A few examples of appraisal values for
SHORE

• THREE SHOREBIRD DECOYSThree shorebird
  THREE SHOREBIRD DECOYSThree shorebird decoys, to include a large Chincoteague, Virginia example signed Lloyd Hill (?) , 15 1/2" l.; a tinnie; and a contemporary example. Condition: Hill - bill replaced, overpainted surface. Tin - overpaint. Other - good condition. Stands included.
• OIL ON BOARD OF A LANDSEER DOG ON A
  OIL ON BOARD OF A LANDSEER DOG ON A SHORELINEOil on board of a Landseer dog on a shoreline, late 19th c. signed lower right indistinctly Lond___ , board - 13" x 16", frame - 20 3/4" x 23 3/4". Competitive in-house shipping is available for this lot. Condition: Minor paint loss - 1/8'' to left of dog, losses to frame.
• FIVE CARVED AND PAINTED DECOYSFive carved
  FIVE CARVED AND PAINTED DECOYSFive carved and painted decoys, to include a Herbert Randall, Seabrook, New Hampshire shorebird decoy, 9 1/4" l., a contemporary shorebird, a bluebill initialed M.R.S. , a canvasback, and a merganser. Competitive in-house shipping is available for this lot. Condition: Canvasback - old working repaint
• 2 WOODEN SHORE BIRD CARVINGS CA. 20TH
  2 WOODEN SHORE BIRD CARVINGS CA. 20TH CENTURY;two unsigned bird carvings, each polychrome decorated: one attributed to Mass. Circa 1910 plover decoy carved of cedar wood with original polychrome painted body and eyes and whittled peg beak on early 2x4 iron rod stand, 10"x 3 1/2"x 12 1/4", Condition: beak tip possibly damaged, portion of tail is missing; later era curlew bird with glass eyes and painted accent body, 11 1/2"x 2 3/4"x 10", Condition: good, on modern display stand
• 5 FRAMES OF EMBROIDERY/WATERCOLOR "REWARD
  5 FRAMES OF EMBROIDERY/WATERCOLOR "REWARD OF MERITca. 1833-1841, 1863; all attributed to Schenectady Seminary (Boarding) School for Girls: silk and watercolor embroidered picture of lakeside scene of sailboats and people on shore, school girl crafted pieces, 10 3/4"x 8", Condition: some fading; printed colorized engraving "Reward of Merit" with ink inscription "Miss France M. Van Voorst, Schenectady Female Seminary, Presented by Principle Mrs. Bardley, 1841", scene titled "The Grove of Moses", 5 1/2"x 7 1/2", Condition: minor foxing, gold leaf interior bound; unfinished "Reward of Merit" with roses presented to "Miss Frances Mary Van Voorst by Mrs. A.E. Bazeley", dated 1842, pencil and watercolor outline of flowers, 11 3/4"x 8 1/2", Condition: some foxing and minor water damage along left edge; pen ink and watercolor on engraving scene of girls on steps of Hellenistic Temple with globe and musical accent in bottom of rose wreath worked border "Reward of Merit, Miss Martha Van Voorst", attributed to Mrs. A.E. Bazeley, 10 3/4"x 8 3/4", Condition: minor foxing; ink and watercolor on engraving "Reward of Merit" by Mrs. Bazeley "Brooklyn Collegiate Institute" to Miss Frances M. Van Vorst, the image a Hellenistic scene of girls on temple steps with globe, ink inscribed "To Miss Frances M. Van Vorst, Schenectady Seminary" and dated August 1844, 10 3/4"x 8 3/4", Condition: minor foxing, small water spot in lower right corner
• GROUP OF 4 SHOREBIRD WALLHANGINGSca.
