A few examples of appraisal values for
SAMUEL CHAMBERLAIN

• SAMUEL V. CHAMBERLAIN, AMERICAN
  SAMUEL V. CHAMBERLAIN, AMERICAN (1895-1975), "SOARING STEEL", 1929, SILVER POINT ETCHING, 12"H X 9 1/2"W (IMAGE), 17 1/4"H X 14"W (FRAME)Samuel V. Chamberlain, American, (1895-1975) "Soaring Steel", 1929, silver point etching pencil signed and numbered 45/100. Biography from Whistler House Museum of Art: Samuel V. Chamberlain was born in Cresco, IA on October 28, 1895 and died in Marblehead, MA in 1975. He was an accomplished etcher, lithographer, writer, teacher, and lecturer. Chamberlain taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and softground etching. His main residence was Marblehead, MA but, in 1929, his address was listed as Rue Jean Dolent; care of Guaranty Trust Co., 3 rue des Italiens, Paris, France and, in 1934, Senlis, France. Chamberlain's education took place at the University of Washington in Seattle, WA; the Massachusetts Institute of Technology in Cambridge, MA; and the Royal College of Art in London. He was a pupil of Edouard Henri Léon (1873-?) in Paris and Malcolm Osborne (1880-1963) in London. Chamberlain was a member of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the American Academy of Arts and Sciences; the Chicago Society of Etchers; Associate member of the National Academy of Design, 1939; the Northwest Printmakers; the Société de la Gravure Originale Noir in Paris; and a Guggenheim Fellow, 1926. Exhibitions and awards include an honorable mention at the Paris Salon in 1925; medaille de Bronze at the Paris Salon in 1925; a gold medal at the Boston Tercentenary in 1930; a prize at the Society of American Etchers in 1933; the National Academy of Design, annually; and the Salons of America. Chamberlain was the author and illustrator of "France Will Live Again," 1940; "Fair is Our Land," 1942; "Sketches of Northern Spanish Architecture," 1928; "Domestic Architecture in Rural France," 1928; "Tudor Homes of England," 1929; "Through France with a Sketch Book," 1929; and French Provincial Houses," 1932. Collections representing Chamberlain include the Whistler House Museum of Art in Lowell, MA; the Metropolitan Museum of Art in New York City; the Museum of Fine Art in Boston, MA; the Victoria and Albert Museum in England; the Art Institute of Chicago; the Mobile Museum of Art in Mobile, AL; the San Diego Museum of Art in CA; the Cummer Museum of Art and Gardens in Jacksonville, FL; the Georgia Museum of Art in Athens, GA; the Peabody Essex Museum in Salem, MA; the University of Michigan Museum of Art in Ann Arbor, MI; the Frederick R. Weisman Art Museum in Minneapolis, MN; the Nelson-Atkins Museum of Art in Kansas City, MO; the Art Gallery, University of New Hampshire in Durham, NH; and the Sheldon Swope Art Museum in Terre Haute, IN. silver point etching Dimensions: 12"H x 9 1/2"W (image), 17 1/4"H x 14"W (frame)
• SAMUEL CHAMBERLAIN (MA/IA,
  SAMUEL CHAMBERLAIN (MA/IA, 1895-1975) "Early Morning Market, Senlis", sepia etching on paper, pencil signed. Housed in a mahogany and black stick frame, museum mount under mat, UV nonglare plexiglas, OS: 16 1/2" x 14 1/2", impression: 8 3.4" x 6 1/2", conserved.
