A few examples of appraisal values for
ROOKWOOD LENORE ASBURY

• Lenore Asbury for Rookwood
  Lenore Asbury for Rookwood Pottery (American, 1866-1933) Standard Glaze Vase, 1899 glazed earthenware impressed manufacturer's mark, date mark and number '556 C' to underside H 11 1/4 inches.
• Lenore Asbury for Rookwood Pottery.
  Lenore Asbury for Rookwood Pottery. Scenic Vellum plaque. 1914, glazed earthenware. 8¼ h × 5¼ w in. result: $1,105. estimate: $1,000–2,000. Impressed manufacturer's mark, date and number to verso ‘Flame mark XIV V’. Glazed artist's initials to lower right ‘L.A.’.
• LENORE ASBURY ROOKWOOD POTTERY
  LENORE ASBURY ROOKWOOD POTTERY VASELenore Asbury (American, 1866-1933) for Rookwood Pottery. Vellum glaze vase, floral Poppy decoration. Incised number 940G. Artist initialed L.A., with RP flame mark, dated IX (1909). 11 1/4"H. Crazing throughout.
• Lenore Asbury for Rookwood Pottery.
  Lenore Asbury for Rookwood Pottery. Scenic Vellum plaque. 1919, glazed earthenware, original frame. 7 h × 9¼ w in. result: $2,250. estimate: $1,000–2,000. Impressed manufacturer's mark, date and number to verso ‘Flame mark XIX’. Glazed artist's initials to lower right ‘L.A.’. Partial original paper label to verso.
• A Rookwood Pottery Vase Lenore
  A Rookwood Pottery Vase Lenore Asbury 1925 of tapering cylindrical form decorated with fruit laden branches on a blue to ivory ground and having a pink interior impressed 1369 F further incised with a V. Height 6 1/4 inches.
• 1928 ROOKWOOD LENORE ASBURY
  1928 ROOKWOOD LENORE ASBURY VASEHand painted floral Rookwood vase, circa 1928. Marks include the Rookwood logo, date, and shape 925E as well as the initials LA for Lenore Asbury and the letter V. Measures 7" tall. Excellent condition with no chips, cracks or damage.
• Lenore Asbury for Rookwood Pottery.
  Lenore Asbury for Rookwood Pottery. Scenic Vellum vase. 1917, glazed earthenware. 7 h × 3½ dia in. result: $2,000. estimate: $1,200–1,600. Impressed manufacturer's mark, date, and number to underside ‘Flame mark XVII 1124E V’ with incised artist initials ‘L.A.’.
• Lenore Asbury for Rookwood Pottery.
  Lenore Asbury for Rookwood Pottery. Iris Glaze vase with hollyhocks. 1907, glazed earthenware. 12¾ h × 6¾ dia in. result: $2,500. estimate: $2,000–3,000. Impressed signature, date and number to underside ‘Flame mark VII 1358B’ with incised artist's initials 'L.A.'.
• ROOKWOOD POTTERY BY LENORE ASBURY
  ROOKWOOD POTTERY BY LENORE ASBURY VASE, BLACKBERRYA glazed blue-gray and white vase adorned with blackberries. Rookwood Pottery and artist's initials on the base. Artist: Lenore Asbury Issued: 20th century Dimensions: 3.5"W x 7.5"H Manufacturer: Rookwood Pottery Country of Origin: United States Condition: Age related wear.
• ROOKWOOD HAND-PAINTED VASE, 1915,
  ROOKWOOD HAND-PAINTED VASE, 1915, PAINTED BY LENORE ASBURY, H: 9 1/2 IN. (24.13 CM.)Rookwood Hand-Painted Vase, 1915, Painted by Lenore Asbury,, Dimensions: H: 9 1/2 in. (24.13 cm.)
• ROOKWOOD POTTERY VASE WITH DASIES
  ROOKWOOD POTTERY VASE WITH DASIES BY LENORE ASBURY, DATED 1926 5 ?" x 5 ?" Rookwood pottery vellum vase peach bloom brown glaze decorated with hand painted multicolored daisies. Rookwood mark for 1926, "2831" and signed LA for Lenore Asbury on the bottom.
• ROOKWOOD ART POTTERY VASE: Shape
  ROOKWOOD ART POTTERY VASE: Shape 950E Decorated by Lenore Asbury dated 1911 marked with an X. 7 1/4'' tall.
• Lenore Asbury. large Vellum
  Lenore Asbury. large Vellum plaque (Wooded Lakeside and Mountains). 1929, glazed porcelain. 13¼ h × 15½ w in. result: $10,625. estimate: $7,500–9,500. Faint artist initials to lower right. Impressed signature and date to verso ‘Flame mark/XXIX’.
