A few examples of appraisal values for
SCHEIER

• [ART] Schiele, Kirchner and
  [ART] Schiele, Kirchner and Grosz. Estimate:$300-$500
• SCHEID, Lore, (Austrian,
  SCHEID, Lore, (Austrian, 1889-1946): Lakeside Landscape with Cottages and Mountain in the Distance, OIL/Canvas mounted on board, 35 1/2'' x 41'', signed, wooden frame, 37'' x 42 1/2''.CONDITION: Stretched over board, not glued. There are scattered areas of vertical cracklure in the sky.
• Edwin and Mary Scheier.
  Edwin and Mary Scheier. Collection of three plates. c. 1960, glazed stoneware with sgraffito decoration. 1 d × 10½ dia in. result: $344. estimate: $500–700. Incised signature to underside of each example ‘Scheier’. Provenance: Private Collection, Rhode Island
• CHRISTOPH SCHEINER; AND
  CHRISTOPH SCHEINER; AND ATHANASIUS KIRCHER (1573-1650, GERMAN); AND (1602-1680, GERMAN)Christoph Scheiner; and Athanasius Kircher (1573-1650, German); and (1602-1680, German), "Schema Corporis Solaris prout Romae a Scheinero et Kirchero Observatum fuit Anno 1635," from "Specula Physico-Mathematico-Historica Notabilium...," 1696 Engraving with hand-coloring on paper From the edition of unknown size and date Sight: 14.5" H x 17" W Notes: This engraved image of the sun with solar flares and surface eruptions was created for Johannes Zahn's "Specula Physico-Mathematico-Historica Notabilium..." published in Nuremberg in 1696. Dimensions: Sight: 14.5" H x 17" W
• Edwin and Mary Scheier.
  Edwin and Mary Scheier. Collection of three plates. c. 1960, glazed stoneware with sgraffito decoration. 1 d × 10½ dia in. estimate: $1,000–1,500. Incised signature to underside of each example ‘Scheier’. Provenance: Private Collection, Rhode Island
• Edwin Scheier painting (American,
  Edwin Scheier painting (American, born 1910), African figures within a mystical animal with sacrificial fire, signed lower right "Scheier-65", monoprint, watercolor, ink line and pigment on rice paper, 17-7/8 x 24 in.; modern gilt wood frame. Taped at top with masking tape. Private Collection, Asheville, North Carolina.
• 15 vols. Herman Scheffauer:
  15 vols. Herman Scheffauer: Scheffauer, Herman. Of Both World's Poems. San Francisco: A.M. Robertson, 1903. 1st ed. 8vo, orig. gilt-pictorial blue cloth, t.e.g; light wear, occasionally scuffed. Frontis. portrait. Cellotape repairs to gutter of front blanks. With 2 pp autograph ms poem signed by Scheffauer to his publisher, Alexander M Robertson, on front paste-down & front free endpaper recto. Author's first book. * _ _. Looms of Life, Poems. New York: Neale, 1908. 1st ed. 12mo, orig. blue & gilt stamped maroon cloth, t.e.g; light wear. * _ _. The Masque of The Elements. London, 1912. 1st ed. Small 8vo, orig. gilt-pictorial green cloth, t.e.g; occasionally scuffed. * _ _. Drake in California. Ballads and Poems. London: A.C. Fifield, 1912. 1st English ed. Small 8vo, orig. gilt-lettered & pictorial green cloth, t.e.g; generally light edge wear. * _ _. The Hollow Head of Mars. A Modern Masque.. London: Simpkin, Marshall, Hamilton, Kent, 1915. 1st ed. 12mo, orig. green wrappers over bds., paper labels; some edge wear. * _ _.Das Land Gottes. Hannover: P. Steegemann, (1923). 1st ed. 8vo, orig. wrappers; some creasing & minor dust soiling, some chipping to spine. * _ _. Das Gestige Amerika von Heute. Berlin: Ullstein, (1924). 1st ed. 12mo, orig. green bds.; light edge wear. * _ _. Wenn Ich Deutsche War! Leipzig: Koch, 1925. 1st ed. 8vo, orig. bds., paper spine label; extremities a little sunned. * (Scheffauer, Herman, translator.) Heine, Heinrich. Atta Troll. London: Sidgwick & Jackson, 1913. 1st ed. thus. 12mo, orig. vellum-backed blue-grey bds; spine ends rubbed, other light to moderate wear. Illus by Willy Pogany. * (_ _.) Kaiser, George. Gas. London: Chapman & Hall, 1924. 1st ed. in English. 12mo, orig. red cloth; light to moderate wear. Plates. * (_ _.) Klabund, Peter. The Czar. New York: G.P. Putnam, 1925. 1st Am. ed. 12mo, orig. red cloth; moderate wear. Internally toned. * (_ _.) Brackie The Fool. New York: G.P. Putnam's, 1927. 1st Am. ed. 12mo, orig. bds.; minor wear, d/j (some chipping, back panel & spine joint starting to separate). * (_ _.) Mayreder, Ross. A Survey of The Woman Problem. New York: G.H. Dunan, 1913. 1st Am. ed. 8vo, orig. brown cloth; joints & extremities rubbed. * (_ _.) Stampfer, Friedrick. From Versailles To Peace. Berlin: "Vorwarts", 1920. 1st ed. in English. 8vo, orig. wrappers; chipped & brittle. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• SCHAEFFER, J[OHANN] C[HRISTIAN]
