A few examples of appraisal values for
SHADOWS OF OLD NEW ORLEANS

• C. Bennette Moore (American/New
  C. Bennette Moore (American/New Orleans 1879-1939) pair of hand-colored photographs including "Shadows of Old New Orleans" and "Two Sisters Court" both signed lower right both pencil titled on mat lower right both sight 9 1/8 in. x 7 3/8 in. in matching mats and frames.
• Five New Orleans Vintage
  Five New Orleans Vintage Photographs C. Bennette Moore (American/New Orleans) "Louisiana Oak City Park" "Shadows of Old New Orleans" and "Lace Balcony New Orleans" silver gelatin prints all signed and pencil titled sights from 13 3/4 in. x 10 3/4 in. to 9 7/8 in. x 7 3/4 in.; "Old Brulatour Courtyard Vieux Carré" hand-colored photograph signed lower right title label en verso remnant of artist label en verso 13 7/8 in. x 10 7/8 in.; William Henry Jackson (American 1850-1949) "Cotton on the Levee New Orleans" chromolithograph titled and numbered "51284" lower left 4 1/2 in. 6 3/8 in. all framed.
• C. BENNETTE MOORE (AMERICAN/NEW
  C. BENNETTE MOORE (AMERICAN/NEW ORLEANS, 1879)C. Bennette Moore (American/New Orleans, 1879-1939) , "Shadows of Old New Orleans" and "Lace Balcony, New Orleans", 2 hand-colored photographs, each signed lower left and titled on matting, one with "Portraits by C. Bennette Moore, New Orleans" label and information label on backing, 13 3/4 in. x 10 3/4 in., framed alike. (2 pcs.). Provenance: Collection of noted collector Michael Wilkinson, New Orleans, LA
• C. Bennette Moore (American, New
  C. Bennette Moore (American, New Orleans, 20th Century) \"Shadows of Old New Orleans\" and \"St. Louis Cathedral\", pair of hand-tinted black and white photographs, 6-3/4\" x 4-1/2\" each, signed and located lower right and lower left, respectively: \"C. Bennette Moore/New Orleans\". Presented in the original parcel-gilt frames.
• George Frederick Castleden
  George Frederick Castleden (American/New Orleans, 1861-1945) "Shadows, Gen. A. Jackson's Residence During 1812 War N.O.", graphite drawing, signed lower right, sheet size 8" x 6", together with "Old Spanish Lamp", etching, plate signed lower right, pencil signed lower right, titled lower left, sight 7-1/2" x 5-1/2". Glazed, matted and framed. Provenance: Collection of Dr. James W. Nelson, Gonzales, Louisiana.
• A Collection of More than Seventy
  A Collection of More than Seventy Vintage Black and White Photographs of Scenes of Louisiana and New Orleans c. mid-20th c. including images of plantation houses sugar cane and cotton harvesting Acadian homesteads cemeteries and tombstones churches buggies the Governor's Mansion farm and field workers fishermen and fishing boats the blessing of the sugar cane fields moss pickers "Miss Dede Brezeale Dean of Natchitoches Meat Pies " and Hodges Gardens among others many published for the Louisiana Tourist Development Commission Baton Rouge 8 in. x 10 in. or 5 in. x 7 in. all unframed.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) "French Quarter at Twilight", oil on masonite, 22-1/2" x 18". Presented in a carved giltwood exhibition frame.
• VINTAGE PHOTOGRAPHS OF NEW
  VINTAGE PHOTOGRAPHS OF NEW ORLEANSVintage Photographs of New Orleans , " Shop", "Vieux Carré", "Home of Senator Long", "Canal Street" and "Corner Patio", 1939, 5 gelatin silver prints mounted to board, each pencil-signed "A. Schmidt", dated and titled on boards, sheets 8 in. x 10 7/16 in., unframed . (5 pcs.)
• An Album of Vintage Black and White
  An Album of Vintage Black and White Photographs of New Orleans and Louisiana c. mid 20th c. approximately 50 silver gelatin prints including images of the French Quarter Mississippi River Boats St. Roch Cemetery West End Dock Scenes Loading of Bananas Mardi Gras Parade on Canal Street The Chas. Bolot Papermill in New Iberia Salt Mines on Avery Island and Sugar Cane Fields and Processing 8 in. x 10 in. photographs in a period album.
• Eugene E. Loving
  Eugene E. Loving (American/Louisiana 1908-1971) two etchings on paper "Sunlight and Shadows Old New Orleans" and "Bourbon Street Court Old New Orleans" both pencil-signed titled and numbered "ed/100" each sight 8 in. x 5 5/8 in. matted and framed alike.
• Charles Henry Reinike
  Charles Henry Reinike (American/Louisiana, 1906-1983) "Early Evening Shadows on a French Quarter Courtyard", oil on canvas board, sight 12" x 16", signed lower left "C. Reinike". Presented in a contemporary giltwood frame.
