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Ronald Searle (British, 1920 -
Ronald Searle (British, 1920 - 2011) limited edition color lithograph "The Stirrup Cup", #58/99, pencil signed lower right, embossed "Michel Casse, Paris" printer, framed and matted, sight 19 1/4"h x 25"w
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RONALD SEARLE (BRITISH
RONALD SEARLE (BRITISH 1920-2011), PASTORALE, COLOR LITHOGRAPH, FRAME: 29-1/2 IN X 34-1/2Ronald Searle (British 1920-2011), Pastorale, Color Lithograph, Frame: 29-1/2 in x 34-1/2
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Ronald Searle (1920-) limited
Ronald Searle (1920-) limited edition print 'He's Very Highly Strung' signed in pencil 87/99 25.5 x 19.75in. Estimate ?80-120 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?30
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RONALD WILLIAM FORDHAM SEARLE,
RONALD WILLIAM FORDHAM SEARLE, NEW YORK / ENGLAND, FRANCE (1920-2011), I CARE II, 1970, LITHOGRAPHRonald William Fordham Searle, New York / England, France, (1920-2011) I Care II, 1970, lithograph Titled and numbered 58/99 lower left. Signed and dated lower right. Biography from the Archives of askART: Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy. Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput. In January 1942 he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. The brutal camp conditions were documented by Searle in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Liberated late in 1945, Searle returned to England where he published several of the surviving drawings in fellow prisoner Russell Braddon's The Naked Island. Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945. At least one of the drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of these original drawings, approximately 300, are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are Jack Bridger Chalker, Philip Meninsky and Ashley George Old. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge, and collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books; and did animation in Hollywood and worked on advertisements and posters. Searle also drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life. In 1961 he moved to Paris, leaving his family and later marrying Monica Koenig, theatre designer and creator of necklaces. In France he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media, and produced books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society. Searle did a considerable amount of designing for the cinema and in 1965, he completed the opening, intermission and closing credits for the popular comedy Those Magnificent Men in Their Flying Machines. In 1975 the full-length cartoon Dick Deadeye was released. Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result. Since 1975 he and Monica have lived and worked in the mountains of Haute Provence. In 2010 he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany) now renamed Deutsches Museum für Karikatur und Zeichenkunst, the ancient Summer palace of George 1st, that holds Searle's archives. Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit. lithograph
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RONALD WILLIAM FORDHAM SEARLE,
RONALD WILLIAM FORDHAM SEARLE, NEW YORK / ENGLAND, FRANCE (1920 - 2011), ICARE II, 1970, ETCHING ON PAPER, 8/99, 25 1/4"H X 19 1/4"W, 33"H X 25 3/4"W (FRAME)Ronald William Fordham Searle, New York / England, France, (1920 - 2011) Icare II, 1970, etching on paper, 8/99 signed and dated lower right, numbered lower left. Biography from the Archives of askART: Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy. Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput. In January 1942 he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. The brutal camp conditions were documented by Searle in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Liberated late in 1945, Searle returned to England where he published several of the surviving drawings in fellow prisoner Russell Braddon's The Naked Island. Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945. At least one of the drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of these original drawings, approximately 300, are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are Jack Bridger Chalker, Philip Meninsky and Ashley George Old. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge, and collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books; and did animation in Hollywood and worked on advertisements and posters. Searle also drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life. In 1961 he moved to Paris, leaving his family and later marrying Monica Koenig, theatre designer and creator of necklaces. In France he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media, and produced books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society. Searle did a considerable amount of designing for the cinema and in 1965, he completed the opening, intermission and closing credits for the popular comedy Those Magnificent Men in Their Flying Machines. In 1975 the full-length cartoon Dick Deadeye was released. Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result. Since 1975 he and Monica have lived and worked in the mountains of Haute Provence. In 2010 he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany) now renamed Deutsches Museum für Karikatur und Zeichenkunst, the ancient Summer palace of George 1st, that holds Searle's archives. Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit. etching on paper, 8/99 Dimensions: 25 1/4"H x 19 1/4"W, 33"H x 25 3/4"W (frame)
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RONALD SEARLE (BRITISH
