A few examples of appraisal values for
ROGERS 1881

• JOHN ROGERS (AMERICAN, 1829-1904)
  JOHN ROGERS (AMERICAN, 1829-1904) "FETCHING THE DOCTOR" 1881. Plaster. Signed and dated 'John Rogers New York 1881' (on base).
• Robert Rogers Colonial Frontiersman
  Robert Rogers Colonial Frontiersman ANS 1778 Robert Rogers (1731-1795). Colonial frontiersman and soldier who fought for the British in the French & Indian Wars and the American Revolution; founder and commander of Rogers' Rangers a highly effective militia in the French & Indian Wars which produced several important leaders in the Continental Army who fought against their former commander. ANS 1p on laid paper 8.25 x 6.5 in. August 20 1778 at Middleton addressed to William Arnold Inn Holder of Greenwich (RI) asking him to retrieve clothing and wafers from a box stored in the inn's cave and to forward the items to Mr. Gideon Mumford who will deliver them. Condition: Scattered stains and soiling with minor holes along the folds.
• ROGERS GROUP - Rogers Group
  ROGERS GROUP - Rogers Group 'Checkers Up at the Farm' titled on integral plinth marked 'John Rogers New York' & 'Patented Dec 28 1875' in plaster with later full color paint treatment depicting young man holding hoe pointing out move to his father
• Rogers Turner American, 20th
  Rogers Turner American, 20th Century Three Views of a Triton, 1977 Estimate:$700-$900
• John Rogers (American, 1829-1904).
  John Rogers (American, 1829-1904). "A Matter of Opinion," molded and painted plaster figural group, dated 1884 title impressed in base, inscribed "John Rogers New York 1884," 22 in. H., 15 in. W.
• W.A. Rogers (American, 1854-1931)
  W.A. Rogers (American, 1854-1931) Two original caricatures: "Mother's vision of WWI soldier's ghost", approx. 16" x 13-3/8" and overall framed 24-1/8" x 21-2/8". Second is "McAdoo tries to lasso Democratic Donkey being befuddled by Al Smith", approx. 16" x 13-3/8" and overall framed approx. 23-5/8" x 20-3/4". Both are india ink on paper, signed in the lower left corner; double matted under glass and framed.
• FREDERICK ROGERS (1862-1928)
  FREDERICK ROGERS (1862-1928) TRÄUMEREI, 1897 carved mahogany, ebonised base, signed and dated F. ROGERS 9767cm (26 3/8in) high, 47cm (18 1/2in) wide, 28cm (11in) deepExhibited:Royal Academy, 1898, no. 1920.Arts and Crafts Exhibition Society: Sixth Exhibition, 1899 (example shown) p. 76 (no. 189)
• William P. Rogers oil painting on
  William P. Rogers oil painting on canvasdepicting a seascape. Canvas: 16''H x 24''W; Frame: 23''H x 31''W. Signed lower right ''W Rogers''. William P. Rogers (British fl. 1842-1872).
• ROGERS, George Jay, (AMERICAN, b.
  ROGERS, George Jay, (AMERICAN, b. 1926): Abstract Composition with Figures in an Interior, Oil/Board, 30'' x 40'', signed lower right, dated 1959, unframed. CONDITION: Some minor loss around the edges, several scattered abrasions.
• EDWARD H ROGERS (BRITISH,
  EDWARD H ROGERS (BRITISH, 1911-1994) Reclining Figure signed and dated 'EH Rogers 15/10/58' (on mount), further signed, titled, dated and numbered '230' twice (on reverse of mount) pencil and watercolour on paper 8.5 x 13cm together with 'Abstract Composition', signed, titled, dated and numbered 'EH Rogers, 7/11/58 234' (on mount verso); and 'Abstract Design' signed, titled, dated and numbered 'EH Rogers, 12/6/58 135' (on mount verso), by the same hand (unframed) (3) ARR
• Rogers figural group, "Going for
  Rogers figural group, "Going for the Cows", horse with boy, dog digging a hole, marked "John Rogers, New York", patent date 1871, 12 x 13-3/4 in. Extensive losses to boy, surface abrasions and chips throughout. Former Collection of a Mid-Atlantic Museum
• ROGERS, George Jay, (AMERICAN, b.
  ROGERS, George Jay, (AMERICAN, b. 1926): Abstraction in Pink, Black, and White, Oil/Board, 29.75'' x 40'', no visible signature, unframed. CONDITION: Several scattered abrasions, some surface loss in lower margin.
