A few examples of appraisal values for
SHOEMAKER

• TWO PENNSYLVANIA WATERCOLOR FRAKTUR
  TWO PENNSYLVANIA WATERCOLOR FRAKTUR DRAWINGSTwo Pennsylvania watercolor fraktur drawings of a gentleman with top hat and cane, 19th c., signed Shoemaker on verso, frame - 9 1/2" x 12 1/4". Competitive in-house shipping is available for this lot. Condition: Staining. Losses.
• LARGE CARVED TRAMP ART JEWEL CHEST,
  LARGE CARVED TRAMP ART JEWEL CHEST, LATE 19TH C.Large carved tramp art jewel chest, late 19th c. , with American shield end and lid panel, the lift lid with interior mirror over rows of small drawers, purportedly made by Walter Shoemaker of Mount Gretna, Pennsylvania, 22" h., 17" w., 11" d. Provenance: A Lancaster County, Pennsylvania collection. NO in-house shipping for this lot. Condition: Excellent condition. No apparent damages or repairs.
• W SCHLEY, ENGLISH STATUTES IN
  W SCHLEY, ENGLISH STATUTES IN GEORGIA, 1826 A Digest of the English Statutes of Force in the State of Georgia William Schley. Published by T. Maxwell, Philadelphia, PA, 1826. Cohen 5642. De Renne I, pp.399-400. Sabin 77652. Shaw and Shoemaker 24674.
• LEWIS AND CLARK EXPEDITION,
  LEWIS AND CLARK EXPEDITION, TRAVELS, WITH MAP 1809 The Travels of Capts. Lewis & Clarke [sic], by order of the government of the United States, performed in the years 1804, 1805, & 1806, being upwards of three thousand miles, from St. Louis, by way of the Missouri, and Columbia Rivers, to the Pacific Ocean: containing an account of the Indian tribes, who inhabit the western part of the continent unexplored, and unknown before. With copious delineations of the manners, customs, religion, &c. of the Indians. Compiled from various authentic sources, and documents. To which is subjoined, a summary of the statistical view of the Indian Nations, from the official communication of Meriwether Lewis. Printed 1809 by Hubbard Lester, Philadelphia. Brown leather boards with titling on the spine. One folding engraved map (11 1/4 x 9 inches), 1 stipple engraved frontispiece by W.R. Jones, 4 unsigned etched plates with roulette work. Provenance: Amos Chapel of Newmarlbourough inscribed on second front paper. Howes 1321; Literature of the Lewis and Clark Expedition 4a.1; Pilling Proof-sheets 2282; Sabin 96499; Shaw & Shoemaker 17911; Streeter sale 3122; Wagner-Camp 8:1
• Vintage Salt and Pepper Shakers-
  Vintage Salt and Pepper Shakers- Group includes 15 pairs of mostly plastic S&P shakers ranging in size from 1.75"-4". Red & white round , made in USA Admir tion, discolored with scratches. Red & white square by Steri-Lite, discolored, pepper doesn't close completely. Red & white wood, Profiles made in Japan. Glass with red plastic top. Tall glass with red plastic top. Glass with frosted leaf and white plastic top, cracked. White milk glass with white top, some cracking. Plastic crystal shape. 3 pairs of baskets. Glass with red top, glass with green top, & plastic with green hand painted horses from Lebanon PA. Plastic with butterflies. Small red & white. Pair of plastic Esso gas pumps, Shoemakersville PA. Red one is missing stopper. Pair of Heinz plastic shakers.All are in good condition with minor crazing, scratches, or color loss & need to be cleaned. If you have any doubt, please ask questions! We will provide extra pictures, or can schedule an in person or video conference preview at your convenience. In house Flat Rate Shipping of $20 is a domestic shipping estimate for first lot and includes insurance. We will gladly combine multiple lots for your convenience and economy. Each additional lot we can pack in the same box is $5 each. Please feel free to contact us with any questions.
