A few examples of appraisal values for
SCENES AFTER CONSTABLE

• Follower of John ConstableFigures
  Follower of John ConstableFigures on a Wooded Pathsigned lower right J Constableoil on canvas 62cm x 75cm (24" x 29.5")
• British School 19th Century
  British School 19th Century Portrait of a Gentleman thought to be John Constable Estimate:$500-$700
• AFTER JOHN CONSTABLE (UNITED
  AFTER JOHN CONSTABLE (UNITED KINGDOM, 1776-1837), PORTRAIT OF A YOUNG MAN IN RED WAISTCOAT AND WHITE STOCK., WATERCOLOR ON PAPER, OVAL 6" X 4.25" SIGHT. FRAMED 7.5" X 6".AFTER JOHN CONSTABLE, United Kingdom, 1776-1837, Portrait of a young man in red waistcoat and white stock. Artist identified on gilt metal mat. Dimensions: Watercolor on paper, oval 6" x 4.25" sight. Framed 7.5" x 6".
• FOLLOWER OF JOHN CONSTABLE, 19TH
  FOLLOWER OF JOHN CONSTABLE, 19TH CENTURY 17 ½" x 24" Stour Valley English countryside landscape with cottage on stream. Oil on cavnas, unsigned, framed in an antique gilded wood frame with John Constable nameplate, overall 26" x 32". Canvas stamped verso "Prepared by Winsor & Newton 38, Rathbone Place, London". Henry C. Newton (British, 1805-1882) was a painter and co-founder of the venerable artists' supply firm of Winsor & Newton. Newton was also a personal friend of John Constable. Winsor & Newton company history notes that, in 1832, Henry Newton's Rathbone Place residence "...was then part of an artists' quarter in which a number of eminent painters, including John Constable, had studios..." Provenance: Current owner acquired at an Akron, OH estate sale in 2007, which included English antiques.
• JOHN CONSTABLE (ATTRIB), OIL ON
  JOHN CONSTABLE (ATTRIB), OIL ON CANVAS Attributed to John Constable (British, 1776-1837), Landscape with Herdsmen, no signature observed, artist tag on frame, old auction label verso stretcher, 35"h x 27"w (canvas), 43"h x 38"w (frame)
• BOROUGH OF GRIMSBY. THE MEMORABILIA
  BOROUGH OF GRIMSBY. THE MEMORABILIA OF A SPECIAL CONSTABLE comprising lignum vitae truncheon emblazoned with royal crown and cipher of George V, shield of arms and scarlet and gilt cartouche inscribed SPECIAL CONSTABLE 1914 with leather strap, METROPOLITAN PATENT nickel plated police whistle and chain, leather belt and attached badge worked in bullion thread on felt, giltmetal and enamel BOROUGH OF GRIMSBY SPECIAL CONSTABLE badge, silver cigar case engraved with presentation inscription to Supt T W Swaby on the occasion of his retirement by the officers and men May 1915, hallmarked Birmingham 1913 (6ozs) in contemporary velvet lined mahogany box frame with hinged lid and two tls to Swaby from John Sterling, Chief Constable Boro' Police Office Town Hall Grimsby 7 and 19 April 1915
• AFTER JAMES POLLARD (BRITISH 19TH
  AFTER JAMES POLLARD (BRITISH 19TH CENTURY) TWO HUNT SCENES ALONG WITH ANOTHER LIKE PRINT Colored engraving: 3 1/2 X 12 3/4 in. Framed: ''Patridge Shooting'' Colored engraving:10 1/2 x 28 in.
• CONTINENTAL SCHOOL: PASTORAL
  CONTINENTAL SCHOOL: PASTORAL SCENE WITH SHEPHERD AND DISTANT CASTLE Sepia wash and pen and ink on paper 14 1/4 x 19 in. unsigned. Provenance: Ex Collection of Robertson and Mary Paige Alford Norfolk CT.
• Manner of John Constable
  Manner of John Constable (British, 1776-1837) Castle Ruins With Figures on a River Bank, unsigned, oil on canvas, 19th century, 28 x 40 in., 20th century painted wood and composition frame,
• ATTRIBUTED TO JOHN CONSTABLE (UK,
  ATTRIBUTED TO JOHN CONSTABLE (UK, 1776-1837) Pastoral Landscape of Men Haying with Distant Mill Town", oil on mahogany panel, housed in a matched corner ornate gilt frame, unsigned, pencil notation of Constable's Name & Drown (Galleries), Bond Street. OS: 12" x 15 1/2", SS: 7" x 10 1/2', good condition.
