A few examples of appraisal values for
ROSALIE

• ROSALIE FULTON (AMERICAN/TEXAS,
  ROSALIE FULTON (AMERICAN/TEXAS, 20TH C.)Rosalie Fulton (American/Texas, 20th c.) , "Outrider Finding Stray, Big Horn Mountains, Wyoming", 1984, oil on canvas, signed and dated lower right, signed and titled en verso, 16 in. x 20 in., framed with brass title plaque
• Rosalie (Rosa) Bonheur ''Calf's
  Rosalie (Rosa) Bonheur ''Calf's Head''oil painting on panel. Panel: 13''H x 11.5''W; Frame: 20.5''H x 19''W. Signed lower left ''Rosa Bonheur 1891''; inscribed ''nace du cantal''. Rosalie (Rosa) Marie Bonheur (French 1822-1899).
• ROSALIE NADEAU (AMERICAN, 1948),
  ROSALIE NADEAU (AMERICAN, 1948), FROST FISH COVE, OIL ON LINEN, 38 X 43-1/2 INCHESRosalie Nadeau (AMERICAN, 1948), Frost Fish Cove, Oil on Linen, 38 x 43-1/2 inches
• Oval Portrait Miniature of "Rosalie
  Oval Portrait Miniature of "Rosalie Bonar", fourth quarter 19th century, presented in a period tortoiseshell-banded pieced bone frame with a bronze-patinated brass fillet and glazed, sight h. 2-1/4", w. 1-3/4".
• ROSALIE ROOS WIENER
  ROSALIE ROOS WIENER (AMERICAN/LOUISIANA, 1899)Rosalie Roos Wiener (American/Louisiana, 1899-1982, act. Newcomb College 1923-1935) , "Untitled (Still Life with Blue Vase)", oil on canvas, signed lower left, "Jean Bragg Gallery, New Orleans" label and artist biography on backing paper, 22 1/8 in. x 18 1/8 in., framed Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• ROSALIE NADEAU (AMERICAN, 1948),
  ROSALIE NADEAU (AMERICAN, 1948), RED RIVER GRASSES, PASTEL ON WINDBERG ARCHIVAL PAPER, 26 X 36 INCHESRosalie Nadeau (AMERICAN, 1948), Red River Grasses, Pastel on Windberg Archival paper, 26 x 36 inches
• ROSALIE NADEAU (CAPE COD,
  ROSALIE NADEAU (CAPE COD, MASSACHUSETTS, CONTEMPORARY), TWO WORKS:, FRAMED 14” X 12”.ROSALIE NADEAU, Cape Cod, Massachusetts, Contemporary, Two works: 1) "Peachy". Signed lower right. Oil on board, 10" x 8". 2) "Water with Lemon". Signed lower left. Pastel on paper, 8" x 10". Both signed and titled verso. Dimensions: Framed 14" x 12".
• ROSIE YELLOWHAIR (B. 1950),
  ROSIE YELLOWHAIR (B. 1950), "FEATHER MAIDEN DANCER," COLORED SAND ON BOARD, SIGHT: 3.875" H X 6.875" WRosie Yellowhair, (b. 1950) "Feather Maiden Dancer", Colored sand on board Signed and titled in ink on the frame's backing paper: R. Yellowhair; titled again on an exhibition label affixed to the frame's backing paper Colored sand on board Dimensions: Sight: 3.875" H x 6.875" W Provenance: The Estate of Eleanor Koffler
• ROSINA EMMET SHERWOOD (AMERICAN,
  ROSINA EMMET SHERWOOD (AMERICAN, 1854-1948) "THE BLACK CUCHRADE" Pastel on paper board. Signed and initialed 'R. E. S. 1892' (upper right).
• Rosa (Rosarius) Brett, RSA
  Rosa (Rosarius) Brett, RSA (Irish, 1829-1882) "Lake Geneva" watercolor signed and dated 1874 lower right 20" x 24 1/2"
• ROSALIE NADEAU (CAPE COD,
  ROSALIE NADEAU (CAPE COD, MASSACHUSETTS, CONTEMPORARY), "TOO TART"., PASTEL ON BOARD, 8" X 10". FRAMED 15.5" X 17.5".ROSALIE NADEAU, Cape Cod, Massachusetts, Contemporary, "Too Tart". Signed lower right "Nadeau". Titled verso. Dimensions: Pastel on board, 8" x 10". Framed 15.5" x 17.5".
