A few examples of appraisal values for
SEASCAPES

• SEASCAPE / MARITIME ETCHINGS, 3
  SEASCAPE / MARITIME ETCHINGS, 3 Three seascape etchings by various artists, two depicting fleets on calm water, one depicting a beached sailboat during bad weather. Each framed in black wooden painted frames. Image 10.5" H x 13.5" W, frame 12" H x 14.5" W.
• SEASCAPE OIL ON CANVAS with waves
  SEASCAPE OIL ON CANVAS with waves crashing on rocks 20th century image measures 18'' x 24'' unsigned. In a weathered wood frame.
• Seascape; pastel on paper; 20" x
  Seascape; pastel on paper; 20" x 16"; T. Chambers written verso.
• SEASCAPE Oil on canvas: 12 x 16 in.
  SEASCAPE Oil on canvas: 12 x 16 in. Framed Lower right signed: Gratini Provenance: Heirloom
• LARGE PHOTOGRAPHIC SEASCAPE
  LARGE PHOTOGRAPHIC SEASCAPE PRINT. Contemporary. Black and white print of rocky and mountainous shoreline. Framed, 37.5"h. 55.25"w.
• SEASCAPE AT SUNSET OIL ON BOARD
  SEASCAPE AT SUNSET OIL ON BOARD WITH WAVES AND ROCSEASCAPE AT SUNSET OIL ON BOARD with waves and rock outcroppings. Illegibly signed lower left. Image measures 22" x 30". In a wood frame; 29" x 37" overall.
• Seascape sight size: 6.5'' H x
  Seascape sight size: 6.5'' H x 10.5'' W
• SEASCAPE OIL ON CANVAS with
  SEASCAPE OIL ON CANVAS with breakers hitting the beach. Image measures 24'' x 36'' illegibly signed lower right. Set in a wood frame.
• SEASCAPE OIL ON CANVASSEASCAPE
  SEASCAPE OIL ON CANVASSEASCAPE OIL ON CANVAS, figures on the shore with fishing boat and village beyond, late 19th/early 20th century. Initialed "J.A.T." lower right. Image measures 16" x 20". In a damaged wood frame; 26" x 30" overall.
• HIROSHI SUGIMOTO SEASCAPES
  HIROSHI SUGIMOTO SEASCAPES PHOTOGRAPH "MIRTOAN SEA"Hiroshi Sugimoto (b. 1948). Photograph titled "Mirtoan Sea, Sounion" from the "Seascapes" series, 1990. Silver gelatin print. Edition: 18/25. Provenance: Sonnabend Gallery, New York, New York; Christie's, New York, February 18, 2007, Lot 164; Private collection, Minnesota Note: The proceeds from hammer price will benefit the Minneapolis College of Art and Design Scholarship Fund. Lot Essay: “Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.” -Hiroshi Sugimoto In Mirtoan Sea, Sounion, Hiroshi Sugimoto captures the essence of the sea and his relationship with it, which make up the heart of his Seascapes series. Gentle grayscale ripples fade up to the horizon and stretch off the edges of the photograph, uninterrupted by any signs of human or animal life. It is desolate without being frightening; Sugimoto has imbued it with the security he feels in his relationship with the sea. Everything is gentle, and the photo has clear edges, almost like a window looking out over the sea. Sugimoto was born in Tokyo in 1948, and one of his earliest memories is being taken to the sea. He developed an interest in photography during childhood, photographing trains and and other local sights. He pursued other interests for several years, dabbling in painting in high school and receiving his degree in Political Science at St. Paul’s University in Tokyo. However, shortly after his graduation, he returned to photography and moved to Los Angeles to attend the Art Center College of Design. In 1974, Sugimoto moved to New York City, where he was influenced by many of the up-and-coming art movements he interacted with there, notably the minimalists. In his photographic works, Sugimoto works exclusively in black and white with a large format camera, often varying the exposure length or using intentional blurring to create his desired effect. He is known for his technical expertise with the camera, which he uses to explore his artistic preoccupation with the human presence in space and time. His works cleverly make the viewer question what they are seeing, utilizing the flattening effects of black and white photography to make dioramas and wax figures seem real, or using long exposures to blur a movie theater screen to a square of pure light. In his later career, Sugimoto has extended these preoccupations to his artistic practice outside of his photographic work, making forays into architecture and the performing arts. His work has received great acclaim; throughout his career he has received many prestigious awards and grants, including the Guggenheim Fellowship, and in 2017 he was honored by the Japanese government as a Person of Cultural Merit. In the Seascapes series, Sugimoto focuses on water and air, the two substances he describes as most “commonplace” and yet most intrinsic to life. Life, Sugimoto notes, was created out of them, and continues to require them to exist. The sea, as the place where these two things meet in isolation, is the perfect place to explore their relationship to one another and to humanity at large. In this photograph, the genius of the Seascapes series becomes clear, as Sugimoto lays clear the universality of the sea as humanity’s “ancestral home.” Devoid of any context, even color, that might indicate to the viewer which sea they are looking at, this photograph presents the sea as it has been viewed by all people in all places and times. The water and the sky stretch in all directions, unimaginably vast and yet intimate. The only point the viewer has with which to ground themself is the horizon line, hardly a real, tangible point in space. We’re adrift, held tightly only by the knowledge that this is a view, an experience, universal to all humans since the first one laid eyes upon the sea. Sight; height: 16 1/2 in x width: 21 1/2 in. Framed; height: 25 3/4 in x width: 33 in. SKU: 03966 Follow us on Instagram: @revereauctions Condition: In good condition. The piece is held in place with paper corners. The piece is signed, titled, and numbered beneath the matting. No chips or creases and a smooth emulsion.
