A few examples of appraisal values for
SHELTER MARKS

• HENRY MOORE "SHELTER" SKETCH BOOK
  HENRY MOORE "SHELTER" SKETCH BOOK published in 1967, incl. 80 Facsimile collotypes.
• HENRY MOORE -
  HENRY MOORE - SHELTER-SKETCH-BOOKLondon/Berlin: Marlborough Fine Art, Inc./Rembrandt Verlag, 1967, number 56 of 180 copies signed by Moore, containing 80 tipped in facsimile collotypes (lacking the additional signed and numbered lithograph), loose leaves laid into cloth backed portfolio case with gilt lettering Provenance: Property of a Georgia Institution Condition: good overall, some scuffs and light wear to case
• MELVIN WARREN (1920-1995),
  MELVIN WARREN (1920-1995), SEARCHING FOR SHELTER Fine Art
• HENRY MOORE SHELTER SKETCH BOOK
  HENRY MOORE SHELTER SKETCH BOOK COVER LITHOGRAPH United Kingdom,1898-1986"Shelter Sketch Book Cover", 1967, 91 of 180. Cramer 80-86.
• W SHELTER (EUROPEAN 20TH CENTURY
  W SHELTER (EUROPEAN 20TH CENTURY SCHOOL), FLOWER VENDORS ALONG THE ROAD, OIL ON CANVAS, FRAME: 34-1/4 X 46-1/4 INW Shelter (European 20th Century School), Flower Vendors Along the Road, Oil on Canvas, Frame: 34-1/4 x 46-1/4 in
• TAMMRA SIGLER. "SHELTER IN WHITE
  TAMMRA SIGLER. "SHELTER IN WHITE II," OIL (American, 20th century). Oil on canvas, 1988, signed, titled and dated on verso, 59 1/2 x 62 1/2 in., unframed.
• Waller (Am. 20th century) ''The
  Waller (Am. 20th century) ''The Shelter''oil on canvas signed at lower right ''Waller'' and titled on the verso and dated 1961 presented in the original frame.DOA 31 x 35 in.Private Collection NC
• JOE MALONEY (b. 1949): "SHELTER
  JOE MALONEY (b. 1949): "SHELTER ISLAND " 1978 Ektacolor print 14 x 17 in. (sight) 16 x 20 in. (sheet) signed titled and dated 1978 below image.
• JONI FALK: "SUMMER SHELTER"oil on
  JONI FALK: "SUMMER SHELTER"oil on canvas; signed lower left; titled to plaque; 15 x 15 inches; 24 x 23 3/4 inches frame Condition:
• Adolf Schreyer German, 1828-1899
  Adolf Schreyer German, 1828-1899 The Halt for Shelter Estimate:$8,000-$12,000
• Henry Moore (British, 1898-1986)
  Henry Moore (British, 1898-1986) collotype "Shelter Sketch Book", "Man and Woman Talking in Dark Corner", collotype on paper, RM copyright mark lower left corner, 7-1/4" x 6-3/8" sheet, framed 19-3/4" x 15-3/4", very good condition
• After Mark Cat
  After Mark Cat
• After Mark Cat
  After Mark Cat
• After Mark Cat
  After Mark Cat
• After Mark Cat
  After Mark Cat
• SAM HYDE HARRIS "PEPPER TREE
  SAM HYDE HARRIS "PEPPER TREE SHELTER" O/B Samuel Hyde Harris (American / California 1889-1977), "Pepper Tree Shelter", mid 20th century, oil on board, depicting a landscape with a house among trees, signed Sam-Hyde Harris to lower left, titled and having an Arizona West Gallery label en verso, framed. Provenance: Private Collection of Wayne Hyatt, San Diego, CA; acquired from Arizona West Galleries Inc, Scottsdale, AZ. Approx. board h. 16.125"", w. 19.75". Frame h. 24", w. 27.875", d. 1.25".
• LAWRENCE GLICKMAN "MAHLER ON
  LAWRENCE GLICKMAN "MAHLER ON SHELTER ISLAND I" Lawrence Glickman (American, XX - XXI), "Mahler on Shelter Island I," acrylic on canvas, summer 2006, signed and dated on reverse. Image: 51.5" H x 41.5" W; frame: 53" H x 45" W.
