A few examples of appraisal values for
SHREVE CRUMP

• Richard Crump (American, Circa
  Richard Crump (American, Circa 1805-1853) Pair of Portraits: Possibly Richard and Rebecca Crump 1838-1839 oil on canvas each signed Rich'd Crump and dated to verso 29 3/4 x 25 inches. The gentleman holds a copy of the Louisville Journal dated December 16, 1838, and points with his finger to text in the newspaper reading Richard Crump / Portrait Painter. Little is currently known about the life and career of the Kentucky artist Richard Crump. Genealogical records from Bedford County, Virginia identify a Richard Crump (one of several) born in 1804, while noted art historian and scholar of southern portraiture Estill Curtis Pennington gives Crump’s life dates as circa 1816 – after 1852 in his discussion of Crump’s portrait of The Morris Family (circa 1840) in the collection of the Speed Museum (see Kentucky: The Master Painters from the Frontier Era to the Great Depression, Columbia, SC: University of South Carolina Press, 2008). However, it is well documented that Crump established himself as a portrait artist in Louisville as early as 1836, when his studio was listed on the east side of 3rd Street between Main and Market. His residence was listed at that time as on 1st Street between Green and Walnut. Crump moved several times over the next decade but continued to be listed as an artist and portrait painter in Louisville until at least 1852. Following the death of his first wife, Rebecca, from tuberculosis in 1841, Crump seems to have remarried, as he is recorded in the census of 1850 as living in Louisville’s Ward 8 with a wife, Elizabeth, and six children. The 1860 census lists Elizabeth and three non-adult children, but not Crump himself.
• CRAWFORD SLACK(Canadian, 1855-1927)
  CRAWFORD SLACK(Canadian, 1855-1927) The Sheep Shack, 1917, signed lower right "Crawf Slack 17", oil on artist board, 10-1/8 x 14-1/8 in.; gilt wood frame, 16-1/2 x 20-1/4 x 1-7/8 in. Provenance: Private Collection, Charleston, South Carolina Condition: some losses at edges, surface dirt, crackle
• Will Hinds (American/Louisiana b.
  Will Hinds (American/Louisiana b. 1936) "Shrimper's Corner" mixed media on paper affixed to board signed lower right titled and with the artist's label en verso 16 in. x 20 in. in a period frame.
• LEE CRUM (AMERICAN/ARKANSAS, 20TH
  LEE CRUM (AMERICAN/ARKANSAS, 20TH C.)Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), "Nude near Endless Pool", 2004, archival pigment print on paper, pencil-initialed, dated and inscribed "AP" en verso, sheet 37 in. x 34 7/8 in., framed, overall 58 1/2 in. x 45 1/2 in. x 1 1/2 in. Condition: Overall good condition.
• LEE CRUM (AMERICAN/ARKANSAS, 20TH
  LEE CRUM (AMERICAN/ARKANSAS, 20TH C.)Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), "Woman in Archway", 2004, archival pigment print on paper, pencil-initialed, dated and inscribed "AP" en verso, sheet 47 in. x 34 7/8 in., framed.
• BARCLAY SHEAKS (VA, 1928-2010),
  BARCLAY SHEAKS (VA, 1928-2010), COASTAL STILL LIFE WITH CRAB AND SHELLS Acrylic polymer on Masonite, signed and dated 1962 at upper left, inscribed to verso, presented in the original frame.
• LEE CRUM (AMERICAN/ARKANSAS, 20TH
  LEE CRUM (AMERICAN/ARKANSAS, 20TH C.)Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), "Nude beside Brick Ruins", 2004, archival pigment print on paper, pencil-initialed, dated and inscribed "AP" en verso, sheet 46 3/4 in. x 34 7/8 in., framed, overall 56 in. x 45 1/2 in. x 1 1/2 in. Condition: Overall good condition.
