A few examples of appraisal values for
SEAT COVER

• DIMINUTIVE SQUARE BRASS STOOL Diminutive
  DIMINUTIVE SQUARE BRASS STOOL Diminutive Square Brass Stool, the seat covered with a checkered cloth, the square legs attached by square stretcher with brass finials. 16" H x 13" W x 13" D. Keywords: Vintage, Furniture, Seating
• ITALIAN EMPIRE PARCEL GILT & EBONIZED
  ITALIAN EMPIRE PARCEL GILT & EBONIZED BENCH Italian Empire Parcel Gilded and Ebonized Bench, possibly Rome, circa 1815-1820, with four lion-headed and footed monopodia conjoined by incurved seat rails above and turned x-form stretchers below, the upholstered seat covered in a bright ikat silk. 20" H x 23" W x 14" D. Provenance: From a 140 East 56th Street estate. Keywords: Antique, Furniture, Seating, Paw feet
• A FRENCH ROCOCO STYLE FAUTEUIL, CIRCA
  A FRENCH ROCOCO STYLE FAUTEUIL, CIRCA 1900 A French Rococo style fauteuil, circa 1900, the back and seat covered in fine grain leather accented with brass nail head trim, and rising on acanthus carved cabriole legs, 40"h x 26"w x 23"d. Provenance: Property from the private collection of Stephen and Lynette Schwartz of Stephen's Antiques, Tiburon, CA
• A FRENCH ROCOCO STYLE FAUTEUIL, CIRCA
  A FRENCH ROCOCO STYLE FAUTEUIL, CIRCA 1900 A French Rococo style fauteuil, circa 1900, the back and seat covered in fine grain leather accented with brass nail head trim, and rising on acanthus carved cabriole legs, 40"h x 26"w x 23"d. Provenance: Property from the private collection of Stephen and Lynette Schwartz of Stephen's Antiques, Tiburon, CA
• SIX EDWARDIAN CARVED MAHOGANY SHIELD-BACK
  SIX EDWARDIAN CARVED MAHOGANY SHIELD-BACK DINING CHAIRS Early 20th century, pierced and relief carved back, over upholstered red velvet seat with brass tack trim, slight serpentine seat rail, front reeded tapered legs with brass cap feet, together with later custom tan geometric seat covers.
• SET OF SIX BLU DOT REAL GOOD CHAIRSSet
  SET OF SIX BLU DOT REAL GOOD CHAIRSSet of Six Blu Dot Real Good Chairs, copper-color powder-coated steel and painted carbon steel, with leather seat covers Dimensions: 33 x 19 x 20 1/2 in. (83.8 x 48.3 x 52.1 cm.), Seat height: 19 in. (48.3 cm.) Condition:
• GEORGIAN STYLE MAHOGANY BENCH EARLY
  GEORGIAN STYLE MAHOGANY BENCH EARLY 20TH the drop-in seat covered in wool tweed, the frame carved with foliate scrolls and swags, raised on square tapered legs with bell-flower trails and ending in spade feet joined by an H stretcher101cm wide, 49cm high, 45cm deep
• WILLIAM IV NEEDLEWORK FIRESIDE BENCH EARLY
  WILLIAM IV NEEDLEWORK FIRESIDE BENCH EARLY 19TH CENTURY the long padded seat covered in wool needlework, on turned and tapered legs129cm long, 46cm high, 30cm deepProvenance: Henryson-Caird Collection, Cassencarie House
• TIBETAN WOOL 'PEONY' SEAT COVER TIBET,
  TIBETAN WOOL 'PEONY' SEAT COVER TIBET, 19TH-EARLY 20TH CENTURY ?? ???????? ???????the orange field woven with large peony blooms issuing from branches, flanked by a pair of butterflies(1)95.5cm x 100cmProvenance: Antique West Ltd., 8 December 1992, with an original receipt.Please note this lot will be offered with no reserve. ???????
• NEEDLEWORK CHAIR SEAT COVER, 18TH C.Needlework
  NEEDLEWORK CHAIR SEAT COVER, 18TH C.Needlework chair seat cover, 18th c., frame - 18 1/2" x 24". Competitive in-house shipping is available for this lot. Condition: Repaired tears down middle.
