A few examples of appraisal values for
SARA

• SARA ARQUERO (B. 20TH CENTURY,
  SARA ARQUERO (B. 20TH CENTURY, COCHITI PUEBLO)Sara Arquero (b. 20th century, Cochiti Pueblo), A Cochiti plate in black and white, mid-20th century Inscribed to base: Mrs. Sara Arquero / August 10, 1967 / St. Lawrence Day / Gift by Juana (Grandma) The plate with black cloud and lightning motifs on beige ground and underside with terracotta wash Dimensions: 6" Dia. Provenance: Private Collection, Southern California
• Sara Mills (English early 20th
  Sara Mills (English early 20th c.) "Elsie: Portrait of a Young Girl with a Pink Bow" pastel on paper signed and dated "1903" lower right sight 19 1/2 in. x 15 3/4 in. in a period gessoed and giltwood frame.
• Sara Kolb Danner (1894-1969 Santa
  Sara Kolb Danner (1894-1969 Santa Barbara CA) Figures on a California Street
• SARA (LOIS) WOOD (MASSACHUSETTS,
  SARA (LOIS) WOOD (MASSACHUSETTS, 20TH CENTURY), “SAND DUNES, BACK OF PROVINCETOWN NEAR RACE POINT”., OIL ON MASONITE, 12” X 16”. FRAMED 17.25” X 21.25”.SARA (LOIS) WOOD, Massachusetts, 20th Century, "Sand Dunes, Back of Provincetown Near Race Point". Signed lower right. Dimensions: Oil on masonite, 12" x 16". Framed 17.25" x 21.25".
• Sara Skaaning. Untitled (two
  Sara Skaaning. Untitled (two works). 2011, oil on board. 10? h × 7 w in. estimate: $700–900. Signed and dated to verso of each work ‘Sara Skaaning 2011’.
• Mary Cassatt ''Sara Smiling''
  Mary Cassatt ''Sara Smiling'' drypoint etching withhandcoloring circa 1904 later impression. Breeskin 195. Sight: 9.25''H x 7.25''W; Frame: 19''H x 16''W. Mary Cassatt (American 1844-1926).
• SARA LEE CELY WESTON (AMERICAN,
  SARA LEE CELY WESTON (AMERICAN, CONTEMPORARY) 60" x 94" total Corner of Broad and Spruce. Mixed media on two sheets of paper, in a modern black frame under plexiglass, overall 65" x 98".
• SARAI SHERMAN (AMERICAN 1922 -
  SARAI SHERMAN (AMERICAN 1922 - 2013), WOMAN WITH CROW, ETCHING, SIGNED L.R. AND TITLED INDISTINCTLY L.L., FRAME: 28 1/4 X 21 1/2 IN. (71.8 X 54.6 CM.)Sarai Sherman (American 1922 - 2013), Woman with Crow, Etching, Signed l.r. and titled indistinctly l.l.,, Dimensions: Frame: 28 1/4 x 21 1/2 in. (71.8 x 54.6 cm.)
• Sara Ayers (Catawba Indian
  Sara Ayers (Catawba Indian potter, South Carolina, 1919-2002), late 20th century, burnished earthenware Chief's Head Vessel with flared and scalloped rim, two sides with stylized human heads wearing headdresses with incised decoration, signed on base "Sara Ayers/Catawba/May 1st/1978", 8-1/2 in.,
• SARA BERMAN BEACH, (1890-1978,
  SARA BERMAN BEACH, (1890-1978, NEW YORK, NY), FLORAL STILL LIFE IN GREEN JUG, OIL ON CANVAS, 24" H X 18" WSara Berman Beach, (1890-1978, New York, NY) Floral still life in green jug Oil on canvas Signed lower right: S. Berman Beach 24" H x 18" W Provenance: Estate of the artist Thence by descent to the present owner Oil on canvas Dimensions: 24" H x 18" W Provenance: Estate of the artist Thence by descent to the present owner
• Sara Ayers (Catawba Indian
  Sara Ayers (Catawba Indian potter, South Carolina, 1919-2002), late 20th century, all burnished earthenware pottery: three figures with incised and punctate decoration: frog 3-1/2 in., turtle 2-1/2 in., duck bowl 4-1/8 in.; double-spouted wedding vase with handle, 11 in.; all signed on base "Sara Ayers/Catawba", (four pieces),
• SARA PINES ABSTRACT EXPRESSIONIST
  SARA PINES ABSTRACT EXPRESSIONIST OIL ON CANVAS Sara Pines Abstract Expressionist oil painting on canvas, October 1975, signed on the back, housed in a wood and metal frame. Image: 12" H x 16" W; frame: 12.5" H x 16.5" W.