• SAMUEL V. CHAMBERLAIN, AMERICAN
  SAMUEL V. CHAMBERLAIN, AMERICAN (1895-1975), DRIZZLY MORNING IN CHICAGO, 1929, DRYPOINT ETCHING, 3 1/2"H X 7"W (IMAGE), 13 1/2"H X 15 1/4"W (FRAME)Samuel V. Chamberlain, American, (1895-1975) Drizzly Morning in Chicago, 1929, drypoint etching pencil signed, titled and numbered 34/100 lower margin. Biography from Whistler House Museum of Art: Samuel V. Chamberlain was born in Cresco, IA on October 28, 1895 and died in Marblehead, MA in 1975. He was an accomplished etcher, lithographer, writer, teacher, and lecturer. Chamberlain taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and softground etching. His main residence was Marblehead, MA but, in 1929, his address was listed as Rue Jean Dolent; care of Guaranty Trust Co., 3 rue des Italiens, Paris, France and, in 1934, Senlis, France. Chamberlain's education took place at the University of Washington in Seattle, WA; the Massachusetts Institute of Technology in Cambridge, MA; and the Royal College of Art in London. He was a pupil of Edouard Henri Léon (1873-?) in Paris and Malcolm Osborne (1880-1963) in London. Chamberlain was a member of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the American Academy of Arts and Sciences; the Chicago Society of Etchers; Associate member of the National Academy of Design, 1939; the Northwest Printmakers; the Société de la Gravure Originale Noir in Paris; and a Guggenheim Fellow, 1926. Exhibitions and awards include an honorable mention at the Paris Salon in 1925; medaille de Bronze at the Paris Salon in 1925; a gold medal at the Boston Tercentenary in 1930; a prize at the Society of American Etchers in 1933; the National Academy of Design, annually; and the Salons of America. Chamberlain was the author and illustrator of "France Will Live Again," 1940; "Fair is Our Land," 1942; "Sketches of Northern Spanish Architecture," 1928; "Domestic Architecture in Rural France," 1928; "Tudor Homes of England," 1929; "Through France with a Sketch Book," 1929; and French Provincial Houses," 1932. Collections representing Chamberlain include the Whistler House Museum of Art in Lowell, MA; the Metropolitan Museum of Art in New York City; the Museum of Fine Art in Boston, MA; the Victoria and Albert Museum in England; the Art Institute of Chicago; the Mobile Museum of Art in Mobile, AL; the San Diego Museum of Art in CA; the Cummer Museum of Art and Gardens in Jacksonville, FL; the Georgia Museum of Art in Athens, GA; the Peabody Essex Museum in Salem, MA; the University of Michigan Museum of Art in Ann Arbor, MI; the Frederick R. Weisman Art Museum in Minneapolis, MN; the Nelson-Atkins Museum of Art in Kansas City, MO; the Art Gallery, University of New Hampshire in Durham, NH; and the Sheldon Swope Art Museum in Terre Haute, IN. drypoint etching Dimensions: 3 1/2"H x 7"W (image), 13 1/2"H x 15 1/4"W (frame)
• SAMUEL CHAMBERLAIN MIXED MEDIA
  SAMUEL CHAMBERLAIN MIXED MEDIA CITYSCAPE PAINTINGAttributed to Samuel V. Chamberlain (Massachusetts/Iowa, 1895-1975) drawing and watercolor on heavy paper painting depicting a cityscape with figures under a cloudy sky rendered in varying brown saturations. Unsigned but label en verso states the work is by Chamberlain and gives a date of 1917. Float mounted and matted in a contemporary frame. Sight: 13 1/4" H x 8 1/4" W, Framed: 25 1/2" H x 20" W. Circa 1917. Condition: Overall good condition with some scratching to surface of work, one 2" L, upper center, and one 1 1/2" L, center. Small crease to upper right corner. Examined outside of frame and adhered to a backing.
• SAMUEL CHAMBERLAIN & LIONEL
  SAMUEL CHAMBERLAIN & LIONEL BARRYMORE PRINTS Group of six prints of etchings comprising two after Lionel Barrymore (American/California, 1878 - 1954) and four after Samuel Chamberlain (American/Massachusetts, 1895-1975). Each with Christmas greetings attached from Atlanta business man Bolling Jones Jr. and his wife Dorothy. Approx. 16" x 12" (sheet)
• Union General Joshua Chamberlain
  Union General Joshua Chamberlain Document Signed as Governor of Maine Joshua Chamberlain (1828-1914). College professor from Maine who volunteered his services and became a Medal of Honor-winning Brevet Major General and later a four-time Governor of Maine and president of Bowdoin College. DS as Governor of Maine a state volunteer service testimonial to Nelson Howard dated July 4 1868 at Augusta signed Joshua L. Chamberlain boldly in black ink. Nelson Howard of Phillips Maine served in Co. E 13th Maine Infantry as a Sergeant and First Sergeant December 10 1861 to January 4 1865. He was then commissioned a 1st Lieutenant Co. B 30th Maine Infantry and served through the end of the war. Professionally framed 12 x 16 in. sight 17 x 21 in. overall. Condition: Separation at fold lines but set in place in the frame. One fold passes through Joshua. Signature is very good.
