A few examples of appraisal values for
SAXTON

• Christopher Saxton
  Christopher Saxton (1540-1610)/Oxfordshire, Berkshire and Buckinghamshire/colour print, 39.5cm x 46cm
• Christopher Saxton
  Christopher Saxton (1540-1610)/Oxfordshire, Berkshire and Buckinghamshire/coloured engraved map, 39.5cm x 46cm
• Saxton (Christopher) and Lea
  Saxton (Christopher) and Lea (Philip) Comberland and Westmorland, exactly described by CS, corrected and amended with many additions by P Lea/colour engraved map, 38.5cm x 47.5cm
• Christopher Saxton (British
  Christopher Saxton (British 1540-1610)/Lincolnie Nottinghamlaeo/hand coloured engraved map, 38cm x 52cm/see illustration
• Christopher Saxton (1540-1610),
  Christopher Saxton (1540-1610), Glamorgan Comitatus Australis Cambrige pars descriptio Ano Dni 1578, the margin with annotation in ink, colour engraved map, 41cm x 56cm
• CHRISTOPHER SAXTON (1540-1610)
  CHRISTOPHER SAXTON (1540-1610) AND JOHN SPEED (1552-1629), THE KINGDOME OF ENGLAND coloured engraving, 39cm x 51cm, published by Abraham Goos, 1646, in later gilt frame and glazed
• Christopher Saxton (1542-1610) -
  Christopher Saxton (1542-1610) - Coloured engraving - ''Map of South East England'' - Showing Kent Surrey Sussex Middlesex and London 16ins x 21.25ins engraved by Hogenberg published 1576 in ebonised and gilt moulded frame and glazed Provenance : Bayton-Williams 18 Lowndes Street Belgravia London SW1X 9EY
• Christopher Saxton
  Christopher Saxton (1540-1610)/Warwici Countatus Cornaviis Olim Inhabitus/first edition 1607, text on reverse/coloured engraved map, 28.5cm x 30.5cm
• Two Christopher Saxton maps of
  Two Christopher Saxton maps of Yorkshire one of the North Riding 36 x 21 cm one the East Riding 25 x 20 cm.
• signed Axton lower left
  signed Axton lower left
• 1846 SAMPLER BY ELIZABETH CONYERS
  1846 SAMPLER BY ELIZABETH CONYERS SAXILBY. Depicting rows of consecutive capital letter, one lower case alphabet, and one numerical, above a stitched attribution to Elizabeth Conyers Saxilby aged 7 years 1846, terminating in floral examples. Green, black, and brown over a light tan field. Image 9”H x 7”W, frame 14.25”H x 12.5”W. Sussman Collection.
• CHARLES DAVID SAXON(New
  CHARLES DAVID SAXON(New York/Connecticut, 1920-1988) Stuffed Animal Band, The New Yorker Magazine cover, from December 7, 1981, crayon on paper, sight, 14-1/2 x 10-1/2 in.; gilt wood frame, 21 x 17 in. Provenance: Property Deaccessioned by the Colonial Williamsburg Foundation from the Joseph and June Hennage Collection; all proceeds to benefit the Joseph and June Hennage Collection Acquisition Fund Condition: not examined out of frame, appears in good condition; frame with abrasions
• PAXSON, E.S. (1852-1919), IN
  PAXSON, E.S. (1852-1919), IN INJUN COUNTRY Fine Art
• William Britton (American active
  William Britton (American active ca. 1826) watercolor on paper view of Snyder's Tavern on the Ridge Road at Roxboro image - 7... ?
• B. B. SAXON (AMERICAN/LOUISIANA,
  B. B. SAXON (AMERICAN/LOUISIANA, 20TH C.)B. B. Saxon (American/Louisiana, 20th c.), "Moss Gatherer", oil on canvas board, signed lower right, signed and titled en verso, 16 in. x 20 in., framed Condition: Overall good condition. Ext. Frame: 25 in. x 29 in. x 1 3/4 in.
• Sir Joseph Paxton (British,
  Sir Joseph Paxton (British, 1803-1865) \"Botanicals\", suite of six hand-colored engravings, London, 1834, sight 9\" x 6\". Glazed, matted and presented in carved silvered wooden frames.
• LARGE GROUP OF MOSTLY GUNNE SAX
  LARGE GROUP OF MOSTLY GUNNE SAX BY JESSICA .
• 1836 verse sampler, "Ellen Baxter
  1836 verse sampler, "Ellen Baxter Aged 10 Years" stitched within a floral cartouche flanked by oversized perched birds below an eight-line verse, flower baskets, sprays of flowers, grapes and pairs of perched doves, "1836" stitched top center, floral vine border, silk on linen, probably British, 17-1/4 x 12-1/4 in. (sight); later wood frame (no glass). Scattered holes (largest 1/2 x 1/2 in.), fading, scattered stains, toning of linen.