  GROUP OF 4 SHOREBIRD WALLHANGINGSca. late 20th century; set crafted by Bob Kurkewicz (Beach Haven, NJ, 1930-2009), several of his pieces are in NJ Audubon Society Museum, each with solid body with long pointed beak and fine mounted outstretched wings, each is half/one side carving with glass eyes, smooth bodies and fine painted accents, 10"-10 1/2"x 2"-2 3/4"x 9"-17"; Condition: bird #2 signed and titled by artist, all have eye screws for hanging, good
• DENNIS ANDERSON (1940-2005), SHORE LUNCH
  DENNIS ANDERSON (1940-2005), SHORE LUNCH Title: Dennis Anderson (1940-2005), Shore Lunch Medium: acrylic on board Dimensions: 18 x 24 Framed dimension: 24 x 30 x 1 1/2
• English School, 19th c - Fisherfolk
  English School, 19th c - Fisherfolk on the Shore, oil on paper laid on board, 11 x 15cm More Information Cleaned or re-varnished over some old dirt with possible localised re-touching, in Victorian gilt cavetto frame with small losses to beaded surround
• An Indian brass repousse tray, early
  An Indian brass repousse tray, early 20th c, 91cm diam, a copper electrotype bas relief of St John baptising Christ, late 19th c, 17 x 13.5cm, a Japanese Imari cache pot, Meiji period, 14cm h, a late 19th c Staffordshire earthenware toby jug, a Staffordshire Japan pattern earthenware dinner service, oil painting of roses, signed with initials *GB, 24 x 44cm, Thomas Barrett - Fisherfolk on the Shore, mezzotint, signed by the artist in pencil, 31 x 37cm and miscellaneous ceramics, glass and metalware
• A pair of Meissen plates, late 19th
  A pair of Meissen plates, late 19th c, painted to the centre with figures on the shore or a cavalier and travellers in an extensive landscape, in cisele gilt reserves on cobalt ground, in pierced gilt border, the footrim also gilt, 25cm diam, impressed 73, underglaze blue painted crossed swords More Information Undamaged, decoration good, no restoration
• RICHARD HAYLEY LEVER (AMERICAN, 1876-1958)
  RICHARD HAYLEY LEVER (AMERICAN, 1876-1958) "MENEMSHA, MARTHA'S VINEYARD" Watercolor on paper. Signed 'Hayley Lever' (lower right) and dated '1931'. Richard Hayley Lever (American, 1876-1958) Born in Adelaide, Australia in 1876, Hayley Lever was known for his town-shore landscapes and still-life painting in a style that combined impressionism with vivid colors and strong lines of realism - post impressionism. In his use of color, he was deeply influenced by Vincent Van Gogh. He freely explored numerous styles based on impressionism but was never locked into any particular style. He showed early art talent and traveled to England in 1893. He studied art in London and then painted at an artists' colony in Cornwall on the seacoast of St. Ives where he began his seacoast paintings. He received much attention in Europe for these works. In 1908, he did a series of paintings called "Van Gogh's Hospital, Holland" expressing the profound influence he felt of that artist. Lever came to America in 1911, encouraged by American artist Ernest Lawson whom he knew in France, and was soon counted among the most widely exhibited artists in New York City.
• GEORGE A. RENOUARD (AMERICAN, 1884-1954)
  GEORGE A. RENOUARD (AMERICAN, 1884-1954) Oil on artist board, pencil signed 'G. Renouard' (on reverse). George A. Renouard (American, 1884-1954) George A. Renouard was a noted painter, printer, and graphic artist. He was born in Rochester, New York and later moved to New York City, New York where he studied at the Pratt Institute and Erasmus Hall. Renouard often depicted life among the less fortunate peoples in society, such as immigrants, beggars and drunkards, the unemployed, and the poor working class. Many of his works clearly show the love and empathy he had for his fellow man. He actively painted along the south shore in Brooklyn, Long Island, Staten Island, Vermont, the Catskill Mountains, the Berkshires, as well as Rockport, Massachusetts, and its environs. He is well known for his beautiful landscapes, seascapes, portraits, still lifes and nautical themes. He primarily worked in oils, but also worked in watercolor, etching, and lithography.