• (LOT) FRANKLIN MINT PEWTER
  (LOT) FRANKLIN MINT PEWTER FIGURINES SET & KEY(lot) Franklin Mint "Colonial People of America" thirteen well-detailed figurines, with title engravings under each figure, including: The Silversmith, The Planter, The Butter Churner, The Printer, The Schoolmaster, The Candlemaker, The Trapper, The Sea Captain, The Shoemaker, The Innkeeper, The Blacksmith, each accompanied by certificate of authenticity, retained in velvet-lined wood box, sizes varied, largest: 3.5"h, 2.5"diam; together with: (1) Franklin Mint Collectors Society pewter key, approx 6"l, 1.5"w; 20.5lbs total
• JAMES ABBOTT MCNEILL WHISTLER
  JAMES ABBOTT MCNEILL WHISTLER (1834-1903): THE SHOEMAKERLithograph in black on laid paper, 1896, only state, indistinctly inscribed at bottom. 8 1/8 x 14 in. (sheet), 18 1/2 x 19 1/4 in. (frame). Literature: Wey 151; Levy 129. Property from the Estate of Ernest Kafka Condition With margins. Sheet taped to the overmat with white tape at places on the reverse. A few tiny losses along the left sheet edge. Staining on the reverse.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold ""as is"" in accordance with our conditions of sale.
• ICON OF THE TRINITY WITH SAINTS AND
  ICON OF THE TRINITY WITH SAINTS AND SHOEMAKERS, AND THE RESURRECTED CHRISTThe first oil on board; the second oil on canvas. The first 14 1/4 x 13 1/2 in., the second 13 3/4 x 11 in. (frame). Condition Each with surface soiling and losses. The canvas with craquelure. The board with several vertical abrasions and losses.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• VICTORIAN NAVAL LSGC TO ADAMS HM
  VICTORIAN NAVAL LSGC TO ADAMS HM COAST GUARD Correctly engraved Peter J Adams Boatmn HM Coast GD Condition GVF Peter James Adaam was born in Devonport on the 18th of September 1847 and joined the Coast Guard on the 1st of January 1873. He gave his occupation as a Shoemaker. He served for over 30 years, leaving the service on the 29th of December, 1904.
• Continental School (19th
  Continental School (19th Century) \"The Shoemaker and His Wife\", pair of oils on canvas, 14-1/4\" x 11-3/4\". Presented in matching carved giltwood frames.
• WORKS ON PAPER, CYRSTOFER
  WORKS ON PAPER, CYRSTOFER (CHRISTOPHER SHOEMAKER) (lot of 2) Cyrstofer (Christopher Shoemaker) (Italian/German, 20th century), "Halo" and "One Halo," mixed medias on paper, each signed lower margin, sheets (each/unframed): 30"h x 22.5"w
• WORK ON PAPER, CYRSTOFER
  WORK ON PAPER, CYRSTOFER (CHRISTOPHER SHOEMAKER) Cyrstofer (Christopher Shoemaker) (Italian/German, 20th century), Three Hooded Figures, mixed media on paper, initialed lower left, sheet (unframed): 30"h x 22.5"w
• WORK ON PAPER, CYRSTOFER
  WORK ON PAPER, CYRSTOFER (CHRISTOPHER SHOEMAKER) Cyrstofer (Christopher Shoemaker) (Italian/German, 20th century), Woman with Red Face, tempera on paper, initialed lower right, sheet (unframed): 28"h x 22"w
• WORKS ON PAPER, CYRSTOFER
  WORKS ON PAPER, CYRSTOFER (CHRISTOPHER SHOEMAKER) (lot of 2) Cyrstofer (Christopher Shoemaker) (Italian/German, 20th century), The Line-up, 2014, mixed medias on paper, each signed lower margin, each dated center left and right edge, sheet (each/unframed): 22.5"h x 30"w
• WORK ON PAPER, CYRSTOFER
  WORK ON PAPER, CYRSTOFER (CHRISTOPHER SHOEMAKER) Cyrstofer (Christopher Shoemaker) (Italian/German, 20th century), Four Skeletons, 2015, mixed media on paper, signed lower margin, dated upper margin, sheet (unframed): 29.75"h x 23"w
• Don Shoemaker. Perno occasional
  Don Shoemaker. Perno occasional table. c. 1970, Caribbean walnut. 18 h × 20½ w × 22½ d in. result: $2,000. estimate: $1,000–1,500.