• VERY RARE PAIR OF GRAEME PARK PHILADELPHIA
  VERY RARE PAIR OF GRAEME PARK PHILADELPHIA QUEEN ANNE C...1740-1760, each with scrolled and shell carved crest over a figured splat with four scrolled volutes, set on shell carved legs with trifid feet, upholstered compass seats, one retaining early and probably original needlework upholstery and under upholstery marked with "IV" and matching slip seat marked "IV", 42-1/2 x 21 x 22-1/2 in. Provenance: Probable line of descent, needlework upholstered example: Dr. Thomas Graeme (1688-1772), Graeme Park, Horsham, Pennsylvania; Elizabeth Graeme Fergusson (1737-1801), Graeme Park, daughter; Dr. William Smith (1746-1822), Graeme Park, by transfer from above, husband of niece; Samuel Penrose (1748-1833), Graeme Park, by purchase from above; William Penrose (1782-1863), Graeme Park, by purchase from above in 1821, son; Ann (Penrose) Iredell (1811-c.1881), Graeme Park and Davis Grove Road, Horsham, daughter; Hannah (Iredell) Twining (b. 1839), Davis Grove Road, Horsham, Pennsylvania, daughter; Ida (Twining) Jones (c.1873-1968), Green Meadows Farm, Warrington, Pennsylvania, daughter; Thence by descent; Sold, Sotheby's, New York, 22 October 1983, lot 254; Private Collection, purchased from above; Sold, Sotheby's, New York, 17 and 19 January, 1997, lot 778 for $118,000; Leigh Keno, Inc., New York; Property of Eric Martin Wunsch; Sold Christie's New York, September 25, 2013 lot 8 for $40,000 hammer Pink upholstered example: Probably made for Dr. Thomas Graeme (1688-1772), Graeme Park, Horsham, Pennsylvania Mrs. J. Insley Blair (Natalie Knowlton) (1883-1951), Manhattan and Tuxedo Park, New York Natica (Blair) Lorillard (1913-1955), daughter Screven Lorillard (1909-1979), husband Alice (Whitney) Lorillard (1919-2015), wife Thence by descent in the family Collection of Mrs. J. Insley Blair, sold Christie's, New York, January 20, 2017, lot 542 for $50,000 Important Private Virginia Estate Note: The Christie's catalog entry for the needlework upholstered example records that "With its original needlework upholstery cover and a notable provenance, this side chair is an important and rare survival from mid-eighteenth century Philadelphia. As indicated by the Roman numerals on its frame and slip-seat, the chair was originally part of a larger set of at least nine chairs of which two or three others are known. These comprise a chair at Colonial Williamsburg, a single example advertised in 1956, and a third, which may or may not duplicate the previous example, published in 1960 and sold in 1998 (David Stockwell, advertisement, The Magazine Antiques (September 1956), p. 173; Barbara Snow, "Living with Antiques: The Home of Mr. and Mrs. J. Stanley Lee, Newtown, Pennsylvania," The Magazine Antiques (September 1960), p. 240; Wechsler's Auction House, Washington D.C., 17 January 1998, lot 185). The first three are illustrated with needlework seat covers that are virtually identical to that made for the chair offered here. With green grounds and stylized leaves and flowers worked in shades of red, yellow, blue and green threads, these covers represent the original coverings. As discussed by Morrison H. Heckscher, this set is distinguished by the broad width of its splats. A side chair now at the Metropolitan Museum of Art with slightly variant shell carving but an identical splat was most likely made in the same shop and, with a similar historical association as the set represented by the chair offered here, may have furnished the same eighteenth-century household (Morrison H. Heckscher, American Furniture: The Queen Anne and Chippendale Styles (New York, 1985), pp. 82-83, cat. 38). This chair descended to the twentieth century with a history of being part of the furnishings of Graeme Park in Horsham, Pennsylvania, a provenance that is supported by the other known chairs from the same set, all of which were also associated with the historic house by their later owners. Originally called Fountain Low and probably constructed for utilitarian purposes, Graeme Park was built in 1722 for Lieutenant-Governor Sir William Keith (1669-1749) on his 1,735 acre estate about twenty five miles north of Philadelphia. Keith returned to England in 1728 and, while the chairs were later thought to have been owned by Keith himself, they date to the period following the house's purchase by Keith's son-in-law, Dr. Thomas Graeme (1688-1772) in 1739. Graeme had accompanied Keith to Philadelphia in 1717 and two years later married Keith's step-daughter, Ann Diggs (d. 1765). After purchasing the house, Graeme re-named the estate and began its transformation into a Georgian summer mansion