• SEASCAPE AND TWO FLORAL COLOR
  SEASCAPE AND TWO FLORAL COLOR PRINTSSeascape and Two Floral Color Prints
• EUROPEAN IMPRESSIONIST STORMY
  EUROPEAN IMPRESSIONIST STORMY SEASCAPE PAINTING Europe,20th CenturyMaritime work depicting a flotilla of schooner ships breaking white capped waves beneath a dark billowing sky with seagulls flying throughout.
• Claudia Ebling ''Seascape'' 1984
  Claudia Ebling ''Seascape'' 1984 Caplet Textile Art 18''
• SEGUNDO HUERTAS 'SEASCAPE' OIL ON
  SEGUNDO HUERTAS 'SEASCAPE' OIL ON CANVAS Segundo Huertas (Argentinian, 1923-2010) seascape oil on canvas painting depicting a rocky coastal landscape with turquoise blue waves crashing into rocks, signed to lower right, housed in a carved gilt wood frame with blue border. Image: 23.5" H x 35.25" W; frame: 32" H x 44" W.
• 2PC MICHAEL DAVIS LANDSCAPE AND
  2PC MICHAEL DAVIS LANDSCAPE AND SEASCAPE PAINTINGS New England,b.1945Includes two works, one of a meandering river through a forest with mountains towering over the tree line and a coastal harbor scene of two boats docked on a cloudy day.
• SEALIAN MAP OF "SCOZIA"
  SEALIAN MAP OF "SCOZIA" Hand-colored engraving with mermaids, sea birds, shells and coral in upper left.
• Coastal Cliffs and Calm Seas 23'' H
  Coastal Cliffs and Calm Seas 23'' H x 29'' W
• SEASCAPE, 20TH CENTURY 11 ¾" x 15
  SEASCAPE, 20TH CENTURY 11 ¾" x 15 ¾" Seascape. Oil on masonite, signed illegibly lower right, in a gilded frame, overall 16 ¾" x 20 ½".
• WATERFRONT SEASCAPE WHISPY SKY
  WATERFRONT SEASCAPE WHISPY SKY WATERCOLOR PAINTING United States,20th CenturyImpressionistic depiction of a blue sky filled with fluffy clouds reflecting the light of the rising sun.
• SEASCAPE (EUROPEAN SCHOOL LATE
  SEASCAPE (EUROPEAN SCHOOL LATE 19TH CENTURY). Oil on canvas unsigned. Lighthouse and town on point with sailboats. Unframed 22''h. 36''w. Dent in sky.
• C. GORDON HARRIS SEASCAPE WC
  C. GORDON HARRIS SEASCAPE WC PAINTING Rhode Island,1891-1963Impressionist depiction of waves crashing against a rocky alcove.
• Contemporary seascape, serigraph;
  Contemporary seascape, serigraph; 31 1/2" x 39"; pencil signed (Jan Gons?) and numbered 252/325 lower margin.
• A picture of a seaside scene in
  A picture of a seaside scene in gilt frame 16 x 11cm.
• TWO WORKS: SEASCAPE - OIL ON BOARD;
  TWO WORKS: SEASCAPE - OIL ON BOARD; RIVERSCAPE - PSeascape, oil on board [Art: 6 x 8 1/2 inches; Frame: 11 x 13 1/2 inches] and a print of a riverscape [Art: 4 1/2 x 6 1/2 inches; Frame: 8 3/4 x 10 3/4 inches].