• Christopher
  Christopher Saxton/Brecknoc/Glamorgan/two hand coloured maps, 27cm x 34cm
• SAX ROLAND SHAW (SCOTLAND
  SAX ROLAND SHAW (SCOTLAND 1916-2000) ORIGINAL WALL TAPESTRY ''The Foxes '' woven at the Dovecot Studios for the Edinburgh Tapestry Company c. 1950's hand woven signed SHAW in the weave 5'1'' x 3'11''. Note: Sax Shaw former Head of Stained Glass at Edinburgh College of Art and Artistic Director of Dovecot Studios (1953-1958). Constantly moving between stained glass and tapestry Shaw's approach to design and architecture resulted in a vibrant synthesis of color and form.
• SIX SIR JOSEPH PAXTON
  SIX SIR JOSEPH PAXTON LITHOGRAPHS. First half 19th century. Hand-colored lithographs from "Paxton's Magazine of Botany and Register of Flowering Plants." Published 1848. Toning and edge loss. 9.5" x 6.5".
• A small collection of Thomas
  A small collection of Thomas Rowlandson (1756-1827) Dr. Syntax prints - \'\'Dr. Syntax in the middle of a smoking hot political squabble wishes to wet his whistle\'\' published by Thomas Tegg 1813 8.5ins x 12.75ins three smaller Dr. Syntax coloured prints published 1815-1817 each approximately 4.25ins x 7.5ins one Rowlandson (?) engraving one further Rowlandson (not coloured) - \'\'The Village Forge\'\' 4.5ins x 7.75ins and a modern reproduction of a Punch caricature all framed and glazed
• John Speed (1552-1629)/Britain as
  John Speed (1552-1629)/Britain as it was Devided in the Tyme of the Englishe Saxons especially during their Heptarchy/coloured engraved map/with text verso, 39cm x 51cm
• AFTER THOMAS ROWLANDSON (BRITISH
  AFTER THOMAS ROWLANDSON (BRITISH 1756-1827), 'DOCTOR SYNTAX', TWO HAND-COLORED AQUATINTS, FRAMED AS ONE: 18 X 14 IN. (45.72 X 35.56 CM.)After Thomas Rowlandson (British 1756-1827), 'Doctor Syntax', Two Hand-Colored Aquatints,, Dimensions: Framed as one: 18 x 14 in. (45.72 x 35.56 cm.)
• (14) VOLS., NORROENA ANGLO SAXON
  (14) VOLS., NORROENA ANGLO SAXON CLASSICS, 1906 The History and Romance of Northern Europe, Norroena Society, Saxo Edition, #14 of 350 sets, with color frontispieces, the limitation page of Saxo Grammaticus I signed "A.B. Anderson", fine full leather binding stamped with Viking ships and swords, top edges gilt, ribbon markers, 9.25"h x 6.5"w
• PAXTON, William, (American,
  PAXTON, William, (American, 1873-1965): ''Palm Springs Desertscape'', Oil/Canvas, 25'' x 30'', signed lower left, framed, 30'' x 35''.
• Samuel H. Sexton painting (Samuel
  Samuel H. Sexton painting (Samuel Hayden Sexton, Schenectady, New York, 1813-1890), Washington's passage of the Delaware after Thomas Sully, signed verso on canvas "S.H. Sexton pinxt 1839", oil on canvas, 35-3/4 x 48 in.; 20th century gilt wood and composition frame, accompanied by the monograph Samuel Hayden Sexton: 19th Century Schenectady Artist by Ona Corran, 1970, published by the Schenectady Museum. Restretched on new stretcher, clear liner, two periods of restoration, retouch throughout draw crackle with concentrations in horse and figure at right, above stretcher mark at top edge, Washington's tri-corn hat, jacket and boots, lower left (25 percent of surface affected with repaint), crackle, flattened; frame with loss to composition, abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• Paxton (Joseph) Paxton's Magazine
  Paxton (Joseph) Paxton's Magazine of Botany, 7 vols., 1834 - 40. 8vo., orig. cloth (spines slightly faded, inner joint of vol 1 broken). Hand coloured plates (7)/see illustration
• Thomas Rowlandson (British
  Thomas Rowlandson (British 1756-1827)/Dr Syntax/four humorous scenes/etchings, 11.5cm x 19cm/and sundry pictures and prints to include botanical studies
• (4) ORIG. CARTOON DRAWINGS, INCL.