• SARA SHEWELL HAYDEN [S.S. HAYDEN]
  SARA SHEWELL HAYDEN [S.S. HAYDEN] (AMERICAN 1862-1939)SARA SHEWELL HAYDEN [S.S. HAYDEN] (AMERICAN 1862-1939) Fresh Cut Blooms , oil on canvas 79 x 49 cm (31 1/8 x 19 1/4 in.) framed dimensions: 86 x 61.5 cm (33 7/8 x 24 1/4 in.) signed lower left PROVENANCE with Hunter Gallery, San Francisco, California label on verso
• SARAH SUPPLEE, LARGE PASTEL ON
  SARAH SUPPLEE, LARGE PASTEL ON PAPER, 1984 Sarah Supplee (American, 1941-1997), "Concord Park Willow", pencil signed and dated lower right, multiple gallery labels verso, matted and framed under plexiglass, 34"h x 38"w (sheets), 41"h x 45"w (frame)
• SARA BERMAN BEACH, (1890-1978,
  SARA BERMAN BEACH, (1890-1978, POLISH/AMERICAN), "FREE THE SCOTTSBORO YOUTH," 1931, OIL ON CANVAS, 26" H X 22" WSara Berman Beach, (1890-1978, Polish/American) "Free the Scottsboro Youth," 1931 Oil on canvas Signed and dated lower right: Sara Berman; titled on a label attached to the stretcher 26" H x 22" W Provenance: Collection of the artist Thence by descent to the artist's grandson Oil on canvas Dimensions: 26" H x 22" W Provenance: Collection of the artist Thence by descent to the artist's grandson
• SARA CWYNAR, INSTILLATION OF 16
  SARA CWYNAR, INSTILLATION OF 16 C-PRINTS, 2014 Sara Cwynar (Canadian, b.1985), "Flat Death", 16 chromogenic prints mounted on plexiglass, artist proof outside of edition of three, unsigned, gallery label and placement order verso, includes copy of gallery invoice and hanging instructions, each framed under plexiglass, overall 31"h x 456"l
• Jock Sturges (b.1947 French)
  Jock Sturges (b.1947 French) ''Sara, Northern California'' 1994 Silver Print 20''x16'' Sheet. Pencil signed and numbered 5 of 40 edition on verso. Excellent condition.
• SARA ISABELLE CONCA (FRENCH, B.
  SARA ISABELLE CONCA (FRENCH, B. 1976)Sara Isabelle Conca (French, B. 1976) Mixed Media on Canvas. Inscribed, signed and dated (2014) verso on canvas. Sight Size: 36 x 24 in. Overall Framed Size: 41 x 29.25 in. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• CHARLES WHITE, ARTIST PROOF
  CHARLES WHITE, ARTIST PROOF ETCHING, 1969 Charles White (American 1918-1979), "Sara," 1969, zinc etching on paper, artist proof, titled "Sara" at lower left, signed and dated at lower right, having a Forum Gallery NY label en verso. Note: The 1969 edition of 25 of this same image is entitled "Melinda". Provenance: From the Estate of Marilyn "Mickey" Bord, New York, NY. A native New Yorker, Bord formed a deep personal and professional relationship with famed dancer and choreographer Alvin Ailey. Mickey dyed and sewed costumes for the Alvin Ailey Dance Company and eventually served as archivist. Ailey's foundational interest in the African American cultural experience informed the art collection that he assisted Marilyn in acquiring, much of which is offered in this auction. Approx. sight h. 11.5", w. 22.25", Overall h. 18.75", w. 29.25".
