A few examples of appraisal values for
SANDIA

• ELIZABETH SANDIA (AMERICAN, B.
  ELIZABETH SANDIA (AMERICAN, B. 1946)Elizabeth Sandia (American, b. 1946) , "Koch Barn II", pastel on paper, signed lower right, signed, titled and handwritten label with artist and title on backing board, 12 in. x 15 in., framed Condition: Overall good condition
• GERALDINE SANDIA, POLYCHROME
  GERALDINE SANDIA, POLYCHROME REDWARE FEATHER JARGeraldine Sandia, (Jemez, b. 1950) Polychrome Redware Feather Jar, fired clay, pigments inscribed: GERALDiNE SANdiA / JEMEZ fired clay, pigments Dimensions: Height: 12 3/4 x Diameter: 12 1/2 in. (32.4 x 31.8 cm.) Provenance: Private Collection, New Mexico
• A Sandia Polychrome Olla having
  A Sandia Polychrome Olla having buff and sand papered geometric designed shoulder signed Helen Garcia Sandia Pueblo. Height 5 1/2 x diameter 7 1/2 inches.
• RUFINO TAMAYO (1899 - 1991):
  RUFINO TAMAYO (1899 - 1991): SANDIA1967; graphite and watercolor on paper, matted and framed under glass; signed and dated lower right; Provenance: The Estate of Famed Hollywood Producer Mace Neufeld, Beverly Hills, CA; with original Central De Publicaciones, S.A. paperwork dated 1967; 9 x 12 1/2 inches sight; 12 1/2 x 16 inches frame Condition:
• A Jemez Seed Jar having bi-color
  A Jemez Seed Jar having bi-color geometric design signed G. Sandia Jemez. Height 3 x diameter 3 1/2 inches.
• JOSE MARIA DE SERVIN, SANDIASJose
  JOSE MARIA DE SERVIN, SANDIASJose Maria de Servin, (1917 - 1983) Sandias, oil on board signed lower right: JOSE IIIA. dE SURVIN. oil on board Dimensions: 19 3/8 x 39 1/4 in. (49.21 x 99.70 cm.), Frame: 22 1/2 x 42 1/2 x 1 3/4 in. (57.15 x 107.95 x 4.45 cm.) Provenance: Private Collection, Arizona
• HOPIA SANDIA PUEBLO MANTAGood
  HOPIA SANDIA PUEBLO MANTAGood original condition. Please Email or call for a detailed condition report. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, repairs, restorations or the effects of aging. The majority of the items we sell are Antiques and will show the appropriate wear and Patina. Packaging, Insurance, Handling And Shipping Are Done In House or You Are Welcome To Pick Up In Person Or Make Your Own Shipping Arrangements. Condition: Good original condition. Please Email or call for a detailed condition report. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, repairs, restorations or the effects of aging. The majority of the items we sell are Antiques and will show the appropriate wear and Patina. Packaging, Insurance, Handling And Shipping Are Done In House or You Are Welcome To Pick Up In Person Or Make Your Own Shipping Arrangements.
• Sandor Bernath (American,
  Sandor Bernath (American, 1892-1984) Mesa, Taos, New Mexico, circa 1958, signed lower left "Sandor Bernath", watercolor on paper, 11-1/2 x 15-3/4 in.; pickled wood frame,
• OURAY MEYERS, SANDIA SUNRISEOuray
  OURAY MEYERS, SANDIA SUNRISEOuray Meyers, (1939 - 2016) Sandia Sunrise, oil on canvas panel signed lower right: Ouray oil on canvas panel Dimensions: 16 x 20 in. (40.6 x 50.8 cm.), Frame: 19 1/4 x 23 1/4 x 1 1/4 in. (48.9 x 59.1 x 3.2 cm.) Provenance: Private Collection, New Mexico
• Rufino Tamayo (Mexican, 1899-1991)
  Rufino Tamayo (Mexican, 1899-1991) "Sandias", 1972, color lithograph on Arches paper, 36" x 24", signed in pencil lower right "R. Tamayo", numbered "25/100", published by Transworld Art and printed in Bank Street Atelier, New York. Glazed, matted and presented in a contemporary silver studio frame. Provenance: Collection of Mrs. Shirley Marvin, Baton Rouge, Louisiana; Purchased from the Greer Gallery, New York, in November, 1972. Reference: Juan Carlos Pereda, Rufino Tamayo: Catalogue Raisonne: Grafica/Prints 1925-1991; this print is catalogue number 133 and is illustrated on page 124.
• LARRY BASKY MODERNIST NEW MEXICO
  LARRY BASKY MODERNIST NEW MEXICO TONDO SILKSCREEN Colorado, Wisconsin,20th CenturyEntrance with Ojo Caliente, modernist western landscape utilizing vibrant color fields with defined borders.
