL, THREE MAST SHIP
  ATTR. R.A. BORSTEL, THREE MAST SHIP "LISHORE" O/BReginald Arthur Borstel (Australia,1875-1922), unsigned. Frame size: 26 1/2" long, 20 1/2" wide. Frame rub to edges, line can be seen in perimeter where old frame likely started, new paper transfer toward center of theboat. Provenance: Estate of George E. Ratcliffe, Darien, CT. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• R.T. HOLMES, ABSTRACT O/C "THE
  R.T. HOLMES, ABSTRACT O/C "THE LIE IS THE REALITY"Reginald T, Holmes, (Canadian, 1934-2004), signed, titled, dated verso. Canvas size: 20" high, 20" wide. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.