• ROSALIE D. BERKOWITZ (D.1990)
  ROSALIE D. BERKOWITZ (D.1990) 'BILLBOARD' PAINTINGFramed oil on board painting, "Billboard," signed lower left Berkowitz (Rosalie Dalsheimer Berkowitz, Texas, 1906-1990), Kraushaar Galleries, New York label with title verso, sight: approx 24"h, 20"w, overall: approx 28"h, 24"w, 7.75lbs
• ROSALIE RAMM (AMERICAN/LOUISIANA,
  ROSALIE RAMM (AMERICAN/LOUISIANA, 20TH C.)Rosalie Ramm (American/Louisiana, 20th c.), "Green Boat", 1983, acrylic on canvas, signed and dated en verso, 36 1/2 in. x 140 1/2 in., unframed. Provenance: Estate of Highly Acclaimed New Orleans Artist, Furniture Maker, Designer, and Collector Mario Villa (Nicaraguan/New Orleans, 1953-2021). Condition: Overall poor condition.
• ROSALIE PREBLE BARDEN (20TH C.
  ROSALIE PREBLE BARDEN (20TH C. GORHAM, MAINE) "Five Birches", mixed media, signed lower left. also signed and titled verso, marked "3rd Prize, Littleton, NH", in gold molded egg and dart frame, matted and glazed, OS: 23 1/2" x 30 1/2", SS: 13 3/4" x 20 3/4", good condition.
• A group of two botanical engravings
  A group of two botanical engravings Rosier Il-Bourbon and Lapageria Rosea. Each 10 1/4 x 7 inches.
• ROSALIE LEVINE (AMERICAN,
  ROSALIE LEVINE (AMERICAN, MID-20TH CENTURY) 25" x 30" Red Cityscape. Oil on board, signed lower left, in a distressed painted frame, overall 33 ¼" x 38 ¼".
• ROSALIE STAMBLER NADEAU
  ROSALIE STAMBLER NADEAU (MASSACHUSETTS, CONTEMPORARY), “A FRONT”., OIL ON CANVAS BOARD, 8” X 16”. FRAMED 15” X 23”.ROSALIE STAMBLER NADEAU, Massachusetts, Contemporary, "A Front". Signed lower right "Nadeau". Titled on Cahoon Museum label verso. Dimensions: Oil on canvas board, 8" x 16". Framed 15" x 23".
• Bonheur Rosalie (Rosa) Marie
  Bonheur Rosalie (Rosa) Marie [French 1822-1899] bronze of a bellowing bull 19th c. signed "Rosa B." and with payroll stamp. 6"h.x8.5"l.x4"d.
• Harry Herman Roseland American,
  Harry Herman Roseland American, 1868-1950 Portrait of the Artist's Daughter Estimate:$1,500-$2,500
• BIERSTADT - "STORM IN THE
  BIERSTADT - "STORM IN THE ROCKIES, MT. ROSALIE" (1869)**This is an oversized piece that may require special shipping. Please inquire for a quote prior to bidding. Albert Bierstadt (German-American, 1830-1902). "Storm in the Rocky Mountains, Mt. Rosalie" chromolithograph by H.M. Long, published by Thomas McLean, London, UK, 1869. Signed & dated 1866 (date for the original painting) in plate. A grand chromolithograph of Albert Bierstadt's "Storm in the Rocky Mountains, Mt. Rosalie" presenting a landscape inspired by sketches created during an 1863 expedition to the Colorado Rockies capturing Mt. Rosalie (now Mount Evans). The composition features a Native American hunting scene in the foreground, a waterfall leading to a lake (based on the Upper and Lower Chicago Lakes near Denver) in the middle ground, and Mt. Rosalie (now Mt. Evans) amidst threatening storm clouds but spot lit by a magical break in the clouds at the upper left. A grand landscape of the American West that reflects Bierstadt's understanding of Manifest Destiny as well as his audience's appetite for the dramatic sublime and, somewhat paradoxically, nearly photographic details, set in a custom, museum-quality frame behind glass. Size (sight view): 18" L x 32" W (45.7 cm x 81.3 cm) Size (frame): 32.75" L x 46.75" W (83.2 cm x 118.7 cm) Albert Bierstadt (1830-1902) was born in Germany, near Dusseldorf; however, he grew up in the United States. In his twenties he returned to Germany to study at the reputable Dusseldorf Academy. In addition to this school's tradition of heroic painting, the Hudson River School tradition would greatly impact the young Bierstadt who would go on to be best known for his grand paintings of the American West. Depicting the breathtaking beauty of such awe-inspiring locales as the Rocky Mountains and Yosemite Valley, Bierstadt's art also reflected the notion of Manifest Destiny in support of westward expansion. The original painting "Storm in the Rocky Mountains, Mt. Rosalie" is in the collection of the Brooklyn Museum of Art (accession number 76.79). As noted on their website, "In 1863, Albert Bierstadt made an arduous expedition to Colorado in order to gather studies of the region for this monumental painting, executed three years later in his New York studio. For the final canvas, he exercised artistic license-rearranging some landmarks and exaggerating the scale of others-to