• SAMUEL WALTERS (UNITED KINGDOM,
  SAMUEL WALTERS (UNITED KINGDOM, 1811-1882), "AMERICAN PACKET 'CHAMPLAIN' ON APPROACH TO LIVERPOOL"., OIL ON CANVAS, 33" X 48". FRAMED 42.5" X 57.5".SAMUEL WALTERS, United Kingdom, 1811-1882, "American Packet 'Champlain' on Approach to Liverpool". A masterful example of Walter's work, depicting the Champlain in two positions headed into Liverpool, with the Trinity House Stack Lighthouse in the distance. In the second position, as seen from her stern, Pilot Boat 6 serves as an escort. Finely detailed deck work showing numerous figures and a figurehead of Samuel Champlain in kilt with musket. Signed and dated lower right "S. Walters 1838". Dimensions: Oil on canvas, 33" x 48". Framed 42.5" x 57.5". Provenance: The Old Print Shop, New York.India House, New York.Vallejo Gallery, Newport Beach, California.
• Eight pieces Chamberlain's
  Eight pieces Chamberlain's Worcester: fine gilt decoration flanking salmon borders, central crest with black winged griffin, label on back attributes to Fitzwilliam, one plate marked on back in gilt "Chamberlain's Worcester", early 19th century; detailed listing available. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
• SAMUEL CHAMBERLAIN (AMERICAN,
  SAMUEL CHAMBERLAIN (AMERICAN, 1895-1975) STONNINGTON SUNSET ALONG WITH HOTEL D'ITALIA AND EPICERIE FRUITERIE ETCHING: 10 1/2 X 14 3/..SAMUEL CHAMBERLAIN, (AMERICAN, 1895-1975) STONNINGTON SUNSET along with HOTEL D'ITALIA and EPICERIE FRUITERIE, Etching: 10 1/2 x 14 3/4 in. (sight) Framed; lower left numbered 18/100; lower right signed Samuel Chamberlain; verso label: 'Art Endures'; HOTEL D'ITALIA; Etching: 8 x 7 1/2 in. (sight); Framed; Lower right signed 'Samuel Chamberlain'; Lower left numbered 33/100; EPICERIE FRUITERIE; Etching 18 3/4 x 11 3/4 in.; Framed; lower right signed 'Samuel Chamberlain' Lower left Numbered '10/10' (3) Provenance: Estate of Ronald Sperling
• TREVOR CHAMBERLAIN (BRITISH, B.
  TREVOR CHAMBERLAIN (BRITISH, B. 1933) January, Dedham Vale signed and dated 'T Chamberlain '86' (lower right) oil on canvas-board 22.5 x 35cm ARR
• *Samuel Thomas Chinn of Derby
  *Samuel Thomas Chinn of Derby (British 19th century) Earl of Mar and Kelly 1860 oil on canvas signed S. Chinn and dated (lower right) 30 1/4 x 25 inches.
• Drypoint by Samuel Chamberlain
  Drypoint by Samuel Chamberlain (NY 1895-1975)titled ''Manhattan - Old & New '' pencil signed and numbered 70/100 in lower margin published in 1929 matted and framed under glass.SS 9.5 x 7 3/8 in.; DOA 17.75 x 13.75 in.Scattered foxing; not examined out of the frame.The Estate of the late Dr. John and Mrs. Lorna Lamont Boston MA
• Joshua Chamberlain Major General
  Joshua Chamberlain Major General ALS to Lincoln Scholar Frederick Meserve 1911 Joshua Chamberlain (1828-1914) Maine college professor who volunteered his services and became a Medal of Honor-winning brevet major general and later a four-time Governor of Maine and president of Bowdoin College. ALS 1p Jan. 31 1911 Portland Maine to Frederick Hill Meserve (1865-1962) the preeminent cataloger of Lincoln photography requesting copies of Meserve's book for inclusion in the Bowdoin library and distribution among the members of the many clubs to which he belongs. Condition: Very good condition.