• Charles Oglesby Longabaugh
  Charles Oglesby Longabaugh (American/New Orleans 1885-1944) two French Quarter scenes "Cabildo Arches" and "Pirates' Alley Old New Orleans" 1943 each watercolor on paper both signed dated and inscribed "New Orleans" titled and signed on mat boards sight 5 3/4 in. x 6 5/8 in. in matching period frames.
• A Group of Five Vintage New Orleans
  A Group of Five Vintage New Orleans Photographs including two by Swinney (American/New Orleans 20th c.) "Patio Royale French Quarter" and "Brulatour Courtyard French Quarter" c. 1930s hand-colored photographs latter signed lower right both titled and inscribed en verso 7 in. x 5 in. and 5 in. x 7 in. respectively; M. L. Draper (American/New Orleans 20th c.) "Pirate's Alley New Orleans LA" hand-colored photograph signed lower right titled en verso 6 3/8 in. x 4 1/2 in.; attributed to D.T. MacRoberts (American/New Orleans 20th c.) "Rue Chartres New Orleans" c. 1930s-1940s bromoil print unsigned titled en verso image 7 1/2 in. x 5 in. sheet 10 in. x 8 in.; and Theodore "Fonville" Winans (American/ Louisiana 1911-1992) "Pirate's Alley New Orleans" c. 1930s silver gelatin print (printed from a duplicate negative) embossed signature lower right "Southern Photographic Images The Fonville Winans Collection Baton Rouge" stamped en verso 7 in. x 5 in. accompanied by an information sheet from Southern Photographic Images all framed (5 pcs.)
• Laurence Christie Edwardson
  Laurence Christie Edwardson (American/New Orleans 1904-1995) "New Orleans at Night - Cabildo and St. Louis Cathedral" oil on masonite signed lower left signed titled with Max Hill The French Quarter Frame Shop label en verso 24 in. x 48 in. period frame.
• [NEW ORLEANS NIGHTLIFE][New Orleans
  [NEW ORLEANS NIGHTLIFE][New Orleans Nightlife] , Kinney, Robert, The Bachelor in New Orleans, A handbook for unattached gentlemen and ladies of spirit visiting or resident in the Paris of America, Bob Riley Studios, New Orleans, c. 1945, with hand-block prints by Eugenia and Bob Riley , 9 in. x 6 in. , 9 in. x 6 in.
• New Orleans School (Mid-to-Late
  New Orleans School (Mid-to-Late 20th Century) "French Quarter Street Scene with Figure", pastel and charcoal on paper, sight 12" x 10", signed lower right "Frank John". Glazed, matted and presented in a giltwood frame.
• L. EDWARDSON, SKETCH OF NEW
  L. EDWARDSON, SKETCH OF NEW ORLEANSSketch or study of a New Orleans street, attributed to Laurence Edwardson, framed under glass; sight image measures approximately 8-1/4" x 11". Unsigned. In Good condition.
• Charles Henry Reinike
  Charles Henry Reinike (American/Louisiana 1906-1983) "Shadows on the Teche in New Iberia LA" watercolor on paper signed lower right titled en verso of matte sheet 7 3/8 in. x 10 1/2 in. attractively matted and framed.
• NEW ORLEANS SCENIC PHOTO ALBUM,
  NEW ORLEANS SCENIC PHOTO ALBUM, C. 1892[NEW ORLEANS SCENIC PHOTO ALBUM], c. 1892-94, comprising 30 albumen prints taken by Philip Ohlsen, with handwritten identifications, including views of Custom House on Canal St., Old Spanish Fort, Hunting Camp, Negro Camp and Lighthouse in Milneburg, Fountain in Washington Square Iced Over, View in Mandeville, Fountain in Lafayette Square Iced Over, Three Oaks Poultry Ranch, Chalmette, Poydras Plantation, Canal St. Ferry House, Chalmette Cemetery, Monuments in Metairie Cemetery, rare view of Monument of Battle of Liberty Place, St. Roch Chapel Covered in Vines, Railroad Views, Dueling Oak at City Park, Turning Bridge at Bayou St. John, St. Roch Cemetery, London Ave. Pumping Canal and other scenic views, sheets 4 1/2 in. x 7 1/2 in. or 7 1/2 in. x 4 1/2 in.
• Myron Lechay (Russian/New York City
  Myron Lechay (Russian/New York City 1898-1972 active New Orleans 1921-1929) "New Orleans Old French Quarter" oil on canvas signed titled and dated "'26" en verso 20 in. x 30 1/8 in. framed. Note: A member of the New York avant-garde art scene in the early twentieth century Myron Lechay was mentored by both the artist Stuart Davis and Valentine Dudensing owner of Valentine Gallery. During the summer months Lechay would venture from the city to embark on sketching trips to Gloucester Massachusetts and Kennebunkport Maine. From 1921 to 1929 he lived and worked in New Orleans where he earned critical acclaim for his paintings of the historic city. Known for his delicate use of color Lechay employs modernist elements in this rendering of the buildings and palm trees of the French Quarter.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) \"Pirate\'s Alley\", oil on board, 20\" x 16\", titled lower right. Presented in a giltwood frame.
