A few examples of appraisal values for
RESURRECTION

• Russian Icon (19th century) THE
  Russian Icon (19th century) THE RESURRECTION OF CHRIST oil on panel unframed H12 1/8'' W10'' Provenance: Collection of Douglas R. Hunter Columbia South Carolina. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• RUSSIAN ICON DEPICTING THE
  RUSSIAN ICON DEPICTING THE RESURRECTION, c. 1900, painted in the Western style, with Christ outside the tomb and gilded border, 10 1/2 x 8 5/8 in.
• RUSSIAN ICON, RESURRECTION OF
  RUSSIAN ICON, RESURRECTION OF CHRIST Icon with intricately detailed oklad cover with center reserve depicting the risen Christ with his disciples at his feet, surrounded by vignette scenes, 19th century; 11.5"H 9"W
• Russian icon of the Resurrection
  Russian icon of the Resurrection and Twelve Festivals circa 1900 The central panel depicting Christ rising from the tomb attended by angels, surrounded by twelve smaller panels depicting festival events, in a gilt and enamel decorated border. H: 14, W: 12 in. PROVENANCE: Private Bucks County collection
• Provincial Russian icon of the
  Provincial Russian icon of the Resurrection and Feast Days, 19th Century, 12" x 10-1/2"
• John Ramsey Connor (American
  John Ramsey Connor (American 1869-1952) oil on canvas titled The Resurrection signed lower right 25" x 30". ?
• Circle of Jan Frans van Bloemen
  Circle of Jan Frans van Bloemen ''Resurrectionof Jesus'' oil painting on canvas laid on board. Board: 14.5''H x 21.5''W; Frame: 21''H x 28''W. Unsigned. Circa - 18th C.
• Hendrik Goltzius (Dutch
  Hendrik Goltzius (Dutch 1558-1617) The Resurrection and The Flagellation (from The Passion) engravings; later impressions 7 3/4 x 5 inches.
• RUSSIAN ICON, EARLY 19TH C. "The
  RUSSIAN ICON, EARLY 19TH C. "The Complete Resurrection and the Descent into Hell", egg tempera with gold halos on wood panel, 17 3/4" x 13 1/4". Repaired vertical split. In the upper scene Christ stands within a mandorla over the tomb from which he has been resurrected, alongside which lies three Roman soldiers. In the lower portion Christ stands within a mandorla at the broken gates to hell. He grasps Adam by the hand and, together with the prophets Kings David and Solomon and other forefathers, he pulls them from the jaws of Hell and leads them to the Gates of Paradise. He delivers them to Michael the Archangel who is above the standing Jesus, holding the Orthodox Cross as the Suffering Servant. At top left is a scene of the Entombment, the Resurrection, Holy women at the Sepulchre, while at the bottom left the Angels slay and chain Satan. Paradise is at top right.
• RUSSIAN ICON "RESURRECTION OF
  RUSSIAN ICON "RESURRECTION OF CHRIST AND THE 12 FEAST DAYS OF THE ORTHODOX CHURCH", LATE 19TH/ EARLY 20TH C., HAND-PAINTED PANELS WITH RELIGIOUS SCENES, POLYCHROME PAINT AND GILT ON WOODEN PANEL, CYRILLIC LETTERING, G...Russian icon "Resurrection of Christ and the 12 Feast Days of the Orthodox Church", late 19th/ early 20th C., hand-painted panels with religious scenes, polychrome paint and gilt on wooden panel, Cyrillic lettering, geometric border, wear consistent with age and use, loss of finish to edges, 14" h. x 11 3/4" w. x 1" d.
• Russian School late 19th/early 20th
  Russian School late 19th/early 20th century The Resurrection oil on panel 14 1/4 x 11 in. Estimate $ 200-300 Scratches inpainting holes drilled in corners losses worm holes. Paintings have not been examined by blacklight.
• LARGE RELIEF OF THE RESURRECTED
  LARGE RELIEF OF THE RESURRECTED CHRISTLARGE RELIEF OF THE RESURRECTED CHRIST, standing above a cloud, composed of various marbles - h:62w:24d:6in.
• RUSSIAN ICON, THE RAISING OF
  RUSSIAN ICON, THE RAISING OF LAZARUS An Orthodox icon, most likely Greek in a Russian style, depicting Christ opening the tomb of Lazurus, revealing him in his burial cloths, his sisters rejoicing at the Savior's feet, early 20th century; 16"H 11"W
• SPANISH SCHOOL: JESUS RESURRECTED
  SPANISH SCHOOL: JESUS RESURRECTED Pen and ink over black chalk on paper inscribed lower right. With label from H. Shickman Gallery New York. 11 1/2 x 7 1/2 in. (sight) 19 1/2 x 13 1/4 in. (frame).