by re-planting the gardens and retrofitting the house with interior panelling. For almost a hundred years after Dr. Graeme's death in 1772, this set of chairs appears to have remained intact on the estate and owned by successive proprietors of Graeme Park. Graeme bequeathed the estate to his daughter, Elizabeth Graeme Fergusson (1737-1801), a respected poet and scholar who hosted America's first salon, attended by Philadelphia's leading intellectual figures such as Dr. Benjamin Rush and Francis Hopkinson. Elizabeth has been credited with working the floral needlework covers on the chairs, but it is also possible that they were stitched by her mother, Ann Diggs Graeme, especially if the chairs were made closer to 1740 than 1760. Evidence of the latter's proficiency in the needlework arts is suggested by "the Crocadile [sic] in Needle Work by Mrs. Graeme," which was in a bed chamber in 1778; interestingly, the same room had "6 chairs with the old Arm chair," possibly a reference to some of the set represented by this chair. During the Revolutionary War, Elizabeth's husband, Hugh Fergusson, was a Loyalist and deserted not only the country, but his wife. In 1791, Elizabeth transferred ownership of the estate to Dr. William Smith (1746-1822), her niece's husband, and in exhchange, he managed her finances. In 1801, Smith sold the parcel of land that contained the mansion house to Samuel Penrose (1748-1833), a prominent local Quaker farmer, and, in 1821 Samuel sold it to his son, William Penrose (1782-1863), who had been living on the estate with his wife in a separate house since their marriage in 1810. For much of the nineteenth century, Graeme Park was largely uninhabited and looked after by the Penrose family, a circumstance that probably contributed to the survival of the chairs' needlework seat covers ("Addendum to Graeme Park," Historic American Buildings Survey , HABS no. PA-579, pp. 1-29; Thomas Allen Glenn, Some Colonial Mansions and Those Who Lived in Them (Philadelphia, 1899), pp. 367-398; Theodore Webber Bean, History of Montgomery County, Pennsylvania (Philadelphia, 1884), pp. 880-883, 888-896; Simon Gratz, "Some Material for a Biography of Mrs. Fergusson, nee Graeme," Pennsylvania Magazine of History and Biography , vol. 39, no. 3 (1915), p. 295; "People" [biographies], www.graemepark.org ). The set of chairs appears to have been separated upon the settlement of William Penrose's estate in 1865. This chair and the example now at Colonial Williamsburg descended through William's daughter, Ann J. (Penrose) Iredell (1811-c.1881) and remained in the Horsham area until sold out of the family. Colonial Williamsburg purchased their chair from Iredell Twining (1879-1971); his sister, Ida (Twining) Jones (c.1873-1968), was the last family owner identified at the time of this chair's sale at auction in 1983. The chair illustrated in The Magazine Antiques in 1960 (see above) descended to William Penrose's younger daughter, Hannah (1820-1894), who at Graeme Park in 1857, married Isaac Worstall Hicks (1809-1898), son of the celebrated artist, Edward Hicks (1780-1849)." (see https://www.christies.com/lot/lot-5717013) Condition: needlework upholstered example with minor patch at one crest volute, minor brakes and repairs at joint of crest rail to rear stiles and at joint of splat to crest rail (strip patch), old crack/checking at one rear leg, some finish distress at splat, small patch at top of one crest volute, very minor chip at one splat volute, rich color with dry varnished surface with some minor finish distress Needlework example: Christie's catalog entry notes "Retains the original needlework slip seat marked VIIII. Seat frame marked VIII. Crack, repair and surface patch to base of crest just above splat. Crack repairs and minor patches to back of crest at juncture with stiles. Patch to portion of left scrolled volute on crest. Some scratches bruising and wear to legs and feet. Chip to inside of left front leg near ankle. Comes with replaced slip seat. Minor chip to lower scrolled volute on left side of splat. Otherwise good condition." Pink upholstered example: Christie's notes "Underside of front seat rail bears pencil inscription "M Davis". Majority of knee returns appear to be original Crack to left front and right side returns. right returns. Right rear side return possibly replaced. Surface patch to left scrolled volute of crest. Inside of right seat rail bears sticker numbered "25". Some imperfections to dry surface, primarily on backside of chair. Crest re-pinned. Some shrinkage cracks to left front leg. Minor wear and abrasions to legs and feet. Otherwise good condition."