• PORTRAIT OF A GENTLEMAN, SAMUEL
  PORTRAIT OF A GENTLEMAN, SAMUEL LAURENCE, 19TH C Attributed to Samuel Laurence (English, 1812-1884). "Portrait of a Gentleman in His Study", oil on canvas. Apparently unsigned. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Approx. 25.25" x 21.5" (frame), 20.875" x 16.875" (canvas)
• JOSHUA CHAMBERLAIN SIGNED
  JOSHUA CHAMBERLAIN SIGNED AWARDDated 1868 Civil War merit award from the State of Maine to Laurens J. Joyce, ink signed by then-governor and former Union Civil War general Joshua Chamberlain. Sight size 13 x 17 inches plus oak frame.
• Samuel and Nathaniel Buck (British,
  Samuel and Nathaniel Buck (British, 18th Century) "Castles and Castle Ruins", suite of four hand-colored engravings, sight 12-1/2" x 19-1/2", legend in lower margins. Glazed, matted and presented in stained mahogany frames.
• Samuel and Nathaniel Buck
  Samuel and Nathaniel Buck (1696-1779 and 1695-1775) - Twenty engravings - Views of Castles and Abbeys in Wales each approximately 7.5ins x 14.75ins (some discoloured) in Hogarth frames and glazed
• Samuel Yellin T
  Samuel Yellin T
• AFTER SAMUEL BURLING PORTRAIT OF
  AFTER SAMUEL BURLING PORTRAIT OF A GENTLEMAN Pastel on paper: 17 x 14 in. (sight) Framed
• Sir William Chambers (English
  Sir William Chambers (English 1726-1796) Desseins des Edifices Meubles Habits Machines et Ustenciles des Chinois 1757 printed by J. Haberlorn to be sold by the author and Millar & Nourse London folio (20 1/2 in. x 14 1/4 in.) original boards restored spine and corners title and 19 pgs. of text in French with 21 engravings some colored of Chinese houses furniture utensils porcelain boats dress etc. Provenance: First pastedown with ex-libris from Conde de Sucena the last pastedown with an old Portuguese auction label for the library of Silva Amado. Note: Chambers was one of the most highly regarded architects of his time. Between 1757 and 1762 he erected several neo-Roman temples and a number of Turkish and Chinese-inspired buildings at Kew including the now-celebrated pagoda.
• Samuel and Nataniel Buck
  Samuel and Nataniel Buck (British, 18th Century) "Buck's Antiquities" or "Venerable Remains of Above 400 Castles in England and Wales", suite of six hand-colored engravings, sight 15" x 8-1/2", legend lower margin. Glazed, matted and presented in annulated and molded giltwood frames.
• Samuel Prout (British 1783-1852)
  Samuel Prout (British 1783-1852) Interior of a Cathedral watercolor and gouache on paper 12 x 8 1/4 inches.
• JOHN CHAMBERLAIN SILKSCREENJohn
  JOHN CHAMBERLAIN SILKSCREENJohn Chamberlain (Am. 1927-2011) Line up #18 1998, silkscreen edition of 63 of which this is 38, 24" x 24" pencil signed L.R. "Chamberlain" '98, framed original bill of sale ex collection Sam Shapiro. Condition: Generally in good condition but for detailed report contact or email Auctioneer
• Chifney (Samuel) of Newmarket,
  Chifney (Samuel) of Newmarket, Genius Genuine, printed by D N Shury, Soho, London circa 1804, full calf bindings with panelled spine/Note: Samuel Chifney (1753-1807) was a jockey and this volume concerns many aspects of horse racing including an account of the Prince of Wales' horse 'Escape' at Newmarket 1791
• SAMUEL PROUT (BRITISH,
  SAMUEL PROUT (BRITISH, 1783-1852), A TOWNSCAPE AND A WATERSCAPE Ink and watercolor on paper, appear unsigned, to include a street scene with cathedral and a view of a man fishing beneath a bridge, each with outside information affixed to verso, matted and framed.
• Samuel and Nathaniel Buck
  Samuel and Nathaniel Buck (1696-1779 and fl. early/mid 18th Century) - Coloured engraving - ''The South-West Prospect of the City of Canterbury'' 12ins x 31.5ins published 1738 in Hogarth frame and glazed
• AMERICAN ARTISTS CHAMBERLAIN HILL
  AMERICAN ARTISTS CHAMBERLAIN HILL LAWSON ETCHINGS United States,19th-20th CenturyGroup includes three works, Samuel Chamberlain (1895-1975) Harness Shop, edition 27 of 50, Polly Knip Hill (1900-1990) Ballerina and Jester, edition 3 of 20, and Robert Lawson (1892-1957) Drunk Elf from The Golden Book.