• CRISP, STEPHEN. DE OUDE WAARHEYD
  CRISP, STEPHEN. DE OUDE WAARHEYD ONTDEKT.CRISP, STEPHEN. DE OUDE WAARHEYD ONTDEKT., Rotterdam: Jan Pietersz Groenwout, 1684. 4to, rebound in full black morocco. Collection of Quaker tracts and sermons delivered by Crisp. Translated from the original into Dutch
• WILLIAM CRUICKSHANK, OIL ON CANVAS,
  WILLIAM CRUICKSHANK, OIL ON CANVAS, 1894 William Cruickshank (British, 1848-1922), Fruit Still life, signed and dated lower left, paper artist tag verso frame, 14"h x 18"w (canvas), 21"h x 25"w (frame)
• Knute Heldner (Swedish/New
  Knute Heldner (Swedish/New Orleans 1877-1952) "Crawfishers Shack" etching pencil signed and titled plate 7 3/4 in. x 9 3/4 in. matted and framed.
• Painting follower of William
  Painting follower of William Shayer, "Selling the Catch", unsigned, oil on canvas, follower of William Shayer, Sr., British, 1788-1879, 22-1/4 x 39 in.; modern chip carved, painted and gilt wood frame. Crackle, flaking, cupping, lined, restretched on old stretcher, retouch in sky edges, lower left corner, right on coast and ocean, 15 percent of surface affected; frame with abrasions. Brunk Auctions, June 13, 1998, Lot 0397; Private Collection, Cornelia, Georgia.
• LEE CRUM (AMERICAN/ARKANSAS, 20TH
  LEE CRUM (AMERICAN/ARKANSAS, 20TH C.)Lee Crum (American/Arkansas, 20th c., active New Orleans 1978-2005), "Woman", archival pigment print on paper, pencil-signed and artist blind stamp lower margin, sheet 23 7/8 in. x 20 in., framed. Condition: Overall good condition. Ext. Frame: 28 1/4 in. x 24 3/4 in. x 2 in.
• GORDON R. SMITH (1920-2010):
  GORDON R. SMITH (1920-2010): CHRISTINE BROWN CRANKS CREEK KY Gelatin silver print 9 1/4 x 9 1/4 in. (sight). Exhibited: A Photographic Treasury: Images of Children by Master Photographers from The Reader's Digest Art Collection #25.
• Isaac Robert Cruickshank (British
  Isaac Robert Cruickshank (British 1789-1856) Tom Echo Laid Up color engraving 5 x 7 1/4 inches.
• HUBERT
  HUBERT SHUPTRINE(American/Tennessee, 1936-2006) Three color lithographs: The Sharecroppers, c. 1795, 21-7/8 x 30-1/4 in., August Wildflowers, 20-7/8 x 24-3/4 in., Nest, 19-1/2 x 24-1/8 in., all signed in pencil lower right "Hubert Shuptrine", unframed Provenance: Montgomery Gallery, California; A Private California Collection Condition: in matching cream mats, sealed in plastic
• PAUL WEBB (AMERICAN B 1902),
  PAUL WEBB (AMERICAN B 1902), SHUCKS! LETS' ALL GET SOME SLEEP AN' TACKLE IT AG'IN WHEN WE'RE FRESH, CHARCOAL AND CRAYON, 22-1/2 X 1Paul Webb (American b 1902), Shucks! Lets' All get some Sleep an' Tackle it Ag'in When We're Fresh, Charcoal and Crayon, 22-1/2 x 1
• LEE CRUM (AMERICAN/ARKANSAS, 20TH
  LEE CRUM (AMERICAN/ARKANSAS, 20TH C.)Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), "Nude in Tree", 2004, archival pigment print on paper, pencil-initialed, dated and inscribed "AP" en verso, sheet 47 in. x 35 in., framed. Condition: Overall good condition. Ext. Frame: 58 3/8 in. x 45 1/2 in. x 1 3/8 in.
• GEORGE CRUIKSHANK (1792-1878):
  GEORGE CRUIKSHANK (1792-1878): ASSORTED ETCHINGS Approximately thirty-three most with hand coloring and matted; together with two reproduced pamphlets after Cruikshank. Provenance: Property from the Fresno Metropolitan Museum of Art and Science Fresno CA.