• Russian Resurrection with Feasts,
  Russian Resurrection with Feasts, Good News Christmas icon; center icon with twelve surrounding icon scenes representing the life of Christ, 19th century. 21" x 17". The medal pictured with this lot is for scale only.
• 19th C. Russian School oil on
  19th C. Russian School oil on wooden panel Icon - Ressurection & Descent with Twelve Passion Feasts Maria Andipa Gallery label verso 12 x 10in. Estimate ?300-500 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?300
• ICON, GREEK, PROBABLY 18TH C. OR
  ICON, GREEK, PROBABLY 18TH C. OR EARLIER, "THE RESURRECTION OF CHRIST", TEMPERA ON PANEL, DEPICTS ANGELS AND SOLDIERS, SOME WEAR/LOS...Icon, Greek, probably 18th C. or earlier, "The Resurrection of Christ", tempera on panel, depicts angels and soldiers, some wear/loss, 15 1/4" h. x 10 3/4" w.
• RUSSIAN ICON OF THE RESURRECTION
  RUSSIAN ICON OF THE RESURRECTION AND DESCENT INTO HELL, SURROUNDED BY TWELVE FESTIVALS 19TH CENTURY oil on panel, mounted in a giltwood frame(1)30cm high,  27cm wide
• RUSSIAN COMPOSITE ICON CENTRAL
  RUSSIAN COMPOSITE ICON CENTRAL SCENE OF THE RESURRECTION SURROUNDED BY TWELVE ADDITIONAL SCENES, MOST DEPICTING THE LIFE OF CHRIST O...RUSSIAN COMPOSITE ICON Early 20th Century Central scene of the Resurrection surrounded by twelve additional scenes, most depicting the life of Christ or Mary. Captioned in Cyrillic. 10.5" x 8.75".
• Russian School late 19th/early 20th
  Russian School late 19th/early 20th century Icon depicting The Resurrection and The Decent into Limbo oil on panel 12 1/2 x 10 1/4 in. Estimate $ 200-400 Paint loss scratches. Paintings have not been examined by blacklight.
• ALBRECHT DURER (1471 - 1528): THE
  ALBRECHT DURER (1471 - 1528): THE RESURRECTIONwoodcut, framed under glass; Provenance: The Kelton Collection, The Estate of Richard Kelton, Los Angeles, CA; 15 1/2 x 11 inches; 24 x 19 1/2 inches frame Condition:
• AFTER ALBRECHT DURER (1471 - 1528):
  AFTER ALBRECHT DURER (1471 - 1528): THE RESURRECTIONwoodcut on wove paper, matted and framed under acrylic; Provenance: The Kelton Collection, The Estate of Richard Kelton, Los Angeles, CA; 15 1/2 x 10 1/4 inches sheet; 23 1/4 x 18 inches frame Condition:
• ENGLISH SCHOOL RESURRECTION bronze,
  ENGLISH SCHOOL RESURRECTION bronze, mid-brown patina, associated wooden base28cm high, 35cm high including base
• LARGE RUSSIAN CHURCH ICON 19th
  LARGE RUSSIAN CHURCH ICON 19th c., polychrome paint and gilding on wood panel, depicting the complete resurrection surrounded by the sixteen great feasts of the Orthodox Church, on gilt ground with mustard yellow and Cyrillic inscriptions, 21"h x 17.5"w
• ALBRECHT DüRER (GER. 1471-1528),
  ALBRECHT DüRER (GER. 1471-1528), DIE GRABLEGUNG (THE ENTOMBMENT) AND DIE AUFERSTEHUNG (THE RESURRECTION) (MEDER 153/154), TWO WOODCUTSAlbrecht Dürer (German 1471-1528), Die Grablegung (The Entombment), and Die Auferstehung (The Resurrection): From The Small Passion, (Meder 153 and 154) ,Each a woodcut, 1509-11, each with monogram; the first, with old German text on verso, the second with Latin text on verso; each trimmed to plate and with scattered spots of foxing. Framed as one.* Sheet size of each: 129 x 98 mm (5-1/8 x 3-7/8 in),, Dimensions: Sheet size of each: 129 x 98 mm (5-1/8 x 3-7/8 in)
• [GEORGES BRAQUE] RESURRECTION DE
  [GEORGES BRAQUE] RESURRECTION DE L'OISEAU, SIGNED Frank Elgar. Maeght, 1958, #102/225, signed on the colophon by Braque and Elgar, 4 full-page color lithographs incl. cover plus several in text, loose signatures in paper folder, with hardcover chemise and slipcase, 15.75"h x 12"w
• CONTINENTAL ALTARPIECE, THE
  CONTINENTAL ALTARPIECE, THE RESURRECTION OF CHRIST Likely 18th c. or older, gilt and polychrome painted wood panel, faint inscriptions, old U.S. Customs paper label on verso, 13"h x 10.5"w
• BILL MACK (AMERICAN/MINNESOTA, B.