• MINIATURE PORTRAIT OF SAMUEL DEAN.
  MINIATURE PORTRAIT OF SAMUEL DEAN. American 1st quarter-19th century watercolor on paper. Profile portrait of a dashing young man against a dark red background. He is identified on verso as Samuel Dean son of John Dean and Nancy Boardman Dean. Period frame 4 1/4''h. 3 1/2''w. Found in New Bedford Massachusetts. On backboard is the name Mrs. Francis O'Tyler.
• SAMUEL LAWSON BOOTH (BRITISH,
  SAMUEL LAWSON BOOTH (BRITISH, 1836-1928)Samuel Lawson Booth (British, 1836-1928) , "Landscape with Fisherman, Cattle and Ruins", 1898, oil on canvas, signed and dated lower left, 23 3/4 in. x 36 in., framed Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.
• John Chamberlain 1927–2011.
  John Chamberlain 1927–2011. Untitled (from the New York Collection for Stockholm portfolio). 1973, lithograph in colors on Mylar. 9 h × 9 w in. result: $567. estimate: $600–800. Signed and numbered to lower edge ‘258/300 Chamberlain’. This work is number 258 from the edition of 300 printed by Styria Studio, Inc., New York and published by Experiments in Art and Technology, Inc., New York.
• Samuel Prout (British 1783-1852)
  Samuel Prout (British 1783-1852) Near the Canal watercolor and gouache on paper initialed S. P. (lower right) 8 3/4 x 7 1/4 inches.
• SAMUEL BALDWIN, (BRITISH)
  SAMUEL BALDWIN, (BRITISH) PORTRAIT OF JOHN JENKINSON, C. 1890, OIL ON CANVAS, MR. JENKINSON STANDS IN BUSINESS SUIT, ONE HAND IN POC...Samuel Baldwin, (British) Portrait of John Jenkinson, c. 1890, oil on canvas, Mr. Jenkinson stands in business suit, one hand in pocket, with other hand on table, top hat nearby, 20th C. frame, inscription verso says Mr. Jenkinson was the poor law guardian of Upper Marsh, Southowram (UK) for 16 years, wear consistent with age including past repairs and restorations, small tare in canvas, toning, rubbing where canvas meets frame, not examined out of frame, ss: 23 1/4" h. x 17 1/4" w.
• A card of Chamberlain Worcester
  A card of Chamberlain Worcester porcelain buttons, circa 1845-50, a full set of sixty-four white porcelain buttons sewn by hand onto an original trade card/Provenance: from the Henry Sandon Study Collection
• Samuel Adams engraving, "The
  Samuel Adams engraving, "The Hon/ble. Samuel Adams, Esq/r./First Delegate to Congress for Massachusetts", from An Impartial History of the War in America Between Great Britain and the United States…Vol. I , published by Nathaniel Coverly and Robert Hodge, Boston, 1781, signed in plate "J. Norman Sc.", 6-3/4 x 3-7/8 in. (plate), 7-3/4 x 4-5/8 in. (page); modern black-painted frame in 18th century style. Surface ink abraded, stains, toning, 5/8 in. folded back at bottom edge, green ink at top and bottom edges, light foxing; frame with abrasions. Dr. Frank H. Sommer Collection, Winterthur, Delaware
• SAMUEL A. MULHOLLAND (ENGLAND,
  SAMUEL A. MULHOLLAND (ENGLAND, 19TH/20TH C.), WATERCOLOR, STATELY CHURCH AT CENTER SITS AT EDGE OF WATER, CALM SURFACE REFLECTS CHUR...Samuel A. Mulholland (England, 19th/20th C.), watercolor, stately church at center sits at edge of water, calm surface reflects church and setting sun behind, five swans gather near stone bridge at right, signed lower left, not examined out of frame, wear consistent with age, ss: 17" h. x 27" w.
• RICHARDSON SAMUEL. "CLARISSA"
  RICHARDSON SAMUEL. "CLARISSA" London 1748. First Edition 12MO. Full morocco binding. Bookplates of Rodman Wanamaker and Louis Auchincloss. Provenance: Estate of Louis S. Auchincloss