A few examples of appraisal values for
RO GO

• CHANEL VINTAGE RETRO PAIR OF GOLD
  CHANEL VINTAGE RETRO PAIR OF GOLD TONE METAL AND ENAMEL DOUBLE "C" EAR CLIPS, MARSHAL FIELDS BOX 1" Pair of vintage retro gold tone metal and enamel double "C" Chanel ear clips, unmarked; bought and offered in original Marshal Fields Box.
• Group of 9 Vintage Christmas Tree
  Group of 9 Vintage Christmas Tree Pins-Weiss, MYLU, More. The group includes 1 retro gold tone Weiss Christmas Tree Pin studded with multi colored iridescent rhinestones measuring about 2.5'' long, stamped Weiss. In good condition some light flaking to the gold tone finish on the back, needs a good cleaning. 1 retro textured gold tone MYLU Christmas tree outline pin with clear rhinestone star measuring 3.5'' long, in good condition. 1 retro gold tone HEDY red, green, and clear rhinestone studded Christmas tree brooch measuring 2.5'' long, in good condition with 1 clear rhinestone missing. 1 gold tone bow and rhinestone AVON Christmas tree pin measuring 2.5'' long, in good condition. 1 retro LJM textured goldtone and multicolored rhinestone pin measuring 2'' long, in good condition with 1 blue rhinestone missing. 1 unmarked retro, textured goldtone and multicolored rhinestone Christmas tree pin measuring just over 2'' long. 1 unmarked silvertone faceted crystal bead Christmas tree pin measuring 2'' long, in good condition. 1 unmarked goldtone and rhinestone Christmas tree pin measuring 1.5'' long, in good condition. 1 unmarked textured gold tone Christmas tree lapel pin measuring 1'', in good condition. Also includes 1 pair of vintage goldtone and rhinestone earrings measuring 1 1/4'' long by 1'' W, in good condition with a few missing rhinestones. If you have any doubt, please ask questions! We will provide extra pictures, or can schedule an in person or video conference preview at your convenience. In house Flat Rate Shipping of $15 is a domestic shipping estimate for first lot and includes insurance. We will gladly combine multiple lots for your convenience and economy. Each additional lot we can pack in the same box is $5 each. Please feel free to contact us with any questions.
• AMERICAN OIL ON CANVAS LANDSCAPE,
  AMERICAN OIL ON CANVAS LANDSCAPE, 19TH C.American oil on canvas landscape with cavalry horse, 19th c. , purportedly depicting the battle of Cerro Gordo, California, a pivotal battle in the Spanish American War, 24" x 30". Provenance: Fenimore Art Museum. NO in-house shipping for this lot. Condition: Period frame. Relined and modern stretcher. Otherwise good condition.
• OLIVIA CABALLERO GONZáLEZ (SPANISH,
  OLIVIA CABALLERO GONZáLEZ (SPANISH, B. 1980)Olivia Caballero González (Spanish, b. 1980), "Bodegones", 2021, oil on canvas, signed lower right, signed, titled and dated en verso, 15 3/4 in. x 15 3/4 in., unframed.
• EMANUEL UNGARO GOLD-TONE RESIN &
  EMANUEL UNGARO GOLD-TONE RESIN & CRYSTAL NECKLACE Emanuel Ungaro Runway designer gold-tone, poured resin, and crystal necklace, signed: "EU Paris" near clasp. 16" L.
