A few examples of appraisal values for
SAYBOLT CLELAND

• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) "Against the Ropes". Graphite/conte crayon on notebook paper having two holes punched in margin pencil signed lower right and dated 1933 titled lower left. Tipped to mat board In black wood frame with cream mat and non-glare glass.Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009.
• CAROL SHUP SEBOLD (ME/OH,
  CAROL SHUP SEBOLD (ME/OH, 1939-2010) "Schooners Bowditch & Grace Bailey (racing off the Camden Harbor, 2004)", watercolor on paper, signed "C. Sebold" lower left, with affixed hand written title, medium and artist signature label and artist biography verso, housed in a painted and distress gilded wooden frame with beaded inner lip, triple mat, glazed, OS: 34 3/4" x 44 3/4", SS: 22 1/4" x 32 1/4". Good condition.
• CLYDE ASPEVIG (AMERICAN/MONTANA, B.
  CLYDE ASPEVIG (AMERICAN/MONTANA, B. 1951)Clyde Aspevig (American/Montana, b. 1951), "The Black Sailor", 1988, oil on canvas, signed lower left, titled on stretcher, "Grand Central Art Galleries, Inc., New York" label with artist, title and date on backing board, 22 in. x 28 in., framed
• CLYDE SINGER (AMERICAN, 1908 -
  CLYDE SINGER (AMERICAN, 1908 - 1999) 19 ¼" x 23" "Bill Bally Blacksmithing", 1987. Oil on board, signed and dated "C. Singer 1987" lower left, in a painted wood frame, overall 24 ½" x 28 ½". Tregoining & Co. label verso.
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) "McSorley's". Ink and watercolor sketches signed lower right and dated 1957. In black wood frame with cream mat and non-glare glass. Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009.
• OSSIE CLARK FOR RADLEY BLACK MOSS
  OSSIE CLARK FOR RADLEY BLACK MOSS CREPE WRAP BLOUSE 1970s; size UK 12 US 10. Wide sleeved with ribbon details
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) "McSorley's With Cat". Graphite on perforated edge paper signed in the image and dated 84. Image depicted the sign over the bar "Be good or be gone". Framed in black wood frame with cream mat and non-glare glass. Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009.
• Thomas Bolling Robertson Governor
  Thomas Bolling Robertson Governor of Louisiana ALS 3pp ALS dated July 12 1812 from New Orleans. Written to Fulwar Skipwith former governor of the annexed Republic of West Florida concerning unrest in eastern Louisiana amid news of the US declaration of war against Britain:?New Orleans 12 July 12 Dear SirWm C Clairborne having resigned the office of Gov of the Orleans Territory I would immediately go unto your part of the country but that the question of your annexation will be taken up and decided in a day or two after the meeting of the State Legislature which will take place on the 27 instant. - if from any circumstances at present not forseen or anticipated the state should not agree to the annexation of the territory in which you reside I will repair to Baton Rouge for the purpose of examining the ?------ presentation till some other govt shall be established. We appear to be inundated and that too all at once by a variety of pests in the shape of Wilkinson[ ] Claiborne and two hundred black troops landed at Pensacola from Cuba. I think with alarm on our situation. I feel grieved and astounded that our defenses at this bountiful epoch should be in the hands of primarily the most weak and wicked men of our country. Claiborne has had a kind of control over the navy on Sunday before we had heard of the declaration of war he dispatched one of the two armed ships we had on this river to Vera Cruz under the pretext of carrying home his Spaniard the other about the same time he sent to the Havannah to accommodate a Mr Kingston a consul The probability is that both these vessels will be lost to the U States but Claiborne got all the votes of all the Spaniards in this country!I enclose you two papers containing something from J Randolph. ?be pleased to submit my respects to Mrs Skipwith & believe me with sincerityYour friend & SevtTh B RobertsonFulwar Skipwith EsqMonte SanoThe Spanish colony of West Florida which stretched from the Mississippi River to Pensacola included the land now known as the Florida Parishes of Louisiana. This area between