• IN THE MANNER OF JOHN CONSTABLE OIL
  IN THE MANNER OF JOHN CONSTABLE OIL ON WOOD PANELIn the manner of John Constable (England, 1776-1837). Oil on wood panel house and man with dog in winter landscape. Unsigned, attributed to Constable in ink on verso. 8 1/2" x 11 1/2" (with frame 12" x 14 7/8"). Paint loss upper right corner and along right side, minor paint loss upper and lower right corners; chips, scratches and losses to gilt frame.
• JOHN CONSTABLE (MANNER OF), OIL
  JOHN CONSTABLE (MANNER OF), OIL ON BOARD Manner of John Constable (English, 1776-1837), Pastoral English Cottage with Shepherd, no signature detected, nice portrait sketch on verso, 14"h x 17"w (panel), 17"h x 21.25"w (frame)
• CONTINENTAL SCHOOL: PORTRAIT OF
  CONTINENTAL SCHOOL: PORTRAIT OF AN OFFICER Watercolor 11 x 8 in. (image sight) signed; together with a hand-colored etching of an officer on horseback.
• CONSTABLE BADGE LOUISVILLE KENTUCKY
  CONSTABLE BADGE LOUISVILLE KENTUCKY 1910Early 1900s badge from Jefferson County, Kentucky (now Louisville). Measures just under 2-1/2" high. shipping info This item can be shipped in-house.
• JOHN CONSTABLE (FOLLOWER), LARGE
  JOHN CONSTABLE (FOLLOWER), LARGE OIL ON CANVAS Follower of John Constable (English - 1776-1837), Cows and Herdsmen in a Pastoral Landscape, no signature observed, 25"h x 50"w (canvas), 30"h x 56"w (frame)
• Two 19th c. Staffordshire
  Two 19th c. Staffordshire theatrical figures- Louisa Nesbett as "Constance" and another similar example. 13"h.
• OOC - Pastoral Haying Scene by
  OOC - Pastoral Haying Scene by Searby Willis (19th c British) signed lr depicting a bucolic English country scene with boy fishing from and cows in foreground stream men and women haying in distant field framed by lush trees housed in gilt Arts & Craf
• THREE HUNTING SCENES PRINTS.
  THREE HUNTING SCENES PRINTS. Handcolored aquatints after T.N.H. Walsh. Published in London 1884 by R. Dodson entitled The Fence The Check The Kill. In matching matting and frames 22 1/2''h. 33''w.
• Michael Constable (English, 20th
  Michael Constable (English, 20th Century) Spaniel oil on board signed (lower right) 12 x 16 inches.
• After George Morland/Stable
  After George Morland/Stable Scene/Farmyard Scene/two colour prints, 45cm x 53cm/in verre églomisé frames
• AFTER GEORGE MORLAND: BARNYARD
  AFTER GEORGE MORLAND: BARNYARD SCENE Oil on canvas relined 17 7/8 x 24 in.
• Follower of John Constable/Wooded
  Follower of John Constable/Wooded Landscape/oil on canvas, 20.25cm x 16cm
• Sergeant Boston Corbett CDV An
  Sergeant Boston Corbett CDV An anonymous cdv portrait of Boston Corbett the man who shot John Wilkes Booth. Corbett is dressed in uniform his kepi resting to his left on a flag-draped table with a painted backdrop view of the battle between the Monitor and Merrimac. Corbett was with the 16th N.Y. Cavalry.Thomas "Boston" Corbett (1832-?1894?) was born in London England. After immigrating to the U.S. with his family he found work as a hatter in New York City. Because of his later erratic behavior some have speculated that the mercury fumes caused his later problems - "mad as a hatter" has some basis in fact.Corbett enlisted as soon as the call went out in April 1861 and became a private in Co. L 16th NY Cavalry. Captured by Mosby at Culpepper VA in June 1864 he spent 5 months at Andersonville before being exchanged and would later testify at the trial of Capt. Henry Wirz.Corbett's real "claim to fame " however is partly the result of "luck." It was the 16th NY that was sent to apprehend John Wilkes Booth on April 24 1865. Two days later Corbett's unit located Booth and Herold in a tobacco barn. Through a crack in the wall Corbett could see Booth moving and later testified that he thought Booth was going to shoot at others in the unit. So Corbett shot him in the neck through the crack in the wall. Booth died a few hours later his spinal cord damaged by the bullet.Some have claimed Booth committed suicide or that the trigger-happy Corbett shot him without cause. The autopsy showed that the shot came from a cavalry pistol effectively ruling out suicide. Whether Booth was a threat to the members of Corbett's unit is another mystery that will probably be argued for another century. Corbett did have other "incidents" later that resulted in his being declared insane in 1887 and sent to the Topeka (KS) Asylum for the Insane. He escaped shortly after and was never seen again. Some presume he moved to a cabin near Hinckley MN and is thought to have died in the Great Hinckley Fire in 1894 but no proof of that ever emerged. Condition: With penciled notes on verso.