• (LOT) ANTIQUE TO VINTAGE COSTUME
  (LOT) ANTIQUE TO VINTAGE COSTUME JEWELRY, CORO(lot) Collection of antique to vintage signed and unsigned costume jewelry, including brooches, earrings (clip-on), necklaces, and belt buckles, highlights include: (7) cross necklaces, (one) stamped Spain, (3 piece) Coro gold-tone bow set, with pin and clip-on earrings, (pair) Coro silver-tone metal lily clip-on earrings, (pair) clip-on earrings with dark red rhinestones, marked Austria, (1) beaded necklace, clasp marked West Germany, (pair) Napier clip-on earrings with faceted black bead, together with multiple pieces of mourning jewelry; 1.5lbs total (for shipping purposes only)
• JEWELRY. ASSORTED COSTUME JEWELRY
  JEWELRY. ASSORTED COSTUME JEWELRY GROUPING. Including a pair of Napier silver tone ear clips with faux clear and green gems; a pair of Cara silver tone ear clips with faux pearl slices; a pair of Monet gold tone and black enamel earrings; a pair of Lisner silver tone ear clips with faux pearls; a pair of Sarah Coventry silver tone ear clips with faux pearls; a pair of Goldette gold tone ear clips with faux coral flower's; a pair of Lisner silver tone ear clips; a pair of Trifari silver tone ear clips with faux diamonds; a pair of Cara gold tone bow form ear clips with; a pair of Sarah two- tone leaf form ear clips; a pair of Weiss silver tone floral ear clips with pink faux gems; a pair of Caro silver tone floral ear clips; a pair of Weiss gold tone ear clips with faux purple gems; a pair of Cara gold tone ear clips with faux colored gems; a pair of Sarah Coventry silver tone ear clips with faux gems; a pair of Listner gold tone floral ear clips; a pair of gold tone earrings with faux pearls; a pair of Caro gold tone ear clips; Weiss (3) piece suite comprised of ear clips and a brooch with central faux pearls and surround of faux gems; a silver tone figural horse brooch with faux gems; a Trifari silver tone modernist brooch; a Gales silver tone brooch with faux gems; a Emmons silver tone brooch with tassels; a figural gold tone and enamel brooch of a musketeer; a figural gold tone brooch with faux gems; a figural gold tone dog brooch with faux gems; a Mexican Coro silver floral brooch with a gold wash; a Goldette gold tone bracelet with faux coral accents; a Coro silver tone bracelet with faux gem accents; a Emmons gold tone bracelet with faux gem accents; a gold tone sweater clip with faux pearls; a Emmons gold tone adjustable ring; a Mexican sterling butterfly brooch; a gold tone and enamel necklace with plastic beads; a silver tone necklace with faux pearl slices; a gold tone modernist necklace; a silver tone necklace with faux pearls; a Weiss gold tone necklace with faux purple gems; a gold tone modernist necklace; a silver tone floral necklace; a gold tone modernist necklace; a gold tone bow form necklace; a Goldette gold tone lavaliere necklace; a Napier gold tone rope chain accented with faux pearls; a Monet two-tone rope chain necklace; and a Japanese individually knotted green bead necklace with a silver tone clasp. Accompanied by a damaged silver tone necklace, a damaged silver tone brooch with faux pearl; (2) damaged silver tone brooches with faux gems; a damaged gold tone brooch with faux pearls and gems, and a single gold tone ear clip. Total approx. weight of the silver and sterling brooches is 0.78 troy oz (gross). From a Westchester, NY estate. Dimensions: Japanese green bead necklace measures approx. 15" in length. Condition: Good with light surface scratches and minor dings/dents. Some items exhibit brassing, corrosion, and missing faux gem/pearl accents.
• Vintage costume jewelry grouping to
  Vintage costume jewelry grouping to include faux pearl and jade triple strand necklace, double strand pearl style necklace with emerald tone closure, lacking some rhinestones, white and turquoise tone bead necklace, some losses, (2) gold tone sterling bangles, (3) gold tone link bracelets, Coro gold tone necklace, cuff bracelet, Jade type pendant, Musi bow form shoe clips, faux coral clip earrings, (2) 60's costume bracelets gold tone scarab necklace and silver tone scarab bracelet.
• IMERO GOBBATO (AMERICAN/MAINE,
  IMERO GOBBATO (AMERICAN/MAINE, 1923-2010)Imero Gobbato (American/Maine, 1923-2010), "Sailboats", oil on panel, signed upper right, inscribed "#6" en verso, 24 in. x 36 in., framed, overall 31 3/4 in. x 43 3/4 in. x 2 in.