• ALDRO THOMPSON HIBBARD (AMERICAN, 1886-1972)
  ALDRO THOMPSON HIBBARD (AMERICAN, 1886-1972) WINTER LANDSCAPE Oil on artist board. Estate stamped (on reverse). Aldro Thompson Hibbard (American, 1886-1972) Aldro Thompson Hibbard was an American plein air painter known for his depictions of snowy landscapes, particularly of Vermont. Hibbard worked in oil, as watercolor couldn’t be used in January and February in the mountains of Vermont. He was trained at the Massachusetts Normal Art School, under Joseph Decamp, and at the Boston Museum School, under Edmund Tarbell. He traveled through Europe in 1913 and 1914. Several exhibitions in Boston after his return established his reputation, and he began annual sojourns to the mountains and the shore.
• ALDRO THOMPSON HIBBARD (AMERICAN, 1886-1972)
  ALDRO THOMPSON HIBBARD (AMERICAN, 1886-1972) WINTER LANDSCAPE Oil on canvas. Estate stamped (on reverse). Aldro Thompson Hibbard (American, 1886-1972) Aldro Thompson Hibbard was an American plein air painter known for his depictions of snowy landscapes, particularly of Vermont. Hibbard worked in oil, as watercolor couldn’t be used in January and February in the mountains of Vermont. He was trained at the Massachusetts Normal Art School, under Joseph Decamp, and at the Boston Museum School, under Edmund Tarbell. He traveled through Europe in 1913 and 1914. Several exhibitions in Boston after his return established his reputation, and he began annual sojourns to the mountains and the shore.
• EMILE A. GRUPPE (AMERICAN, 1896-1978)
  EMILE A. GRUPPE (AMERICAN, 1896-1978) "FIRST SNOW, VERMONT, 1964" Oil on canvas. Signed 'Emile A. Gruppe' (lower right). Exhibition: The North Shore Art Association, Gloucester, MA: 1997 Retrospective Exhibit.
• CHARLES J. MOVALLI (AMERICAN, 1945-2016)
  CHARLES J. MOVALLI (AMERICAN, 1945-2016) "THE MARINA - GREY DAY" & "BACKSHORE" Oil on artist board. Signed 'Movalli' (lower right).
• DURVAL PEREIRA, BOATS, OIL ON CANVASDurval
  DURVAL PEREIRA, BOATS, OIL ON CANVASDurval Pereira, Boats, Oil on Canvas, (Brazilian, 1917–1984) signed and dated 1970 lower right, depicting three boats docked on shore with two figures in the foreground. Frame size:
• UNSIGNED, ROCKY SEASCAPE WITH LIGHTHOUSES,
  UNSIGNED, ROCKY SEASCAPE WITH LIGHTHOUSES, O/CUnsigned, Rocky Seascape with Lighthouses, Oil on Canvas, unsigned, depicting a rocky shoreline with motorboat and sailboat, with lighthouses in the distance. Frame size: 29 1/2 in. x 35 3/8 in. MEASU
• AUGUSTA OELSCHIG, BOATS, OIL ON CANVASAugusta
  AUGUSTA OELSCHIG, BOATS, OIL ON CANVASAugusta Oelschig, Boats, Oil on Canvas, (Georgia, 1918-2000) signed and dated '45 upper right, depicting two fishing boats and four smaller boats docked on shore, in a wood frame. Frame size: 19 1/8 i
• BONAVENTURA PEETERS I, SEA SCAPE, OIL
  BONAVENTURA PEETERS I, SEA SCAPE, OIL ON PANEL, 17TH CBonaventura Peeters I, Sea Scape, Oil on Panel, 17th C., (Flemish, 1614-1652), signed 'B. Peeters' lower left, depicting masted ships in a stormy sea with figures on the shoreline looking on, the cent
• EMBOSSED BIRD PAINTING BY SAMUEL DIXON
  EMBOSSED BIRD PAINTING BY SAMUEL DIXON - IRISH GEORGE IIA fine basso relievo painting of shorebirds in their environment by Irish artist Samuel Dixon of Dublin. Circa 1755. Gouache on raised, dimensional paper (basso relievo). Framed. Original 18th century
