A few examples of appraisal values for
RETURN

• FRENCH SCHOOL: RETURNING FROM THE
  FRENCH SCHOOL: RETURNING FROM THE CAMPAIGN Watercolor and mixed media on paper 9 1/2 x 7 3/4 in. unsigned.
• Hans Frank [THE RETURN HOME]
  Hans Frank [THE RETURN HOME] Color woodcut Estimate:$50-$75
• THREE MID-CENTURY GRAPHIC WORKS
  THREE MID-CENTURY GRAPHIC WORKS To include a woodblock print by Paul Shaub titled Return, pencil signed and titled; to also include a lithograph in colors by Marco Ricterich titled Holy Family, 1964, pencil signed, dated, and numbered 23/100; to also include an embossed etching and aquatint, pencil signed, dated 1970, titled, and numbered lower margin, unframed.
• Artist Unknown (19th century) The
  Artist Unknown (19th century) The Return oil on canvas signed illegibly (lower left) 18 x 12 inches.
• JVC JL-A20 AUTO-RETURN TURNTABLEJVC
  JVC JL-A20 AUTO-RETURN TURNTABLEJVC JL-A20 Auto-Return Turntable
• 1 piece. Color Lithographic Soviet
  1 piece. Color Lithographic Soviet Film Poster. "The Return" [translated from the Russian]. Moscow, 1940. 36 x 24 inches (914 x 610 mm), linen backed. Condition A-/A. Photo montage of the Avant Garde film produced by Lenfilm in Moscow. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• THE RETURNING SOLDIER BY C.L. KLING
  THE RETURNING SOLDIER BY C.L. KLING (EUROPEAN 20TH CENTURY). Oil on pressboard signed lower left. Naive image of soldier and sweetheart. Some restoration. 33 3/4''h. 46''w. in a frame 37 1/4''h. 49 1/4''w.
• REMBRANDT, RETURN OF THE PRODIGAL
  REMBRANDT, RETURN OF THE PRODIGAL SON, ETCHING, 1636Rembrandt Van Rin (Netherlands, 1606-1669) copperplate etching on ivory laid paper titled "The Return of the Prodigal Son" depicting the moment from the Biblical parable in which the son returns home from his travels, impoverished having wasted his inheritance, and kneels in front of his father who welcomes him with a forgiving embrace. Rendered with sharp, dark impressions and dramatic tenebrism. Signed "Rembrandt F 1636" in plate, lower center. New Hollstein's second state of three, from the Basan edition. Float mounted and housed in a giltwood frame under glass. Plate: 6 1/8" H x 5 1/4" W. Framed: 12 1/8" H x 11 3/8" W. Note: This work was purchased from the Galleria M. Arte in Padova, Italy in 2000. Copies of the certificate of authenticity and supplemental material are available to the winning bidder. Condition: Very slight toning to perimeter of paper.
• CURRIER & IVES PRINT, "RETURN
  CURRIER & IVES PRINT, "RETURN FROM THE PASTURE". Ca. 1865, hand colored lithograph on paper. Large folio with man and woman at the cottage, most likely C# 5128. Stains. Framed, 29.75"h. 36.75"w.
• Sir Alfred J. Munnings print "Their
  Sir Alfred J. Munnings print "Their Majesties Return from Ascot". 16"x27"
• G
  G
• JUAN GRIS (ATTRIB.), COLOR
  JUAN GRIS (ATTRIB.), COLOR DRAWING Attributed to Juan Gris (Spanish, 1887-1927), "Rentree a Paris", pen brush and ink with colored pencil on paper, signed lower left, possible illustration for "Le Charivari" c. 1911, matted and framed under plexiglass, 13"h x 20.5"h (sight), 21.25"h x 29"w (frame)
• TWO REVERSE PRINTS ON GLASS.