• BRAZILIAN JACARANDA STOOLS WITH CHENILLE
  BRAZILIAN JACARANDA STOOLS WITH CHENILLE SEATS Brazilian mid-century modern stools of rectangular form featuring grey chenille seat coverings over Jacaranda wood base with straight trestle accents. 19.29" H x 28.35" W x 14.17" D.
• UPHOLSTERED WINDOW SEAT Wide Padded
  UPHOLSTERED WINDOW SEAT Wide Padded Bench, with Flemish style openwork carved wooden base and scrolled feet, leopard pattern fabric seat cover, 17 5/8" high, 49" x 19". Abrasions and losses at one end.
• SINGLE CHIPPENDALE ARMCHAIR WITH NEEDLEPOINT
  SINGLE CHIPPENDALE ARMCHAIR WITH NEEDLEPOINT SEAT Victorian blossom and swag carved yoke top, with ribbon vasiform splat, saddle seat covered in vintage floral needlepoint featuring a pair of exotic birds, brass domed tack edging, simple legs with H-stretcher, 19" seat, 28" arms, 38" back, 22" x 21", broken stile.
• (5) Needlepoint chair cover and portions
  (5) Needlepoint chair cover and portions to include 20th c needlepoint chair back and seat cover in romantic scene with floral surround, 18-1/2"H; 19" W back and 22-1/2"D; 28" W, French antique aubusson floral decorated stool cover, 29"L, 16-1/2"W, needlepoint bird and tree seat cover, 24"D, 27"W and floral French aubusson seat cover, 19"H; 23-1/2"W. From the Estate of Nelson Shanks, world renowned painter, art historian, art teacher, connoisseur and collector.
• HEPPLEWHITE-STYLE DESK CHAIRHepplewhite-Style
  HEPPLEWHITE-STYLE DESK CHAIRHepplewhite-Style Desk Chair, the seat covered in black leather with nail head trim, the four legs on casters Dimensions: 37 x 25 x 19 in. (94 x 63.5 x 48.3 cm.), Seat height: 18 in. (45.7 cm.) Provenance: The Walter and Donna Conn Estate; located within the desirable estate enclave of San Marino. Designed by the renowned architect Roland E. Coate in 1929, and built for a member of the Keck family, the gated Colonial Revival home graces over an acre of meticulously manicured park-like grounds. Formerly the USC Presidential Mansion. Condition:
• ROSE TARLOW RIBBON BACK ARMCHAIRRose
  ROSE TARLOW RIBBON BACK ARMCHAIRRose Tarlow Ribbon Back Armchair, "Georgina"; black-lacquered with gilt chinoiserie decoration, the seat covered with white fabric; unsigned Dimensions: 41 1/2 x 29 x 26 1/2 in. (105.4 x 73.7 x 67.3 cm.), Seat height: 20 in. (50.8 cm.) Provenance: Property from a Wilshire Corridor Penthouse Estate, Los Angeles, California Condition:
• SET OF FOUR VICTORIAN CARVED MAHOGANY
  SET OF FOUR VICTORIAN CARVED MAHOGANY SIDE CHAIRSSet of Four Victorian Carved Mahogany Side Chairs, 19th century; each with pierced splat and seat covered with later upholstery Dimensions: 34 x 18 x 18 in. (86.4 x 45.7 x 45.7 cm.); seat height: 18 inches Condition:
• BLACK-PAINTED WOOD AND CANE SOFABlack-Painted
  BLACK-PAINTED WOOD AND CANE SOFABlack-Painted Wood and Cane Sofa, 20th century; with gilt stencilled decorations, the seat covered with blue and white fabric and with matching seat cushion and pillows Dimensions: 30 1/2 x 76 x 35 in. (77.5 x 193 x 88.9 cm.), Seat frame: 19 in. (48.3 cm.) Condition: slight nicks to some areas of legs from use. Cushion bottom could use re-stuffing. Slight sag in sofa under cushion, might be able to be re stretched or tightened to sit more firmly
• GEORGIAN STYLE WALNUT STOOL Georgian
  GEORGIAN STYLE WALNUT STOOL Georgian style walnut stool, having shell carved knees on cabriole legs with ball and claw feet, seat covered with muslin; 15"H 24"W 18"D
• A set of six vintage oak dining chairs
  A set of six vintage oak dining chairs with patent leather seat covers, five side chairs, one arm chair. 39” H x 18” W x 15” D x 19'' & 20"seat H Condition: some slight chips and surface scratches CT Transfer Fee $40
• A set of four William IV mahogany dining
  A set of four William IV mahogany dining chairs, on sabre legs with slip seats More Information Structurally sound and in good condition, blue seat coverings stained and worn
• A GEORGE II STYLE MAHOGANY CHAIR the
  A GEORGE II STYLE MAHOGANY CHAIR the rectangular back and seat covered in needlework worked with squirrels amidst vases of flowers on a brown ground, the cabriole legs carved at the knees with shells and terminating in eagles claw and ball feet, 57cm wide x 97cm high Provenance: Bt. in 1965 for twenty eight guineas.