• IMERO GOBBATO, (ITALIAN,
  IMERO GOBBATO, (ITALIAN, 1923-2010), SAILBOATS, SUNRISE, MAINE, 1980, OIL ON CANVAS, 20 X 36 IN., FRAME: 20 1/2 X 36 1/2 IN.IMERO GOBBATO, (Italian, 1923-2010) Sailboats, Sunrise, Maine, 1980, oil on canvas signed and dated I. Gobbato 80 upper left 1980, oil on canvas Dimensions: 20 x 36 in., frame: 20 1/2 x 36 1/2 in. Provenance: Thomaston Place Auctions, Thomaston, Maine, November 14, 2015, Lot 797; Property of a New York Collector. Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• LADIES' RETRO GOLD DRESS WATCH 5
  LADIES' RETRO GOLD DRESS WATCH 5 ?" 14k yellow gold ladies' dress watch with Florentine and polished finish, adjustable clip-on clasp and safety chain, white dial with gold hour markers and hands; marked on the clasp and back; overall weight 18.4 gm.
• A COMPLETE HIGH END AUDIO SYSTEM
  A COMPLETE HIGH END AUDIO SYSTEM A Complete High End Audio System Consisting of A Forsell MK-II included is a backup laser reader which guarantees the go forward value of this piece should the original laser reader fail, Tranport/Digital Air Bearing Transport w/Separate Air Pump and Tubing that Floats CDs to minimize excess noise, A Balanced Audio Technology "BAT" VK-50se, Pre-Amplifier w/Remote, Thor Audio Tube DAC/TC-1000: Gain Stage Tubes are a Pair of the Mullard CV-4308, and the Buffer Stage Feature a Pair of the rare Amperex PQ 7316, White Label, Holland 1960s, Two Balanced Audio VK-60 "Monoblocks", 120 WPC. Monoblocks were modified with audio note Kondo Japan Internal Wiring in Lieu of the original and modest Belden Wire, Original Coupling Capacitors were swapped out for the Audio Note, 22mF, 630V, Paper-in-Oil, Silver Leads and Copper Foil, Silent Running Audio ('SRA') Amplifier Custom 'Isolation' Stands Specially Designed for the VK-60s w/Spiked Feet, Inter-Connects: Siltech Golden Eagle XLR Digital Transport to DAC, Siltech G-5 Compass Lake, DAC to Pre-Amp, and a second Compass Lake pre amp to DAC and Yamamura "Quantum", Pre-amp to Monoblocks, Sound Application "Signature Series" Linestage Power Conditioner, Suisse Audio Consulting, Transport Only Filter/Buffer, Power Cords - several (3) of the Highest End Elrod and Electaglide w/One Omega Micro Cord, Zero Goss chamber to reduce magnetic distortion, Miscellaneous 'Tweaks' - Copper Tube Covers for the Monoblock 6SN7 NOS, Speaker, Pre-DAC Isolation Sleeves and Stand for the DAC Power Supply
• GAMBARO GOLD AND BLACK ITALIAN
  GAMBARO GOLD AND BLACK ITALIAN MURANO GLASS VASEFine gilt design with two handles, marked by the maker. Graceful curves and rich color highlight this exquisite Italian art glass piece. Marked GAMBARO & POGGI MADE IN ITALY. Issued: 20th c. Dimensions: 16.75"H x 10.5"W Manufacturer: Gambaro & Poggi Country of Origin: Italy
• TALL GAMBARO GOLD AND BLACK ITALIAN
  TALL GAMBARO GOLD AND BLACK ITALIAN MURANO GLASS VASEFine gilt design with two handles, marked by the maker. Graceful curves and rich color highlight this exquisite Italian art glass piece, with a Grecian shape. Marked GAMBARO & POGGI MADE IN ITALY. Issued: 20th c. Dimensions: 21"H x 9"W Manufacturer: Gambaro & Poggi Country of Origin: Italy
• ALVARO GONZAGA OIL ON CANVAS
  ALVARO GONZAGA OIL ON CANVAS PAINTINGDESCRIPTION: An acrylic and oil on canvas painting, depicting abstract composition with various colors. Signed and dated lower right, "Gonzaga 66", verso is signed, titled "Concilio Macabro" 1967. Framed. CIRCA: 1960s ORIGIN: Continental DIMENSIONS: H. 23" x 34" CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• ALVARO GONZAGA OIL ON CANVAS
  ALVARO GONZAGA OIL ON CANVAS PAINTINGDESCRIPTION: An acrylic and oil on canvas painting, depicting abstract composition with various colors. Signed and dated lower right, "Gonzaga 67", verso is signed, dated, titled "Perspectiva Tragica" 1967. Framed in a 1/4" wooden frame. CIRCA: 1960s ORIGIN: Continental DIMENSIONS: H. 21.75". W. 32.5" CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• RENE PORTOCARRERO (1912-1985)
  RENE PORTOCARRERO (1912-1985) "FLORA" GOUACHE PAINTINGDESCRIPTION: Rene Portocarrero Gouache paper painting depicting the "Flora" subject decorated with splashes of red and blue hues, signed and dated along the bottom right. Comes with COA from Luis Lastra. CIRCA: 1970s ORIGIN: Cuba DIMENSIONS: H: 29" W: 24" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• SIGNED CLOISONNE BOX, ATTRIB.