the Pearl and Mississippi Rivers and north of Lake Pontchartrain was the most prosperous region of West Florida. It was also a neglected area of Spanish Empire full of brigands and army deserters with corrupt officials and little to no military presence to enforce the peace. Finally in 1810 the mostly British- and American-born residents in the area rebelled taking the fort at Baton Rouge and proclaiming a Republic. Fulwar Skipwith who had been instrumental in negotiating the Louisiana Purchase as US consul general in France was elected Governor. Their intention was to enter negotiations with the US for admission as a state but President Madison seized the area by force under an executive order claiming it as part of the Louisiana Purchase. Territorial Governor of Louisiana William CC Claiborne occupied the area at the head of US Army troops ignored the provisional government seized the fort at Baton Rouge and divided the area into parishes of Orleans Territory. Unwilling to shoot US Army soldiers the republic's government dissolved.Louisiana was admitted as the 18th State into the United States on April 30 1812 but without the inclusion of the territory of the former Republic. The people of the area were not allowed to vote in the elections approving the state constitution nor in the election of state Governor. This led to fears that Spain was going to reclaim the area and the leaders of the rebellion would soon be in the dungeons of Morro Castle in Havana. The US Congress had passed a bill adding the Florida Parishes to the state but the Louisiana legislature had not agreed to this by the time of this letter.When news of the declaration of war against Britain and Spain reached New Orleans there were few soldiers and only two seaworthy vessels to counter the powerful British West Indies squadron. Governor Claiborne had ordered both ships into Spanish ports on diplomatic missions just before news of the war reached Louisiana leading the naval commander in New Orleans to complain to Washington. This action along with news of Spanish troops landing in Pensacola heightened fears among a people already afraid for their future. The Florida Parishes were officially added to the territory of Louisiana on August 4 three weeks after this letter and the 1819 Adams-Otis Treaty with Spain finally settled ownership of the area.The Wilkinson mentioned in the letter is General James Wilkinson newly arrived in Louisiana after being investigated for treason with Aaron Burr and (rightly) suspected of being a Spanish spy. Small wonder the people of the Florida Parishes feared for their lands and safety!?Thomas Bolling Robertson (1179-1828) was a political rival of William CC Claiborne. Appointed by President Jefferson as Secretary of the Louisiana Territory he was second in command under William Claiborne. He became Louisiana's first US Representative in 1812 when the state was admitted to the Union. Resigning in 1818 he served as Attorney General of Louisiana 1819-1820. In 1820 he became Louisiana's third Governor. During his tenure the long-simmering Anglo-Creole conflict erupted into violence with Robertson's support for moving the state capitol to Baton Rouge seen as the flashpoint that started the riots. He was offered the Federal judgeship for Louisiana as a way to save face while resigning as Governor.
• John Sartain (American 1808-1897)
  John Sartain (American 1808-1897) after James Hamilton Shegogue (American 1806-1872) "Portrait of S.L. Duncan" mezzotint inscribed in ink "Truly Yours S.L. Duncan New Orleans 4th July 1841" sight 9 in. x 8 in. in a period molded giltwood frame.
• CLYDE CONNELL
  CLYDE CONNELL (AMERICAN/LOUISIANA, 1901-1998)Clyde Connell (American/Louisiana, 1901-1998) , "Fly the Night Sky", 1962, woodcut on paper mounted to board, pencil-signed, titled, dated and numbered "1/9 2nd Ed." lower margin, "Burke's, Shreveport" label on backing paper, 20 1/2 in. x 11 5/8 in., framed
• ATTRIBUTED TO CLARENCE BRALEY
  ATTRIBUTED TO CLARENCE BRALEY (MASSACHUSETTS, 1854-1927), A SAILING VESSEL AT SEA., PASTEL, 23.5" X 11.5". FRAMED 28" X 16".ATTRIBUTED TO CLARENCE BRALEY, Massachusetts, 1854-1927, A sailing vessel at sea. Unsigned. Dimensions: Pastel, 23.5" x 11.5". Framed 28" x 16".