• TWO EARLY 19TH CENTURY HAND COLORED
  TWO EARLY 19TH CENTURY HAND COLORED PRINTS.Two Early 19th Century Hand Colored Prints Titled "The Master Shoemaker" and "The Rooster" by Turner & Fisher, New York & Philadelphia. In a painted frames 8" x 9-1/4" and 10" x 8" overall. Condition: : Good with minor foxing.
• ROYAL DOULTON FIGURINE, THE COURT
  ROYAL DOULTON FIGURINE, THE COURT SHOEMAKER HN1755Grouping of shoemaker with client. RD backstamp on bottom. Issued: 1936 Dimensions: 6.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Overall good
• SET OF 6 VINTAGE WOODEN SHOE
  SET OF 6 VINTAGE WOODEN SHOE FORMSUsed by shoemakers to stitch and maintain the shape of shoes. One pair, 4 single pieces. Issued: 20th c. Dimensions: 6"H x 12.5"L, largest Condition: Age and use related wear
• COURT SHOEMAKER HN1755 - ROYAL
  COURT SHOEMAKER HN1755 - ROYAL DOULTON FIGURINEVery rare piece; Regency series; shoemaker fitting a stylishly dressed lady. Royal Doulton backstamp. Handwritten HN number. Age related crazing. Artist: Leslie Harradine Issued: 1936 - 1949 Dimensions: 6.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related crazing.
• COURT SHOEMAKER HN1755 - ROYAL
  COURT SHOEMAKER HN1755 - ROYAL DOULTON FIGURINEGlazed figural group of a lady changing her shoes and a gentleman standing by her side. “The Court Shoemaker” is a Royal Doulton figure designed by Leslie Harradine and it was issued from 1936 to 1949. Painted in a purple, brown and green colorway, it depicts a Regency Era shoemaker in a fitting with a stylishly dressed lady of the Royal Court. - Regency Artist: Leslie Harradine Issued: 1936 - 1949 Dimensions: 6.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• SAMUEL BOUGH O/C PAINTING, FARM
  SAMUEL BOUGH O/C PAINTING, FARM SCENESamuel Bough (United Kingdom/Scotland/England, 1822-1878) oil on canvas painting depicting a farmyard with chickens, a turkey, and a horse-drawn wagon or plough. Signed "Sam Bough" lower left. Stenciled en verso of canvas: "Prepared by/Winsor & Newton/38, Rathbone Palace,/London". Clements, Chattanooga, TN auction label en verso of frame. Housed in a Neo-Classical style giltwood frame with pierced decorations. Sight: 15 1/4" H x 21 1/2" W. Framed: 19 1/2" H x 26" W. Biography: "Bough was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was self-taught but interacted with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. Following Turner's example, he began to paint seaports. His health began to fail in 1877 and in January 1878 he suffered a stroke. He died of prostate cancer at his later home, Jordan Bank Villa in Morningside. He was friends with writer Robert Louis Stevenson who penned his obituary. He was buried in Dean Cemetery Edinburgh on 23 November 1878." (Adapted from "Samuel Bough", the Oxford Dictionary of National Biography, 2004). The Estate of Margaret Harold Roberts, Lookout Mountain, Georgia. Condition: Overall very good condition. Areas of rubbing, minor areas of paint loss, largest 1/4", primarily to edges of canvas. Frame with minor areas of loss, largest 1/2", to gilt.
• A DRESS SHOE OWNED AND WORN BY
  A DRESS SHOE OWNED AND WORN BY HARRY BLACKSTONE.Blackstone, Harry (Henry Boughton). A Dress Shoe Owned and Worn by Harry Blackstone. Punch-detailed white leather dress shoe for the left foot, custom-made for Blackstone by Walk-Over shoemakers. Size 9 ½ C. Leather worn and scratched, heel crushed. Sold as-found in box shipped from George Hippisley to Dan Waldron, labeled by Waldron “Blackstone’s shoe”.