  SIGNED CLOISONNE BOX, ATTRIB. SEIZABURO GOTOCloisonne box attributed to Seizaburo Goto, oblong with black ground; dragon decoration and geometric border to lid, the sides with flower and magic fungus decoration, the interior lined with silk brocade, signed on interior brass rim. Additional floral decoration to underside. 1-3/4" x 4-3/4" x 3-1/4", Japanese, Meiji period, late 19th to early 20th century. Condition: Old paper label to bottom, some bending and separation to interior metal rim, 1/8" chip to lower edge of box.
• PRESIDENT JAMES K. POLK SIGNED
  PRESIDENT JAMES K. POLK SIGNED CERTIFICATE OF MERITJames K. Polk Signed United States Certificate of Merit and Etching. Army of the United States Certificate of Merit issued to Private Jacob Fritshe of Company K. of the 2nd Regiment of Dragoons "having distinguished himself in the service of the United States, on the eighteenth day of April, 1847, in the Battle of Cerro Gordo, on the recommendation of Colonel W. S. Harvey, the Commanding Officer of his Regiment." The Certificate of Merit entitled Fritshe to the additional pay at the rate of two dollars per month. Signed by Secretary of War William L. Marcy and United States President James K. Polk on November 25th 1848, in brown ink across bottom. Inscribed "No. 62. Recorded Adjt Generalís Office Nov. 25, 1848." with two illegible signatures, likely Roger Jones, Adjutant General during this time (1825-1852), in brown and red ink, top left. Also included is an etching of Polk, signed "J. Reich" under image, lower left. Housed in wooden frame with brown matte. Certificate - 9 1/2" H x 16" W. Etching: Sight ñ 4 1/2" H x 3 1/2" W. Framed ñ 17 3/4"H x 29" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Overall excellent condition. Minor spots and marks on surface of certificate.
• 8 FUGITIVE WRITER RELATED BOOKS
  8 FUGITIVE WRITER RELATED BOOKS INCL. ANDREW LYTLE, R.P...8 Fugitive Poet related publications including signed and first edition books. 1st Item: ALL THE KING'S MEN, Robert Penn Warren, Franklin Library, 1977, Hardcover. Signed by author on the page preceding limitation page; black leather binding with gilt stamping, gilt page edges, silk endpapers, and ribbon marker; Franklin's "Notes from the Editors" booklet laid in. 2nd Item: THE LONG NIGHT by Andrew Lytle, signed First Edition (stated), Hardcover Bobbs-Merrill Company 1936, Lytle's first novel, inscribed on the copyright page "To- The Little Squire From a close neighbor and friend Andrew Lytle." Original green cloth boards stamped in gilt, with original unclipped DJ with $2.50 price intact. 