  SCHAEFFER, J[OHANN] C[HRISTIAN] Elementa ornithologica. Estimate:$3,000-$5,000
• SCHWERTBERGER DE ES(Dieter)
  SCHWERTBERGER DE ES(Dieter) (Austria 1942-): ''Way of the Man'' Study for the Dome of Peace Oil/Board sight size 23'' x 23 1/2'' monogrammed lower right titled verso dated 1980 painted blue frame with wear 32'' x 32''.CONDITION: Several abrasions with minor paint loss.
• I. Schroder? Impressionist
  I. Schroder? Impressionist landscape; oil on canvas; 20" x 15"; initialed and dated 1895 lower right and also extensive German script and date verso. Small tear to foreground.
• AAGE SCHAD
  AAGE SCHAD
• Friedrich Schroeder-Sonnenstern
  Friedrich Schroeder-Sonnenstern (Lithuanian 1892-1982) "Die Kultur Gater Transport" crayon and pencil on paper signed and dated "1957" lower right titled lower left sight 19 3/4 in. x 28 in. framed. Those works created from solitude and from pure and authentic creative impulses - where the worries of competition acclaim and social promotion do not interfere - are because of these very facts more precious than the productions of professionals. After a certain familiarity with these flourishing of an exalted feverishness lived so fully and so intensely by their authors we cannot avoid the feeling that in relation to these works cultural art in its entirety appears to be the game of a futile society a fallacious parade. Jean Dubuffet (French 1901-1985) In 1945 the French artist Jean Dubuffet traveled to a mental asylum in Switzerland to study the works of art produced by the inmates. The artistic creations of those suffering from mental illness had been observed and written about by psychiatrists for decades most significantly in Hans Prinzhorn's 1922 Artistry of the Mentally Ill. Dubuffet was enthralled by the creativity of the work he saw and believed that he had finally found the spontaneous raw art for which he had been searching -his "art brut" - an art uncontaminated by society tradition or the art market. Though frequently referred to as "the art of the mad" art brut was actually more inclusive encompassing all those on the margins of society - the poor the criminal as well as the mentally ill. Essential to Dubuffet's concept was the idea that these artists untrained and unaware of artistic traditions and techniques created only for themselves; their work was produced for reasons separate from its possible use as a commodity. One such artist was Schroeder-Sonnenstern. One of thirteen children Schroeder-Sonnenstern had a troubled childhood spending time in a facility for juvenile offenders. He had his first of several compulsory stays at a mental institution in 1910 where he was diagnosed with dementia praecox (schizophrenia). It was not until 1930 that he began to draw creating a highly imaginative very personal iconography. Schroeder-Sonnenstern's bizarre compelling compositions verge on the surreal; in fact in 1959 he exhibited at the Exposition Internationale du Surrealisme in Paris. His bright vivid colors smooth lines and fantastical figures combine to create works that are infinitely appealing as is evident in the present lot. Reference: Leo Navratali. "Art Brut and Psychiatry". Raw Vision Magazine Issue 15; Galerie St. Etienne New York Exhibition Essay "The Outsider Question" March 1993; Jane Kallir "European Self-Taught Art: Brut or Naive" Galerie St. Etienne New York Exhibition Essay January/March 2000; Michael Bonesteel "Sacred Monsters". Outsider Magazine. Intuit: The Center for Intuitive and Outsider Art Chicago.
• Edwin Scheier 1910–2008.