• ROBERT CHRISTIE "CLASS ON CLASS"
  ROBERT CHRISTIE "CLASS ON CLASS" EXCELLER BRONZERobert Christie (20th c.). Bronze equestrian sculpture titled "Class on Class" depicting the racehorse Exceller. Signed "BB" and numbered 9/48 along the base. Additionally inscribed "Exceller with Shoemaker up by Robert Christie, 1979 Bronze World Inc" along the base. The nameplate reads "'Class on Class' Exceller/Shoemaker Up." Dimensions: Height: 20 in x width: 22 1/2 in x depth: 7 1/2 in SKU: 00930 Condition: Good condition; one section of the reins is detached.
• CORNELIS DUSART "DE VERMAARDE
  CORNELIS DUSART "DE VERMAARDE SCHOENMAKER" ETCHINCornelis Dusart (1660-1704). Etching titled "De Vermaarde Schoenmaker" depicting a scene in shoemaker's shop. Titled along the lower edge, and signed in the plate "Corn[elis] Dusart fecit et inven[i]t." Dimensions: Sight; height: 10 in x width: 7 1/2 in. Framed; height: 24 1/2 in x width: 20 1/2 in. SKU: 01312 Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email lia@revereauctions.com with any condition questions.
• 13 PIECES COIN SILVER
  13 PIECES COIN SILVER FLATWARE18th/19th century, including serving spoon with engraved decoration, marks for Saunders Pitman (Providence, Rhode Island, working 1755-1802); teaspoon, marks for Mark Nelson (Portsmouth, New Hampshire, working 1753-1785); serving spoon with engraved decoration, marks for Joseph Shoemaker (Philadelphia, Pennsylvania, working 1793-1829); two serving spoons, marks for Stodder & Frobisher (Boston, Massachusetts, working 1816-1825); condiment ladle, with marks for Marquand & Co. (New York, NY, working 1833-1839); other serving spoons, condiment ladle, salt spoon and teaspoon, 13.18 oz. T., 3-1/2 in. to 9-1/4 in. Provenance: Private Collection, Arkansas Condition: all with typical wear
• FOUR SETS OF WINDSOR CURTAINSSet of
  FOUR SETS OF WINDSOR CURTAINSSet of Four Custom Window Curtains/Drapes by Shoemaker, in "silk stripe" pattern, approximately 115" x 69". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• PAIR OF DON S. SHOEMAKER SLING
  PAIR OF DON S. SHOEMAKER SLING SLOUCHER CHAIRSDon S Shoemaker (Nebraska 1919-1990) Pair of Mexican Mid Century Modern Sling Sloucher Chairs. Cocobolo wood and leather. Manufactured by Senal S.A. in Mexico. Underside of chairs have paper label with designers and manufacturers information. Leather torn in half in one chair. Leather severely worn in other chair. Minor nicks to wood. 27" x 23 1/4" x 26" "Roman and Williams Buildings & Interiors Things We Made" Pages. 180-181. From the Roman and Williams designed 211 Elizabeth Street in New York City.
• RARE REGENCY MAHOGANY
  RARE REGENCY MAHOGANY SLIPPER-MAKER'S WORK TABLE EARLY 19TH CENTURY the removable lift-off tray top revealing a three quarter gallery and compartmented interior, above frieze drawers to both short sides, raised on tapered end supports and downscrolling legs ending in brass caps and castors and united by a turned stretcher, with neoclassical gilt metal mounts throughout; containing a quantity of 19th century slipper-making tools and materials, leather soles, and wood lasts some stamped I THORPE/ STAFFORD and F. MACKIE59cm wide, 87cm high, 42cm deepProvenance: John George Joicey Bequest CollectionNote: Women in the 18th and 19th centuries were expected to exhibit their needleworking skills in a variety of ways by making both decorative as well as useful items. The embroidery of slipper uppers became a widespread domestic pastime for the upper and middle classes, as slippers were usually worn by ladies at home. Patterns could be purchased or taken from magazines, and when the embroidered uppers were completed, they would be taken to a shoemaker for finishing. In 1847 the cost of making up a pair of worked slippers was 14 shillings, about the same price as a pair of ready-made French slippers. Not many people would have had the skill or equipment to undertake the whole process from start to finish, making the present work table so rare. The present table would appear to be a one-off, made and outfitted for an accomplished amateur slipper maker.
