A few examples of appraisal values for
ROSELLA

• Rosella Hartman (American
  Rosella Hartman (American 1894-1984) ''Dogwood '' unframed oil on canvas still life of flowering dogwood branch and brown nautilus shell on gray table cloth butterscotch colored background signed ''Rosella Hartman'' LR original sales label from Grand Central Art Galleries New York NY attached UR corner stretcher title artist medium size inscribed stretcher verso paint loss near edges worn corners two small puncture holes UL superficial abrasion of one of flower petals UM ss: 20'' h. x 26'' w.
• Albert Fisher ''Rosella'' Pastel
  Albert Fisher ''Rosella'' Pastel Framed 30''x26''
• ROSINA EMMET SHERWOOD (AMERICAN,
  ROSINA EMMET SHERWOOD (AMERICAN, 1854-1948) "THE BLACK CUCHRADE" Pastel on paper board. Signed and initialed 'R. E. S. 1892' (upper right).
• F. LA ROSA, "DESNUDO I" FEMALE NUDE
  F. LA ROSA, "DESNUDO I" FEMALE NUDE PHOTOGRAPH Fernando La Rosa (Peruvian / Georgia 1943-2017), "Desnudo I" from the framed series, 1987, depicting a nude female figure lying down, photograph on paper, signed "F. La Rosa" lower right, titled and dated lower left, framed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 20.25", w. 24.25", h. 13.25", w. 17.25" (sight)
• F. LA ROSA, "DESNUDO I" FEMALE NUDE
  F. LA ROSA, "DESNUDO I" FEMALE NUDE PHOTOGRAPH Fernando La Rosa (Peruvian / Georgia 1943-2017), "Desnudo I" from the framed series, 1987, depicting a nude female figure lying down, photograph on paper, signed "F. La Rosa" lower right, titled and dated lower left, framed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 20.25", w. 24.25", h. 13.25", w. 17.25" (sight)
• Rosalba G Carriera (1675-1757)
  Rosalba G Carriera (1675-1757) Italy, oil on canvas, (relined) Portrait of a young lady with canary on her finger. Mounted in fine antique period frame, with Artist name tile bar. painting 39 cm x 30.7 cm Frame 71.5 cm x 64 cm
• ROSSELLA MATAMOROS JIMINEZ, COSTA
  ROSSELLA MATAMOROS JIMINEZ, COSTA RICAN 1960-, FIGURE ON DARK GROUND AND FIGURE ON LIGHT GROUND FROM PEOPLE SERIES, ACRYLIC ON PAPER: 12 X 7 IN., 17 3/4 X 13 1/2 IN. (FRAMED)ROSSELLA MATAMOROS JIMINEZ, COSTA RICAN, 1960- FIGURE ON DARK GROUND and FIGURE ON LIGHT GROUND from PEOPLE SERIES, Acrylic on paper: 12 x 7 in., 17 3/4 x 13 1/2 in. (framed) Framed; lower right signed and dated: Rosella M 93; "Figure on Light Ground," mixed media on paper: 11 x 6 3/4 in., 14 1/2 x 12 1/2 in. (framed) (2) Acrylic on paper: 12 x 7 in., 17 3/4 x 13 1/2 in. (framed) Provenance: Estate of Mirtha V. Perea
• DAROSA, STILL LIFE WITH FRUIT,
  DAROSA, STILL LIFE WITH FRUIT, OIL ON BOARD, FRAME: 26 X 30 INDaRosa, Still Life with Fruit, Oil on Board, Frame: 26 x 30 in
• Donna Rosser (American, 20th
  Donna Rosser (American, 20th Century), "Walk with the Roses", watercolor; 20 1/2" x 28 1/2"; pencil signed lower right. 1986 Hoosier Salon exhibition label and ribbon verso.
• SALVATOR ROSA (ITALIAN 1615-1673)
  SALVATOR ROSA (ITALIAN 1615-1673) FIGURINE ETCHING ON LAID PAPER WITH MARGINS; MONOGRAM IN THE PLATE LOWER RIGHT (UNFRAMED) 5.5" (height) 14cm (height) 3.8" (width) 9.7cm (width)
• DONA ROSA, MEXICO - CERAMIC
  DONA ROSA, MEXICO - CERAMIC VINEDona Rosa SB Coyote PEC, Oaxaca, Mexico. [6 inches high].