  Edwin Scheier 1910–2008. Untitled. c. 1945, stoneware with slip decoration. 9½ h × 7 w × 4¼ d in. estimate: $1,500–2,000. Incised signature to underside ‘Scheier’. Provenance: Collection of Frances Gelman
• SCHAFER AND VATER FIGURAL Germany
  SCHAFER AND VATER FIGURAL Germany early Twentieth Century depicts woman in driving outfit complete with molded goggles and scarf base reads ''T?FF-T?FF''. 7 3/4'' h. Ingersoll Collection. (Exc. Cond.)
• Edwin Scheier 1910–2008.
  Edwin Scheier 1910–2008. Untitled. 2001, digital print. 12¾ h × 17? w in. estimate: $1,000–1,500. Signed and dated to lower right ‘Scheier '01’. Provenance: Private Collection, Rhode Island
• JORG SCHMEISSER (GERMANY/AUSTRALIA,
  JORG SCHMEISSER (GERMANY/AUSTRALIA, 1942-2012), DIARY AND SHELLS, 1978., COLOR ETCHING, 19.25" X 24.25". UNFRAMED.JORG SCHMEISSER, Germany/Australia, 1942-2012, Diary and shells, 1978. Signed, dated and numbered 59/80 in pencil lower margin. Dimensions: Color etching, 19.25" x 24.25". Unframed.
• Scheibe-Alsbach Porcelain of a
  Scheibe-Alsbach Porcelain of a Woman, "Eris tossing her apple", After a sculpture by Walter Schott (German, 1861-1938) based on a composition depicting the dancer Isadora Duncan, incised blue mark at underside, 7-7/8"H
• A parian figure of Schiller holding
  A parian figure of Schiller holding a scroll in his left hand, on octagonal plinth, 47.5cm high and another of a lady seated on a rock holding a scroll, 47cm high (2)
• Edwin Scheier 1910–2008.
  Edwin Scheier 1910–2008. Untitled. 2001, digital print. 12¾ h × 17? w in. result: $163. estimate: $500–700. Signed and dated to lower right ‘Scheier '01’. Provenance: Private Collection, Rhode Island
• Edwin Scheier 1910–2008.
  Edwin Scheier 1910–2008. Untitled. 1980, mixed media on paper. 23¼ h × 17¼ w in. result: $1,820. estimate: $1,000–1,500. Signed to lower right corner ‘E.S. 80’. Provenance: Private Collection | Rago, Modern Ceramics, 8 June 2013, Lot 319 | Collection of Frances Gelman
• Edwin and Mary Scheier (1910-2008
  Edwin and Mary Scheier (1910-2008 USA; 1908-2007) Blue Bowl with Figuresca 1969Stoneware; ht. 6.75 dia. 7.25 in.The husband and wife team Edwin and Mary Scheier have produced a body of distinctive decorative ceramics with a combination of relief elements and finely drawn sgrafitto figures and patterns classic examples of the post-1950 Surrealist illustrative style with rich matte glazes in singing blues greens and other colors. Private Collection.
• SCHIERHOLZ FIGURAL PORCELAIN
  SCHIERHOLZ FIGURAL PORCELAIN CENTERPIECESchierholz German porcelain figural centerpiece. Basket supported by three cherubs, applied and hand painted floral decoration. 7 5/8"H x 9 1/2"L. Chips to applied flowers throughout.
• SCULPTURE, JACQUES SCHNIER
  SCULPTURE, JACQUES SCHNIER Jacques Schnier (American, 1898-1988), Untitled, 1973, acrylic sculpture, signed and dated lower center, sculpture dimensions: 22"h x 23.5"w x 13"d
• SCULPTURE, JACQUES SCHNIER
  SCULPTURE, JACQUES SCHNIER Jacques Schnier (American, 1898-1988), Untitled, 1975, acrylic sculpture, overall: 8"h x 7"w x 2"d
• Edwin and Mary Scheier. Untitled.
  Edwin and Mary Scheier. Untitled. c. 1955, glazed earthenware. 15½ h × 15¾ w × 5½ d in. estimate: $2,000–3,000. Signed to underside ‘Scheier’.
• SCULPTURE, JACQUES SCHNIER
  SCULPTURE, JACQUES SCHNIER Jacques Schnier (American, 1898-1988), Untitled, 1965, bronze sculpture, signed and dated on base, edition 2/6, overall: 24"h x 22"w x 17"d
• SCULPTURE, JACQUES SCHNIER
  SCULPTURE, JACQUES SCHNIER Jacques Schnier (American, 1898-1988), Untitled, 1979, PVC (polychrome on polymer) sculpture, signed and dated, overall: 17"h x 19"w x 14"d
• Edwin and Mary Scheier. Untitled.