• 2PC KENT DAY COES W.A. ROGERS WC
  2PC KENT DAY COES W.A. ROGERS WC PAINTINGS United States,20th CenturyIncludes an architectural street landscape depicting two men taking a walk by Kent Day Coes (1910-2000), and a depiction titled "Montreal" of a religious gathering with people kneeling on the ground in front of a holy figure for "Harper's" June 1889 by William Allen Rogers (1854-1931). Rogers overall size 12" x 15" Rogers mat 14" x 18"
• Roger Broders (French 1883-1953)
  Roger Broders (French 1883-1953) "St. Honore Les Bains". Photomechanical reproduction of a lithographic poster from 1928 matted and framed under plexiglass overall apprx. 54-3/4" x 38-1/2".
• HENRY ROGERS, FRENCH 20TH
  HENRY ROGERS, FRENCH 20TH CENTURY, PARISIAN STREET SCENE, OIL ON CANVAS, FRAME: 24 1/2 X 20 3/4 IN. (62.2 X 52.7 CM.)Henry Rogers, French 20th Century, Parisian Street Scene, Oil on Canvas,, Dimensions: Frame: 24 1/2 x 20 3/4 in. (62.2 x 52.7 cm.)
• A Rogers blue and white plate
  A Rogers blue and white plate transfer printed Oriental figures and a zebra 18cm (7.25") diameter and another transfer printed an Oriental scene with elephant 20cm (8") diameter
• WILLIAM P. ROGERS. ROWING TO SHORE,
  WILLIAM P. ROGERS. ROWING TO SHORE, OIL (Irish, fl. 1842-1872). Oil on canvas, signed "W. Rogers" lr, sight size: 20 x 31 in., framed size: 23 x 42 inches.
• ROGERS, George Jay, (AMERICAN, b.
  ROGERS, George Jay, (AMERICAN, b. 1926): Abstract Seated Figure, Oil/Board, 40'' x 30'', signed lower right and dated '59, unframed. CONDITION: Scattered flecks of loss, abrasions, needs cleaning.
• English School, circa 1730/Portrait
  English School, circa 1730/Portrait of Richard Rogers Esq., (1692-1757)/half-length, wearing a brown coat and white stock/feigned oval/oil on canvas, 76cm x 63.5cm in an 18th Century carved giltwood frame
• William P Rogers, 19th C Irish,
  William P Rogers, 19th C Irish, "Unloading the Catch", oil on canvas, signed "W. Rogers", 24" x 42", framed 32-1/4" x 50-1/4", good condition, area of paint loss on right edge, gesso damages on frame
• 2 vols. American Abolitionists:
  2 vols. American Abolitionists: Rogers, Nathaniel Peabody. A Collection from The Newspaper Writings. Concord: John R. French, 1847. First edition. 12mo, orig. brown cloth, gilt-lettered spine; light to moderate edge wear. Frontis. portrait (moderately foxed). A few signatures sprung. Internally generally clean. Sabin 72715; Blockson 9311. * Brown, William Wells. Sketches of Places and People Abroad. Boston: John P. Jewett, 1855. 1st Am. ed. 12mo, orig. green cloth, gilt-lettered spine; light to moderate wear. Frontis. portrait (light foxing). Some spotting & foxing to title page, other scattered minor internal spotting. Sabin 8586; Blockson.
• FRANK WHITING ROGERS, (AMERICAN,
  FRANK WHITING ROGERS, (AMERICAN, 1854-1917), PUG AND CHICK AT MEAL TIME, 1885, OIL ON CANVAS, 14 X 12 IN., FRAME: 23 5/8 X 21 5/8 IN.FRANK WHITING ROGERS, (American, 1854-1917) Pug and Chick at Meal Time, 1885, oil on canvas signed F.W. Rogers and dated 1885, l.l. 14 x 12 in., frame: 23 5/8 x 21 5/8 in. Condition: Condition: Scattered inpainting in background; surface dirt and grime; unlined.
• 1881 THOMAS A WATSON BELL PROTOTYPE
  1881 THOMAS A WATSON BELL PROTOTYPE TELEPHONE United States,Circa 1881An original model of Alexander Graham Bell's and Thomas A Watson's first telephone. Accompanied with original patent paperwork dated 1881.
• W. Rogers British, 19th/20th
  W. Rogers British, 19th/20th Century Ships and Figures on the Shore Estimate:$800-$1,200
• GAY ROGERS (AMERICAN, B. 1942),
  GAY ROGERS (AMERICAN, B. 1942), CLEVER HUNTER, TWO FOXES Lithograph in colors, 1979, pencil signed, titled, dated, and numbered 31/38 lower margin, framed.
• NORMA ROGERS (NC, 1918-2014),
  NORMA ROGERS (NC, 1918-2014), FIGURE STUDY Crayon on paper, signed at lower left, matted and framed under glass.