  (4) ORIG. CARTOON DRAWINGS, INCL. SAXON, AUTH Charles Saxon (American, 1920-1988), "Linda and I are getting a divorce...", ink and crayon, signed "Saxon", faded caption on mat, published in "Punch", 13.5"h x 10"w (sight), 20.25"h x 16.25"w (frame); with, Tony Auth (American, 1942-2014), "We the People..." Ronald Reagan cartoon, ink and wash, thought bubble sketched in blue pencil, inscribed and signed lower margin, published in The Philadelphia Enquirer, 9.5"h x 12.5"w (sight), 15.5"h x 18.5"w (frame); Bill Schorr (American, 20th/21st c.), "Artificial Insemination", pen and ink, signed lower right, published in the LA Herald, 1983, 7.25"h x 9.5"w (sight), 13.5"h x 15.5"w (frame); and Scott Stantis, "Bush/Quayle", signed and inscribed, 10.25"h x 11.25"w (frame)
• SAXON BARNES MARY TRUMBULL ADAMS
  SAXON BARNES MARY TRUMBULL ADAMS BRONZE BUST United States,20th CenturyNaturalistic depiction of Mary Adams, wife of Hugh Leander Adams and descendant of a prominent New England family that included three generations of Connecticut governors. A matching bust was gifted by the Adams to Princeton where is resides at the Princeton University Art Museum.
• ROBERT BATTY. HANOVERIAN AND
  ROBERT BATTY. HANOVERIAN AND SAXON SCENERY. 1829. FROM THE LIBRARY OF ROBERT GILMOR, JR. (1774-1848) 10 1/2 X 7 1/2 IN. (26.67 X 19.05 CM.)ROBERT BATTY. HANOVERIAN AND SAXON SCENERY. 1829. FROM THE LIBRARY OF ROBERT GILMOR, JR. (1774-1848), [Plate Books] Batty, Robert. Hanoverian and Saxon Scenery. London: Robert Jennings. 1829. 4to. 61 engraved plates, unnumbered pages; bookplate of William Gilmor to front endpaper, signature of Robert Gilmor to title page and dated 1835. Finely gilt and tooled boards, edges gilt, marbled endpapers. With three 19th Century photographs of fox hunting, placed inside Dimensions: 10 1/2 x 7 1/2 in. (26.67 x 19.05 cm.) Provenance: Robert Gilmor, Jr. (1774-1848) "was the son of Maryland Revolutionary War leader Robert Gilmor, Sr. and Louisa Airey Gilmor. He became a prominent merchant, ship owner, East-India importer, and was a major art collector in Baltimore. He married twice, first in 1802 to Elizabeth Susanna Cooke Gilmor, and in 1807, to South Carolina socialite Sarah Reeve Ladson Gilmor." (Maryland Center for History and Culture)
• Susan Phelan painting (New York,
  Susan Phelan painting (New York, 20th century), titled verso stretcher and on original label verso "A Prince of Saxony" after Cranach, signed verso "Phelan '72", acrylic on canvas, 62-3/4 x 48-1/8 in.; lattice wood frame. Grime; frame with abrasions. Dr. T. Edward Hanley Collection, Bradford, Pennsylvania; Private Collection, Sewickley, Pennsylvania.
• 1826 British house sampler,
  1826 British house sampler, finely stitched two-story house flanked by reclining stags, flowering trees and dogs below symmetrical plant and floral motifs, cartouche flanked by angels, "Sandra Butcher Aged 13 years 1826" upper center, three-sided floral border with openwork outer border, silk on linen, probably British, 18-1/2 x 13 in. (sight); black-painted wood frame. Scattered small holes, fading; frame with abrasions. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.
• S.J. (Toby) Nash (1891-1960) -
  S.J. (Toby) Nash (1891-1960) - Six watercolours on board - \'\'Invicta\'\' - View of steam engine \'\'Holy Cross Church Canterbury 1934\'\' \'\'Abbotts Mill 1792\'\' \'\'Westgate Canterbury\'\' \'\'Mercery Lane Canterbury\'\' and View of The Weavers Canterbury 11.5ins x 17.75ins 9ins x 11.75ins 11.75ins x 9ins 11.25ins x 15ins 18ins x 11.5ins and 18ins x 11.5ins respectively all signed (all unframed - boards slightly warped and fading and damage throughout)
• WAX PORTRAIT RELIEF OF A GENTLEMAN-
  WAX PORTRAIT RELIEF OF A GENTLEMAN- circa 1795 labeled on verso: Original wax design from life by John Flaxman RA. In original ebonized molded frame with convex glass. Diam. 6''. From the Marvin Sadik Collection.