3rd Item: AT THE MOON'S INN by Andrew Lytle, signed First Edition (stated), Hardcover Bobbs-Merrill Company 1941, signed by Lytle on the dedication page. Hardcover w original blue boards, gilt stamped, no DJ. THE VELVET HORN by Andrew Lytle, First Edition Hardcover, New York, McDowell Obolensky 1957. Inscribed to previous owner on ffep and "Andrew Lytle Nashville, 1957". No DJ. 4th Item: THE VELVET HORN by Andrew Lytle, trade paperback reprint by The University of the South, 1983, inscribed to previous owner on title page. 5th Item: SELECTED POEMS BY JOHN CROWE RANSOM, by John Crowe Ransom, Alfred A. Knopf, 1945. Hardcover First Edition (stated). Black boards with unclipped $2.00 DJ. 6th Item: LEE IN THE MOUNTAINS AND OTHER POEMS, by Donald Davidson, Houghton Mifflin Company (The Riverside Press); Boston, 1938, Hardcover First Edition; Simple inscription and author signature on front page; purple cloth binding with gilt and black lettering, DJ w/ $2.00 price intact. 7th Item: ALLEN TATE IN MEMORIAM (1899-1979), Front Street Trolley, Nashville, Tennessee, 1979. 7 page octavo pamphlet commemorating poet Allen Tate upon his death, #50 of 300, with pieces by Robert Holladay, Molly McIntosh, Jean Guerrero Gore, Alison Touster; signed by each contributor; together with newspaper article obituary. 8th Item: I'LL TAKE MY STAND THE SOUTH AND THE AGRARIAN TRADITION, by various authors, with introduction by Louis D. Rubin, Jr., 1977 Louisiana State University Press. Trade Paperback printing of the 1930 Agrarian "manifesto" put out by 12 Fugitive writers, SIGNED by Lyle H. Lanier, Robert Penn Warren, and Andrew Lytle. Together with a program from 1980 "Fifty Years After" symposium laid in. Note: the Fugitives, also known as the Fugitive Poets, were a group of poets and literary scholars associated with Vanderbilt University in Nashville credited with ushering in a major period of modern Southern literature. Their name stemmed from The Fugitive, a literary magazine published from 1922-1925. Condition: ALL THE KING'S MEN light foxing on one page and gilt edges; THE LONG NIGHT good with moderate toning, DJ with chipping, 1 1/2" tear to front; AT THE MOON'S INN good with slight wear to edges, no DJ; THE VELVET HORN (HB) good with crayon mark to front, ffep w/ glue residue, no DJ; THE VELVET HORN (PB) clean, wrinkling to spine; SELECTED POEMS good with toning, binder's glue residue inside, prev. owner's gift inscription ffep, DJ with chips; LEE IN THE MOUNTAINS good with slight toning, ffep missing exposing spine, DJ split along front spine with chips; ALLEN TATE IN MEMORIAM toning to front edge of cover; I'LL TAKE MY STAND very good with slight soiling to page edges.
• 1935-36 AND 1938 MGM SCREEN
  1935-36 AND 1938 MGM SCREEN FORECAST.1935-36 and 1938 MGM Screen Forecast. Hollywood, 1935 - 38. Metro Goldwyn Mayer's original vintage promotional brochures. Spring and Summer Preview. Stars portrayed include Clark Gable, Norma Shearer, Joan Crawford, Greta Garbo, Jean Harlow, Jackie Cooper, Spencer Tracy, Laurel and Hardy, and the various movies in which they star with release dates in 1935 and 1936. Good.
• MICRO GOZINTA BOXES.Micro Gozinta
  MICRO GOZINTA BOXES.Micro Gozinta Boxes. Holland: Eddy Taytelbaum, 1960s. Two small boxes appear as if they are changing size. Constructed from a cigar tin; approximately 1” square. Minor wear to edges, one side of box splitting; good.
