A few examples of appraisal values for
SAMUEL MARTI

• VINTAGE BRONZE BUST OF JOSE
  VINTAGE BRONZE BUST OF JOSE MARTIBronze sculpted bust modelled after Cuban nationalist and poet Jose Marti. Rich brown patina finish. Unmarked. Jose Marti was a Cuban nationalist, poet, philosopher, essayist, journalist, translator, professor, and publisher. Jose is considered a Cuban national hero because of his role in the liberation of his country from Spain and is well known as an important figure in Latin American literature. #josemarti #cuba #cuban Issued: 20th c. Dimensions: 7.5" H Condition: Good.
• Toussaint L'Ouverture The Hero of
  Toussaint L'Ouverture The Hero of Saint Domingo Soldier Statesman Martyr; or Hayti's Struggle Triumph Independence and Achievements by Rev. C.W. Mossell A.M.B.D. Lockport NY: Ward & Cobb 1896. 8 vo 848 pp with fold out map in front many illustrations thoughout an early and rare edition of this famous biography.
• Gabriel Fernandez Ledesma (Mexican,
  Gabriel Fernandez Ledesma (Mexican, 1900-1983) "Mueran los Traidores Fachistas" (Death to the Facist Traitors). Woodcut, ca. 1930, signed in pencil in the lower right margin, initialed in the lower left corner of the image, the image size approx. 4" x 6", matted and framed under glass overall approx. 16-3/4" x 20-3/4".
• BRONZE OF JOSE DE SAN MARTIN Y
  BRONZE OF JOSE DE SAN MARTIN Y MATORRAS 4 ½" x 5 ½" wide x 13 ½" tall Noted Argentine general, called El Libertador, (1778-1850) who was a famous general in Argentina, Chile and Peru, responsible for the independence from the Spanish Empire. The bronze depicts his most noted pose of a cape over his left shoulder.
• MARIA MARTINEZ (1887-1980) & JULIAN
  MARIA MARTINEZ (1887-1980) & JULIAN MARTINEZ (1885-1943)Two San Ildefonso Pueblo blackware pottery vessels, Two works: Maria Montoya Martinez (1887-1980) and Julian Martinez (1885-1943, San Ildefonso Pueblo) A blackware bowl, pre-1943 Signed to underside: Marie / + / Julian With burnished black slip glaze 2.5" H x 8.625" Dia. Maria Montoya Martinez (1887-1980) and Santana Martinez (1909-2002, San Ildefonso Pueblo) A blackware bowl, circa 1943-1954 Signed to underside: Marie / + / Santana With burnished black slip glaze 2.25" H x 7.5" Dia. 2 pieces
• MIGUEL MARTINEZ, DOUBLE PORTRAIT
  MIGUEL MARTINEZ, DOUBLE PORTRAIT LITHOGRAPH Miguel Martinez (American/New Mexico, Born 1951). "Madre y Hija", lithograph. Pencil signed lower left and numbered lower right 118 of 125. Framed. Approx. 56" x 44" (frame), 28" x 41" (sheet)
• RICHARD MARTINEZ, LIMITED EDITION
  RICHARD MARTINEZ, LIMITED EDITION SCREENPRINT Richard Martinez [Opa Mu Nu] (Native American, 1904-1987), Pueblo Ceremonial Dancer, silk screen print on paper, likely from the 1979 Bell Editions portfolio "Pueblo Indian Painting", in custom birch frame, 14"h x 18"w (sight), 24"h x 27"w (frame)
• SPANISH COLONIAL RELIGIOUS SANTO
  SPANISH COLONIAL RELIGIOUS SANTO JESUIT MARTYRSpanish Colonial santo/ altar figure, 18th/ 19th c., gesso over carved wood with polychrome paint, Jesuit martyr kneeling, a slit carved above his left breast, losses to arm and fingers, approx 22.25"h, 10"w, 10.5"d, 9.5lbs **Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014), founders of the Ishtar Gate Gallery in the prestigious Houston Galleria. They were world travelers and dealers of eclectic art, jewelry, antiquities, and gems. Their friends, acquaintances, and customers included people from all continents, including sheiks, prime ministers, royals, business leaders, politicians, and oil magnates. Florence was also a published author.**
• NATIVE AMERICAN MARIA MARTINEZ