• HUMMEL BOOTS 143 TMK2Hummel, Boots.
  HUMMEL BOOTS 143 TMK2Hummel, Boots. Old Name "Shoemaker." Retired 12/31/98. Hummel measures approx. 6 3/4" tall. Hum 143, TMK-2. No cracks, chips, crazing or repairs. No box. See our other auction lots for more rare large and small M.I. Hummel and Goebel figurines. Pr shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• 3pc Exotic Wood Artisan Made Boxes.
  3pc Exotic Wood Artisan Made Boxes. DON SHOEMAKER Set of Rosewood Dominoes in Natural Organic Wood Lidded Box. 2) Takeradi African Puzzle Game Pieces in Box; each set is comprised of 48 pieces made of different international woods. 3) Natural organic wood lidded box. H: 4 inches: W: 8.5 inches: D: 4.5 inches --- US Packing and Shipping charge: In house shipping available. Will be calculated once destination known. Plus insurance at a rate of $1 per hundred. Condition: Minor nicks and scratches.
• DON SHOEMAKER (STYLE) BACKGAMMON
  DON SHOEMAKER (STYLE) BACKGAMMON GAMES TABLE 20th c., possibly Mexico, enamel inlaid tropical wood, the rectangular top on cruciform pedestal, with long two sided drawer, original 30 backgammon tiles with matching enamel surface, 29"h x 23.5"dia
• (2) DON SHOEMAKER (MEXICO,
  (2) DON SHOEMAKER (MEXICO, D.1990) MARQUETRY TRAYS(lot of 2) Mexican Modernist marquetry trays, Don Shoemaker (American, 1920-1990), mixed wood, each in rectangular form, having dual handles, geometric marquetry inlay motif, retaining maker's label verso, including: (1) approx 1.25"h, 15.25"l, 9.25"w, (1) approx 1.25"h, 11.25"l, 8.5"w; 3.5lbs total
• MEISSEN FIGURE OF "CUPID AS
  MEISSEN FIGURE OF "CUPID AS SHOEMAKER" Meissen (German, founded 1720), 1889-1924. "Cupid As Shoemaker", model O 166, originally modeled by August Ringer, circa 1889, depicting a winged cupid at his work bench. Impressed and painted marks to underside.
• CARL KAUBA (AUSTRIAN, 1865-1922),
  CARL KAUBA (AUSTRIAN, 1865-1922), CHIEF WOLF ROBE Circa 1910. Sand cast, cold-painted bronze. Signed and titled on plinth.Catalog Note: This image of the Southern Cheyenne Chief Wolf Robe was taken directly from an 1898 photograph made in Omaha, Nebraska, at the Indian Congress associated with the Trans Mississippi International Exposition. Frank Rinehart photographed the more than 500 Indians in attendance, including Wolf Robe, who had been forced to Indian Territory in 1870. Rinehart’s popular images were published as books and sold individually at the Exposition. Carl Kauba was an Austrian sculptor who lived in Vienna. It is believed that he never visited the United States and sculpted his American subjects from photographs like this one. His recreation of the beadwork colors on the moccasins and pipe bag indicate he worked from the pricier hand-tinted version of the photograph. Typical of Viennese bronzes of the period, the colors are made with paint rather than with chemicals, as was the case in the U.S. Kauba is said to have personally supervised the casting of his work at various Viennese foundries. Carl Kauba (Austrian, 1865-1922) Carl Kauba was born August 13, 1865 in Vienna, Austria. The son of a shoemaker, Kauba chose to follow his calling into the world of art. Collectors now rank him in a class with Remington and Russell as one of the great portrayers of American Western. His subjects were typically American Indians, calvarymen, cowboys, and roughriders. In addition to his American bronzes, Kauba produced a lifetime's worth of Austrian statuary. His work became fully appreciated on both sides of the Atlantic. Carl studied at the Academy of Fine Arts in Vienna under Professor Laufenberg. Later he would study at the academies under Carl Waschmann and Stefan Schwartz. Next, he went to Paris in 1886 to further study before he set off for the U.S. In fact, some debate still remains as to whether Kauba ever visited the U.S. Kauba's fascination with the West was fed by the stories of the German writer, Carl May, whose tales of Western