maximize the visual interest of this Rocky Mountain landscape. The picture toured the country on a yearlong exhibition and thrilled audiences with its dual effects of sublime grandeur and reportorial detail. Soaring peaks, expansive valleys, and turbulent weather conditions create a dramatic backdrop for the meticulously detailed flora and a Native American hunting scene in the foreground. Mt. Rosalie (now Mt. Evans) appears in spotlight within a ring of dark clouds in the upper left corner of the composition. Bierstadt established his artistic reputation with 'Great Pictures' of the American West that embodied the national agenda of expansionism known as Manifest Destiny." Of note: According to the Brooklyn Museum of Art, "The painting had a personal significance, for 'Mt. Rosalie' (now Mount Evans) was named by the artist in honor of his traveling companion's wife, Rosalie Osborne Ludlow, whom Bierstadt would marry in 1866 following her divorce." An invoice from Selker Fine Art, Cleveland, Ohio dated December 16, 2006 lists the price of this chromolithograph (with a different frame) at $9500. Provenance: private Albuquerque, New Mexico, USA collection; ex-Hugh K. Tirrell estate, representative Priscilla T. Bisher, purchased from Selker Fine Art, Cleveland, Ohio, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175644 Condition: Signed and dated 1866 in the plate (one boulder at lower right). Mounted in a custom, museum-quality frame with a linen matte behind glass. Chromolithograph has not been examined outside the frame but appears to be in overall excellent condition. Framing is excellent. Professional suspension hardware (Wallbuddies) on verso and ready to display.
• ROSALIE COX, AMERICAN 20TH CENTURY,
  ROSALIE COX, AMERICAN 20TH CENTURY, GUARDIANS OF OUR HERITAGE, OIL ON CANVAS, FRAME: 25 3/4 X 15 3/4 IN. (65.41 X 40.01 CM.)Rosalie Cox, American 20th Century, Guardians of our Heritage, Oil on Canvas,, Dimensions: Frame: 25 3/4 x 15 3/4 in. (65.41 x 40.01 cm.)
• American needlework sampler,
  American needlework sampler, Rosalie Roberts, March 28, 1850, with a verse praising "the neat assiduous bee", espousing "gathering stores from learning's flowers", with finely worked graduated alphanumeric sets, 17" x 13"` Estimate $400-600
• Rosa Bonheur (French, 1822-1899)
  Rosa Bonheur (French, 1822-1899) A pair of tame hunting dogs watercolor signed and dated 1868 lower left 10 1/2" x 15 1/2"
• Rosalia Campo Menendez (Spanish, b.
  Rosalia Campo Menendez (Spanish, b. 1928) "Truchas (Trout)", oil on canvas, 21-1/2" x 29", signed lower left "R. Campo", titled and signed en verso "Truchas, R. Campo". Framed.
• ROSALIND MCGARY, AMERICAN 20TH
  ROSALIND MCGARY, AMERICAN 20TH CENTURY, GUARDIANS I AND II, TWO COLOR PRINTS, FRAME: 32-3/8 X 12-1/2 INRosalind McGary, American 20th Century, Guardians I and II, Two Color Prints, Frame: 32-3/8 x 12-1/2 in
• ROSALIND (BROWNE) BENGELSDORF,
  ROSALIND (BROWNE) BENGELSDORF, AMERICAN (1916-1979), APPLE AND POMEGRANATE STAGE #1, 1972, OIL ON CANVAS, 16"H X 20"W (SIGHT), 18 1/4"H X 22 1/4"W (FRAME)Rosalind (Browne) Bengelsdorf, American, (1916-1979) Apple and Pomegranate Stage #1, 1972, oil on canvas signed, titled, and dated verso. Provenance: From a private collector, Indianapolis. Summit Gallery, NY label verso along with an unidentified exhibition label. From the Archives of AskArt: Educated at the Art Students League under George Bridgman and the Fifty-Seventh Street Studio under Hans Hofmann, Rosalind Bengelsdorf was one of the youngest founding members of the American Abstract Artists. She was a New Yorker all of her life, born in that city, and was very influential on other young artists to adopt Abstract Expression as their style. In the late 1930s, she worked for Burgoyne Diller in the WPA mural project and was one of the few abstract artists to work for the Works Progress Administration. Her masterpiece mural was for the Central Nurses Home in New York City and was eventually destroyed, but the study of that work is in the collection of the University Art Museum at the University of New Mexico. In 1940, she married artist Byron Browne, and from then was only a part-time painter but continued to speak out for abstract art until her death in 1979. Source: American Women Artists by Charlotte Streifer Rubinstein oil on canvas Dimensions: 16"H x 20"W (sight), 18 1/4"H x 22 1/4"W (frame)
• DOROTHY J. RAMSEY (20TH C. MASS.)