RONALD SEARLE (BRITISH 1920-2011), NATIONAL BROTHERHOOD WEEK..., INK ON PAPER, SIGHT SIZE: 16-1/2 X 12-1/4 IN (41.9 X 31.1 CM)Ronald Searle, (British, 1920-2011) National Brotherhood Week..., Ink on paper; apparently in good condition. Framed.* Signed Ronald Searle u.l., titled in graphite l.l. and dated 1980 in graphite l.r. Ink on paper; apparently in good condition. Framed.* Dimensions: Sight size: 16-1/2 x 12-1/4 in (41.9 x 31.1 cm) Provenance: Property from the Collection of Richard Thompson, American Cartoonist (1957-2016)
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RONALD WILLIAM FORDHAM SEARLE,
RONALD WILLIAM FORDHAM SEARLE, NEW YORK / ENGLAND, FRANCE (1920-2011), BAD NEWS, 1970, LITHOGRAPH, 30"H X 22"WRonald William Fordham Searle, New York / England, France, (1920-2011) Bad News, 1970, lithograph Titled and numbered 26/99 lower left, signed and dated lower right. Biography from the Archives of askART: Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy. Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput. In January 1942 he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. The brutal camp conditions were documented by Searle in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Liberated late in 1945, Searle returned to England where he published several of the surviving drawings in fellow prisoner Russell Braddon's The Naked Island. Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945. At least one of the drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of these original drawings, approximately 300, are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are Jack Bridger Chalker, Philip Meninsky and Ashley George Old. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge, and collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books; and did animation in Hollywood and worked on advertisements and posters. Searle also drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life. In 1961 he moved to Paris, leaving his family and later marrying Monica Koenig, theatre designer and creator of necklaces. In France he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media, and produced books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society. Searle did a considerable amount of designing for the cinema and in 1965, he completed the opening, intermission and closing credits for the popular comedy Those Magnificent Men in Their Flying Machines. In 1975 the full-length cartoon Dick Deadeye was released. Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result. Since 1975 he and Monica have lived and worked in the mountains of Haute Provence. In 2010 he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany) now renamed Deutsches Museum für Karikatur und Zeichenkunst, the ancient Summer palace of George 1st, that holds Searle's archives. Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit. lithograph Dimensions: 30"H x 22"W
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RONALD WILLIAM FORDHAM SEARLE,
RONALD WILLIAM FORDHAM SEARLE, NEW YORK / ENGLAND, FRANCE (1920-2011), CITY BIRD, 1969, LITHOGRAPH, 26"H X 19 1/2"WRonald William Fordham Searle, New York / England, France, (1920-2011) City Bird, 1969, lithograph Signed and dated lower right, numbered 52/99 lower left. Titled verso. Biography from the Archives of askART: Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy. Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput. In January 1942 he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. The brutal camp conditions were documented by Searle in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Liberated late in 1945, Searle returned to England where he published several of the surviving drawings in fellow prisoner Russell Braddon's The Naked Island. Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945. At least one of the drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of these original drawings, approximately 300, are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are Jack Bridger Chalker, Philip Meninsky and Ashley George Old. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge, and collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books; and did animation in Hollywood and worked on advertisements and posters. Searle also drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life. In 1961 he moved to Paris, leaving his family and later marrying Monica Koenig, theatre designer and creator of necklaces. In France he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media, and produced books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society. Searle did a considerable amount of designing for the cinema and in 1965, he completed the opening, intermission and closing credits for the popular comedy Those Magnificent Men in Their Flying Machines. In 1975 the full-length cartoon Dick Deadeye was released. Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result. Since 1975 he and Monica have lived and worked in the mountains of Haute Provence. In 2010 he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany) now renamed Deutsches Museum für Karikatur und Zeichenkunst, the ancient Summer palace of George 1st, that holds Searle's archives. Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit. lithograph Dimensions: 26"H x 19 1/2"W
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RONALD WILLIAM FORDHAM SEARLE,