• A Telephone Linesman's Porcelain Occupational
  A Telephone Linesman's Porcelain Occupational Shaving Mug 20th Century bearing the name Fred A. Ricketts in gilt lettering against a green wrap, and featuring an exceptional image of a gentleman climbing a telephone pole that reads Hudson Riv. Tel. Co.underside marked T&V Limoges France and signed H. Hoffman Decorator, Albany, N.Y.Height 3 5/8 inches. Albany, New York City Directories from the 1920s and 1930s confirm that a Frederick A. Ricketts worked as an electrician. Ricketts married Katherine Prime McMurray on December 14, 1911, in Albany. The Hudson River Telephone Company was founded in Albany in 1883 and serviced clients along both shores of the Hudson River. Property from the Collection of James Carpenter, Montague, New Jersey
• Set Brass Anchor theme Andirons Fireplace
  Set Brass Anchor theme Andirons Fireplace Tools Set. Think Beach Shore House. Anchor and Rope stand with three fireplace tools. Dimensions: Height: 37.5 inches, Width: 7.5 inches, Depth: 7.5 inches. --- Condition: some tarnish and discoloration. Nice weight.
• SISTER CORITA & DANIEL BERRIGAN SIGNED
  SISTER CORITA & DANIEL BERRIGAN SIGNED BOOKS, 3 Group of three books, two signed by Sister Mary Corita Kent comprising: Nims, John Frederick "The Poems of St John of the Cross, New English Version", New York: Grove Press, Inc., 1959, and Harding, M. Esther "Woman's Mysteries: Ancient and Modern", New York: Pantheon, 1955, together with Berrigan, Daniel, et. al "The Raft Is Not the Shore", Boston: Beacon Press, 1975, signed and inscribed by the author. Largest: 9.25" L x 5.25" W x 1.5" D. Provenance: Property from the collection of a New York City-based former student of Sister Corita. Keywords: Books, Literature, Reading, Library, Religions, Philosophy, Esoteric, Autograph
• GROUP (6) CLAIRE MURRAY HOOKED RUGS
  GROUP (6) CLAIRE MURRAY HOOKED RUGS 20th c., 100% wool, with original labels verso, seashore themes with shells and fish, various sizes: (1) at approx. 74"l x 34"w, (2) at approx. 62"l x 38"w, (1) at approx. 59.5"l x 41.5"w, (1) at approx. 65"l x 31"w, and (1) at approx. 38"l x 28"w
• EUGENE GALIEN-LALOUE (ATTRIB.), OIL
  EUGENE GALIEN-LALOUE (ATTRIB.), OIL ON CANVAS Attributed to Eugene Galien-Laloue (French, 1854-1941), Shoreline landscape, signed "G Laloue" lower left and possibly dated 1882 (frame tag states "1900"), 11.75"h x 17.25"w (sight), 17"h x 22.25"w x 2.5"d (frame)
• PRINT PORTFOLIO, DOCUMENTA: THE SUPER
  PRINT PORTFOLIO, DOCUMENTA: THE SUPER REALISTS (lot of 5) "Documenta: The Super Realists," 1972, five (5) from the portfolio of ten (10) lithographs in colors, including works by Paul Staiger, Don Eddy, Ben Schonzeit, Ralph Goings, and Franz Gertsch, edition 298/300, each print pencil signed, printed and published by Shorewood Atelier (New York, NY), sheets (each/unframed): 34.5"h x 24.5"w. Provenance: Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
• GOUACHE, TIM CURRAN Tim Curran (American,
  GOUACHE, TIM CURRAN Tim Curran (American, 20th century), "Emeryville Shoreline," circa 1987, gouache on paper, signed, titled, and dated verso, sheet (unframed): 9.5"h x 12.75"w. Provenance: Gift from the artist; Property from the estate of artist Robert Bechtle and art historian Whitney Chadwick.