• JAN L. MUNRO GOUACHE ON PAPER
  JAN L. MUNRO GOUACHE ON PAPER "WOODS HOLE #19"Jan L. Munro (American Contemporary) Gouache on Paper “Woods Hole #19“ , signed lower right JL Munro 2002 10 in. x 13 ½ in. Overall 17 ½ in. x 21 ½ in. Jan L. Munro is an American contemporary self – taught painter who in more than 40 years of work, has achieved a great amount of recognition. Paintings by Munro are listed in many important public and private collections, including the Smithsonian Institution, the American Folk Art Museum, The John and Catherine T. MacArthur Foundation, and the Nantucket Whaling Museum, to list only a few. Munro was born in Massachusetts, and her earliest American roots trace back to the first settlers of Cape Cod, Nantucket, and New Amsterdam (New York) in the 1600’s, including direct family lines to the Swain, Dolor, Davis, Hyde, Eaton, Holmes, and Cook family trees. Munro describes her canvases as “pictorial – history” or that they are paintings with a message – actually read by the viewer, like a page in a book, with a noted focus on the waterfront lives of her own ancestors. Munro’s favorite subjects include her native Massachusetts and New York. Whether it is a bustling town center, a quiet bayside, or illustrating living by the sea, Munro is always striving for realism, and carefully finishes each canvas to tell a story of American history. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• GERDAGO J.B. HIRSCH HARLEQUIN
  GERDAGO J.B. HIRSCH HARLEQUIN LAMPGerda Iro Gottstein "Gerdago" (Austrian, 1906-2004) for J.B. Hirsch Company, United States. Art Deco lamp featuring a dancing harlequin or pixie figure with a crystal bubble glass orb supported by a small plinth. The lightbulb is hidden within the white metal plinth. Height: 8 1/2 in x width: 9 in x depth: 4 1/2 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• TWO RETRO GOLD BROOCHESqueen
  TWO RETRO GOLD BROOCHESqueen design, round faceted rubies, round green hardstone cabochons, pearls, stamped "Brev, 750" and with Italian hallmarks, 18kt. yellow gold, 2 x 1-1/4 in., 12.7 grams; flower design, assorted shaped green hardstone cabochons, stamped "14K", yellow gold, 2-1/2 x 1-1/2 in., 9.0 grams Provenance: Private Collection Condition: queen, missing one pearl, wear and scratches; flower design, tarnish, wear and scratchesÿ
• RETRO GOLD GEMSTONE BROOCHwinking
  RETRO GOLD GEMSTONE BROOCHwinking cat design, oval amethyst and tourmaline cabochons, one round chrysoprase cabochon, stamped "18K" and "14K, PAR, G", yellow gold, 1-1/2 x 1 in., 10.5 grams Provenance: Private Collection Condition: light tarnish and wear
• THREE RETRO GOLD RINGSassorted
  THREE RETRO GOLD RINGSassorted gemstones including: blue sapphire, black onyx, one stamped "750", 18kt., 7.1 grams; two stamped "14K", 17.3 grams, sizes 5-1/4 to 6 Provenance: Estate of Virginia B. Story, North Wilkesboro, North Carolina Condition: tarnish, wear and scratches
• FOUR RETRO GOLD PIECESring with
  FOUR RETRO GOLD PIECESring with cigarette holder, frog design, stamped with French eagle head hallmark, 18kt. yellow rose gold, size 5-3/4, 5.2 grams; snake stick pin, two green stones, pin tested 14kt., snake tested 18kt. yellow gold, 4.3 grams; locket, belt design, holds three pictures, tested 14kt. yellow gold, 1 x 5/8 in., 7.5 grams; stick pin, black enamel, tested 14kt. yellow gold, 0.7 grams Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: cig holder ring, tarnish, wear and scratches; snake stick pin, losses to green stones, tarnish to back; locket, small dents, tarnish, scratches; black enamel stick pin, crack to gold, wear and scratches
• FIVE RETRO GOLD GEMSTONE
  FIVE RETRO GOLD GEMSTONE RINGSoval citrine approx. 14 x 12mm, six single cut diamonds, tested 18kt. yellow gold, size 4-1/4, 4.3 grams; ribbon/swirl design, five round brilliant diamonds est. total wt. 0.25ct., tested 14kt. yellow gold, size 9, 10.6 grams; buckle design, five single cut diamonds, stamped "14K" and with maker's mark, yellow gold, 3/8 in. wide, size 5, 7.2 grams; leaf design, seven single cut diamonds, stamped "EC-14K", yellow and white gold, 1/2 in. wide, size 5, 11.3 grams; pearl ring, one 7mm pearl, stamped "14K", yellow gold, size 5.8 grams Note: Brunk Auctions makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and the cleanliness of the items. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, South Sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Brunk makes no warranties or guarantees that any clock or watch is in working order. Provenance: Private Collection, Pennsylvania Condition: citrine ring, scratches to citrine, wear and scratches to gold; ribbon ring, heavy tarnish, evidence of sizing/shank uneven, wear and scratches; buckle ring, evidence of sizing/solder seam at back, wear and scratches; leaf ring, tarnish, wear and scratches consistent with use; pearl ring, nacre loss on pearl in two spots, tarnish, wear and scratches