• MARCELLE STOIANOVICH (AMERICAN 20TH
  MARCELLE STOIANOVICH (AMERICAN 20TH CENTURY), FISHERMAN SHELTER #43, GOUACHE ON PAPER, SIGNED L.R., FRAME: 16 X 18 1/2 IN. (40.6 X 47 CM.)Marcelle Stoianovich (American 20th Century), Fisherman Shelter #43, Gouache on Paper, Signed l.r.,, Dimensions: Frame: 16 x 18 1/2 in. (40.6 x 47 cm.)
• Mark Catesby (British, 1679-1749)
  Mark Catesby (British, 1679-1749) [Palumbus Migratorius] -- The Pigeon of Passage, T.23, with red oak, from [The Natural History of Carolina, Florida and the Bahama Islands,] London, 1st or 2nd edition, monogram "MC" in plate, hand-colored etching on laid paper, 10-1/4 x 14 in. (plate); modern silver gilt frame,
• C. 1940's ''AIR RAID SHELTER''
  C. 1940's ''AIR RAID SHELTER'' trade sign painted on wood. 30'' W 9 1/2'' Ht.
• KäTHE KOLLWITZ (GERMAN
  KäTHE KOLLWITZ (GERMAN 1867-1945), URBAN SHELTER (STäDTISCHES OBDACH) (KNESEBECK 226), SIGNED, LITHOGRAPH, 22-1/2 X 26-1/2 INKäthe Kollwitz (German 1867-1945), Urban Shelter (Städtisches Obdach), (Knesebeck 226), Lithograph, 1926, signed Käthe Kollwitz in graphite l.r.; overall with some toning and fading. Framed.* Sight size: 572 x 673 mm (22-1/2 x 26-1/2 in)Property from the Fred and Alice Goldsmith Irrevocable Trust
• Dan D'Amico (American, b. 1956)
  Dan D'Amico (American, b. 1956) Sheltering in Snow, 2004 oil on board signed Dan D'Amico (lower right) 9 1/2 x 13 1/5 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• SHELDON PARSONS, HAY SHELTER WITH
  SHELDON PARSONS, HAY SHELTER WITH ADOBESSheldon Parsons, (1866 - 1943) Hay Shelter with Adobes, oil on canvas signed lower left: -SheldoN PARSONS- oil on canvas Dimensions: 24 x 36 in. (60.96 x 91.44 cm.), frame: 27 1/2 x 39 1/2 x 2 1/4 in. (69.85 x 100.33 x 5.72 cm.) Provenance: Private Collection, New York
• E-ZUP POP UP SHELTER WITH CARRY
  E-ZUP POP UP SHELTER WITH CARRY CASE .
• MARK CATESBY(British, 1679-1749)
  MARK CATESBY(British, 1679-1749) Two mammalian subject hand colored engravings from The Natural History of Carolina, Florida and The Bahama Islands : T. 18 Java Hare , signed with monogram in plate, 1754 edition, on laid paper with Strasbourg Lily watermark with "LV" pendant, plate 10 x 13-7/8 in., sheet 13-7/8 x 20 in.; T. 74 The Gray Fox Squirrel, third edition, on wove paper with ?Edmeads & Co 1809? watermark, plate 9-7/8 x 13-3/4 in., sheet 14-1/2 x 20-7/8 in.; matching modern wood frames, 23-1/8 x 27 in. Provenance: Private North Carolina Collection Condition: T. 18 binding edge at bottom, tear with tape bottom right, toning; frame with abrasions; T. 74 hinged in, toning, fading, binding edge present, chipping in bottom and right margin, smudge right margin, pencil inscription.