• ROSANGELA RENNO, E-PRINT, 1996
  ROSANGELA RENNO, E-PRINT, 1996 Rosangela Renno (Brazilian, b. 1962), "Untitled (Woman/Dress)", 1 of 2, photograph mounted on .25" thick black board, unframed, 40"h x 60"w
• ROSANGELA RENNO, E-PRINT, 1996
  ROSANGELA RENNO, E-PRINT, 1996 Rosangela Renno (Brazilian, b. 1962), "Untitled (Woman/Dress)", 1 of 2, photograph mounted on .25" thick black board, unframed, 40"h x 60"w
• ROSALBA CARRIERA (ITALIAN, 1673 -
  ROSALBA CARRIERA (ITALIAN, 1673 - 1757) 2 ¾" x 2 ¼" Oval miniature portrait of a lady in a period dress, with her hairdo adorned with feathers, minutely hand painted in pastels, signed Rosalba in the lower right; framed under glass in ormolu bronze frame. Provenance: old private collection Sewickley, PA.
• SALVATOR ROSA (FLORENCE/ROME,
  SALVATOR ROSA (FLORENCE/ROME, ITALY, 1615-1673) "Battling Tritons" etching on laid paper, from the six plates known as the "Triton Group, 1655-1665, Bartsch 11-16; Rotili 11, 13-17; in gilt molded stick frame, matted and glazed, OS: 10" x 12 1/4", SS: 4 1/8" x 6 3/8". One bleached spot on upper left edge, not examined out of frame. From the collection of Howard Hibbard.
• Italian Rosotto blue and red art
  Italian Rosotto blue and red art glass figure of a dove. 9"L.
• ROSIN, Loredano, (Italian, 1936 -
  ROSIN, Loredano, (Italian, 1936 - 1992): Lover's Embrace Glass Sculpture, 16'' overall, incised signature to base.
• ELVIRA HERRERA. "TALLE STA ROSA,"
  ELVIRA HERRERA. "TALLE STA ROSA," QUILT COLLAGE Quilted fabric collage mounted to board, embroidered signature and title ll, quilt size: 27 x 37 in., framed.
• ELAINE ROSSO (20TH CENTURY):
  ELAINE ROSSO (20TH CENTURY): ABSTRACT COMPOSITIONoil on canvas, signed lower left 39 1/2 x 32 1/4 inches Condition:
• SALVATOR ROSA (SCHOOL), RED CHALK
  SALVATOR ROSA (SCHOOL), RED CHALK AND INK DRAWING School of Salvator Rosa (Italian, 1615-1673), Hagar and Ismael Visited by an Angel, unsigned, information label verso, matted and framed under glass, 5"h x 9"w (sight), 11"h x 14"w (frame)
• (2) DONA ROSA INCISED BARRO NEGRO
  (2) DONA ROSA INCISED BARRO NEGRO BLACKWARE OLLAS(lot of 2) Incised "barro negro" blackware ollas/ vessels, Dona Rosa (Oaxaca, Mexico, 1900-1980), both having sgraffito foliate and repeat patterning, including: (1) approx 7"h, 8"diam; (1) approx 4.25"h, 9.25"diam; 6lbs total
• ROSA BURNETT (1904-1968), LITTLE
  ROSA BURNETT (1904-1968), LITTLE BOY RIDING A DONKEY, OIL ON CANVAS, 4.5" H X 11" WRosa Burnett, (1904-1968) Little boy riding a donkey, Oil on canvas With incised signature and inscription along the frame's upper edge, verso: Painted by Rosa Burnett Oil on canvas Dimensions: 4.5" H x 11" W Provenance: Kenneth and Ida Manko: American Folk Art, Moody, ME
• V. DI ROSA (20TH CENTURY) STILL
  V. DI ROSA (20TH CENTURY) STILL LIFE WITH FRUIT BASKET. Oil on canvas signed lower right 'V. di Rosa;' Frame: 25'' x 29'' 20'' x 24'' Condition: No Specific Condition Recorded - Sold As Is
• LOREDANO ROSIN (ITALIAN,
  LOREDANO ROSIN (ITALIAN, 1936-1992)Loredano Rosin (Italian, 1936-1992), "Figura Femminile", smoke glass, signature inscribed on base, h. 15 in., w. 7 1/8 in., d. 4 5/8 in., marble base, overall h. 16 1/2 in. Condition: Overall good condition.