• Rufino Tamayo (Mexican 1899-1991)
  Rufino Tamayo (Mexican 1899-1991) "Sandias con Manzana". Color mixograph 1985 signed in the lower right corner of the image numbered 42/90 in the lower left corner of the image (Pereda 328) floated in a plexibox framing over all 39-1/2" x 47" 27" x 34-1/2" image. Private family collection Cleveland Ohio.
• DINé [NAVAJO], RED MESA SERRATED
  DINé [NAVAJO], RED MESA SERRATED DIAMOND TEXTILE, CA. 1980Diné [Navajo], Red Mesa Serrated Diamond Textile, ca. 1980, handspun wool yarns, vegetal and aniline dyes Dimensions: 43 x 32 in. (109.2 x 81.3 cm.) Provenance: Private Collection, Arkansas Private Collection, Texas
• RUFINO TAMAYO ?SANDIAS?
  RUFINO TAMAYO ?SANDIAS? LITHOGRAPH (ARTIST PROOF) Rufino Tamayo (Mexican, 1899-1991), circa 1969, "Sandias (Watermelons)", (Pereda 118), lithograph in colors, signed in pencil at lower right, AP aside from edition of 100, Jack Misrachi tag en Verso. Provenance: From the Estate of Marilyn "Mickey" Bord, New York, NY. A native New Yorker, Bord formed a deep personal and professional relationship with famed dancer and choreographer Alvin Ailey. Mickey dyed and sewed costumes for the Alvin Ailey Dance Company and eventually served as archivist. Ailey's foundational interest in the African American cultural experience informed the art collection that he assisted Marilyn in acquiring, much of which is offered in this auction. Sight approx. h. 28.5 ", w. 21" Overall. h. 22.5", w. 31", d. 1"
• DINé [NAVAJO], TWO GREY HILLS,
  DINé [NAVAJO], TWO GREY HILLS, CA. 1960SDiné [Navajo], Two Grey Hills, ca. 1960s, natural dyes, handwoven and natural wool yarns Dimensions: 78 1/2 x 51 1/4 in. (199.39 x 130.18 cm.) Provenance: Private Collection, New Mexico
• A Jemez Bi-Color Jar having
  A Jemez Bi-Color Jar having stylized birds under feathers signed G. Sandi Jemez. Height 6 x diameter 5 inches.
• DINé [NAVAJO], PAIR OF PINE
  DINé [NAVAJO], PAIR OF PINE SPRINGS, CA. 1970SDiné [Navajo], Pair of Pine Springs, ca. 1970s, woven yarns, aniline and natural dyes Dimensions: Small: 39 x 22 in. (99.06 x 55.88 cm.), Large: 45 1/2 x 39 in. (115.57 x 99.06 cm.) Provenance: Private Collection, New Mexico
• POWELL Edwin Scott (American 20th
  POWELL Edwin Scott (American 20th Century): Indian Life Sandia Pueblo Oil/Canvas 12'' x 15 3/4'' signed lower right dated 1927 old label affixed verso with title encased in painted white frame 14'' x 18''.CONDITION: Minor scattered craquelure some paint fleck in the lower left quadrant.
• Frances Gearhart (1869-1958
  Frances Gearhart (1869-1958 Pasadena CA) Cactus in a Desert Landscape
• DINé [NAVAJO], FATHER EARTH
  DINé [NAVAJO], FATHER EARTH MOTHER SKY SAND PAINTING TEXTILE, CA. 1970'SDiné [Navajo], Father Earth Mother Sky Sand Painting Textile, ca. 1970's, handwoven yarns, natural and aniline dyes Dimensions: 35 1/2 x 37 in. (90.17 x 93.98 cm.) Provenance: The Georgia and Charles Loloma Collection
• DINé [NAVAJO], RED MESA
  DINé [NAVAJO], RED MESA TRANSITIONAL RUNNER, CA. 1920Diné [Navajo], Red Mesa Transitional Runner, ca. 1920, handspun wool yarns and vegetal dyes Dimensions: 34 x 80 in. (86.4 x 203.2 cm.) Provenance: Private Collection, Texas
• SANDI STEIN (AMERICAN/TEXAS, B.
  SANDI STEIN (AMERICAN/TEXAS, B. 1946)Sandi Stein (American/Texas, b. 1946), "Self Portrait II", limestone, incised initials on underside of self-base, h. 28 1/4 in., w. 6 5/8 in., d. 6 3/8 in. Provenance: Foster Goldstrom Gallery, Dallas, TX; Sydney Besthoff III, New Orleans, 1985; Neal Auction Company, Dec. 7, 2008, lot 736.