  NATIVE AMERICAN MARIA MARTINEZ (1943 - 1956) & SANTANA SAN ILDEFONSO PUEBLO BLACKWARE POTTERY PLATE WITH FEATHER DESIGN 1 1/2"H X 10 1/4"DIAM.Native American Maria Martinez (1943 - 1956) & Santana San Ildefonso Pueblo blackware pottery plate with feather design, signed under base "Maria and Santana". From a Private estate collection. Maria Montoya Martinez is recognized the world over as a matriarch of Native American pottery. As a young girl. she would watch her aunt Nicolassa make pottery and was encouraged to try various techniques and styles. As a teenager, she would spend time at Santa Clara pueblo with her friend, Sara Fina Tafoya, where she was surrounded by potters. In 1904 she married Julian Martinez, a painter who was one of the first Rio Grande artists. That year, they demonstrated pottery making at the St. Louis Worlds' Fair, where they sold their pots for $1 a piece. About 1912, she learned to make plain black pottery and in about 1919 Julian invented the black-on-black decoration which he taught to the other San Ildefonso potters beginning in 1921. Maria would form the pots and Julian would paint the designs. After Julian died in 1943, Maria's younger son Popovi Da continued decorating Maria's pottery. Between 1943 and 1956 Maria worked with her daughter-in-law, Santana. Maria Martinez continued to live in New Mexico at the San Ildefonso pueblo until her death. Santana Roybal Martinez was Maria's daughter-in-law, the wife of Adam Martinez. Maria was known to have signed "Maria" in combination with Santana between 1954-1956. Prior to that time she signed her name "Marie when working with Santana (who executed the painting while Maria formed the pots). Pottery created by Maria and Santana is highly desirable. Their work is found in many prestigious museums. as well as public and private collections all over the world. Dimensions: 1 1/2"H x 10 1/4"Diam.
• GUAYASAMIN (ECUADOR, 1919) SIGNED
  GUAYASAMIN (ECUADOR, 1919) SIGNED WATERCOLORDESCRIPTION: An Oswaldo Guayasamin (Ecuador, 1919) signed original watercolor on paper framed artwork, depicting a crying male portrait. Signed on bottom right and bearing the "Fundacion Guayasamin" (Guayasamin Foundation) studio paper stamp on bottom center. Oswaldo Guayasamin (July 6, 1919 – March 10, 1999) was an Ecuadorian painter and sculptor of Kichwa and Mestizo heritage. He won the first prize at the Ecuadorian Salon Nacional de Acuarelistas y Dibujantes in 1948 and the first prize at the Third Hispano American Biennial of Art in Barcelona in 1955. In 1957, at the Fourth Biennial of Sao Paulo, he was named the best South American painter. In Quito, Guayasamin built a museum that features his work. His images capture the political oppression, racism, poverty, and class division found in much of South America. CIRCA: 1973. ORIGIN: Ecuador. DIMENSIONS: W: 18 3/4" H: 32". CONDITION: Vintage condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• THREE TINTYPES OF MEN IN UNIFORM
  THREE TINTYPES OF MEN IN UNIFORM WITH FLAGS. American late 19th century. Quarter plate of a gentleman in uniform with a frock coat and hat posed beside an American flag. Reverse inscribed ''Martin Van Breu (?) Mercer Father of Harry S. Mercer''. Sixth plate of a gentleman in uniform with his hand on his chest and holding an American flag on a staff and sixth plate of two men in Spanish-American War uniforms with American flags.
• A SPANISH COLONIAL SCHOOL
  A SPANISH COLONIAL SCHOOL PAINTING OF SAINT MARTIN Oil on canvas, circa 1800, unsigned, the central figure that of a bishop standing beneath the Holy Spirit which is flanked by Christ holding the cross and bearing the stigmata and the Virgin Mary in prayer, flanking the bishop is an angel and two young boys above the writing "Sros. Justo y Pas(illegible)," unframed.
