A few examples of appraisal values for
REMONTOIR

• JEAN REMOND, OIL ON CANVAS, 1908
  JEAN REMOND, OIL ON CANVAS, 1908 Jean Remond (French, 1872-1913), Untitled Impressionist landscape, signed and dated lower left, 26.5"h x 24"w (sight), 35.25"h x 31.75"w (frame)
• PIERRE REYMOND (ATTRIB), LIMOGES
  PIERRE REYMOND (ATTRIB), LIMOGES ENAMEL PLATE Attributed to the Workshop of Pierre Reymond (1513-1584, French), grisaille enamels and gilding, the inner dish decorated with an allegorical scene of three peasants seated among a flock of sheep, a bull aloft in the heavens in the background, inscribed "Avril" and possible artist cipher, within a griffin and scroll border, the reverse decorated with a portrait medallion centered within concentric scroll borders, 8"dia
• BACCARAT, REMY MARTIN LOUIS XIII
  BACCARAT, REMY MARTIN LOUIS XIII COGNAC CRYSTAL DECANTER France, mid 20th century, air trap stopper with fleur-de-lis, pinch bottle further decorated with fleur-de-lis bosses and crempt edge, signed.
• RENé LALIQUE (FRENCH 1860-1945)
  RENé LALIQUE (FRENCH 1860-1945) UN RIEN SCENT BOTTLE, MARTIAL & ARMAND designed 1924clear, frosted and grey stainedintaglio R. LALIQUE, moulded MARTIAL & ARMAND, stopper with MA monogram19cm (7 1/2in) high
• DE MALEMEDY (EUROPEAN 19TH CENTURY)
  DE MALEMEDY (EUROPEAN 19TH CENTURY) MARIE FRANCOISE JOSEPHINE NICOLE RENOZ Oil on canvas: 18 x 13 in. Framed; verso label with inscription
• DE MALEMEDY (EUROPEAN 19TH CENTURY)
  DE MALEMEDY (EUROPEAN 19TH CENTURY) MARIE FRANCOISE JOSEPHINE NICOLE RENOZ Oil on canvas: 18 x 13 in. Framed; verso label with inscription
• ARMAND-DURAND. "REMBRANDT AU
  ARMAND-DURAND. "REMBRANDT AU BONNET," ETCHING (French, 1831-1904). Etching, hand pulled form the original copper plates by Armand-Durand after Rembrandt, overseen by Dominique Vincent et cie, publishers, reference number 20, embossed with Dominique Vincent et cie logo ll, plate size: 5 1/2 x 4 3/4 in., framed.
• Ramonet Chassagne Montrachet
  Ramonet Chassagne Montrachet Morgeot 1996 Cote d'Or Burgundy France 0.75L (8 bottles) Provenance: Atlanta Georgia private collection.
• Rene Gourdon (French b. 1855)
  Rene Gourdon (French b. 1855) Alpine travelers. Oil on chamfered wood panel signed lower right not dated offered in in ornate frame with gilt and bronze patina overall 17" x 22".
• FLEURIMOND CONSTANTINEAU
  FLEURIMOND CONSTANTINEAU (1905-1981) CANADIANMaisons, rue St-Paul, Montreal, 1962, oil on board, 12 x 15 3/4 inches, signed, verso signed and titled.
• EXCEPTIONAL LOUIS XVI REGULATOR
  EXCEPTIONAL LOUIS XVI REGULATOR WITH REMONTOIR D’éGALITé “ROYAL MODEL”, CIRCA 1785 Exceptional Louis XVI Regulator with Remontoir d’égalité “Royal Model”, circa 1785Clockmaker Robert Robin (1741-1799), the polychrome dial by Joseph Coteau(1740-1801), case attributed to Pierre-Philippe Thomire (1757-1843)Ormolou and glass case, hand-painted, jeweled and enameled porcelain dial with astrological zodiac cartouches, signed Coteau and Robin Hr.du Roy, pierced gilt brass hands, blued steel pointers for the mean time and calendar indications, sweeps second hand. Movement of month duration with calendar, equation of time, with remontoire, re-wound via Robin's pulley system, constant force, Graham dead-beat escapement, nine-rod compensated pendulum, striking on the solar hour and half hour on a single bell.Commentary: The inventory of the Château de Saint-Cloud made in January 1794 features two clocks in Marie-Antoinette’s pièce des nobles (room for receiving visiting nobility) that were not there during the previous inventory of 1789. One of them is probably the present example made by Robert Robin, clockmaker to the king, who signed the dial. However, the queen probably never saw this clock as she was not permitted to visit her castle after 1791. Around 1860, the clock was still, or again, at Saint-Cloud, in the bedroom of Empress Eugénie, who surrounded herself with objects that belonged, or were thought to have belonged, to Marie-Antoinette.Robert Robin (French, 1741-1799)was one of the finest clockmakers in France during the last quarter of the eighteenth century. He received a number of royal appointments during the reign of Louis XVI and managed to retain his standing during and after the French Revolution. He maintained the highest standards in design and construction, engaging the best cabinetmakers for his cases and the finest enamel