  BILL MACK (AMERICAN/MINNESOTA, B. 1949)Bill Mack (American/Minnesota, b. 1949), "Resurrection", 2019, bonded bronze high relief, signed lower left, "Erin Taylor Editions, Minneapolis, MN" label with artist on backing paper, h. 46 3/4 in., w. 26 in., d. 7 in., framed.
• ITALIAN SCHOOL, MARY DISCOVERS
  ITALIAN SCHOOL, MARY DISCOVERS THE RISEN CHRIST A well executed Italian school oil on canvas painting depicting Mary Magdalene fallen to her knees when she realizes the man she thought was the gardener was in fact Jesus risen from his tomb, mounted in ornately carved giltwood frame, early 19th century; 19"H 16"W overall 13"H 10.5" canvas
• After Rembrandt Van Rijn (Dutch,
  After Rembrandt Van Rijn (Dutch, 1606-1669) \"The Raising of Lazarus\", Millenium Edition etching, engraving and drypoint, 14-1/2\" x 10\". Glazed, matted and presented in a giltwood shadowbox frame.
• FINE LARGE RUSSIAN ICON OF
  FINE LARGE RUSSIAN ICON OF RESURRECTIONFine large Russian icon of the resurrection and great feasts, centering scene of the resurrection within individual scenes of the twelve great feasts, tempera and gilt on panel. Wear and losses consistent with age, old restorations. 17 1/2" high, 15 1/2" wide. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition.
• CIRCA 1890-1900 'RESURRECTION'
  CIRCA 1890-1900 'RESURRECTION' EASTER EGG, IMPERIAL POR...ovoid, centered with a scene of the Resurrection, initialed A lower right , the obverse with the apparition of an angel to Mary Magdalene at the tomb, with original silk ribbon; height of egg: 7.5 cm (3 in.) PROVENANCE Collection of A. J. Marino, likely acquired from Hammer Galleries, New York, circa 1934 Thence by descent in the family to the present owner CONDITION In stable repaired condition (old diagonal repaired crack). Inspection under UV light shows old retouching, mainly confined to the borders. Silk ribbon fragile.
• RUSSIAN MONASTIC PAINTED ICON OF
  RUSSIAN MONASTIC PAINTED ICON OF THE RISEN CHRISTLate 19th Century. Depicting the risen Christ appearing before his disciples, Jesus extends his hand to Thomas or another, figures under a canopy in a terrace above. Measuring 14 by 12 in. (Cond: a half inch gouge to the area where Christ extends his hand, border repainted) Provenance: From a South Florida Private Collection.
• RELIGIOUS ICON, 18TH C. "The
  RELIGIOUS ICON, 18TH C. "The Cardinal Feast Days, May", egg tempera on wooden panel, 20 3/4" x 16 7/8". Losses, repaired and stabilized. Depicting the Complete Resurrection and Descent into Hell at center. The lower right hand corner depicts St. Peter rushing up from his boat to meet Jesus, who still needs to eat after his resurrection, they feast on fish at the shore. From the top left corner, clockwise: The Old Testament Trinity; Birth of the Virgin; The Presentation of the Virgin to the Temple; The Annunciation; The Presentation of Jesus at the Temple; The Transfiguration; Exaltation of the Holy Cross (Patriarch Makarios raises the Holy Cross in his two hands. Two Deacons flank him holding his robe. He is flanked by the Emperor Constantine the Great and Empress Helena; in the background is the basilica of the Resurrection built by Constantine in Jerusalem. The Dormition; The Ascension (not the usual depiction: the Virgin is included in this iconography as a symbol representing the Church); the principal place is given to the Mother of God, who is flanked by two angels with wings in white. Christ ascends in glory seated in an aureole, supported by two angels, a group of apostles, one kneeling and two standing to the right of the Virgin.
• RUSSIAN, POSSIBLY 17TH CENTURY,
  RUSSIAN, POSSIBLY 17TH CENTURY, ICON OF THE RESURRECTION AND DESCENT INTO HELL, EGG TEMPERA AND GESSO ON WOOD PANEL, 14 1/2 X 11 1/2 IN. (36.8 X 29.2 CM.)RUSSIAN, POSSIBLY 17TH CENTURY, ICON OF THE RESURRECTION AND DESCENT INTO HELL, Egg tempera and gesso on wood panel Egg tempera and gesso on wood panel Dimensions: 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm.)
• James Carter, b 1948, American, CT,
  James Carter, b 1948, American, CT, o/c, Resurrection #1, 24" x 30", framed, 1986 Estimate $200-400