• MIGUEL MARTINEZ, MARIA ISABELLE,
  MIGUEL MARTINEZ, MARIA ISABELLE, LITHOGRAPH IN COLOR, 96/125, FRAMED, 38-1/2 X 35-1/2 INCHESMiguel Martinez, Maria Isabelle, Lithograph in Color, 96/125, Framed, 38-1/2 x 35-1/2 inches
• Mario Martin del Campo (Mexican, b.
  Mario Martin del Campo (Mexican, b. 1945) Untitled. Etching in color, signed in pencil in the lower right margin and dated '83, numbered 63/100 in the lower left margin, the plate size approx. 12" x 9-1/2", paper size approx. 16-5/8" x 13-3/4", not framed.
• SAM FRANCIS, COLOR LITHOGRAPH, 1961
  SAM FRANCIS, COLOR LITHOGRAPH, 1961 Sam Francis (American, 1923-1994), "Hurrah for the Red, White and Blue" (L.17; SF.18), on Rives BFK wove paper, printed by Emil Matthieu Atelier, Zurich, published by Kornfeld and Klipstein, Bern, stamped with red Asian-style chopmarks lower right, pencil numbered 61/400 lower left, matted and framed under glass, 19"h x 25"w (sight), 29.5"h x 34.75"w (frame)
• SPANISH COLONIAL SANTO MARTYR SAINT
  SPANISH COLONIAL SANTO MARTYR SAINT SEBASTIANSpanish Colonial santo/ altar figure, Saint Sebastian, 19th c., depicting the martyr tied to a tree, gesso over carved wood, polychrome paint, with (one) inset glass eye, restoration to proper left wrist, approx 10.5"h, 5.25"w, 3"d, 1lbs
• ANDRé SALAZAR (COLUMBIAN, 20TH
  ANDRé SALAZAR (COLUMBIAN, 20TH CENTURY), MUERTE DEL CORONEL AURELIANO BUENDíA, MACONDO (DEATH OF COLONEL AURELIANO BUENDíA, MACONDO) Mixed-media ink drawing on paper, with elements of collage and possible printing, 1968, scene is from Gabriel García Márquez's Cien Años de Soledad (100 Years of Solitude), signed, dated, and titled at right, matted and framed.
• NATIVE AMERICAN MARIA MARTINEZ
  NATIVE AMERICAN MARIA MARTINEZ SAN ILDEFONSO PUEBLO AND...Native American Maria Martinez (1887-1980) San Ildefonso Pueblo and Popovi Da (1923-1971) Black-on-Black Pottery Vessel together with a small Santana and Adam Black Pot Maria Pot H 4.75 in. Diameter 6.25 in. Santana Pot Height 3 in. Diameter 4.25 in. Maria Martinez pottery signatures varied over her career, later becoming some of the most recognized in Native American pottery of the south western pueblo potters. Maria learned to make pottery from her aunt. In 1904 she was married to Julian Martinez (1887-1943) and together they made a phenomenal team. Maria Martinez made the pottery and Julian painted the designs. In 1918-1919 they created a new style of pottery, the highly polished and matte painted "black-on-black" style. This innovation quickly became among the most popular style of pottery and made them famous. After Julian passed away Maria continued to make pottery and it was then painted by her daughter-in-law Santana (1909-2002) and then later by her son, Popovi Da (1923-1971). Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• VICENTE MARTIN (URUGUAYAN,
  VICENTE MARTIN (URUGUAYAN, 1911-1998), BARCA, CIRCA 198...Vicente Martin (Uruguayan, 1911-1998), Barca, circa 1985, enamel on paper, unsigned, 29 1/4" x 36 1/2", with a Galeria Latina, Uruguay label adhered to the reverse. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Spanish Colonial School late
  Spanish Colonial School late 18th/early 19th c. an equestrian painting possibly of "St. Martin and the Beggar" 17 in. x 13 in. in a silvered frame.
