A few examples of appraisal values for
ROB ROY

• Ferdinand Roybet (French
  Ferdinand Roybet (French 1840-1920)/Portrait of a Gentleman/half-length, wearing 17th Century costume of a black hat, lace collar and red cloak, holding a pendant in his left hand/signed upper left/oil on panel, 81.25cm x 63.5cm/Provenance: Lord Farnham Collection, Christie's, 15th May 2003/see illustration
• ROY BAILEYAmerican b. 1933Three Red
  ROY BAILEYAmerican b. 1933Three Red Boats'' depicting three red dories at dock. Signed middle right ''Bailey 61''. Titled on stretcher. Retains label verso for Lobster Pot Art Gallery Nantucket Massachusetts.Oil on canvas 10'' x 8''. Framed.''
• ROBERT ROLAND MCIAN (BRITISH 1803 -
  ROBERT ROLAND MCIAN (BRITISH 1803 - 1856) 'GAELIC GATHERINGS: HIGHLANDERS AT HOME' , SIX COLOR LITHOGRAPHS, FRAMED: 19 X 22-3/8 INRobert Roland McIan (British 1803 - 1856) 'Gaelic Gatherings: Highlanders at Home' , Six Color Lithographs, Framed: 19 x 22-3/8 in
• ROY BROWN (AMERICAN, 1879-1956),
  ROY BROWN (AMERICAN, 1879-1956), ROOFTOPS IN THE CITY A double sided work on panel; the recto is an oil study, signed at lower left; the verso is mixed media; presented in a period appropriate Barbizon style frame.
• STANLEY ROYLE (UNITED
  STANLEY ROYLE (UNITED KINGDOM/CANADA, 1888-1961), PAINTING AFTER MONET Oil on canvas, 1919, signed at lower left, inscription of Monet signature at lower right, presented in a parcel gilt frame with a painted fillet.
• ROY (ROI) GEORGE PARTRIDGE
  ROY (ROI) GEORGE PARTRIDGE (AMERICAN, 1888-1984) A BRIDGE IN PARIS ETCHING: 10 1/2 X 8 1/2 IN. (SIGHT)ROY (ROI) GEORGE PARTRIDGE, (AMERICAN, 1888-1984) A BRIDGE IN PARIS, Etching: 10 1/2 x 8 1/2 in. (sight) Framed; lower center signed: Roy Partridge Provenance: Estate of Ronald Sperling
• ROYBET, Ferdinand. Oil on Board
  ROYBET, Ferdinand. Oil on Board Portrait of a Man. Ferdinand Victor Leon Roybert (1840-1920), French. From a New Jersey collector. Dimensions: 13"h x 9.25"w
• Roy Rogers vintage western movie
  Roy Rogers vintage western movie poster; "The King of the Cowboys" starred in the 1938 Republic release "Billy the Kid Returns". Roy's first sidekick Smiley Burnette provided the comedic relief. 41" x 27". Fold creases.
• ROYAL DOULTON KINGSWARE CLAYMORE
  ROYAL DOULTON KINGSWARE CLAYMORE WHISKY FLASK, ROB ROYDark, rich brown glaze; features Rob Roy MacGregor with his sword and shield in relief. AC 1912 relief on reverse. Royal Doulton backstamp. Signed Noke next to Rob Roy. Greenless Brothers Claymore Scotch Whisky Distillers stamped on base. Stopper not included. Rob Roy MacGregor, 1671-1734, was a dangerous and powerful outlaw who ran a protection racket in the Highlands of Scotland, but as he blackmailed the rich landowners, opposed the government agents and was capable of acts of justice and even generosity, he became an accepted popular hero, and appears in a novel bearing his name by Sir Walter Scott. #whiskey #kingsware #WalterScott Artist: C. Noke Issued: c. 1912 Dimensions: 5"W x 8.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Professionally restored around the handle. Age related crazing.