• SEASCAPE WITH FISHERMEN (BRITISH
  SEASCAPE WITH FISHERMEN (BRITISH SCHOOL 2ND HALF-19TH CENTURY). Oil on canvas unsigned. Two row boats approaching anchored ships. Some imperfections. Unframed 20''h. 30''w. 1 1/2'' tear in sky. Some inpainting.
• TWO SEASCAPESTwo Seascapes, oil on
  TWO SEASCAPESTwo Seascapes, oil on panel; unsigned Dimensions: Each 7 1/2 x 10 7/8 in. (19.1 x 27.6 cm.), Frame: 12 1/2 x 15 1/2 in. (31.8 x 39.4 cm.) Condition:
• MICHELE FREDERICO CAPRI ITALY
  MICHELE FREDERICO CAPRI ITALY SEASCAPE Italy,1884-1966Vibrant blue waves crash over a rocky coastline on a cloudy day, a specialty of Michele Frederico. Frederico specialized in seascapes and scenes of Capri, having his first exhibition at the Promatrice di Napoli in 1911.
• SEASCAPE WITH BOATS (RUSSIAN
  SEASCAPE WITH BOATS (RUSSIAN 20TH CENTURY). Oil on canvas signed ''Koscaya'' lower left. Depicting boats on the water against a clear blue sky mountains and a village in the distance. 23''h. 28''w. in a frame 27.25''h. 32.5''w.
• JOSE B. DAVID MARINE SEASCAPE AT
  JOSE B. DAVID MARINE SEASCAPE AT SUNDOWN PAINTING United States, Philippines,1909-1990Impressionist view of sailboats floating through calm waters with a mountain towering against the sky. Close to that of the Amorsolo school, David creates romantic renditions of the Philippines.
• TWO LANDSCAPES (EUROPEAN SCHOOL
  TWO LANDSCAPES (EUROPEAN SCHOOL 2ND HALF-19TH CENTURY). Watercolor on paper unsigned. Studies of Italian coastlines both with buildings on rocky outcroppings the top image titled Scylla. Light stains and edge loss. Both on a single unframed sheet 13''h. 9 1/2''w.
• SEASCAPE PAINTING BY DORA G.
  SEASCAPE PAINTING BY DORA G. MCCOLLISTER (OHIO 1860-1945). Oil on canvas unsigned. Seascape depicting waves crashing against a rocky shoreline. 14''h. 23.75''w. in a frame 22''h. 32''w. Originally from Clarksburg Ohio artist Dora G. McCollister graduated from the Columbus School of Art (Ohio) in 1932 and went on to become the first person to be awarded a degree in Fine Arts from the Ringling College of Art and Design (Sarasota Florida) in April 1937. Throughout her long career she explored a breadth of artistic styles including Impressionism abstract traditional landscape and portraiture.
• SEASCAPE OIL ON CANVAS, TALL
  SEASCAPE OIL ON CANVAS, TALL SHIPS NEAR HARBOR ANDSEASCAPE OIL ON CANVAS, tall ships near harbor and figures in row boats, late 19th/early 20th century. Illegibly signed lower left. Image measures 10" x 16". In a wood frame; 16" x 22" overall.
• GUILLERMO G. MAYORGA COASTAL
  GUILLERMO G. MAYORGA COASTAL SEASCAPE PAINTING Mexico,1887-1962Naturalist work depicting ocean waves crashing against rockery under a bright blue sky with white clouds.
• LEONARD C. LANE, O/C, SEASCAPEOil
  LEONARD C. LANE, O/C, SEASCAPEOil on canvas seascape painting with boat by Leonard C. Lane (American, 1910-1978). Signed at lower left. Manhattan gallery label verso with title "Morning Mists-Nova Scotia #15." Canvas measures 20" x 26", framed to 27 1/2" x 33 1/2". Excellen shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• 20TH CENTURY: SEASCAPE1959;
  20TH CENTURY: SEASCAPE1959; watercolor on paper, matted and framed under glass; signed illegibly and dated lower left; 14 3/4 x 21 3/4 inches sight; 23 x 29 inches frame Condition:
• SEASCAPE BY FRANK MCKELVEY (IRELAND
  SEASCAPE BY FRANK MCKELVEY (IRELAND 1895-1974). Oil on canvas signed lower right. Tranquil shoreline with buildings on the shore. Rebacked on wooden panel. 18''h. 23''w. in a frame 23.5''h. 27.5''w.