• Carlos Mérida, Guatemalan,
  Carlos Mérida, Guatemalan, 1891-1984, (3) lithographs, Otomi de la Sierra, Mestiza, Matachines, from a portfolio of costume prints, 13" x 9 1/2" image Estimate $60-90
• MANUEL FUENTES, SALVADORAN
  MANUEL FUENTES, SALVADORAN 20TH/21ST CENTURY, WOMAN WITH HER FOOD CART, 1991; INSCRIBED TO GENERAL POWELL FROM ALFREDO CRISTIANI, PRESIDENT OF EL SALVADOR, WATERCOLOR ON PAPER, SIGHT: 24 1/2 X 21 1/2 IN. (62.23 X 54.61 CMANUEL FUENTES, SALVADORAN, 20TH/21ST CENTURY WOMAN WITH HER FOOD CART, 1991; INSCRIBED TO GENERAL POWELL FROM ALFREDO CRISTIANI, PRESIDENT OF EL SALVADOR, Watercolor on paper Lower right signed and dated Manuel Fuentes 91; verso inscribed: 'To General Powell: With our best wishes, Alfredo Cristiani/April 8, 1991' Catalogue note: Aflredo Cristiani was President of El Salvador from 1989 to 1994. Watercolor on paper Dimensions: Sight: 24 1/2 x 21 1/2 in. (62.23 x 54.61 cm.), Frame: 37 1/4 x 30 1/4 in. (94.62 x 76.84 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• Maria and Santana Martinez (San
  Maria and Santana Martinez (San Ildefonso, 1887-1980 / 1909-2002) Blackware Pottery with Gunmetal Finish lot of 3, includes: a jar with stepped geometric and winged elements; signed on base Marie height 3 inches x diameter 5-1/2 inches; 1923-1925 a plate and jar with repeating feather design; signed on base Maria and Santana (plate) height 1-1/4 inches x diameter 6-1/2 inches; (jar) height 3-1/2 inches x diameter 4 inches; 1943-1956
• JOSEPH E. YOAKUM (AM. 1888-1976)
  JOSEPH E. YOAKUM (AM. 1888-1976) “SIERRA MAESTRA ON GUA...Joseph E. Yoakum (Am. 1888-1976) “Sierra Maestra on Guantanamo Bay near Santiago Cuba”, colored pencil and other medium. Image 12”H. x 19”W. Titled upper left, but appears unsigned. Yoakum was a friend of the deceased and the painting was acquired directly from the artist. Condition: Discoloration to paper, no tears or damage, not examined out of frame
• DIEGO RIVERA (1886-1957, MEXICAN
  DIEGO RIVERA (1886-1957, MEXICAN SOCIAL REALISTARTIST), MIXED MEDIA SKETCH, SIGNED AND DATED 1936 ON BOTH FRONT AND BACK ON THICK PAPER. THE WORK DEPICTS A RURAL GUERILLA FIGHTER "COMPESINO GUERRILLEO", WHICH IS TITLED ON VERSO AND HAS WHAT APPEARS TO BE A MEXICAN MUSEUM CATALOG NUMBER AND STAMPS ALSO ON VERSO. SHOWS SOME WEAR WITH LIGHT FOXING. SIGHT SIZE 18" X 13 3/4" UNFRAMED.
• NATIVE AMERICAN POTTERY INCL. MARIA
  NATIVE AMERICAN POTTERY INCL. MARIA MARTINEZ PLUS GEORG...1st item: San Ildelfonso blackware low bowl by Maria Martinez (1887-1980) depicting the Guardian of the Water deity Awanyu to the body. Incised signature "Marie" or "Maria" on the base. 2 1/2" H x approx. 5 1/4" dia. 1st half 20th century. 2nd item: Santa Clara Pueblo blackware jar by Tammy Borts-Garcia (b. 1969) having heavily carved geometric designs to the upper shoulder. Signed on the base and dated 1990. 3 1/2" H x approx. 4 1/4" dia. 3rd-4th items: Pair of George Lopez (New Mexico, 1900-1993) carved cottonwood rabbits, both depicted sitting upright, one holding a carrot in his front paws. Both signed in ink on the base "George Lopez, Cordova, N Mex". Both: 6" H. Biography: "George Lopez came from several generations of wood-carvers. The work of his father, Jose Dolores Lopez, and that of his nephew Eluid Levi Martinez also appears in the collections of the Smithsonian American Art Museum. Lopez grew up in Cordova, New Mexico, but ran away from his home when he was nineteen to work on the railroad. He returned to New Mexico many years later and devoted his time to carving animals and traditional santos." (source: Smithsonian American Art Museum). The Collection of Dr. Joe Newsom Rawlings, Davisboro, GA; Martinez bowl acquired in 1991 at an auction in Minnesota from the estate of a physician who had wintered in the Southwest in the 1930s. Condition: 1st item: Minor scattered wear to surface, some minor glaze loss to rim. 2nd item: Minor scattered light wear to glaze. 3rd-4th items: Overall good condition with light wear.