  TWO REVERSE PRINTS ON GLASS. England early 19th century mezzotint and engraving. Includes ''The Return to Camp'' (published in 1806) and ''Autumn'' both handcolored and in 19th-century frames 11''h. 9''w. and 11 1/4''h. 9 1/2''w. Both with good color marginal losses and losses to the frame.
• J.M. Picciole (French early 20th
  J.M. Picciole (French early 20th c.) "Retour au Foyer" bronze early 20th c. cast signature titled on base foundry mark numbered "197" height 10 in. width 5 in. depth 4 1/2 in. Provenance: Estate of Julia Badger Grand Rivers KY.
• THE RETURN OF CHANDU.The Return
  THE RETURN OF CHANDU.The Return of Chandu. Principal Distributing, 1934. Six sheet (81 x 81"). Color lithograph depicting Chandu the Magician (Bela Lugosi), in a clash of white against black magic, confronting members of the Ubasti cult who have held hostage his Egyptian princess girlfriend Nadji (Maria Alba) whom they intend to sacrifice. Unrestored, mounted in two three-sheet segments on old linen. Yellowing along folds and in margins from tape repairs; scattered minor over-coloring of small losses. Three Dutch censor stamps in the printed area, as seen on other copies. B.
• HENRI MATISSE (FRENCH. 1869-1954)
  HENRI MATISSE (FRENCH. 1869-1954) PRINTIthaca / The Return. Signed in the plate l/r. soft- ground etching, James Joyce, Ulysses, pub. 1935, probably, one of 1500 impressions, printed for the Limited Editions Book Club. 10.5 by 8 in., unframed.
• N
  N
• 1 piece. (Judaica.) Colored
  1 piece. (Judaica.) Colored Pictorial Broadside. "La Retournee du Juif-Errant." Metz, n.d. [ca. 1850]. Approx. 17 1/2 x 13 1/4 inches (445 x 336 mm). With 20 hand-colored wood-engraved gilt-enhanced vignettes. The Wandering Jew laments contemporary life.
• RETURNED 21/6/24 - French bronzed
  RETURNED 21/6/24 - French bronzed spelter illuminated sculpture of Napoleon planning battle - After Luighi Salesio - Veille de Wagram, 20th century, on wooden base, approx 32cm H x 29cm W x 16cm D
• ALEXANDER CALDER (1898-1976): LE
  ALEXANDER CALDER (1898-1976): LE POINT DE NON-RETOUR (THE POINT OF NO RETURN)Alexander Calder, 1898-1976 Le Point de Non-Retour (The Point of No Return), from La Memoire Elementaire (The Elementary Memory); lithograph in colors on Japon nacre 1969; pencil-signed and numbered XLV/L (there was also an edition of 100 in Arabic numerals); published by Editions de la Difference, Paris from La Memoire Elementaire (The Elementary Memory); lithograph in colors on Japon nacre Dimensions: Sheet: 20 1/4 x 28 in. (51.4 x 71.1 cm.), Frame: 38 3/4 x 39 in. (98.4 x 99.1 cm.) Condition:
• Expr
  Expr
• GRP: 8 CHAGOYA "RETURN TO GOYA'S
  GRP: 8 CHAGOYA "RETURN TO GOYA'S CAPRICHOS" SUITEEnrique Chagoya (Mexican/American, b. 1953). Group of eight intaglio prints from the suite "The Return to Goya's Caprichos," printed between March 22 to 27, 1999. Each pencil signed and dated along the lower right; numbered 28/40 along the lower left; each uniquely stamped in red with Museo de Canibalismo y Tecnologia Macrobiotica. Published by Segura Publishing Company in Tempe, Arizona. Including: "A caza de dientes," "se repulen," "El sueno de la razon produce monstruos," "Quien mas remdido," "Linda maestra," "Ni mas ni menos," "Que biene el Coco," and "De gre mal morira." Each, height: 14 1/2 in x width: 11 in. Condition: All artworks are in excellent condition. There are no rips, creases, or restorations. There is a slight undulation to each sheet. To "Ni mas ni menos" there is a minute spot of acidic burn along the lower margin just left of the signature. Some light wear to the deckled edges; possibly original to the artistic process. Some very light wear to the portfolio along the edge. The artworks are not framed.