• PAIR OF MONTEREY-STYLE PAINTED WOOD
  PAIR OF MONTEREY-STYLE PAINTED WOOD STOOLSunsigned; each seat covered with light brown leather; Condition: one with stains to leather. Each with wear to paint; one with tight cracks to back support (stool is structurally sound.) 16 inches squ
• WHITE-PAINTED IRON BENCHthe padded seat
  WHITE-PAINTED IRON BENCHthe padded seat covered with red checked fabric with small chinoiserie figures; 36 inches wide; 11 1/2 inches deep; 17 inches high
• JACOBEAN HINGED STOOL & ENGLISH SIDE
  JACOBEAN HINGED STOOL & ENGLISH SIDE CHAIR1st item: English Jacobean style oak stool, hinged lift top with wrought iron hinges opening to a single compartment, carved vertical score pattern around sides, turned legs joined by a box stretcher. 21 1/4" H x 21 1/4" W x 14 1/4" D. 19th century or earlier. 2nd item: 18th century English slat back side chair, tapered legs and pegged construction. Retains an early 20th century embroidered seat cover. 38" H x 15 3/4" W x 14 1/2" D. Condition: 1st item: Overall general wear with some stains to top, wear with scratching to sides, possible earlier elements. 2nd item: Refinished with minor repairs and scattered wood fill.
• 18TH C. AUBUSSON TAPESTRY, DOGS HUNTING
  18TH C. AUBUSSON TAPESTRY, DOGS HUNTING LEOPARDAubusson Tapestry fragment, possibly a seat cover, depicting dogs hunting a leopard in a landscape setting, enclosed within a cartouche and tassel border. 71" x 33". French, 18th century. Condition: Tears and separations up to 8", loss to lower center 11"L at swag area, scattered small repairs and scattered stains, fading.
• CURNETT MFG. CO. 1 CENT / 5 CENT SANITARY
  CURNETT MFG. CO. 1 CENT / 5 CENT SANITARY SEAT COVER VE...Curnett Mfg. Co. 1 Cent / 5 Cent Sanitary Seat Cover Vendor. Los Angeles, ca. 1926. Sheet metal. Machine has product inside. Lock and key. Not tested. Very good.