• DONA ROSA (1900-1980) INCISED
  DONA ROSA (1900-1980) INCISED BLACKWARE VESSELBlackware pottery vessel, signed underfoot Dona Rosa (Oaxaca, Mexico, 1900-1980), narrow mouth over bulbous body, with incised vining floral and foliate design, on gilt painted reed stand, hole in base of vessel, approx 16.75"h, 12.75"diam, 9lbs
• CIRCLE OF ROSALBA CARRIERA (ITALIAN
  CIRCLE OF ROSALBA CARRIERA (ITALIAN 1675-1757), PORTRAIT OF THE GODDESS FLORA, UNSIGNED, OIL ON CANVAS, 25-3/4 X 20-1/2 INCircle of Rosalba Carriera (Italian 1675-1757), Portrait of the Goddess Flora, Unsigned Oil on canvas 25-3/4 x 20-1/2 in (65.4 x 52.1 cm)Property of Various Owners
• MOLNAR, Roza, (Hungary, 1900 -
  MOLNAR, Roza, (Hungary, 1900 - 1977): Three Workers Harvesting the Crop, Oil/Canvas, 24'' x 32'', signed lower right, framed, 32'' x 40''.
• ROSITA HURKA, SEATED NUDE FEMALE,
  ROSITA HURKA, SEATED NUDE FEMALE, MIXED MEDIA ON PAPER, FRAMED: 31-1/2 X 25-1/4 INRosita Hurka, Seated Nude Female, Mixed Media on Paper, Framed: 31-1/2 x 25-1/4 in
• ORRIT, Ramon, (Spanish, 20th
  ORRIT, Ramon, (Spanish, 20th Century): Still Life of Roses, Oil/Canvas, 26'' x 30'', signed lower left and dated '84, framed, 32'' x 36''.
• ROSELLA HARTMAN, NEW YORK, KANSAS
  ROSELLA HARTMAN, NEW YORK, KANSAS (1894-1984), STILL LIFE WITH PHEASANT, 16"H X 20 1/4"WRosella Hartman, New York, Kansas, (1894-1984) Still Life with Pheasant, ED 50 lower left, signed lower right. Biography from the Archives of askART: The following is from Amy Hartman: Rosella Hartman was born in 1894 in Kansas of German-Swiss parentage. Like her brother, artist Bertram Hartman, she first studied art at the Art Institute of Chicago, and later the Art Students League in New York. While attending the League's summer workshop in Woodstock, New York, Rosella met local sculptor Paul Fiene, whom she married in 1923. Hartman was greatly inspired by Woodstock's natural setting, studying the population of deer, racoons and fox; she began making wildlife landscapes in lithograph, watercolor and oil. In 1934, her first Guggenheim Award afforded her a year of study in southern Germany and France. Hartman returned to Europe a second time in 1938 and worked with celebrated printer Desjobert in Paris. It was with Desjobert that Hartman did her only color lithographs, "Venice" and "Tiger Tiger". Hartman's intense fascination with nature shows in her many works of animals, "animated by a gentle mysticism" (New Yorker). Her compositions are consistently kinetic: "Your eye should start one place and then go all around in a pleasing way and then come out." Hartman exhibited at the Metropolitan Museum, the Carnegie Institute, the Corcoran Gallery, the Whitney Museum, and the Chicago Art Institute, as well as in numerous galleries throughout New York State and the Midwest. Rosella Hartman survived her husband, and then passed away in 1984 at her studio home in Woodstock, New York. Dimensions: 16"H x 20 1/4"W
• ROSALIND (BROWNE) BENGELSDORF,