• Sara Skaaning b.1977. Blue Drops;
  Sara Skaaning b.1977. Blue Drops; Arches of Light (two works). 2011, oil on board. 10¼ h × 7 w in. result: $438. estimate: $700–900.
• SARA PINES ABSTRACT EXPRESSIONIST
  SARA PINES ABSTRACT EXPRESSIONIST OIL ON CANVAS Sara Pines Abstract Expressionist oil painting on canvas, in tones of purple, yellow, and emerald green, signed to verso, housed in a wood and metal frame. Image: 16" H x 17.5" W; frame: 17" H x 18.25" W.
• Sara Skaaning b.1977. Tree in the
  Sara Skaaning b.1977. Tree in the Night; Linear Abstraction (two works). 2011, oil on board. 10¼ h × 7¼ w in. estimate: $700–900. Signed and dated to verso of each ‘Sara Skaaning 2011’.
• SARA J. REID, OIL ON CANVAS,
  SARA J. REID, OIL ON CANVAS, DEPICTS MODERN STILL LIFE OF FIVE PEARS AND A CHERRY ON A BOARD IN FRONT OF BLACK WITH STREAKS OF DARK...Sara J. Reid, oil on canvas, depicts modern still life of five pears and a cherry on a board in front of black with streaks of dark red, signed middle right, wear consistent with age, not examined out of frame, ss: 11 1/2" h. x 35 1/2" w.
• SARA BRENNAN, SCOTTISH (B.1963),
  SARA BRENNAN, SCOTTISH (B.1963), GREEN BANDS VI & VII, LINEN, WOOL, & COTTON, 16"H X 16"W (EACH)Sara Brennan, Scottish, (b.1963) Green Bands VI & VII, linen, wool, & cotton Signed and titled verso. Biography from The Scottish Gallery: Sara Brennan originally studied tapestry at Edinburgh College of Art. Her work is an unspoken response to the landscape. Using a refined and reduced approach to colour and form, her work takes two routes; weaving either from her drawings or reacting and responding in smaller works to yarns as they are placed directly next to each other. Sara Brennan obsessively explores the meetings that occur through the surface quality and by a manipulation and an exploitation of the line. She has exhibited internationally and her work is held in numerous public collections. ‘I work from a series of drawings and paintings, often repeatedly exploring the translation of a surface or mark into tapestry. I also work as a direct response to the reaction and relationship between yarns, with a disciplined and restrained approach to colour, tone and form. Choosing each yarn is as important to me and the tapestry as making the original drawing. The yarn must work to help balance and convey the feel and mood. It is vital in the interpretation of the drawing, bringing the tapestry to life…' – Sara Brennan, 2017. linen, wool, & cotton Dimensions: 16"H x 16"W (each)
• Sara Wein Teapot1988Whiteware;
  Sara Wein Teapot1988Whiteware; ht. 15 wd. 11 dp. 2.75 in.Underside reads?Sara Wein?1988. Daniel Jacobs and Derek Mason Collection; Acquired directly from the Artist.
• SARA GARDEN ARMSTRONG ABSTRACT
  SARA GARDEN ARMSTRONG ABSTRACT COLOR FIELD, 1985 Sara Garden Armstrong (American, b. 1943) mixed media abstract color field composition acrylic painting on paper and collage, signed and dated to verso, housed in a wood frame. Image: 35" H x 49" W; frame: 42.25" H x 57.75" W. Provenance: Property from a 900 Park Avenue estate.