• Lenore Asbury. Scenic Vellum
  Lenore Asbury. Scenic Vellum plaque. 1919, glazed earthenware. 9 h × 12 w in. result: $2,125. estimate: $2,000–3,000. Glazed signature to lower left ‘L.A.’. Impressed manufacturer's mark and date to verso ‘Flame mark XIX’.
• Lenore Asbury. Birches plaque.
  Lenore Asbury. Birches plaque. 1919, glazed earthenware. 8½ h × 10½ w in. result: $1,875. estimate: $2,000–3,000. Signed to lower left ‘L.A.’. Impressed manufacturer's mark and date to verso ‘Flame mark XIX’. Partial original label to verso of frame ‘Birches L. Asbury’.
• Rookwood vellum glazed art
  Rookwood vellum glazed art pottery landscape vase by Leonore Asbury circa 1913; blue ground with river landscape decoration impressed mark with artist's initials 9 in. H. Estimate $ 800-1 200 Craquelure appropriate wear.
• Rookwood floral Vellum Glaze vase
  Rookwood floral Vellum Glaze vase from 1921 by Lenore Asbury. Marked with Rookwood logo, XXI, the shape number 943D, V and the artist's mark. Professional restoration to top rim. 8 1/2" tall.
• ROOKWOOD, VELLUM SCENIC VASE,
  ROOKWOOD, VELLUM SCENIC VASE, ARTIST INITIALED c. 1916, American, polychrome glazed pottery, decorated in the round with a wooded landscape, decorated by Lenore Asbury, impressed to underside with makers mark, artist initials, Roman numeral date, and model no. 325C, 10.5"h x 5"dia
• A Rookwood Bust of a Young Woman
  A Rookwood Bust of a Young Woman Measuring approx. 8"H x 7-3/4"W x 4"D, the figure is glazed in a glossy mottled taupe, impressed marks on the underside, number 2026, ca. 1922.
• Rookwood sterling overlay pottery
  Rookwood sterling overlay pottery vase, signed by artist Anna Marie Valentien (1862-1947) working for Rookwood in 1884, shape 589E in standard glaze with lilypad paint decoration and rocaille Gorham silver decoration, silver stamped 'R 2185 Gorham Mfg Co. 999/1000 Fine' worn Rookwood mark at underside with model no. 589E and A.M.V artist signature, MD initial monogram at front, 7-5/8"H, Crackling to base and side, dent to top of rim of silver, inside top at neck is cracked
• Rookwood Vellum glaze vase from
  Rookwood Vellum glaze vase from 1909 with scenic band of sailboats on the water by Lenore Asbury. Marked with Rookwood logo IX 614E V for Vellum and the artist's initials. There is a professional restoration to the rim. A factory chip to the base has been filled and is most likely the reason for an X on the base. 8 1/2'' tall.
• Rookwood bust of a woman with
  Rookwood bust of a woman with gunmetal glaze. Flame mark with 1922 and #2026. 7 3/4"H x 7 1/2".
• A Rookwood Scenic Vellum Vase
  A Rookwood Scenic Vellum Vase 1912 decorated by Katherine van Horne with a landscape at dusk height 6 1/2 in.
• Fine and Rare Rookwood Pottery
  Fine and Rare Rookwood Pottery Landscape Plaque, 1913, of small size en grisaille, by Sara Sax (1870-1949, active at Rookwood 1886-1931), decpicting a twilight riverscape at a section of the Ohio River near Cincinnati known as the "Straight Riffle", signed "Sax" lower left, the reverse fully marked and numbered, presented in the original dished mahogany frame in the Arts and Crafts style, overall h. 7-3/4", w. 11-3/4".
• Large Rookwood vellum vase, trees
  Large Rookwood vellum vase, trees silhouetted in rolling landscape, marks for Frederick Rothenbusch, nephew of Robert Valentien, working 1896-1931, also marks for 1913 and "614B", 14-1/2 in. Overall light crazing.
• Sallie E. Coyne Rookwood
  Sallie E. Coyne Rookwood Landscape Plaque American a Rookwood vellum glaze plaque of a winter landscape with fir trees artist initials for Sallie E. Coyne Rookwood sticker on verso mounted in an oak Arts & Crafts frame; ht. 7.5 wd. 3.5 oaz framed; ht. 11 wd. 7.25 in. Condition: Crazing. Backing was not removed from frame for examination.