• ZELDA SAYRE
  ZELDA SAYRE FITZGERALD(American/Alabama, 1900-1948) Camellias, unsigned, gouache on paper, 13-3/4 x 10-3/4 in; modern frame, 20 x 16-3/4 in. An Introduction by the consignor: Zelda’s paintings “Bourgoise” and The Camellias, hung in my grandparent’s home, then my parent’s and now hang in mine. Thanks to the stories my grandmother told and retold to me, Zelda was as large a figure in my imagination as she was in real life. My grandmother, Birdie Frank Gassenheimer, was a friend of Zelda’s in Montgomery, Alabama in the early 1900’s. Born in Montgomery just a few years earlier, they both attended Sidney Lanier High School. The last child of 11, Birdie wasn’t even given a name until 6 years old; she was called “Baby” until one day hanging from a window she pointed and called “Birdie” and so named herself. Like Zelda and another contemporary, Tallulah Bankhead, born two years after Zelda, all three were extroverted and independent. Spoiled in childhood and doted on in adolescence they lived a carefree life lacking for little. Birdie’s stories were about outings, dating, and parties. The one I loved the most was about Zelda, Birdie and friends late night skinny dipping in the Dexter Avenue fountain in downtown Montgomery. They were free, uninhibited and determined to enjoy their youth. Having visited the fountain myself countless times, I could never get enough of this story, picturing their hats, dresses and under things hanging on the wrought iron fencing around the fountain. Imagining them shrieking and splashing under the stars was captivating. They went with boys on hunting and fishing trips- not to hunt and fish but to drink, smoke, and gossip. Nights were filled with fancy dress dinners and dancing and of course their dance cards were always full. They definitely exemplified “living in the moment.” But as you know from the fame of Zelda and Tallulah, there was also a dark side with episodes of manic depression, substance abuse and attention seeking behavior. Birdie did not escape this. A semi-pro golfer with a bright future she gave it up when she married. It seems as if even women as self sufficient as these were often cowed and overshadowed by the men in their lives, in constant rebellion to what was expected of women at the time. Very close to Birdie and like lots of kids, I spent more time at her house than my own. She was always so much fun. I loved watching her entertain grown-ups with fancy cocktails and lavish multi-course meals. She was the life of the party. Kids were expected to”be seen and not heard” so we sat on the floor playing with cards and poker chips, underneath where “The Zelda’s” were prominently hung. Listening to the conversations we’d wonder what was always so riotously funny. Often we would take our Shirley Temples outside on the terrace of their Bankhead Avenue home and play at being grown up, a little drunk on the happy time, food,and heady aromas of camellias and magnolias surrounding the home in abundance. I would often spend Friday night with Birdie after the parties and we’d lie awake talking until falling asleep when she’d tell me the stories again. They seemed like the very best memories for her too. Saturday afternoons would find us listening to opera in the living room, she on the sofa and me on the floor beneath “The Zeldas” given to Birdie from Zelda with love. Provenance: By descent in the Gassenheimer family; Property from a Private Collector Condition: paper toned, possible moisture stain upper left; frame with light wear
• ZELDA SAYRE