• SARA FINA TAFOYA, HISTORIC BLACK ON
  SARA FINA TAFOYA, HISTORIC BLACK ON BLACK OLLA, CA. 1920 - 1930Sara Fina Tafoya, (Santa Clara, 1863 - 1949) Blackware Shoulder Jar, ca. 1920 - 1930, fired clay Accompanied by letter of attribution to Sara Fina Tafoya by Jeff and Toni Roller, March 14, 2016. fired clay Dimensions: Height 12 1/2 x Diameter 11 1/4 in. (31.8 x 28.6 cm.) Provenance: Private Collection, Texas
• SARA GREY (CONTEMPORARY,
  SARA GREY (CONTEMPORARY, PORTLAND, ME) "Cathedral Woods, Monhegan, ME, 2000", limited edition digital photo print, #2/50, signed lower right, in an ebonized wooden frame with mat, glazed, OS: 28" x 28", image: 16" x 16". Good condition.
• SARA WALLACH, AMERICAN 20TH
  SARA WALLACH, AMERICAN 20TH CENTURY, SOARING SKYWARD, EMBOSSED PRINT, SIGHT: 22 X 17 3/4 IN. (55.88 X 45.09 CM.), FRAME: 29 X 24 1/2 IN. (73.66 X 62.23 CM.)SARA WALLACH, AMERICAN, 20TH CENTURY SOARING SKYWARD, Embossed print Lower left numbered: 7/50; center titled: Soaring Skyward; lower right signed: Sara Wallach Embossed print Dimensions: Sight: 22 x 17 3/4 in. (55.88 x 45.09 cm.), Frame: 29 x 24 1/2 in. (73.66 x 62.23 cm.) Provenance: Estate of Shirley Z. Johnson, board member of the National Museum of Asian Art
• SARAH GARCIA (1928-2015) ACOMA
  SARAH GARCIA (1928-2015) ACOMA POTTERY JARSarah Garcia (1928-2015) (Late 20th Century)The jar with brown slip decoration on orange ground in the palette of Hopi pottery is decorated in the tradition of Zia pottery including heartline deer, and signed Sarah Garcia Acoma, N.M.Measures 5.5 x 7.75 x 7.75 inches.Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.Provenance: The 40 year collection of Father Tom Wiederholt, Kansas City, Missouri. Tom was a close personal friend of scholar and curator Ralph 'Ted' Coe who advised Tom on most of his acquisitions.
• Sara Ayers Chief's Head Vessel
  Sara Ayers Chief's Head Vessel (Catawba Indian potter, South Carolina, 1919-2002), late 20th century, burnished earthenware pot with tripod feet, stylized human heads wearing fanned headdresses with incised decoration on two sides of rim, signed on base "Sara/Ayers/Catawba", 8-3/4 in. including head,
• SARA WHITNEY OLDS WATERCOLOR ON
  SARA WHITNEY OLDS WATERCOLOR ON PAPER, "PORTUGUESE NAVY...Sara Whitney Olds Watercolor on Paper, "Portuguese Navy Yard, New Bedford Mass", circa 1940, signed lower right, "Sara Whitney Olds", matted and framed 4 in. x 6 in. Overall 8.25 in. x 10.25 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• PAINTING, SARA KOLB DANNER Sara
  PAINTING, SARA KOLB DANNER Sara Kolb Danner (American, 1894-1969), "Paris Flower Woman," oil on canvas, signed lower right, exhibiton label (California Art Club) with title affixed stretcher bar verso, canvas: 28"h x 30"w, overall (with frame): 34"h x 36"w
• Sara Ayers Chief's Head Vessel
  Sara Ayers Chief's Head Vessel (Catawba Indian potter, South Carolina, 1919-2002), late 20th century, burnished earthenware pot with slightly flared neck, two sides with stylized human heads wearing headdresses with incised decoration, signed on base "Sara/Ayers/Catawba/Dec. 1978", 9-1/4 in.,
• Sarah Woods (American, b. 1956)
  Sarah Woods (American, b. 1956) Forest Eyes, 1993 acrylic on board signed S. Woods (lower right); signed, titled and dated (verso) 20 x 16 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• SARAH BROOKE (AMERICAN 20TH
  SARAH BROOKE (AMERICAN 20TH CENTURY), MIDDLE OF NOWHERE, UNFRAMED MIXED MEDIA, 24 X 72 INSarah Brooke (American 20th Century), Middle of Nowhere, Unframed Mixed Media, 24 x 72 in