painters for his dials. He served as the Horloger du duc Chatrtres (1778), Valet de Chambres-Horloger Ordinaire du Roi (1783), Horloger de Monsieur (1785), Valet de Chambres-Horloger Ordianire de la Reine (October 1, 1786), Horloger de la Répulique (1794), Horloger du Directoire (1796). His signature reads: “Robin Hr.du Roy.” This elegant design, which he introduced around 1780, was his most successful model.Joseph Coteau (1740-1801)regarded as the greatest enameler of all time, supplying dials for the most eminent horologists, including Antide Janvier (1751-1835), Robert Robin (1742-1809) and Ferdinand Berthoud (1727-1807). In 1780, Coteau was appointed ‘Peintre-émailleur du roi et de la Manufacture Royale de Sèvres, and by 1784 his production was considerable, receiving 4520 livres from the Manufacture de Sèvres for executed commissions.Examples of his work can be found in a number of European museums, including Mobilier National, Musee des Arts Decoratifs, Paris; Carnavelet Museum, Dijon Museum, and in London at the Wallace Collection and Victoria and Albert Museum.Watch Video
• Rene Rambert French, 19th/20th
  Rene Rambert French, 19th/20th Century Paris on a Snowy Evening Estimate:$500-$700
• J.REMOND-BEAUFILS CO FASHION
  J.REMOND-BEAUFILS CO FASHION CATALOGA hardbound 1914 fall copy of French fashions with over 40 black and white pages by the whose who of French design in the period. Callot, Drecoll, Paquin, Le Long plus others
• JEAN MONNERET (FRENCH, B. 1922),
  JEAN MONNERET (FRENCH, B. 1922), ETANG EN SOLOONE, OIL ON CANVAS, 1967, SIGNED LOWER LEFT "MONNERET", LANDSCAPE WITH VILLAGE IN DIST...Jean Monneret (French, b. 1922), Etang en Soloone, oil on canvas, 1967, signed lower left "Monneret", landscape with village in distance beyond shallow water, small boats and figure, accompanying photograph inscribed verso with a statement believed to be by the artist, in which Monneret states that this is his work and that he did minor restorations in 1977, wear consistent with age and use, ss: 23 1/4" x 28 1/2". [VERBAL PROVENANCE: Purchased from Van de Straaten Gallery, New York City.]
• MusignyDomaine Georges Roumier19801
  MusignyDomaine Georges Roumier19801 bottle4.5cmAcquired from the climate-controlled storage of a lifelong important collector.
• PAINTING, REMY BLANCHARD Remy
  PAINTING, REMY BLANCHARD Remy Blanchard (French, 1958-1993), Untitled, 1989, acrylic on paper, signed and dated lower left, sight: 27"h x 41"w, overall (with frame): 38.25"h x 50.5"w
• WORK ON PAPER, RENE COUTURIER
  WORK ON PAPER, RENE COUTURIER Rene Couturier (French, b. 1953), Nude, gouache on paper, signed lower left, overall (with frame): 27"h x 23"w
• FRENCH TRUMEAU MIRROR FRENCH
  FRENCH TRUMEAU MIRROR FRENCH TRUMEAU MIRROR HAVING GILT FRAME WITH AN OIL ON CANVAS LANDSCAPE PAINTING HAVING HOUSE BY AND MAN IN BOAT NEAR STONE BRIDGE, LATE 19TH C.; CONDITION: CANVAS NEEDS RE-STRETCHING, TOP LEFT CORNER WITH SAMLL PINHOLE
• REMY E. LANDEAU FRENCH
  REMY E. LANDEAU FRENCH IMPRESSIONIST O/C PAINTING France,1859-1931Impressionist work of a bridge crossing a river with classical architecture in the background.
• RENé MAGRITTE (BELGIAN,
  RENé MAGRITTE (BELGIAN, 1898-1967) LA SOURIRE DU DIABLE, PLATE II FROM AUBE à L'ANTIPODE 1966. Etching. Signed 'Magritte' in pencil (lower right). Edition E. A. I/V. Reference: Kaplan/Baum 7.
• Louis Remy Mignot painting (South
  Louis Remy Mignot painting (South Carolina/New York/Britain, 1831-1870), "Solitude or Sunset", panoramic landscape with lone pine trees and a marsh, crescent moon partially visible behind clouds, oil on canvas, unsigned, 30 x 41-7/8 in.; original 19th century Barbizon gilt wood and composition frame. Restretched on new stretcher, lined, craquelure, scattered light retouch at points in sky and land and at edges affecting less than 10 percent of surface; frame with abrasions, surface restorations.
• REMY MARTIN LOUIS XVIII GRAND
  REMY MARTIN LOUIS XVIII GRAND CHAMPAGNE COGNACA carafe, 750 mil., numbered Z 1833, in a blown glass bottle, original fitted gilt printed faux red leather case. (Cond: new, unopened)
• ARMAND COTé (CANADA, B. 1951),
  ARMAND COTé (CANADA, B. 1951), CéLESTIN LE RéVEUR "Celestin the dreamer," oil on canvas, signed "A Coté" lower right, presented in two-toned wooden frame, signed and titled in pencil on the verso (Sight Size 25 x 18 in.; Frame Dimensions 32 x 35-3/4 in.).