• New Orleans School (20th Century),
  New Orleans School (20th Century), two paintings, one "Pirate's Alley", ink on brown paper, monogrammed and dated lower right "HMB 63", glazed, matted and presented in a stained wood frame; and the other "Pirate's Alley, New Orleans", ink and watercolor, indistinctly inscribed lower right "G. Louise Webb pen and ink by ____", titled in pen on mat, glazed, matted and presented in a narrow giltwood frame, 12" x 7" and 11" x 14".
• Franz Weiss (American/Louisiana
  Franz Weiss (American/Louisiana 20th c.) a pair of paintings of "Bourbon Street Vieux Carré New Orleans" and "Pirate's Alley Vieux Carré New Orleans" both oil on canvas both signed and dated "1968"lower left 16 in. x 12 in. in matching period frames.
• A Group of Eleven Vintage Silver
  A Group of Eleven Vintage Silver Gelatin Photographs of New Orleans and Environs including "St. Louis Cathedral"; "French Quarter Courtyard"; "Houmas House"; "The Gardens"; "Live Oaks";; "Live Oak Alley"; "The Pontalba"; "Plush Interior"; "Lafitte's Blacksmith Shop"; "The Oak"; and "The Victorian" with its corresponding glass plate negative; all unsigned ranging in size from 14 in. x 11 in. to 8 in. x 10 in. all unframed (12 pieces).
• C. BENNETT MOORE (AMERICAN/NEW
  C. BENNETT MOORE (AMERICAN/NEW ORLEANS 1879-1939)C. Bennett Moore (American/New Orleans 1879-1939), "Shadow of New Orleans", hand-colored photograph, signed lower right, label with title on backing board, 14 in. x 10 7/8 in., framed. Condition: Overall fair condition. Ext. Frame: 19 in. x 16 1/8 in. x 2 in.
• New Orleans School (21st
  New Orleans School (21st Century) "Lively French Quarter Street Scene Looking Towards the Central Business District", oil on canvas, 22" x 27", signed and dated lower right "Wendell 2K0". Unframed.
• New Orleans School (20th
  New Orleans School (20th Century) "Street Scene, French Quarter, New Orleans", acrylic on canvas board, 11-1/2" x 15-1/2", indistinctly signed lower left. Presented in a giltwood frame.
• New Orleans School (20th
  New Orleans School (20th Century) pair of photogravures, consisting of a view of "St. Charles Street" and "The Milkman" who is stopped in front of the La Louisiane Hotel and Restaurant at 719 Iberville Street, both are sight 7-1/2" x 9-3/4", published by Frank Gordon & Son, New Orleans, Louisiana, extensive descriptive information on each locale found on labels en verso. Glazed, matted and framed en suite.
• New Orleans School (20th
  New Orleans School (20th Century) "View of a French Quarter Street Through a Wrought-Iron Balcony", watercolor, 22" x 15-1/2", signed lower left "Mansfield". Glazed, handsomely matted and framed.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) \"French Quarter Street Scene\", oil on canvas, 16\" x 12\", signed lower right \"T Ogle\". Presented in a glazed wooden frame with linen liner.
• Louisiana School 20th c. "Pirates
  Louisiana School 20th c. "Pirates Alley" and "French Quarter View of St. Louis Cathedral" c. 1960 oils on canvas unsigned each 24 in. x 10 in. framed alike.
• New Orleans School (20th
  New Orleans School (20th Century) "French Quarter Street Scenes", pair of watercolors on paper, sight 14-1/2" x 10-1/4", each signed lower right "Quatremains". Glazed, matted and presented in polychromed metal frames.
• New Orleans School (Early-to-Mid
  New Orleans School (Early-to-Mid 20th century) \"St. Louis Cathedral\" and \"Brulatour Courtyard\", two hand-colored black-and-white photographs by separate artists, both 7\" x 5\", the former titled lower left and signed indistinctly lower right., the latter unsigned. Each presented in unique carved giltwood frames.
• New Orleans School (Second
  New Orleans School (Second Quarter 20th Century) \"Old Cypress Tree in City Park\", 1937, 12\" x 14\", unsigned, titled, located and dated on the reverse. Presented in a carved giltwood frame.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) "French Quarter Street Scenes", pair of watercolors and ink on paper, sight 15" x 12", each signed and dated lower left "F. Cooper '62". Presented in carved, parcel-gilt and polychromed frames.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans 1861-1939) "A Courtyard in the Old Quarter New Orleans" oil on canvas signed lower left 15 in. x 12 in. in a modern frame.