• PEREZ MELERO MISS LIBERTY
  PEREZ MELERO MISS LIBERTY SILKSCREEN PRINT Spain, United States,Contemporary Depicts the Statue of Liberty behind a geometric skyline and framed by bright polychromatic colors. Melero has exhibited internationally with numerous works in private and public institutions such as the Spanish Museum of Contemporary Art, CANTV, Fundarte, the American Institute of Architects, Intel Corporation, the William J. Clinton Presidential Library and the Women in Military Service for America Memorial.
• Francisco Toledo (b. 1940
  Francisco Toledo (b. 1940 Mexican) A group of five lithographs: ''Tigre con sarampion'' ''Epreuve d'artiste'' two standing figures figure catching butterflies figure and car each signed with conjoined initials and dated in pencil lower margins: FToledo 59 two titled in pencil lower left each: lithographs on paper four unframed loose paper ''Tigre'' framed under glass
• Maria and Julian Martinez (San
  Maria and Julian Martinez (San Ildefonso, 1887-1980 / 1885-1943) Painted Redware Pottery Plate, 1925-1943 central image of a thunderbird, signed on base diameter 14-1/2 inches
• SAMUEL MARGOLIES TWO ETCHINGSSAMUEL
  SAMUEL MARGOLIES TWO ETCHINGSSAMUEL MARGOLIES (New York, 1897-1974) two etchings: "Veterans of the Storm" and winter landscape with trees and fence. Both pencil signed, 8.25" x 9.75" and 11.75" x 9.75" (images), the winter landscape is framed, the other is unframed.
• Adrian Martinez (American, b
  Adrian Martinez (American, b 1949) PA artist, "Where Two Worlds Meet" depicting Native Americans meeting with a colonial man, oil on plywood, signed "A. Martinez", 38" x 60", framed 45-1/2" x 67-1/2", excellent condition
• Alfredo Ramos Martinez
  Alfredo Ramos Martinez Mexican-American (1872-1946) SOLDAGO lithograph unframed signed: lower right in plate image size: H22'' W17'' Provenance: Palm Springs California private collection. Good original condition. Paper lightly toned and mid right section with water stain to verso. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• PRINT, JOSE CLEMENTE OROZCO Jose
  PRINT, JOSE CLEMENTE OROZCO Jose Clemente Orozco (Mexican, 1883-1949), "Zapatistas," circa 1940, color lithograph, signed in plate lower right, sheet (unframed): 13"h x 16"w. Provenance: Grandson of the artist; Private collection (Santa Barbara, CA)
• SAMUEL AUGUSTUS MITCHELL JR., AN
  SAMUEL AUGUSTUS MITCHELL JR., AN AMERICAN CIVIL WAR ERA...SAMUEL AUGUSTUS MITCHELL JR., AN AMERICAN CIVIL WAR ERA MAP, "County Map of Texas," CIRCA 1863, hand-colored lithograph on paper with profusely floral and fruit border, plate 34. from Mitchell's New General Atlas, with view of Galveston Bay and Vicinity, plate 35., in margin, "Entered according to Act of Congress, in the year 1860 by S. Augustus Mitchell Jr. in the Clerk's office of the District Court of the U.S. for the Eastern District of Pennsylvania," sheet: 12 1/2" x 15 3/8". Condition: Some foxing, losses at edges, overall in good condition. Unframed. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Manuel Carbonell (1918-*
  Manuel Carbonell (1918-* Florida/New York) Abstract form
• Samuel Yellin T
  Samuel Yellin T