• Mark Catesby (British, 1682-1749)
  Mark Catesby (British, 1682-1749) The Pigeon Hawk, from The Natural History of Carolina, Georgia, Florida and the Bahama Islands, 1754 edition, hand-colored etching on laid paper with "IHS Ivillidary" watermark, 10 x 13-7/8 in. (plate),
• Mark Ogle ''Prairie Encampment''
  Mark Ogle ''Prairie Encampment'' Gouache on Paper Framed 21''x33'' - Some Damage -
• Mark Catesby (British, 1679-1749)
  Mark Catesby (British, 1679-1749) Anas (Blue-Winged Shoveler), T.96, from [The Natural History of Carolina, Florida and the Bahama Islands,] London, 1731-1743 edition, hand-colored etching on laid paper with Strasbourg lily watermark, 13-3/4 x 10-1/4 in. (plate), 19-1/2 x 14 in. (page); modern gilt wood frame,
• Irving Ramsey Wiles (American/New
  Irving Ramsey Wiles (American/New York, 1861-1948) "Shelter Island", oil on board, 12-1/2" x 16", signed lower left "Irving R. Wiles", inscribed en verso "Shelter Island/Irving R. Wiles/106 West 55th Street", retains gallery label en verso "Chapellier Galleries, Inc., 815 Park Avenue, New York", and retains exhibition label from "Collector's Choice", Cincinnati Art Museum, October 8 through November 5, 1978. Framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Chapellier Galleries, Inc., New York, dated December 7, 1978. Irving Ramsey Wiles was one of America's most eminent artists. After studying art under his father, Lemuel Wiles, in 1879 Irving was sent to New York to study at the Art Students League under William Merritt Chase, an artist with whom Wiles would develop a lifelong friendship. Wiles then went to Paris to finish his studies at the Academie Julien, studying under the well-known Leon Joseph Florentin Bonnat. Upon returning to New York he quickly established himself as a portrait, landscape, and genre painter and won numerous prestigious prizes in the United States, France, London and Buenos Aires. He was one of eight painters commissioned by the National Art Committee to paint the history of World War I. He painted portraits of President Roosevelt and William Jennings Bryant.
• Robert McCauley (American,
  Robert McCauley (American, b.1946) "Shelter Wall I-G" riveted steel and lead sculpture over wood construction McCauley attended Washington State University. In 1980 he was awarded the Illinois Arts Council Competition Grant for Sculpture and later a Fellowship for Drawing. He has exhibited in numerous group and solo exhibitions nationwide. 76"H x 26"W x 12"D
• (ORNITHOLOGY ENGLISH) CATESBY
  (ORNITHOLOGY ENGLISH) CATESBY MARC after A group of two hand-colored engravings of pigeons by M. Seligman after Mark Catesby from The Natural History of Carolina Florida and the Bahama Islands (c. 1749) comprising Pigeon a la couronne blanche and Pigeon de passage. Matted. 9 x 12 inches each.
• Dog Bookends.
  Dog Bookends.
• KRISTIN CALABRESE (B. 1968):
  KRISTIN CALABRESE (B. 1968): UNTITLED (YELLOW BUS SHELTER)2016; paint and pen on paper, unsigned; pencil-signed, dated, titled, and numbered 18 / 20 verso, and with blindstamp verso Provenance: The Estate of Juliet McIver, Los Angeles, CA; 40 x 26 1/2 inches Condition:
• MARCY SHEAR WOLPE, (AMERICAN, B.
  MARCY SHEAR WOLPE, (AMERICAN, B. 1949) "IN NATURE'S SHADOW", SILKSCREEN, DEPICTS A TABLE SETTING ON A PORCH OVERLOOKING THE SEA, ED...Marcy Shear Wolpe, (American, b. 1949) "In Nature's Shadow", silkscreen, depicts a table setting on a porch overlooking the sea, ed. 39/50, title and signature in pencil along lower border, framed and matted behind glass, label verso, wear consistent with age, ss: 25" h. x 15 1/2" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• MARK WORKMAN (B. 1960), "REFUGE,"
  MARK WORKMAN (B. 1960), "REFUGE," 1996, ACRYLIC ON PAPER, 17" H X 60" WMark Workman, (b. 1960) "Refuge," 1996, Acrylic on paper Signed and dated in pencil in the lower margin, at right: Mark Workman; initialed and dated in the lower right corner of the image Acrylic on paper Dimensions: 17" H x 60" W Provenance: Fischbach Gallery, New York, NY
• Manner of Miles Birket
  Manner of Miles Birket Foster/Feeding the Birds/bears monogram/watercolour, 16.5cm x 14cm