• Rookwood vellum glaze vase
  Rookwood vellum glaze vase decorated with lavender berries on leafy branch painted by Mary Madeline Nourse. Flame Mark, 1904, incised initials. 5"H.
• Rookwood Scenic Vase American, 20th
  Rookwood Scenic Vase American, 20th century, woodland scene with lake and reflections, base with marks for 1928, "614C", artist initials probably for Edward T. Hurley, 12-3/4 in.,
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) SPRING PLOW (George Hollinshead Farm Milledgeville GA) watercolor matted unframed unsigned sight size: H15'' W22'' Provenance: Milledgeville Georgia private collection. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) VIEW FROM LIBERTY STREET MILLEDGEVILLE GA charcoal framed monogrammed: lower right sight size: H14 1/2'' W21 1/2'' together with: VIEW FROM LIBERTY STREET MILLEDGEVILLE GA watercolor unframed unsigned possibly a study H15 1/4'' W23 1/4'' Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelor in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.
• Sallie Coyne for Rookwood Pottery
  Sallie Coyne for Rookwood Pottery (American, 1891-1939) Vellum Plaque, 1923 glazed earthenware artist's cipher to lower left and impressed manufacturer's mark to verso. 7 3/4 x 6 inches. Property from the Collection of the Sisters of Charity, Mount Saint Joseph, Ohio
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisiana/Georgia 1901-1986) SIX WORKS: FURNITURE DESIGN SKETCHES mixed media including watercolor ink and pencil unframed 5 titled 3 signed: Asbury H13 3/8'' W9 1/8'' to H12 3/8'' W16'' (6pcs) Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: Executed at Newcomb College. May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere. All with wear to paper along edges and corners; some with small tears and losses; all with varying degrees of toning and age discoloration.
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) FIVE WORKS: STILL LIFE STUDIES watercolors unframed 4 signed with monograms one signed: lower right page size: H14'' W10'' (4pcs) Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: One painting is double-sided. Executed at Newcomb College. May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere. One double sided work. Tone and age discoloration to paper. Some with small tears ans missing bits to margins.
• 1925 SALLIE COYNE ROOKWOOD
  1925 SALLIE COYNE ROOKWOOD POTTERY VASE, EX-BUTTERFIELD...Rookwood Pottery Vase by Sarah Elizabeth Coyne (1876-1939) dated 1925. Signed, numbered, and dated on base. A beautiful vellum glazed ceramic vase with a striking floral vine motif in hues of pink, green, and tawny brown with a crackle-pattern in rose around the rim, all over a golden yellow body and presenting a characteristically matte finish. Marked on the base with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames), "XXV" to indicate the date 1925, identifying shape number "1657D", and a black "SEC" (Sarah Elizabeth Coyne) artist's mark. A lovely Rookwood Pottery vase of a classic form decorated with an attractive floral motif characteristic of the Arts & Crafts movement by one of Rookwood's outstanding artists, Sarah Elizabeth Coyne. Size: 4.25" in diameter x 8.125" H (10.8 cm x 20.6 cm) The Rookwood Pottery Company was founded in 1880 by the artist Maria Longworth-Nichols who created a world-renowned ceramic studio in Cincinnati, Ohio that attracted reputable artists and ceramicists. Sarah Elizabeth Coyne, who often went by "Sallie", worked at Rookwood Pottery from 1891 to 1839. Remarkably, when she began working at Rookwood, she was only 15 years old. Provenance: private Wabasha, Minnesota, USA collection; ex-Nancy and Dr. E.F. Simpson collection, Los Angeles, California, USA, acquired from 1970 to 2000 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171833 Condition: Marked on the base with the Rookwood logo (a back-to-back "R" and "P" surrounded by flames), "XXV" to indicate the date 1925, identifying shape number "1657D", and a black "SEC" (Sarah Elizabeth Coyne) artist's mark. An old Butterfield & Butterfield tag is attached. Slight remains of museum putty on base. Overall intact and excellent.
• Maria Longworth Nichols Storer
  Maria Longworth Nichols Storer for Rookwood Pottery. Early Limoges vase. 1882, glazed and gilt earthenware. 8 h × 6¾ dia in. result: $12,350. estimate: $2,000–3,000. Incised signature to underside ‘MLN’. Impressed manufacturer's mark to underside ‘Rookwood 1882 109’. Provenance: Important Private Collection
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) 3 BIRD STUDIES and STILL LIFE watercolors unframed signed: lower right page size: H14'' W10'' (4pcs) Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: Executed at Newcomb College. May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere. Tone and age discoloration to paper. Some with small tears ans missing bits to margins.