  ROSALIND (BROWNE) BENGELSDORF, AMERICAN (1916-1979), APPLE AND POMEGRANATE STAGE #1, 1972, OIL ON CANVAS, 16"H X 20"W (SIGHT), 18 1/4"H X 22 1/4"W (FRAME)Rosalind (Browne) Bengelsdorf, American, (1916-1979) Apple and Pomegranate Stage #1, 1972, oil on canvas signed, titled, and dated verso. Provenance: From a private collector, Indianapolis. Summit Gallery, NY label verso along with an unidentified exhibition label. From the Archives of AskArt: Educated at the Art Students League under George Bridgman and the Fifty-Seventh Street Studio under Hans Hofmann, Rosalind Bengelsdorf was one of the youngest founding members of the American Abstract Artists. She was a New Yorker all of her life, born in that city, and was very influential on other young artists to adopt Abstract Expression as their style. In the late 1930s, she worked for Burgoyne Diller in the WPA mural project and was one of the few abstract artists to work for the Works Progress Administration. Her masterpiece mural was for the Central Nurses Home in New York City and was eventually destroyed, but the study of that work is in the collection of the University Art Museum at the University of New Mexico. In 1940, she married artist Byron Browne, and from then was only a part-time painter but continued to speak out for abstract art until her death in 1979. Source: American Women Artists by Charlotte Streifer Rubinstein oil on canvas Dimensions: 16"H x 20"W (sight), 18 1/4"H x 22 1/4"W (frame)
• Rosalia Campo Menendez (Spanish, b.
  Rosalia Campo Menendez (Spanish, b. 1928) "Truchas (Trout)", oil on canvas, 21-1/2" x 29", signed lower left "R. Campo", titled and signed en verso "Truchas, R. Campo". Framed.
• Jose Maria Cundin
  Jose Maria Cundin (Spanish/American, b. 1938) "Apologia Del Cono De Rosita", 1969, oil on canvas, 40" x 44", signed and dated middle right "Jose Maria Cundin 1969", titled and dated on canvas verso. Presented in a contemporary silvered wood frame. Provenance: Galerie Simonne Stern, New Orleans, Louisiana to Private Collector, French Quarter, New Orleans.
• SPANISH COLONIAL SCHOOL: NUESTRA
  SPANISH COLONIAL SCHOOL: NUESTRA SENORA DEL ROSARIOSpanish Colonial School: Nuestra Senora Del Rosario, 18th century; oil on canvas, relined; unsigned Dimensions: Sight: 61 x 40 in. (154.9 x 101.6 cm.), Frame: 66 1/2 x 45 1/2 in. (168.9 x 115.6 cm.) Provenance: Property from J. J. Blick's Lukenheimer House, Pasadena, California Condition:
• TOMAS SANTA ROSA JUNIOR (BRAZILIAN,
  TOMAS SANTA ROSA JUNIOR (BRAZILIAN, 1909- 1956), "LUA" (MOON), WATERCOLOR ON PAPER MOUNTED ON BOARD, DEPICTS CRESCENT MOON AMONG THIN STRANDS OF CLOUDS AT NIGHT, PENCIL SIGNED LOWER RIGHT, MATTED AND FRAMED BEHIND GLA...Tomas Santa Rosa Junior (Brazilian, 1909- 1956), "Lua" (Moon), watercolor on paper mounted on board, depicts crescent moon among thin strands of clouds at night, pencil signed lower right, matted and framed behind glass, older paper label in Portuguese on reverse, wear consistent with age including light toning and mat burn, small tear at upper center where mat meets paper, likely laid down, not examined out of frame, sold as is, ss: 3 3/4" h. x 3 3/4" w. [PROVENANCE: From the estate of a Manhattan Collector]
• ROSIE YELLOWHAIR (B. 1950),
  ROSIE YELLOWHAIR (B. 1950), "FEATHER MAIDEN DANCER," COLORED SAND ON BOARD, SIGHT: 3.875" H X 6.875" WRosie Yellowhair, (b. 1950) "Feather Maiden Dancer", Colored sand on board Signed and titled in ink on the frame's backing paper: R. Yellowhair; titled again on an exhibition label affixed to the frame's backing paper Colored sand on board Dimensions: Sight: 3.875" H x 6.875" W Provenance: The Estate of Eleanor Koffler