RONALD WILLIAM FORDHAM SEARLE, NEW YORK / ENGLAND, FRANCE (1920-2011), VEGETABLE CITY, 1969, LITHOGRAPH, 26"H X 20"WRonald William Fordham Searle, New York / England, France, (1920-2011) Vegetable City, 1969, lithograph Numbered 28/99 lower left, titled lower middle, signed and dated lower right. Biography from the Archives of askART: Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy. Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput. In January 1942 he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. The brutal camp conditions were documented by Searle in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Liberated late in 1945, Searle returned to England where he published several of the surviving drawings in fellow prisoner Russell Braddon's The Naked Island. Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945. At least one of the drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of these original drawings, approximately 300, are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are Jack Bridger Chalker, Philip Meninsky and Ashley George Old. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge, and collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books; and did animation in Hollywood and worked on advertisements and posters. Searle also drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life. In 1961 he moved to Paris, leaving his family and later marrying Monica Koenig, theatre designer and creator of necklaces. In France he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media, and produced books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society. Searle did a considerable amount of designing for the cinema and in 1965, he completed the opening, intermission and closing credits for the popular comedy Those Magnificent Men in Their Flying Machines. In 1975 the full-length cartoon Dick Deadeye was released. Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result. Since 1975 he and Monica have lived and worked in the mountains of Haute Provence. In 2010 he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany) now renamed Deutsches Museum für Karikatur und Zeichenkunst, the ancient Summer palace of George 1st, that holds Searle's archives. Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit. lithograph Dimensions: 26"H x 20"W
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Ronald Searle lithograph, cat at
Ronald Searle lithograph, cat at dinner table, titled 'They’re All Against Me', pencil signed, titled and numbered 69/99 on lower edge. Image 19.5” x 25.25” Overall 26” x 32” Condition: paper loose in frame CT Transfer Fee $10
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Two framed and matted lithographs
Two framed and matted lithographs by Ronald Searle (U.K., 1920 - 2011), to include a delightful scene of pigs picnicking "Dejeuner sur l'herbe", 82/99, pencil signed lower right, embossed "Michel Casse" printer, sight 18 3/4"h x 24 1/2"w; and a fox fleeing a fox hunt on horseback titled "Sporting print", 9/99, pencil signed lower right, embossed "Michel Casse Edition ___ Paris", sight 18 3/4"h x 24 12"w
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RONALD WILLIAM FORDHAM SEARLE
RONALD WILLIAM FORDHAM SEARLE (NY/UK/FRANCE, 1920-2011) Cartoon of a sweltering individual man riding on the back of an ox cart into a barren desert, his feet dangling in stockings only, his face a misery, ink and watercolor, signed and dated '73. A political cartoon he drew for the New Yorker to go with S.J. Perleman's "Nostalgia in the Middle East". In gilt bullnose frame, linen mat, under plexi, OS: 23" x 1"", SS: 15" x 11 1/2
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Ronald (David Ronald Ferguson)
Ronald (David Ronald Ferguson) Hargrove (American, 1882-1934) "Orleans Street", etching, sight 11-1/2" x 17", pencil titled lower left, pencil signed lower right "Ronald Hargrove". Glazed, double matted and presented in an ebonized frame.
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RONALD REGAN WINDOW WAVER Circa
RONALD REGAN WINDOW WAVER Circa 1980, with cover sheet; about 14 x 12 in.
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George Valentine Dureau
George Valentine Dureau (American/New Orleans, b. 1930) "Bust Portrait of Ronald", ca. 1971, charcoal drawing, signed lower right "Dureau", sight 27" x 20". Glazed, matted and presented in a contemporary giltwood frame. Provenance: Estate of Dr. Robert Barron, New Orleans, Louisiana.
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Ronald Joseph (American
Ronald Joseph (American 1910-1992) Personal manuscript notebook containing 26 original watercolor pen and pencil sketches [2 tipped in and 21 in-text and 1 laid in] and 16 pages of notes pertaining to art and beauty. 8vo self-titled Seeds to upper cover. S.l. n.d. [c. 1943]
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RONALD KLEEMAN (AMERICAN B.1937)
RONALD KLEEMAN (AMERICAN B.1937) WHITE KNIGHT 1980. Serigraph AP edition 8/25. Pencil signed LR Loose sheet 24'' x 331/2'' Condition: No Specific Condition Recorded - Sold As Is
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RONALD REAGAN SIGNED PEACE CORP
RONALD REAGAN SIGNED PEACE CORP CERTIFICATE AND A SUPREME COURT CERTIFICATERonald Reagan Signed Peace Corp Certificate and a Supreme Court Certificate
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George Rodrigue
George Rodrigue (American/Louisiana, b. 1944) "An American Hero: Ronald Reagan", color silkscreen, sight 29" x 21", plate signed lower right, signed in ink lower right margin. Glazed and framed.
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CHARLES ROBERT SEARLES (american
CHARLES ROBERT SEARLES (american 1937 - 2004) STREET SCENE WITH GRAFFITI Signed bottom left, watercolor Sight: 19 1/2 x 14 5/8 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
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Ronald S Embleton
Ronald S Embleton (1930-1988)/King Uther Pendragon/illustration for The Story of the Boy King Arthur/gouache, 16cm x 30.5cm/Provenance: The Estate of Anthony J Beeson
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REAGAN RONALD Autographed note
REAGAN RONALD Autographed note signed (''Ron'') as President one page on Presidential letterhead April 1981. Reagan newly recovered from his assassination attempt thanks his friends Dorothy and Ward for sending flowers and states ''I'm feeling fine & have the services of a very competent Nurse's Aide (Nancy).''