• A GEORGE III (1738-1820) NEOCLASSICAL
  A GEORGE III (1738-1820) NEOCLASSICAL PAINTED ELM AND B...A GEORGE III (1738-1820) NEOCLASSICAL PAINTED ELM AND BEECH ARMCHAIR, after designs by THOMAS SHERATON (1751-1806), the oval back centering a hand painted paterae issuing a blue ground band with pink and blue flower blooms and delicate buds on leafy tendrils, and a laurel leaf and berry garland hung within a dado joint constructed web or wheel form back, each spoke painted with a carrot spear pointing to an oval medallion with a figure of Ceres, crowned with flowers in sparse landscape, the contoured seat covered in yellow ground floral upholstery within bowed arms painted with grape leaf and berry vines, on restrained swan neck form supports with whimsical stylized strawberry plants, raised on square, tapered legs with repeating blue ground flower bloom tendril bands, ending on spade feet, joined by a rose bloom tendril painted flat front rail. Note: In Ralph Edwards' Sheraton Furniture Designs, from the Cabinet-Maker's and Upholsterer's Drawing-Book 1791-94, printed by The Compton Printing Works Ltd., London, 1946, he reproduces illustrations from the posthumous printings of Thomas Sheraton's designs. The present chair crest rail is painted with a paterae design that evokes the central detail of a chair rail design on page 43. On pages 18-19 Cornices with Ornamented Friezes, detail a vertical ornament with entwining serrated leaf and berry tendril, which when compared to the fruiting tendrils painted on the present chair arms, a remarkable likeness is evident. The back construction is something only a seasoned carpenter could execute, the mark of quality is subtle but quite apparent. Tracery examples on pages 7-9 likely gave the carpenter a variety of sinuous forms from which to work from while executing the chair back. Finally on page 68 a selection of vegetal flourishes ends with a rose bud dotted spray, which when compared to the front seat rail and back supports, are simply intentionally modeled after Thomas Sheraton's brilliant designs. The cabinetry publications produced in the 18th/19th centuries by designers and carpenters such as the Adams Brothers, Thomas Sheraton, and George Hepplewhite persist in informing cabinetmakers on unsurpassed woodworking trends. The simplicity of Sheraton's design, well suited for hand painted details, appealed to the economic sensibility and tastes of the burgeoning merchant class. The joyous theme of abundance, beauty, and spring is clearly conveyed here. Height: 37 3/4" Width: 24" Depth: 20" Condition: Apparent repairs, glue residue, some losses of original supports, later upholstery, evidence of second paint decoration which has now deteriorated to reveal original paint decoration, expected losses of paint throughout, rubbing, but overall in very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• TEN QUEEN ANNE STYLE CLOVEN HOOF FEET
  TEN QUEEN ANNE STYLE CLOVEN HOOF FEET CANE BACK WALNUT ...TEN QUEEN ANNE STYLE CLOVEN HOOF FEET CANE BACK WALNUT DINING CHAIRS, EARLY/MID 20TH CENTURY, comprising two armchairs and eight side chairs with parcel gilt shell crestrail over shaped dual cane paneled backs to caned seats, on shell carved knee cabriole legs ending in pied de biche feet, armchair height: 51 1/2", width: 25", depth: 21". Condition: Some wear on hand rests with rubbing, expected rubbing and abrasive wear throughout finish, some repairs to an armchair back near base, one seat cover does not match, faux bois painting throughout, overall in fair to good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• A VIENNA SECESSIONIST STYLE BLACK SILK
  A VIENNA SECESSIONIST STYLE BLACK SILK COVERED BEECH HI...A VIENNA SECESSIONIST STYLE BLACK SILK COVERED BEECH HIGH BACK CHAIR, 1900-1930, circle of Josef Hoffmann (Austrian 1870-1956), the dropped crest rail issuing a restrained geometric beehive splat, a mortise and tenon marvel, the lower half enforced with cushion assisting buttresses, the seat covered in black ground silk with ocher polka dots is raised on square legs joined by a minimal seat rail. Height: 45" Width: 16 1/2" Depth: 17 1/2" Provenance: Property of an Important Houston Antiques Dealer Condition: A lovely chair with a cherry finish, mild surface wear, overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• A SET OF TEN LOUIS XIV STYLE UPHOLSTERED
  A SET OF TEN LOUIS XIV STYLE UPHOLSTERED AND CARVED WAL...A SET OF TEN LOUIS XIV STYLE UPHOLSTERED AND CARVED WALNUT DINING CHAIRS, 20TH CENTURY, comprising two armchairs and eight side chairs, each with a tall rectangular padded back and trapezoidal seat covered in a brass nailed ochre ground cut velvet brocade with burgundy highlights, centering a repeat of stylized pineapple and blooms amidst large curling acanthine foliage, raised on scrolling "S" form legs joined by a serpentine "H" form stretcher. Height: 45 1/4" Width: 24 1/4" Depth: 24" Condition: Each in good used condition with some expected scuff marks, scratches, one armchair and three side chairs have areas around legs with animal chew marks, as well as normal buildup in crevices throughout. The fabric is in good condition with negligible wear, and frames are structurally sound. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• CHARLES POLLOCK (AMERICAN 1930-2013)