• T. George - Watercolour - Officer
  T. George - Watercolour - Officer in uniform seated beneath a tree 8.5ins x 6.75ins signed and dated 1822 and 19th Century Continental School - Watercolour - Young lady standing against a mountainous landscape 8.25ins x 7ins both in gilt moulded frames and glazed
• A William IV police painted wood
  A William IV police painted wood truncheon decorated with the Arms of Canterbury the Cipher of William IV and The Order of the Garter with No. 21 22.5ins high and a one other truncheon decorated with the Arms of the City of Canterbury and cipher VR 18.75ins high (chipped and dented) Note : Police Officer No. 21 is listed in the Cathedral Archives as P.C. Bourne
• JOHN C. P. CONSTABLE (BRITISH
  JOHN C. P. CONSTABLE (BRITISH 1928-2002): ''QUARRY DARTMOOR'' Oil on canvas unsigned. Provenance: Property from Salander-O'Reilly Galleries' Collection consigned by the Trustee. 24 x 20 in. 32 x 28 x 1/2 in. (frame).
• TWO UNFRAMED CURRIER & IVES GENRE
  TWO UNFRAMED CURRIER & IVES GENRE SCENES. A small folio ''The Turn of the Tune''. And a medium folio ''Night by the Campfire''. Matted.
• 19th Century Oil After John
  19th Century Oil After John Constable oil on canvas after the British master's work; 7.25 x 9.5 in. ?Includes a book on John Constable. Condition: Craquelure varnish is dark.
• MANNER OF JOHN CONSTABLE: TRAVELLER
  MANNER OF JOHN CONSTABLE: TRAVELLER ON HORSEBACK GIVING TO THE POOR Watercolor and gouache on paper with collector's stamp for Sir William Drake (1817-1890) lower right (Lugt 736). 10 7/8 x 7 7/8 in. (image sight) 21 1/8 x 18 1/8 x 3/4 in. (frame).
• Constance Depler Dog Print bar
  Constance Depler Dog Print bar scene image area 11'' x 27''.
• A set of six coloured prints of
  A set of six coloured prints of London landmarks each 20 x 13 cm together with a lithograph of a Constable painting of the River Stour.
• COLLECTION OF OIL PAINTINGS. 7''
  COLLECTION OF OIL PAINTINGS. 7'' x 9'' signed ''Constable'' LL; 15'' x 18'' signed ''Lebland'' LR; sight 8'' x 10'' signed LL Condition: No Specific Condition Recorded - Sold As Is
• CONTINENTAL SCHOOL: BUCOLIC
  CONTINENTAL SCHOOL: BUCOLIC PASTORAL SCENE WITH ANIMALS SHEPHERD AND MAIDENS Print laid down on panel 21 1/2 x 30 3/4 in. unsigned.
• TWO PASTORAL SCENES BY THOMAS
  TWO PASTORAL SCENES BY THOMAS ROWDEN (UNITED KINGDOM 1842-1926). Watercolor on paper signed and dated 1890. Cattle near streams. In matching frames 14 1/8''h. 22 1/8''w.
• Kevin Francis Figure Clarice
  Kevin Francis Figure Clarice Cliff Centre Stage Trial Colourway in Brown and Green (firing crack to base)
• (8) FRAMED ENGLISH ENGRAVINGS,
  (8) FRAMED ENGLISH ENGRAVINGS, ACTORS, SOCIETY(lot of 8) Framed stipple engravings and etchings on paper, including: (1) Mr. Dignum of the Theatre Royal Drury Lane, (1) Mr. Cooke of the Theatre Royal Covent Garden, (1) Mr. Young of the Theatre Royal Covent Garden, (1) Mr. Charles Bannister, Comedian, in the character of Steady in the Quaker, (1) Mrs. Pope, (1) Mrs. Robinson, engraved by J. Conde (John Conde, fl.1785-1800), (1) The Sleeping Fair, published by C. Taylor (Charles Taylor, 1756-1828), (1) The Happy Resemblance, published by C. Taylor (Charles Taylor, 1756-1828); all housed in black and gilt eglomise frames, overall: approx 10"h, 8"w, 7.25lbs total