• Historical blue transferware plate
  Historical blue transferware plate john rogers and son, longport, 1815-1842 Decorated with "Boston State House" (Larsen No. 361), within a floral vine border, impressed mark. DIa: 10 in.
• Franklin Whiting Rogers painting
  Franklin Whiting Rogers painting (Massachusetts, 1854-1917), winter landscape with town visible through trees, signed lower right "F.W. Rogers", oil on canvas, remnant of exhibition label verso "The Pennsylvania Academy of the Fine Arts…", 25 x 30 in.; 20th century gilt wood and composition frame. Original stretcher and tacking edge, canvas slightly loose, crackle, some cupping and cleavage; frame with losses to composition. Private Collection.
• ROGERS, 21ST CENTURY, UNTITLED,
  ROGERS, 21ST CENTURY, UNTITLED, 2018, MIXED MEDIA ON CARD, 6 X 8 1/2 IN. (15.24 X 21.59 CM.), FRAME: 9 X 11 IN. (22.86 X 27.94 CM.)ROGERS, 21ST CENTURY UNTITLED, 2018, Mixed media on card Lower right signed and dated: Rogers 2018 Mixed media on card Dimensions: 6 x 8 1/2 in. (15.24 x 21.59 cm.), Frame: 9 x 11 in. (22.86 x 27.94 cm.) Provenance: Estate of Supreme Court Justice Ruth Bader Ginsburg to Benefit Washington National Opera
• Eric Ross Arthur (1898-1982),
  Eric Ross Arthur (1898-1982), Canadian TORONTO: NO MEAN CITY TORONTO: NO MEAN CITY
• 1919-21 W514 #56 Rogers Hornsby SGC
  1919-21 W514 #56 Rogers Hornsby SGC 60
• Will Rogers typed letter, photos:
  Will Rogers typed letter, photos: 36 lines to Mr. Watson Webb, undated, "I just learned…that you were in the insurance business. I had no idea in the world that you had any business outside polo, But it was a relief to know there was one Polo man that at least retained some degree of business, Now that old insurance racket is a great thing. They all think there [sic] house is going to burn, but they are seldom ever lucky enough to have it happen…my wife has a nephew…(who) has worked in this same business out in the buckwheat belt, and those old babies are hard to talk out of a premium even if they see the blas [sic] headed toward the hay mound…", signed "Will Rogers" in brown ink, 11 x 8-3/8 in.; with two studio photographs of Rogers, each a print with his signature in image, 6-3/4 x 4-7/8 in. and 9-1/2 x 7-1/2 in. (Three pieces). Laid down on cardstock, fold through "Wi" of "Will", slight blurring to portions of signature. Early American History Auctions, June 11, 2005, Lot 78 (letter); Collection of Donald Nelson, Williamsburg, Virginia.
• TWO WORKS BY SAMUEL ROGERS AND A
  TWO WORKS BY SAMUEL ROGERS AND A BIOGRAPHY OF THE POET All 8vo (tallest 8-3/4 in.); titles include: Italy, a Poem by Samuel Rogers (London: T. Caddell & others, 1830), full red leather with gilt, silk paste downs (shelf wear, else very good condition); Poems by Samuel Rogers (London: Edward Moxen, 1842), full green morocco with gilt (trivial wear, light foxing to title page, previous owner's name, else fine condition); Roberts, R. Ellis. Samuel Rogers and His Circle (London: Methuen & Co., 1910 or later), red linen with gilt (shelf wear; cloth splitting; ex. library with numerous markings).
• Roy Rogers watch.
  Roy Rogers watch.
• ROGERS "ELEPHANT" BLUE TRANSFERWARE
  ROGERS "ELEPHANT" BLUE TRANSFERWARE PLATTER. England, first half 19th century. Medium blue transfer with romantic period Asian theme. Edge wear and glaze imperfections.19"w. 14"d.
• AFTER JOHN ROGERS (AMERICAN,
  AFTER JOHN ROGERS (AMERICAN, 1829-1904), PLASTER GROUP 'COUNCIL OF WAR'AFTER JOHN ROGERS (AMERICAN, 1829-1904), PLASTER GROUP 'COUNCIL OF WAR', bearing signature 'JOHN ROGERS / NEW YORK /PATENTED MARCH 31, 1868' on base, and "COUNCIL OF WAR' on front edge Rogers created the 'Council of War' a few years after the end of the Civil War. It depicts the Union leaders discussing possible military actions. President Lincoln studies a map while General Grant points out his plan and and Secretary of War Stanton listens from behind. This is a 20th century reproduction. h:24.50in.