• A MONOCHROME WATERCOLOUR, AFTER R.P
  A MONOCHROME WATERCOLOUR, AFTER R.P BONNINGTON. 'Jeune fille malade' DEPICTING A SICK YOUNG WOMAN LAYING IN BED WITH A NUN TO THE FOOT OF THE BED. 42 X 37CM (INCL FRME)
• LEMIRE, Madeleine, (Canadian, b.
  LEMIRE, Madeleine, (Canadian, b. 1940): ''Impression Safran'', Oil/Canvas, 36'' x 30'', signed lower right, titled verso, framed, 37.5'' x 31.5''.
• BACCARAT, REMY MARTIN LOUIS XIII
  BACCARAT, REMY MARTIN LOUIS XIII COGNAC CASED CRYSTAL DECANTER France, mid 20th century, fleur-de-lis stopper, pinch bottle further decorated with fleur-de-lis bosses and crimped edge, signed. Includes fitted red and gilt presentation box.
• PIERRE-AUGUSTE RENOIR (french
  PIERRE-AUGUSTE RENOIR (french 1841-1919) "BAIGNEUSE DEBOUT, À MI-JAMBES" 1910. Etching. 6 1/2 x 4 3/8 in. [Delteil, Stella 23].
• JEAN-LOUIS VERGNE. "ENVIRONS DE
  JEAN-LOUIS VERGNE. "ENVIRONS DE MORET-SUR-LOING," OIL Oil on canvas signed lr, signed and titled on verso, 19 1/2 x 25 3/4 in., framed.
• MANNER OF GERMAIN THEODORE RIBOT
  MANNER OF GERMAIN THEODORE RIBOT (french 1845-1893) GROUP OF WOMEN Oil on board 12 x 9 3/4 in. - minor touchup along top edge - restoration to bottom right corner - overall good condition
• [LECOULTRE] LES CHANTS DE MALDOROR,
  [LECOULTRE] LES CHANTS DE MALDOROR, SIGNED Le Comte de Lautreamont. Editions des Gaules, 1967, #192/210 copies with 14 aquatints by Jean LeCoultre, signed on the colophon by the artist and the editor, loose signatures and plates in paper cover, hardcover chemise and slipcase, 16"h x 12.25"w
• CEMOIN SOUFFRANT (HAITIAN, B.
  CEMOIN SOUFFRANT (HAITIAN, B. 1949), CITY VIEW WITH WIN...Cemoin Souffrant (Haitian, b. 1949), City View with Winding Road Through Hills, signed lower right, oil on canvas, sight size 15 1/2" x 11 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• AFTER PIERRE-AUGUST RENOIR
  AFTER PIERRE-AUGUST RENOIR (FRENCH 1841-1919), 'BAIGNEUSE DEBOUT A MI-JAMBES', RESTRIKE ETCHING, 19 X 15 INCHESAfter Pierre-August Renoir (French 1841-1919), 'Baigneuse Debout a Mi-Jambes', Restrike Etching, 19 x 15 inches
• PIERRE-YVES TREMOIS (FRENCH
  PIERRE-YVES TREMOIS (FRENCH 1921-2020), ENCORE UN INSTANT DE BONHEUR, LITHOGRAPH, EDITIONS LIDIS, IMPRIMERIE NATIONALE, PARIS, 1963, FRAME: 15 3/4 X 12 3/4 IN. (40 X 32.4 CM.)Pierre-Yves Tremois (French 1921-2020), Encore un Instant de Bonheur, Lithograph, Editions Lidis, Imprimerie Nationale, Paris, 1963,, Dimensions: Frame: 15 3/4 x 12 3/4 in. (40 x 32.4 cm.)
• JEAN REMY (FRENCH, B. 1893 )
  JEAN REMY (FRENCH, B. 1893 ) "VIEW OF PARIS"Jean Remy (French, b. 1893) "View of Paris", oil on canvas, signed. Framed. Size: 20'' x 24'', 51 x 61 cm (stretcher); 26'' x 30'', 66 x 76 cm (frame).
• BERTHE MORISOT (french 1841-1895)
  BERTHE MORISOT (french 1841-1895) "JEUNE FILLE AU REPOSE" Etching. 3 1/4 x 4 3/4 in. provenance: Private Collection, Pennsylvania. -With ''GELDER ZONEN'' watermark; sheet; 7 3/4 x 9 7/8 in. -Margins on all sides; light browning in outer edges of front of sheet -With tissue paper sheet attached to outer top edge, as issued -With pale light staining and mat burn around image. -Frame measurements: approximately 10 3/4 x 12 3/4 in.
• FRENCH TRUMEAU MIRROR WITH COURTING
  FRENCH TRUMEAU MIRROR WITH COURTING SCENE , EARLY 19TH C. FRENCH TRUMEAU MIRROR HAVING OIL ON CANVAS PAINTING OF WELL COSTUMED COURTING FIGURES IN A LANDSCAPE, EARLY 19TH C; 59"H X 30"W