adventures were known throughout Europe. It has been suggested that Kauba traveled to the American West when he was about twenty-five years old, possibly returning to Austria with voluminous notes, sketches, and several models of Western sculpture. However the majority of scholars feel that the artist actually never traveled to the United States at all, but instead relied upon the accounts of others and first hand artifacts to execute his bronzes. Without a doubt, his work is most worthy of artistic merit. His bronzes, all produced in Austria, were of the American West. The polychrome finish, intricate detail, and the realistic forms make Kauba's sculptures excellent examples of Viennese bronzes at the turn of the century. Most were cast for the American market between 1895 and 1912 and were widely advertised and sold by Latendorfer in New York during the 1950's. In contrast to most artists, Kauba's business successes were equal to his artistic achievement. Kauba personally directed the casting of his clay models in local foundries. Kauba expressed a great affection for Indians of the American West. He loved ornament, and this detail is seen in the reins of his horses, Indian headdresses, weapons, and costumes. He frequently created scenes of high drama depicted in his bronzes of cowboys and Indians. Kauba's work is in the Harmsen Collection of American Western Art.
• CARL KAUBA (AUSTRIAN, 1865-1922),
  CARL KAUBA (AUSTRIAN, 1865-1922), THE SCOUT Early 20th century. Cold-painted and patinated bronze. Depicting a Native American with rifle. Signed "C. Kauba" and impressed "AUSTRIA" and "GESCHÜTZT' (on base). Carl Kauba (Austrian, 1865-1922) Carl Kauba was born August 13, 1865 in Vienna, Austria. The son of a shoemaker, Kauba chose to follow his calling into the world of art. Collectors now rank him in a class with Remington and Russell as one of the great portrayers of American Western. His subjects were typically American Indians, calvarymen, cowboys, and roughriders. In addition to his American bronzes, Kauba produced a lifetime’s worth of Austrian statuary. His work became fully appreciated on both sides of the Atlantic. Carl studied at the Academy of Fine Arts in Vienna under Professor Laufenberg. Later he would study at the academies under Carl Waschmann and Stefan Schwartz. Next, he went to Paris in 1886 to further study before he set off for the U.S. In fact, some debate still remains as to whether Kauba ever visited the U.S. Kauba’s fascination with the West was fed by the stories of the German writer, Carl May, whose tales of Western adventures were known throughout Europe. It has been suggested that Kauba traveled to the American West when he was about twenty-five years old, possibly returning to Austria with voluminous notes, sketches, and several models of Western sculpture. However the majority of scholars feel that the artist actually never traveled to the United States at all, but instead relied upon the accounts of others and first hand artifacts to execute his bronzes. Without a doubt, his work is most worthy of artistic merit. His bronzes, all produced in Austria, were of the American West. The polychrome finish, intricate detail, and the realistic forms make Kauba’s sculptures excellent examples of Viennese bronzes at the turn of the century. Most were cast for the American market between 1895 and 1912 and were widely advertised and sold by Latendorfer in New York during the 1950’s. In contrast to most artists, Kauba’s business successes were equal to his artistic achievement. Kauba personally directed the casting of his clay models in local foundries. Kauba expressed a great affection for Indians of the American West. He loved ornament, and this detail is seen in the reins of his horses, Indian headdresses, weapons, and costumes. He frequently created scenes of high drama depicted in his bronzes of cowboys and Indians. Kauba’s work is in the Harmsen Collection of American Western Art.