• SIBLEY, PEACHTREE ST USA, CUSTOM
  SIBLEY, PEACHTREE ST USA, CUSTOM LEATHER BOUND VOL Celestine Sibley (American/Georgia, 1914-1999). "Peachtree Street, U.S.A.: An Affectionate Portrait of Atlanta" -1963. Published by Doubleday and Company, New York. Custom bound for the Woodruffs in full green leather and Inscribed to Robert Woodruff by the author. Remnants of original dust jacket included. Approx. h. 8.5", w. 5.5", d. 1"
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) "McSorley's". Lithograph on paper signed and dated '90 in pencil titled and numbered proof 1/3 in the lower margin "Be Good or Be Gone" sign above the barkeep. Tipped to cream mat board in protective shrink-wrap.
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) Sanguine drawing on sketch paper waist up front view of male youth signed and dated 10-31 and inscribed "sent to a.s.l.n.y.". (Art Students League New York)
• Bess Bruce Cleaveland (American,
  Bess Bruce Cleaveland (American, 1876-1966), lot of three block prints with applied cut-out fruit designs; 8 1/2" x 11 1/2"; signed in the plate lower right. Good condition; pinholes. Cleaveland studied art at the Pratt Institute in Brooklyn, New York. After teaching art for six years she turned to illustrating children's books, teacher's magazines, and other commercial art projects.
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN/LOUISIANA, 19050Clarence John Laughlin (American/Louisiana, 1905-1985), "She Who Commands the Cobwebs (Enid Foster)", negative creation date 1955, print date 1976, gelatin silver print mounted to board, signed, titled and dated on mount, initialed, print date, numbered "4" and artist stamp on reverse of mount, sheet 10 in. x 13 3/8 in., unframed. Condition: Overall fair condition.
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) "McSorley's on Sunday" circa 1934. Graphite on paper signed lower right and dated 1911. In black wood frame with cream mat and non-glare glass. Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009.A finished version painting in watercolor reside in the Butler Institute of American Art with the same title and dated 1934.
• CLARENCE E. BRALEY (MA,
  CLARENCE E. BRALEY (MA, 1854-1927) Snowy Mountain, Autumn Trees, Boats on Lake; pastel on paper signed lower left, label verso from H.T. Estabrook of Fitchburg, Mass., in a fancy gilt frame, under old glass, OS: 27 1/2" x 23 1/2", SS: 19 1/2" x 15 1/2". Fine condition.
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) Female 3/4 portrait sketch from Professor Dumond's class 1934. Graphite on paper signed lower right inscribed and dated. In black wood frame with cream mat and non-glare glass. Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009. Illustrated in "Clyde Singer's America" M.J. Albacete Kent State University Press 2008 Fig. 9.
• CLYDE JONES (NC, B. 1938),
  CLYDE JONES (NC, B. 1938), CRITTER WITH YELLOW FLOWERS Circa 2000, created from sawn and natural wood formations, artificial yellow flower eyes with bottle caps, unsigned.
• Deland Clyde Osmer
  Deland Clyde Osmer [American/Pennsylvania 1872-1947] charcoal illustrator art drawing of a young Revolutionary War patriot eavesdropping signed faintly l.l. "C.O. Deland" and mounted in its original frame marked "Clyde O. Deland Chestnut Street Phila.". Deland was a student of Howard Pyle. 23.75"x17.5"
• DALE CLAUDE LAMPHERE (American 20th
  DALE CLAUDE LAMPHERE (American 20th century). SPIRITUAL HEALING signed and dated 1984. Metal sculpture - Height:34 in.
• CLARENCE SINCLAIR BULL, MARION
  CLARENCE SINCLAIR BULL, MARION DAVIES WITHClarence Sinclair Bull (American, 1896-1979)Marion Davies with tennis racquet, circa 1930sgelatin silver printwith the artist's blind stamp lower rightSight: 13 x 9 3/4 in. (33 x 24.8 cm.) P
• WILLIAM BROOKS CLIFT III (b. 1944):
  WILLIAM BROOKS CLIFT III (b. 1944): "STATE CAPITAL ALBANY" Three black and white photographs 17 x 13 1/2 in. (image).