• ROYAL ROBERTS, TWO-SIDED MM
  ROYAL ROBERTS, TWO-SIDED MM FRAMED FOLK ART Royal (Prophet) Robertson (American / Louisina 1936-1997), two sided mixed media work on paper, one side having 'Psalm 86', 1992, ink and mixed media drawing and inscription; the other side having 'Artist patriarchal Prophet', ink and mixed media on paper, signed to upper right and dated en verso, framed. Approximate dimensions: front image h. 21.125, w. 18.25"; back image h. 28", w. 22"; frame h. 32.75", w. 27", d. 2.625".
• * BURNS ROBERT Poems Chiefly in the
  * BURNS ROBERT Poems Chiefly in the Scottish Dialect. Edinburgh: For the Author 1787. 8vo full recent calf gilt-lettered red leather spine label renewed endpapers half-title engraved frontispiece subscriber's list. Second [first Edinburgh] edition with ''Boxburgh'' for ''Roxburgh'' in subscriber's list and ''stinking'' (for ''skinking'') on p. 263. Offsetting from frontispiece; otherwise very fine.
• A Figure of "Robert Burns" The
  A Figure of "Robert Burns" The figure standing holding a book leaning on a tree on a racetrack shape base embossed with the name "Robert Burns" picked out in gilt vent hole at the back flat back polychrome decorated on the front only faint blue tint to the glaze.
• Robert Fowler (Scottish,
  Robert Fowler (Scottish, 1853-1926), Knar
• Roybal (20th century) Musicians oil
  Roybal (20th century) Musicians oil on canvas signed Roybal (lower right) 15 1/2 x 12 1/2 inches.
• JAMES ROYBAL. "THE CLEARING," OIL
  JAMES ROYBAL. "THE CLEARING," OIL ON CANVAS (American, b. 1952). Signed "James Roybal" ll, 38 x 35 1/2 in., framed.
• ROODY. ROODY.Milan: N. Moneta,
  ROODY. ROODY.Milan: N. Moneta, 1928. Horizontal two-sheet color lithograph depicting a cartoonish crowd standing in the street outside the theatre waiting to see Roody perform. Charming illustrative style includes a comical monkey, a drunk, dog, wizard in a conical hat, and other characters. A bust portrait of Roody looks down over the scene from the upper right. 77 ½ x 55”. Closed tears and small losses through image, border chips; B.
• PROPHET ROYAL ROBERTSON
  PROPHET ROYAL ROBERTSON (AMERICAN/LOUISIANA, 1936-1997)...Prophet Royal Robertson (American/Louisiana, 1936-1997) "Crazy Car", ink drawing on paper, signed. Unframed. Size: 8.5'' x 12'', 22 x 30 cm (sheet).
• ROY GUSSOW (b. 1918): UNTITLED
  ROY GUSSOW (b. 1918): UNTITLED Steel sculpture approx. 18 x 20 in. on black marble base 5 x 24 x 24 in.
• ROY, Jamini, (Indian, 1887-1972):
  ROY, Jamini, (Indian, 1887-1972): Ram and Monkeys, Gouache, 5.5'' x 21.5'', signed lower right, float mounted and framed, 19'' x 35''.
• RALPH ROYBAL (AMERICAN, B. 1955)
  RALPH ROYBAL (AMERICAN, B. 1955) 14" "Sheltered Under His Wings", 1997. Bronze, signed, dated and numbered, 31/ 50, mounted to wood base.
• STANLEY ROYLE (CANADIAN, 1888 -
  STANLEY ROYLE (CANADIAN, 1888 - 1961), SPRING MORNING A...Stanley Royle (Canadian, 1888 - 1961), Spring Morning Among the Bluebells, depicting the artist's wife, oil on canvas, signed and dated lower left Stanley Royle, 1913, 25" x 30". Provenance: The artist's family, Richard Green Gallery, London. Private collection, New York City, acquired from the above. Label on back with 1996 Richard Green receipt for $35,000. Condition: Doesn’t appear to have inpainting use own judgment, not relined, good condition. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• ROBYN "THE BEAVER" BEVERLAND (FL,
  ROBYN "THE BEAVER" BEVERLAND (FL, 1957-1998), BLIND MAN WALKING Oil on board, man with dog and stick, quotation "Who does a better job my stick or my dog? in leading me / The Beaver 1994". Unframed.