• GROUP OF EIGHTEEN HALF-SHEET
  GROUP OF EIGHTEEN HALF-SHEET MOVIE POSTERS.Group of Eighteen Half-Sheet Movie Posters. Including Whiplash (1949); The Very Thought of You (1944; two styles); Return of Frank James (1940); Janie Gets Married (1946); Executive Suite (1954); Come Fill the Cup (1951); Backfire (1950); Born for Trouble (1942); Gentleman's Agreement (1947; large chip right edge); Mutiny in the Big House (1939); Guns Don't Argue (1957); Man from Headquarters (1942); This Was Paris (1942); A Woman's Secret (1949; lower left corner chipped); The Wrong Man (1957; edges dirtied); and The Big Frame (1953; two styles). Condition: generally good except as noted.
• 2 Chilmark Pewter Figurines ''The
  2 Chilmark Pewter Figurines ''The Farewell'' and ''The Return'' by Francis J. Barnum 3'' plus wooden bases.
• FRENCH SCHOOL: STUDY FOR A GROUP OF
  FRENCH SCHOOL: STUDY FOR A GROUP OF THREE GENTLEMEN Pen and gray ink and wash the verso with a study of a gentleman; 6 7/8 x 9 1/4 in.
• A PAIRING OF TWO IMAGES PURPORTED
  A PAIRING OF TWO IMAGES PURPORTED TO DEPICT THE SAME PERSON *RETURN* The first being a CDV of an earlier daguerreotype that depicts a uniformed junior officer, possibly English or Continental; the second image, a tintype, shows a more mature individual with similar features. This much later image carries a dealer's label suggesting the tintype is the same person who is shown in the CDV. Your call.
• EMIL FILLA (1882-1953): COME BACK
  EMIL FILLA (1882-1953): COME BACK HOME Watercolor and ink on paper signed lower right. 11 1/4 x 15 7/8 in. (sight) 18 3/4 x 23 in. (frame).
• "The Return from Calvary", early
  "The Return from Calvary", early religious print; from a painting done by Herbert Gustave Schmalz (British, 1856-1935). Printed in London, 1892. Provenance: From Oldenburg, IN church. 20 1/4" x 29 1/2". Good condition.
• FRENCH SCHOOL: "RETOUR DU CHATEAU
  FRENCH SCHOOL: "RETOUR DU CHATEAU D'ARQUES" Watercolor on paper 7 1/8 x 10 1/4 in. signed Fabritzius and dated '65 and with Shepard Gallery NYC exhibition label on verso. Provenance: Estate of Louis S. Auchincloss
• Lot of Estate Linens tablecloths
  Lot of Estate Linens tablecloths andnapkins most still as returned from dry cleaners
• Robert Taylor print ''Return of
  Robert Taylor print ''Return of the Belle'' signed in print LR ''Robert Taylor 91'' margin signed by the crew of the Memphis Belle framed ss: 21 1/2'' h. x 32'' w.
• EUGEN HESS (1824 - 1862): RETURN OF
  EUGEN HESS (1824 - 1862): RETURN OF THE HUNTERSoil on canvas, relined; no apparent signature; 27 X 34 1/2 inches; 34 X 41 inches frame Condition:
• Tap
  Tap
• Two Japanese scholar's objects:
  Two Japanese scholar's objects: blue and white porcelain, double-gourd ink stone, figures, buildings in a mountain landscape, two-character signature, 5-34 in., 2 in. hairline crack at base of smaller gourd, grinding area with cracks as made; table screen, rectangular with double Buddhist lion base, old man and boy under tree, verso with houses at lake, inscription and signature at left, base with partially faded red two-character mark, late 19thearly 20th century, 5 x 6 x 1-12 in., crazing, one lion with firing crack through brocade ball.
• W
  W
• Tenn
  Tenn