  ZELDA SAYRE FITZGERALD(American/Alabama, 1900-1948) Bourgeois, possibly a paper doll that was not cut out of board, signed lower left "Zelda" inscribed upper right "Bourgeois", gouache on board, 14 x 8 in.; carved and gilt wood frame, 24-1/2 x 20-1/2 in. An Introduction by the consignor: Zelda’s paintings “Bourgoise” and The Camellias, hung in my grandparent’s home, then my parent’s and now hang in mine. Thanks to the stories my grandmother told and retold to me, Zelda was as large a figure in my imagination as she was in real life. My grandmother, Birdie Frank Gassenheimer, was a friend of Zelda’s in Montgomery, Alabama in the early 1900’s. Born in Montgomery just a few years earlier, they both attended Sidney Lanier High School. The last child of 11, Birdie wasn’t even given a name until 6 years old; she was called “Baby” until one day hanging from a window she pointed and called “Birdie” and so named herself. Like Zelda and another contemporary, Tallulah Bankhead, born two years after Zelda, all three were extroverted and independent. Spoiled in childhood and doted on in adolescence they lived a carefree life lacking for little. Birdie’s stories were about outings, dating, and parties. The one I loved the most was about Zelda, Birdie and friends late night skinny dipping in the Dexter Avenue fountain in downtown Montgomery. They were free, uninhibited and determined to enjoy their youth. Having visited the fountain myself countless times, I could never get enough of this story, picturing their hats, dresses and under things hanging on the wrought iron fencing around the fountain. Imagining them shrieking and splashing under the stars was captivating. They went with boys on hunting and fishing trips- not to hunt and fish but to drink, smoke, and gossip. Nights were filled with fancy dress dinners and dancing and of course their dance cards were always full. They definitely exemplified “living in the moment.” But as you know from the fame of Zelda and Tallulah, there was also a dark side with episodes of manic depression, substance abuse and attention seeking behavior. Birdie did not escape this. A semi-pro golfer with a bright future she gave it up when she married. It seems as if even women as self sufficient as these were often cowed and overshadowed by the men in their lives, in constant rebellion to what was expected of women at the time. Very close to Birdie and like lots of kids, I spent more time at her house than my own. She was always so much fun. I loved watching her entertain grown-ups with fancy cocktails and lavish multi-course meals. She was the life of the party. Kids were expected to ”be seen and not heard” so we sat on the floor playing with cards and poker chips, underneath where “The Zelda’s” were prominently hung. Listening to the conversations we’d wonder what was always so riotously funny. Often we would take our Shirley Temples outside on the terrace of their Bankhead Avenue home and play at being grown up, a little drunk on the happy time, food, and heady aromas of camellias and magnolias surrounding the home in abundance. I would often spend Friday night with Birdie after the parties and we’d lie awake talking until falling asleep when she’d tell me the stories again. They seemed like the very best memories for her too. Saturday afternoons would find us listening to opera in the living room, she on the sofa and me on the floor beneath “The Zeldas” given to Birdie from Zelda with love. Provenance: By descent in the Gassenheimer family; Property from a Private Collector Condition: toning, pin hole lower left and upper right corner, not examined out of archival frame; frame with light wear
• 6 PC. LLADRO GOLFING FIGURES: 1)
  6 PC. LLADRO GOLFING FIGURES: 1) ''Golfing Couple'' #1453, 2) Male Golfer with Bag & Clubs, 3) ''Girl Golfer'' #4851, 4) ''Tee Time'' #5675, 5) Sport Billy Golfer 1978, 6) Male Golfer, #4824 CONDITION: 1) Ladies golf shaft can come out of grip; 2) Head on one club is broken and can be re-attached; 3) Club can be dislodged from girl's hands; 4) No apparent issues; 5) Golf club slides up and down in golfer's grip; 6) No condition issues.
• JOHNNY SECATERO, UNTITLED (EAGLE
  JOHNNY SECATERO, UNTITLED (EAGLE DANCER)Johnny Secatero, (Diné [Navajo], 1945 - 2010) Untitled (Eagle Dancer), gouache on paper signed lower right: Johnny Secatero gouache on paper Dimensions: 17 3/4 x 12 7/8 in. (45.09 x 32.70 cm.), Frame: 26 x 20 5/8 x 2 1/4 in. (66.04 x 52.39 x 5.72 cm.) Provenance: Private Collection, California
• "THE INVISIBLE BOY" 1957 ORIGINAL
  "THE INVISIBLE BOY" 1957 ORIGINAL MOVIE POSTER Metro Goldwyn Mayer, 1957. "The Invisible Boy", offset lithograph. Framed. Approx. 44.5" x 31.75" (frame), 39.5" x 26.75" (sight).
• "THE INVISIBLE BOY" 1957 ORIGINAL
  "THE INVISIBLE BOY" 1957 ORIGINAL MOVIE POSTER Metro Goldwyn Mayer, 1957. "The Invisible Boy", offset lithograph. Framed.
• PR EFFETTO VETRO GOLD GLASS TILE
  PR EFFETTO VETRO GOLD GLASS TILE CONSOLE TABLES Pair of Effetto Vetro (Italian / Milano), contemporary gold glass tile Parsons console tables, each having a waterfall silhouette and maker's mark to underside. Approximate dimensions: h. 35.625", w. 47.5", d. 14".