• ATTRIBUTED TO CLARENCE JOHN
  ATTRIBUTED TO CLARENCE JOHN LAUGHLINAttributed to Clarence John Laughlin (American/Louisiana, 1905-1985), "Ashland (Belle Hélène) Plantation", silver gelatin print, unsigned, sight 18 1/4 in. x 14 7/8 in., framed
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) "McSorley's". Lithograph on paper signed and dated '90 in pencil titled and numbered 19/20 in the lower margin matted and framed in a gilt frame under glass overall 26-1/2" x 22-1/4". "Be Good or Be Gone" sign above the barkeep.
• CLYDE JONES (NC, B. 1938), GREEN
  CLYDE JONES (NC, B. 1938), GREEN CRITTER Created with sawn wood and natural wood formations, green and red paint, plastic eyes, not signed.
• JULIAN HAMILTON, SR. (NC,
  JULIAN HAMILTON, SR. (NC, 1895-1967), CURLEW Stacy, North Carolina, circa 1940, carved and painted wood, iron nail bill, stake hole reinforced with metal sleeve.
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) Standing Male model from the Richard Lahey Class 1933. Conte crayon on paper signed lower right and dated 12-33. Framed in black wood frame with cream mat under non-reflective glass. Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009. Illustrated in "Clyde Singer's America" M.J. Albacete Kent State University Press 2008 Fig. 6.
• CLYDE SINGER (AMERICAN, 1908 -
  CLYDE SINGER (AMERICAN, 1908 - 1999) 7 ½" x 8" Figure Study (Old Woman Sitting), October 1985. Black ink on wove paper, signed and dated lower right, in a French mat and black frame, overall 12 ½" x 13 ¼". Tregoning & Co. label verso.
• CLYDE CONNELL
  CLYDE CONNELL (AMERICAN/LOUISIANA, 1901-1998)Clyde Connell (American/Louisiana, 1901-1998), "NO 16", 1991, wood, metal and mixed media, signed, initialed, titled and dated on reverse, h. 19 1/2 in., w. 5 in., d. 2 in . Provenance: Arthur Roger Gallery, New York, NY Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• Clyde Connell (American/Louisiana
  Clyde Connell (American/Louisiana 1901-1998) "Notations on a Headstand" ink on paper initialed "C.C." lower right signed en verso 5 1/2 in. x 4 1/2 in. matted and framed.
• CLYDE BUTCHER (AMERICAN, B. 1942)
  CLYDE BUTCHER (AMERICAN, B. 1942) 30" x 40" "Loxahatchee River #14", 1998. Silver gelatin print, signed lower right, numbered and dated lower left "1/5 1998", matted under plexiglass in black metal frame, overall 36 ¼" x 46 ¼".
• AFTER SHOBAL CLEVENGER, LARGE
  AFTER SHOBAL CLEVENGER, LARGE PLASTER BUST, POSS. JEREM...Painted plaster bust, possibly after Shobal Vail Clevenger (1812-1843), depicting an unidentified older, balding gentleman, atop a circular integral base. The sculpture bears a strong resemblance to the plaster bust of U.S. Senator Jeremiah Mason currently in the collection of the Boston Athanaeum. Unsigned. 31"H x 22"W x 13'D. 20th century. Condition: Scattered tiny paint chips, including to nose; scattered light spots and staining including a light streak to neck, a few tiny chips to base.
• ESTHER BUBLEY (1922-1998):
  ESTHER BUBLEY (1922-1998): CLASSROOM PLEDGING ALLEGIANCE Gelatin silver print 10 x 9 1/8 in. (sheet) signed and stamped on verso.
• CLARENCE E. BRALEY
  CLARENCE E. BRALEY (MASSACHUSETTS, 1854-1927), SUNRISE OVER A ROCKY COAST., PASTEL ON PAPER, 11.5" X 18.75" SIGHT. FRAMED 19" X 26".CLARENCE E. BRALEY, Massachusetts, 1854-1927, Sunrise over a rocky coast. Signed lower left "C. Braley". Dimensions: Pastel on paper, 11.5" x 18.75" sight. Framed 19" x 26".