• Robert J. Flaherty Nanook of the
  Robert J. Flaherty Nanook of the North Portfolio six beautiful photogravure folio plates from the photographs taken by the legendary film maker Flaherty (1884-1951) now known as the "Father of Documentary Film." Each image printed on a sheet measuring 13 in. x 20 in. and copyrighted Revillon Freres NY. Group includes Tooktoo (Deer); Nyla and Child; The Hunter; Summer; The Huskie; and Allegoo (Shining Water). Set is wrapped in paper chemise and then in brown paper clam-shell portfolio.1922
• ROY GRINNELL, WAR BONNETS COMIN’,
  ROY GRINNELL, WAR BONNETS COMIN’, 1981Roy Grinnell, (1933 - 2019) War Bonnets Comin', 1981, oil on canvas signed lower right: R. Grinnell ‘81 © oil on canvas Dimensions: 20 x 30 in. (50.80 x 76.20 cm.), Frame: 30 3/4 x 40 1/4 x 2 1/2 in. (78.11 x 102.24 x 6.35 cm.) Provenance: Private Collection, New Jersey
• Robert Hunter (20th Century),
  Robert Hunter (20th Century), Scottish SLIPWAY, EVENING, 1968 signed and dated "68" lower right; titled to Society of Scottish Artists label verso sight 24.25 x 37.5 in — 61.6 x 95.3 cm
• ROY ANDERSEN (1930-2019) , APSAROKE
  ROY ANDERSEN (1930-2019) , APSAROKE HUNTER Fine Art
• ROY CROSS (UNITED KINGDOM,
  ROY CROSS (UNITED KINGDOM, 1924-), “OLD BALTIMORE HARBOUR CIRCA 1840"., GOUACHE, 8.5” X 13.75”. FRAMED 18” X 23”.ROY CROSS, United Kingdom, 1924-, "Old Baltimore Harbour Circa 1840". Signed and dated lower left "Roy Cross 1984". Titled verso. Dimensions: Gouache, 8.5" x 13.75". Framed 18" x 23".
• LeRoy Neiman (1921-* New York NY)
  LeRoy Neiman (1921-* New York NY) Behind the Bar
• Andrew Robertson (British,
  Andrew Robertson (British, 1777-1845) PORTRAIT MINIATURE OF AN OFFICER, 1814 PORTRAIT MINIATURE OF AN OFFICER, 1814
• ROY DAVID MACGREGOR (1925-2003)
  ROY DAVID MACGREGOR (1925-2003) BRITISHRoy David MacGregor, The Clipper Ship Black Adder, gouache on paper, signed, verso titled. Silvered wood frame. 12 x 17 inches.
• RALPH ROYBAL (AMERICAN, B. 1955),
  RALPH ROYBAL (AMERICAN, B. 1955), BUFFALO DANCER 1994, polychrome patinated bronze, limited numbered edition 10/30, with incised signature, title, and date to terrace, mounted upon a polished marble and wood stand with engraved artist plaque.
• Ferdinand Victor Léon Roybet
  Ferdinand Victor Léon Roybet (French, 1840-1920) Musketeer oil on panel signed F. Roybet (lower left) 24 x 14 5/8 inches.
• § JOHN DUNCAN FERGUSSON R.B.A.
  § JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) ROYAN, 1909 oil on board, signed, inscribed and dated verso26cm (10 1/4in), 34cm (13 1/2in)Fergusson painted Royanduring the exceptional period when he lived in France from 1907 until 1914. More than any other British artist, he played a part in the heady creative circles of Paris’s pre-war art world and whilst there made the works on which his international standing is based.Following sporadic attendances at the Académies Colarossi and Julian in the French capital in the late 1890s, Fergusson began his career in Edinburgh. His first solo exhibition was held at the Baillie Gallery in London in 1905. However, as Alice Strang has explained: ‘An increasing interest in developments in contemporary art in Paris and parallel frustration with the conservatism of the art world in Scotland, an inheritance following his father’s death in 1906 and the start of his relationship with the painter Anne Estelle Rice (1877-1959) in Paris-Plage in 1907, culminated in Fergusson’s decision to move to Paris later that year.’ (1)Fergusson declared ‘Paris is simply a place of freedom’ and established himself in a studio in Montparnasse. (2) First-hand experience of the very latest developments in French art, such as those made by the Fauve artists Henri Matisse, André Derain and Kees van Dongen, had an immediate and dramatic effect upon his work, as can be seen in Royan. This encompasses the bold colour, simplification of form and expressive technique which signalled Fergusson’s progression from the Edwardian sophistication of his earlier work to the forefront of the avant-garde.Royan dates from a key year in Fergusson’s career. In 1909 he exhibited at the Venice Biennale for the first time and moved to the inspiring environment of a new light and orderly studio, in the rue Notre Dame des Champs. Moreover, as Kirsten Simister has written: ‘Fergusson’s artistic confidence and ambition reached an all-time high in 1909 when he was elected a Sociétaire of the Salon d’Automne and given an entire wall for his exhibits.’ (3) Election to this progressive exhibiting society was recognition by Fergusson’s peers of his contribution to the modern movement and he recalled: ‘To me, considering myself a revolutionary, this was a very great honour…it had the effect of confirming my feeling of independence, the greatest thing in the world, not merely in art but in everything.’ (4) Rice received the same honour the following year and together they became key figures in the celebrated group of Anglo-American artists who, for example, founded the cutting-edge journal Rhythm in 1911. After three years of encouragement from Fergusson, his fellow Scottish Colourist Samuel John Peploe moved to Paris in 1910, where he lived for two years.Simister continues: ‘In both 1909 and 1910 Fergusson, Peploe and Rice spent summer holidays together painting in Royan and nearby Saintonge, on the west coast of France. The sea and harbour inspired a number of small paintings made outdoors, which make use of stronger colour to heighten the emotional impact and mood of the scene…[Some]…indicate a tighter, more structured organisation of composition, a feature which became more pronounced over the years to come.’ (5) Fergusson had long been stimulated by working en plein air, in locations as varied as Princes Street Gardens in Edinburgh, the Scottish island of Islay and during summer painting trips to France with Peploe from 1904 to 1907. His enjoyment of responding directly and spontaneously to light and weather conditions, as well as to architectural and natural features, is clear in many of the paintings he created outdoors.In 1913, Fergusson left Paris in search of ‘more sun, more colour’ and settled on the Cap d’Antibes. (6) Due to the outbreak of World War One he moved to London, but returned to the French capital for a decade from 1929. World War Two prompted a move to Glasgow, where Fergusson died in 1961.(1) Alice Strang et al, D. Fergusson, Edinburgh 2013, p.16.(2) J. D. Fergusson, Modern Scottish Painting, Glasgow 1943, p.70.(3) Kirsten Simister, Living Paint: J. D. Fergusson 1874-1961, Edinburgh 2001, p. 39.(4) J. D. Fergusson quoted by Margaret Morris in The Art of J. D. Fergusson: A Biased Biography, Glasgow 1974, 2010 edition, p. 53.(5) Simister op.cit., p. 42.(6) J. D. Fergusson, ‘Memories of Peploe’, Scottish Art Review, vol. viii, no.3, 1962, p.31.
• David L. Ghilchik R.O.I. An oil
  David L. Ghilchik R.O.I. An oil on canvas '' Last of the snow Arlington Row Bibury '' signed bottom right Bourlet label. 76 x 51 cm.
• Ferdinand Victor Leon Roybet French
  Ferdinand Victor Leon Roybet French 1840-1920 Scribe at Work oil on canvas signed ''F. Roybet'' ur 16 1/4 x 13 in. framed Estimate $ 500-700 Craquelure frame wear. Paintings have not been examined by blacklight.
• S. ROALVIS(?), BEARDED MAN
  S. ROALVIS(?), BEARDED MAN SMOKING CIGAR, OIL ON BOARD, 29-1/2 X 26-1/2 INS. Roalvis(?), Bearded Man Smoking Cigar, Oil on Board, 29-1/2 x 26-1/2 in