• SOFIA MEDINA (1932-2010, ZIA
  SOFIA MEDINA (1932-2010, ZIA PUEBLO)Sofia Medina (1932-2010, Zia Pueblo), A Zia polychrome pottery olla jar, late 20th/early 21st century Signed: Sofia Medina / Zia The four-color jar with red, orange, and black avian and foliate motifs on a white buff ground Dimensions: 8.125" H x 9.75" Dia. Provenance: Private Collection, Southern California
• THREE NAVAJO RUGS.
  THREE NAVAJO RUGS.
• DINé [NAVAJO], PAIR OF TEXTILES:
  DINé [NAVAJO], PAIR OF TEXTILES: RAISED WEAVE COAL MINE MESA + CHINLE, CA. 1970SDiné [Navajo], Pair of Textiles: Raised Weave Coal Mine Mesa + Chinle, ca. 1970s, handwoven yarns, natural and aniline dyes Dimensions: Coal Mine Mesa: 58 1/2 x 30 1/2 in. (148.59 x 77.47 cm.), Chinle: 59 x 34 in. (149.86 x 86.36 cm.) Provenance: The Georgia and Charles Loloma Collection
• SANDRA VICTORINO (B. 1958, ACOMA
  SANDRA VICTORINO (B. 1958, ACOMA PUEBLO)Sandra Victorino (b. 1958, Acoma Pueblo), A group of small Acoma seed pots and a jar, late 20th/early 21st century Five signed: Sandra Victorino / Acoma NM; three signed: Sandra Victorino; one signed: SV; one dated: 1999 Nine works comprising five black and red on white glaze seed pots with fine-line geometric motifs, three black on white seed pots with geometric and repeating kiva step motifs, and one black on white jar with checkered motif, 9 pieces Dimensions: Largest: 4.25" H x 4.25" Dia.; smallest: 1" H x 1.5" Dia. Provenance: The Estate of Eleanor Koffler
• RUFINO TAMAYO (1899 - 1991): SANDIA
  RUFINO TAMAYO (1899 - 1991): SANDIA NO. 1 (WATERMELON)lithograph in colors on paper, mounted to panel and framed in acrylic box frame; pencil-signed lower right; numbered 11 /150 lower left; framed under acrylic box frame; Condition: acrylic box frame with breakage to upper left; 22 x 29 1/2 inches; 28 1/2 x 35 1/2 inches frame Condition:
• A Navajo Weaving Sandpainting
  A Navajo Weaving Sandpainting depicting Mother Earth and Father Sky natural tan ground gold turquoise and two shades of red are analine dyed weaver Ora Jim. 36 x 38 inches.
• THREE NAVAJO RUGS.
  THREE NAVAJO RUGS.
• Zia Earthenware Bowl Southwestern
  Zia Earthenware Bowl Southwestern United States, mid 20th century, polychrome decoration on red ground, marked faintly on base in clay body and in pencil on paper label "Trinidad Medina, Zia Pueblo, Bernalillo N. Mex", 5 x 10 in.,
• Navajo sand painting on paper mid
  Navajo sand painting on paper mid 20th c. 8" x 9 1/2". ?
• RUFINO TAMAYO (1899 - 1991): SANDIA
  RUFINO TAMAYO (1899 - 1991): SANDIA NO. 1 (WATERMELON)lithograph in colors; pencil-signed lower right; numbered 11 /150 lower left; framed under acrylic box frame; condition: acrylic box frame with breakage to upper left; 22 x 29 1/2 inches; 28 1/2 x 35 1/2 inches frame Condition:
• A Navajo Weaving Wide Ruins in
  A Navajo Weaving Wide Ruins in two shades of grey and white the gold and green are vegetal dyed banding and belt design with open chevrons throughout weaver Ellen Smith. 36 x 52 inches.
• DINé [NAVAJO], WIDE RUINS
  DINé [NAVAJO], WIDE RUINS TEXTILE, CA. 1970Diné [Navajo], Wide Ruins Textile, ca. 1970, handspun wool and natural dyes Dimensions: 48 x 25 in. (121.9 x 63.5 cm.) Provenance: Private Collection, Texas
• PAINTING, LUNDY SIEGRIEST Lundy
  PAINTING, LUNDY SIEGRIEST Lundy Siegriest (American, 1925-1985), "Desert Mirage," 1971, oil and sand on papel, signed and dated lower left and signed, titled, and dated verso, panel: 36"h x 48"w, overall (with frame): 36.75"h x 48.75"w
• Navajo Sand Paintingby Lena
  Navajo Sand Paintingby Lena Toledo of Cuba New Mexico sand on plywood depiction of Mother Earth and Father Sky and other venerated Native American symbols inscribed by the artist en verso.16 x 16 1/8 in.No apparent condition concerns.