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Ronald Searle, James Boswell, 2000,
Ronald Searle, James Boswell, 2000, bronze 75mm diameter; Peter Welton, Giverny, 2004, bronze 80mm diameter; Sara Richards, A Song Without Words Pt II, 2009, bronze 74mm diameter and Stephen Raw, Hour, bronze 90mm diameter, no 12/100 (4) /Note: All purchased via the British Art Medal Society
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Ronald Mallory (American,
Ronald Mallory
(American, 1939-2021)
Mercury Sphere
mercury in lucite sphere
inscribed and numbered 69/150
Diameter: 6 inches.
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RONALD RIELLO. "BUGEYE," OIL Oil on
RONALD RIELLO. "BUGEYE," OIL Oil on board, signed lr, titled ll, 13 1/2 x 17 1/2 in., framed.
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RONALD AMEY ORANGE WOOL AND SATIN
RONALD AMEY ORANGE WOOL AND SATIN DRESS SUIT 1970s. Dress and long-sleeved jacket with satin ribbon detail large button closures.
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LANDSCAPE WITH HOUSE SIGNED SEARLE.
LANDSCAPE WITH HOUSE SIGNED SEARLE. Probably William Ross Searle, Massachusetts, 1936-2017. Oil on canvas, signed lower right. Woman with laundry before an approaching storm. 18"h. 22"w., strip frame (loose corners), 18.5"h. 22.5"w.
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RONALD JULIUS CHRISTENSEN SERIGRAPH
RONALD JULIUS CHRISTENSEN SERIGRAPH SOFT WINDSRonald Julius Christensen (American, Massachusetts, 1923-1999). Artist's proof serigraph flowers, Soft Winds. Pencil signed lower right and titled and numbered AP 13/25 in the lower margin. 18 1/2" x 25 3/4" (with frame 27" x 34 1/2"). Waviness to mat, scratches to frame.
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RONALD SEITZ ROBOT MIXED MEDIA
RONALD SEITZ ROBOT MIXED MEDIA Ronald Seitz, Robot, outsider art mixed media, 2019, signed and dated on reverse, inscribed "Made in New Lebanon, NY." 24.25" H x 13.75" W
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RONALD SEARLE (1920 - 2011):
RONALD SEARLE (1920 - 2011): BIRTH OF A NATION1959; ink on paper; signed lower right; 20 x 13 1/2 inches sight; 31 x 24 inches frame Condition:
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RONALD JULIUS CHRISTENSEN
RONALD JULIUS CHRISTENSEN (AMERICAN, 1923-1999), "SUMMER HILL", COLOR SERIGRAPH, ABSTRACTED LANDSCAPE WITH A VARIETY OF GREEN TREES...Ronald Julius Christensen (American, 1923-1999), "Summer Hill", color serigraph, abstracted landscape with a variety of green trees atop a wildflower covered hill, drips of green and yellow to bottom of sheet, pencil signed lower right, not examined out of frame, wear consistent with age, sheet size: 29" h. x 37 1/2" w.
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RONALD KLEEMAN (AMERICAN B.1937)
RONALD KLEEMAN (AMERICAN B.1937) THREE SERIGRAPHS. Comprised of ''Texas Tug'' 1980 Edition HC 1/10. Pencil signed bottom right ''Cantankerous'' 1980 Edition 29/30. Pencil signed LR ''Texas Chopper'' 1980 Edition 183/250. Pencil signed LR All Loose sheets 22'' x 30'' Condition: No Specific Condition Recorded - Sold As Is
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RONALD M. CHEE. CHIEF, SERIGRAPH
RONALD M. CHEE. CHIEF, SERIGRAPH (American/Navajo, 20th century). Serigraph, ed. 1/1, signed lr in silver ink, sight size: 29 x 15 1/2 in., framed.
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RONIS, WILLY (b. 1910) Le nu
RONIS, WILLY (b. 1910) Le nu provencal,
Estimate:$1,500-$2,500
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RONALD FRONTIN: "SEATED
RONALD FRONTIN: "SEATED NUDE"1992, oil on board, signed and dated upper right 16 x 9 inches Condition:
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Ronald Dean (1929-2023) - Free
Ronald Dean (1929-2023) - Free Range, signed, titled Mall Galleries label to verso, watercolour, gouache and pen-and-ink, 31.5 x 42.5cm, another, Tilford Cottage, signed, titled Mall Galleries label to verso, watercolour, gouache and pen-and-ink, 37 x 51cm, (2) More Information Good condition.