• PAINTING, EDWARD HENRY POTTHAST Edward
  PAINTING, EDWARD HENRY POTTHAST Edward Henry Potthast (American, 1857-1927), At the Seashore, oil on masonite, signed lower right, board: 8"h x 10"w, overall (with frame): 13.25"h x 15.25"w. Provenance: Swann Galleries (May, 23, 2002, lot 144). Note: This piece will be included in the upcoming catalogue raisonne for Edward Potthast.
• HELEN JOHNSON, BAPTISM RIVER SCENE,
  HELEN JOHNSON, BAPTISM RIVER SCENE, ACRYLIC Helen Johnson (American b. 20th century), 'Shall We Gather At The River", undated, acrylic on manufactured board, Folk Art scene depicting a rural river baptism scene with multiple figures on the shores, signed below the lower right edge of the river, paper label with artist, title, size, and medium en verso, framed. Approximate Dimensions:Panel h. 16", w. 20"; Overall h. 21", w. 25", d. 1".
• WILLIAM ADAMS DELANO SEASCAPE WATERCOLOR
  WILLIAM ADAMS DELANO SEASCAPE WATERCOLOR William Adams Delano (American 1874-1960), untitled watercolor depicting a shoreline on the coast of Labrador, mounted and matted from a previous framing, with a letter from Josephine Manning en verso identifying the artwork as having been painted while on a trip to the Grenfell Mission in Labrador, the artist bequeathed the painting to Ambassador Norman Armour and the information on the bequest is detailed in the letter, unframed. Provenance: From the Private Collection of Tania Armour Becker, Atlanta, Georgia. Approximate dimensions: sight h. 3.75'; w. 6", overall h. 8.75" w. 10.75",
• FRANK W. BENSON SHORE BIRD ETCHING W/
  FRANK W. BENSON SHORE BIRD ETCHING W/ BOOK Massachusetts,1862-1951Titled "A Pair of Yellowlegs," depicts two yellowlegs standing in shallow water. Benson studied at the Museum School of Fine Arts in Boston, and with Gustave Boulanger and Jules Lefebvre at the Academie Julian in Paris. The work comes with "The Sporting Art of Frank W. Benson" by Faith Andrews Bedford.
• 19C. RARE BARK JOHN & WINTHROP CARVED
  19C. RARE BARK JOHN & WINTHROP CARVED WHALE TOOTH United States,1880A very stout whales tooth carved with an elaborate landscape depicting ships in a harbor with a bustling city (Most likely San Francisco) full of hills and mountains. The tooth was carved on the John & Winthrop, a whaling ship captained by William T. Shorey who was born in Barbados and was the only black ship captain of the time. He commanded an all African American crew making the John & Winthrop the only all black manned whaling ship in the world.
• MARK KREMER (RUSSIAN, B. 1928) 11¼"
  MARK KREMER (RUSSIAN, B. 1928) 11¼" x 18" "On the Shore of the Forest Lake", 1981. Oil on artist board, initisaled lower right, inscribed in Cyrillic and dated to verso, in decorative wood frame, overall 17" x 23¾".
• WILLIAM SCOTT MYLES (SCOTTISH, 1850
  WILLIAM SCOTT MYLES (SCOTTISH, 1850 - 1911) 14" x 21" Boat on Shore. Oil on canvas, signed lower right, in decorative frame, overall 22" x 29?".
• SIDNEY YATES JOHNSON. AT THE SEASHORE,
  SIDNEY YATES JOHNSON. AT THE SEASHORE, OIL Oil on canvas, signed and dated ll, 18 x 32 in., framed.