  Edwin and Mary Scheier. Untitled. c. 1955, glazed stoneware. 15½ h × 15¾ w × 5½ d in. estimate: $1,500–2,000. Signed to underside ‘Scheier’.
• SCULPTURE, JACQUES SCHNIER
  SCULPTURE, JACQUES SCHNIER Jacques Schnier (American, 1898-1988), Untitled (#92), 1978, PVC (polychrome on polymer) sculpture, signed and dated on side, overall: 19.5"h x 12.5"w x 12"d
• CHRISTOPH SCHEINER; AND
  CHRISTOPH SCHEINER; AND ATHANASIUS KIRCHER (1573-1650, GERMAN); AND (1602-1680, GERMAN)Christoph Scheiner; and Athanasius Kircher (1573-1650, German); and (1602-1680, German), "Schema Corporis Solaris, prout ab Auctore et P. Scheinero, Romae Anno 1635 observatum fuit" from a Dutch edition of "Mundus Subterraneus," circa 1665 Engraving on paper From the edition of unknown size and date Plate: 14.5" H x 16.5" W Provenance: Lahaina Printsellers, Ltd., Maui, HI Notes: This lot is accompanied by a certificate of authenticity, as well as a copy of an invoice, dated 1/16/07, from Lahaina Printsellers, Ltd., Maui, HI. This image, based on the early observations of Scheiner and Kircher, depicts the sun with solar flares and surface eruptions. Dimensions: Plate: 14.5" H x 16.5" W Provenance: Lahaina Printsellers, Ltd., Maui, HI
• HORST SCHEFFLER (GERMAN, B. 1935)
  HORST SCHEFFLER (GERMAN, B. 1935) BLAU - ROT Serigraph, signed edition of 75.
• Edwin Scheier 1910–2008.
  Edwin Scheier 1910–2008. Untitled. c. 1964, woodcut in colors. 14 h × 18 w in. estimate: $1,000–1,500. Provenance: Private Collection, Rhode Island
• Edwin Scheier 1910–2008.
  Edwin Scheier 1910–2008. Untitled. 1974, watercolor on paper mounted to board. 24 h × 18 w in. result: $2,080. estimate: $1,000–1,500. Signed and dated to lower left ‘ES 74’. Signed and dated to verso ‘Scheier 74’. Provenance: Collection of Frances Gelman
• DR. JOSEPH SCHEER "SAMIA
  DR. JOSEPH SCHEER "SAMIA CYNTHIA"Dr. Joseph Scheer (German/American, B. 1958) "Samia Cynthia" Digital print on heavy watercolor paper. Pencil signed, dated (2005), titled and numbered (AP) lower margin. Provenance: comes from the collection of Mr William Tippit, friend of Dr Scheer and owned the property that Dr Scheer would visit in Florida and where some of the images were taken for this series. Image Size: 30 x 40 in. Sheet Size: 34 x 46.5 in. Unframed. Joseph Scheer is a Professor of Print Media, and Co-Director/Founder of the Institute for Electronic Arts at the School of Art and Design, Alfred University. His current works, which span print media, video and web based projects, use technology to re-examine nature through interpretive collecting and visual recording. His most recent work has been exhibited at The Brooklyn Museum of Art, Brooklyn, New York and the National Museum of China, Beijing. The National Museum of Sweden, Stockholm and The Field Museum, Chicago, IL, He has published two books about his work; Night Visions, the Secret Designs of Moths, published by Prestel and Night Flyers, published by Nexus Press. To make his astounding prints, artist Joseph Scheer captures incredibly detailed images of moths with a scanner originally designed for film and transparencies. The tiny micro moths are as small as .25 inch and the giant Silkmoths have wings spans up to 5 inches. Using a special scanner that has a programmable focus for different depths of field, he scans each specimen between 7 and 40 times using different points of focus. Then he painstakingly reassembles them choosing only parts from the files that are in focus. The scanner records so much information—67 million data points per square inch—that a single specimen may take a full day to scan. The data files generated are huge: some of his many layered images are up to 10 Gigabytes before processing. With resolution that high, scans can be enlarged 2,700 percent and still be perfectly clear. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Schiller (F) Historischer
  Schiller (F) Historischer Calender Fur Damen Fur Das Jahr 1792, Leipsig, G F Goschen, original pictorial boards, slipcase, plates
• Edwin and Mary Scheier. Covered
  Edwin and Mary Scheier. Covered vessel. c. 1965, glazed stoneware. 17½ h × 12½ dia in. result: $2,375. estimate: $3,000–4,000. Incised signature to underside ‘Scheier’. Provenance: Private Collection, Rhode Island