  CHARLES POLLOCK (AMERICAN 1930-2013) AN OFFICE CHAIR, "...CHARLES POLLOCK (American 1930-2013) AN OFFICE CHAIR, "Pollock Executive Chair," KNOLL, 1960s, the padded back and seat covered in a button tufted black leather, within a continuous polished aluminum rim and flanked by black plastic arms mounted on a swivel and height adjustable conforming black plastic shell, raised on a polished aluminum capped black four star base with chrome and black plastic Pacer Shepherd casters, includes original Allen wrench. Height: 31 1/2" Width: 26 1/4" Depth: 28 1/4" Condition: The chair is in good condition with original surface worn leather retaining original buttons. The arms have normal wear and the black plastic shell has a few scuff marks and some horizontal scratch marks in one area. The polished aluminum rim has some small scratches, and a few dings but is in good condition. The polished aluminum caps on the 4 star base have expected wear from use, still retains the original Allen wrench taped to underside. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• A PAIR OF REGENCY STYLE CORAL PINK PAINTED
  A PAIR OF REGENCY STYLE CORAL PINK PAINTED FAUX BAMBOO ...A PAIR OF REGENCY STYLE CORAL PINK PAINTED FAUX BAMBOO CARVED ARMCHAIRS, BY KITTINGER, each with a double stalk crest rail above triple stalk vertical clusters, flanked by matching stiles issuing down swept arms on a bowed trapezoidal seat with drop-in seat covered in a striated silk upholstery, raised on similarly carved legs joined by box form paired faux stalk stretchers, bottom of seat Kittinger paper label. Height: 34 1/2" Width: 21" Depth: 19" Provenance: The Roth Family Estate, Houston, Texas Condition: Each in good gently used condition with some normal scuff marks, small scratches, a few nicks, and some negligible wear along crest rail and armrests. The coral pink paint is by Kittinger, akin to a lacquer, and has a slightly "antiqued" or "vintage" worn factory finish. The frames are sturdy and the upholstery is modern. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• A ROCOCO REVIVAL CANED AND NEEDLEWORK
  A ROCOCO REVIVAL CANED AND NEEDLEWORK UPHOLSTERED PAINT...A ROCOCO REVIVAL CANED AND NEEDLEWORK UPHOLSTERED PAINTED WOOD ARMCHAIR, LATE 19TH/EARLY 20TH CENTURY, the serpentine arched rectangular back with scrolling acanthus carved on molded crest rail and ending on eared corners, above molded stiles enclosing two caned panels and issuing curved arms with scrolled hand rests over caned sides, on a shaped demi-lune seat covered in a colorful needlework panel centering a bust of a maiden flower vendor carrying a flower-filled basket on her head and a floral bouquet under each arm, within an oval beaded border flanked by tapered blossoming stems with a long snail opposite a butterfly, above a conforming molded seat rail centering a foliate detailed pendant and raised on cabriole legs ending in scrolled feet. Height: 36 1/4" Width: 27" Depth: 21 3/4" Provenance: Private Collection, Pearland, Texas Condition: Good condition for antique chairs of this age, use, and materials including but not limited to paint worn to base wood along edges, flaking, minor edge nicks, age shrinkage cracks, scratches, and normal surface buildup throughout. Caned panel under right arm has two small holes, and all panels have worn paint. The needlework-covered seat panel is a replacement for a caned seat and is in good vintage condition with a few small spots, some fading. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• SET OF TEN HENREDON TUFTED LEATHER UPHOLSTERED
  SET OF TEN HENREDON TUFTED LEATHER UPHOLSTERED MAHOGANY...SET OF TEN HENREDON TUFTED LEATHER UPHOLSTERED MAHOGANY DINING CHAIRS, LABELED, MODERN, each with a channel carved balloon form framed back enclosing tufted and brass nailed midnight blackish/blue leather upholstery, over a bowed trapezoidal seat covered in same brass nailed leather and raised on tapering octagonal legs topped by bombé capitals and ending in toupie feet, verso Henredon printed paper label with various numbers and "REGIMENT," comprising two armchairs and eight side chairs; armchairs height: 43 3/8", width: 26 1/2", depth: 21". Provenance: Collection of Roland Teoh, Houston, Texas Condition: Armchairs have light wear on the handrests, some chairs have small scuff marks on legs, some small surface abrasions on leather upholstery, and surface dust buildup in crevices. Sturdy frames and comfortable. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.”