A few examples of appraisal values for
SEFTON

• ISABELLA COUNTESS OF SEFTON
  ISABELLA COUNTESS OF SEFTON HN3010 - ROYAL DOULTON FIGU...Porcelain glazed figurine, Woman with light yellow dress and dark purple shawl. Royal Doulton backstamp. Artist: Peter Gee Issued: 1991; Ltd. 5,000 Dimensions: 9.75"H Edition Number: 239 of 5000 Manufacturer: Royal Doulton Country of Origin: England
• ISABELLA COUNTESS OF SEFTON
  ISABELLA COUNTESS OF SEFTON HN3010 - ROYAL DOULTON FIGU...From the Gainsborough Ladies collection. Issued in 1991 in a limited edition of 5000. Includes Certificate of Authenticity and original presentation box. Artist: Peter Gee Issued: 1991 Dimensions: 9.75"H Edition Number: 1112 Edition Size: 5000 Manufacturer: Royal Doulton Country of Origin: England
• ISABELLA COUNTESS OF SEFTON
  ISABELLA COUNTESS OF SEFTON HN3010 - ROYAL DOULTON FIGU...Porcelain glazed figurine. Woman with light yellow dress and black shawl. Royal Doulton backstamp. Artist: Peter Gee Issued: 1991; Ltd. 5,000 Dimensions: 9.75"H Edition Number: 1576 Edition Size: 5000 Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• ISABELLA COUNTESS OF SEFTON
  ISABELLA COUNTESS OF SEFTON HN3010 - ROYAL DOULTON FIGU...Artist: Peter Gee Issued: 1991 Dimensions: 9.75"H Edition Number: 239 Edition Size: 5000 Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• ISABELLA COUNTESS OF SEFTON
  ISABELLA COUNTESS OF SEFTON HN3010 - ROYAL DOULTON FIGU...Artist: Peter Gee Issued: 1991 Dimensions: 9.75"H Edition Number: 239 Edition Size: 5000 Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• CHARLES RENNIE MACKINTOSH
  CHARLES RENNIE MACKINTOSH (1868-1928) TEXTILE DESIGN, CIRCA 1920 pencil and watercolour heightened with white, on tracing paper, signed and inscribed C.R. Mackintosh./2 Hans Studio/43 A Glebe Place Chelsea SW3 lower right, on the backing sheet, overmounted17.5cm. x 16cmProvenance: The Fine Art Society, London, 1989Exhibited: The Fine Art Society, London, 1994 Mackintosh and the Glasgow Style, Travelling Exhibition in Japan, September 2000 - February 2001, p. 137, Cat. No. 140.Literature: Billcliffe R. Charles Rennie Mackintosh. Textile Designs, San Francisco 1993, p. 84 ('Ochre, Black and White') and p. 85 ('Cyclamen')Billcliffe R. Charles Rennie Mackintosh and the Art of the Four, Quarto 2017, pp. 219-225, p. 222, pl. 260Note: In 1916 the Mackintoshes left Walberswick for London where they made their new home in rented lodgings in Chelsea and two adjacent small studios in nearby Glebe Place. The war had ended any idea of Charles setting up an architectural practice either in Glasgow or London, where he lacked the contacts or the money to do so. The series of wildflower studies that Mackintosh produced at Walberswick suggested a new way forward as an artist. In London, he began a series of cut flower watercolours and textile designs. The first of these flower paintings to be exhibited, Anemones, appeared at the ISSPG (The International Society of Sculptors, Painters and Gravers) in May 1916. A piece of fabric made from one of his designs can be seen in the background, suggesting he had begun working for the textile roller printers, William Foxton Ltd and William Sefton & Co. before this date. His early textile designs developed from his later work in Glasgow and from the Viennese designers he had admired before the war. Later, he drew on his intimate knowledge of the natural world, to produce abstracted repeat patterns, as in the current example. A variation of this design also provides the backdrop for Cyclamen, a watercolour of around 1922-23.By 1920 Mackintosh had built an impressive body of work and had become one of the leading textile designers of the period. His diary entry for this year recorded income of £200 from the sale of designs for voiles, chintzes and handkerchiefs. Despite this relative success, fabric designs did not bring him the recognition he needed to attract further work or commissions as his name would not have been associated with the designs at this time. In 1916 Mackintosh did however receive a commission from the engineering and toy model manufacturer W.J Bassett-Lowke for his house at 78 Derngate in Northampton, where he was able to use some of his printed textiles. However, apart from this and a small commission for Miss Cranston in Glasgow no other architectural work was forthcoming and painting remained his alternative career until his death in 1928.
• A brown fur coat by Sefton Marks of
  A brown fur coat by Sefton Marks of Solihull, initialled 'EH' to the inside, 85cm long, the sleeves 63.5cm, 37cm across back
• CONNOISSEUR OF MALVERN "BROTHER"
  CONNOISSEUR OF MALVERN "BROTHER" EVENKI CHILD ON REINDEER 19" x 15" Connoisseur porcelain Evenk Child on Reindeer, 1984. Hand painted bisque, signed by Richard Sefton, from an numbered edition, 4 of 25, on walnut plinth.
• 9 PC LOT OF ROYAL DOULTON
  9 PC LOT OF ROYAL DOULTON FIGURES: 1) ''Philippa of Hainault'', HN 4066, 305/5000; 2) ''Queen Anne'', Queens of the Realm, HN 3141, 761/5000, 1987; 3) ''Isabella'' Countess of Sefton, HN 3010, 216/5000; 4) ''The Honorable Frances Duncombe'', HN 3009, 1274/5000; 5) ''Lady Worsley'', HN 3318, 1034/5000, signed; 6) Queens of the Realm ''Mary Queen of Scots'', HN 3142, 1313/5000; 7) ''Countess Spencer'', HN 3320, 1068/5000; 8) ''Mary Countess Howe'', HN 3007, 2128/5000, Modelled by Peter Gee; 9) ''Mrs. Hough Bonfoy'', HN 3319, 830/5000.
• Royal Doulton Figure Isabella
  Royal Doulton Figure Isabella Countess of Sefton HN3010 Limited Edition
• Royal Doulton Figure Isabella
  Royal Doulton Figure Isabella Countess Of Sefton HN3010 Boxed with certificate
• Prototype Royal Doulton Figures
  Prototype Royal Doulton Figures Mary Countess Howe HN3007 and Isabella Countess of Sefton HN3010 both with not for resale backstamps and Isabella with approval signatures by Eric Griffiths dated 1989 (2)
• THREE PRINTS. Nineteenth
  THREE PRINTS. Nineteenth century. James K. Polk handcolored lithograph by N. Currier C#3159. Cleaned. 20 1/2''h. 16''w. And a picture after an engraving of Major-General Scott by Gimbrede 21''h. 17''w. Together with an English handcolored engraving of Lord Sefton A Good Whip 14 1/2''h. 13''w. All in frames. The Polk print has light stains around the edges including foxing. Edge wear to corners small 1/4 - 1/2 inch along the top and left edges. Remains of linen tape hinges along the top edge. The margins are 2'' at top 4 1/4 bottom and 2 1/2 & 2 1/4'' on the edges.