  DOROTHY J. RAMSEY (20TH C. MASS.) "Rosie Welcome, Rockport, Mass.", oil on canvas, signed lower right, dated 1993, titled verso, in gilt cove frame with linen liner, OS: 23 3/4" x 29 3/4", SS: 17 3/4" x 23 3/4", good condition.
• Rosina Emmet Sherwood (New York,
  Rosina Emmet Sherwood (New York, 1854-1948) Portrait of a Young Boy in a Sailor Suit, signed upper left "Rosina Emmet/1887", oil on canvas, 18 x 15 in.; early 20th century carved and gilt wood Florentine frame,
• Donna Rosser (American, 20th
  Donna Rosser (American, 20th Century), "Walk with the Roses", watercolor; 20 1/2" x 28 1/2"; pencil signed lower right. 1986 Hoosier Salon exhibition label and ribbon verso.
• Manner of Alexandre Roslin
  Manner of Alexandre Roslin (Swedish, 1718-1793) "Portrait of a Lady with Blue Mantle", first quarter 19th-century oil on canvas, unsigned, 32-1/2" x 25-1/2". Presented in a period carved giltwood frame in the neoclassical style.
• ROSEMARY WELLS (B1943) MAX & RUBY
  ROSEMARY WELLS (B1943) MAX & RUBY ILLUSTRATION ARTFramed ink and watercolor painting on paper, Max, signed lower right Rosemary Wells (American, b.1943), dated December 1989, sight: approx 20.5"h, 14.75"w, overall: 26.5"h, 20.25"w, 7lbs**Provenance: An important Four Seasons, Austin, Texas penthouse estate**
• ROSA MARIE BONHEUR (FRENCH,
  ROSA MARIE BONHEUR (FRENCH, 1822-1899)Rosa Marie Bonheur (French, 1822-1899), "Two Brahmin Bulls Fighting with Locked Horns", c. 1868-1875, oil on canvas, monogrammed lower right, label with artist on stretcher, 9 1/2 in. x 14 1/2 in., framed . Exh.: "The Forest of Fontainebleau: Refuge of Reality - French Landscape 1800 to 1870", Shepherd Gallery, New York, NY, 1972 and illustrated in the accompanying catalogue, no. 100
• 18th century miniature portrait,
  18th century miniature portrait, woman with lace cap, faint inscription lower right "Ros…", watercolor in sepia and black on laid paper, 2-1/8 x 1-3/4 in.; brass liner with beveled glass. Tacked down with glue(?), light water stain at right edge.
• ROSE WISELBERG (1908-1992)
  ROSE WISELBERG (1908-1992) CANADIANRose Wiselberg, still life with vase of flowers, oil on board, 21 ½ x 24 inches, signed upper right. Provenance: Ottawa Collection.
• ROSALIE STAMBLER NADEAU (MA,
  ROSALIE STAMBLER NADEAU (MA, CONTEMPORARY) (3) Sand Dab Form Fish Platters, glazed art pottery, all signed on base, in graduated sizes with realistically textured scales and fins, 11 3/4" x 8 1/4" to 18 1/4" x 14". Good condition.
• ROSALIE NADEAU (CAPE COD,
  ROSALIE NADEAU (CAPE COD, MASSACHUSETTS, CONTEMPORARY), "SWEET AND SOUR"., OIL ON BOARD, 12" X 10". FRAMED 20" X 17.5".ROSALIE NADEAU, Cape Cod, Massachusetts, Contemporary, "Sweet and Sour". Signed lower right "Nadeau". Titled verso. Dimensions: Oil on board, 12" x 10". Framed 20" x 17.5".