• LEE CRUM (AMERICAN/ARKANSAS, 20TH
  LEE CRUM (AMERICAN/ARKANSAS, 20TH C.)Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), "Woman on Rock", 2004, archival pigment print on paper, pencil-initialed, dated and inscribed "AP" en verso, 40 in. x 30 1/4 in., framed, overall 56 in. x 45 1/2 in. x 1 1/2 in. Condition: Overall good condition.
• CWS CRUMPSALL CREAM CRACKERS AND OK
  CWS CRUMPSALL CREAM CRACKERS AND OK BISCUITS VANS c. 1925 finished in green featuring the products name and the CWS logo on the side with hinged roof and van body adorned with images of the Cooperative Wholesale Society's products; and 1930's Mettoy keywind van with colorful graphics of chef and checkered pattern roof. Each approximately 9 ?" l. CWS has scrapes and scratches roof/lid replaced back door missing. OK cab needs retabbing corrosion to roof (Fair Cond.)
• John Carter Shryock painting
  John Carter Shryock painting (Asheville, North Carolina, born 1905), blooming tree against a red house, possibly Pennsylvania, signed lower right "Shryock", oil on canvas, 20 x 30 in.; modern wood frame with linen liner. Canvas slightly loose.
• SMALL REDWARE CROCK BY GREG
  SMALL REDWARE CROCK BY GREG SHOONER. Having a dark mustard glaze with brown decoration. Crazing throughout. Base signed ''Greg Shooner / 2000''. 8'' h. 4'' w. opening. Shelf wear. Some glaze chips on interior and exterior rim. Shelf wear. Glaze chips on body. Simulated wear. Soiling. Condition reports are available on all items. Please note: unless a condition report is requested we do not post detailed condition information about each item sold. If you choose to bid without requesting a condition report you are accepting the item ''as-is'' with no gaurantees.
• WILLIAM CRUICKSHANK (BRITISH,
  WILLIAM CRUICKSHANK (BRITISH, 1848-1922), TWO PIGEONS Oil on panel, signed W. Cruickshank lower left, presented behind a gold tone mat in a period frame.
• John McCrady (American, 1911-1968)
  John McCrady (American, 1911-1968) "The Cat Crackers, Baton Rouge", lithograph, titled in pencil lower left, signed in pencil lower right, sight 15-3/4" x 11-3/4". Provenance: Collection of Dr. James W. Nelson, Gonzales, Louisiana.
• CRUIKSHANK, George, (British,
  CRUIKSHANK, George, (British, 1792-1878): 3 colored engravings; ''Money Hunting'', ''Checkmate'', sight size, 5'' x 6 1/4'', Checkmate has glue stains in three corners, framed 10 1/2'' x 12''; ''Villagers Shooting out Their Rubbish'', 9 1/4'' x 12 3/4'' with trimmed margins, framed, 16'' x 22''.
• ANNE SHREVE (AMERICAN 1926-) RED
  ANNE SHREVE (AMERICAN 1926-) RED TABLE Oil on linen: 44 x 44 in. Framed lower left signed: Anne Shreve
• Claude Curry Bohm watercolor
  Claude Curry Bohm watercolor (Indiana, 1894-1971), "Fog-Bound Shrimpers", 1968, signed lower right "C. Curry Bohm", watercolor on paper, 21-1/8 x 24 in.; original painted wood frame. Taped at top with paper tape, paper tape on front edges, toning, fading; frame with abrasions.
• AFTER HUBERT SHRUPTRINE
  AFTER HUBERT SHRUPTRINE (AMERICAN, 1936-2006) AFTER HUBERT SHRUPTRINE (AMERICAN, 1936-2006) "GATHERING LACE" PENCIL SIGNED LITHOGRAPH; 31"H 38.5"W
• BEN SHAHN, INK LINE DRAWING, 1955
  BEN SHAHN, INK LINE DRAWING, 1955 Ben Shahn (American, 1898–1969), "Cat Cracker", signed lower right, artist, gallery, and exhibition labels verso, framed under plexiglass, 11.5"h x 8.75"w (sheet), 27"h x 21"w (frame)
• CRUTCHFIELD, William, (American, b.
  CRUTCHFIELD, William, (American, b. 1932): Two Silkscreens: 1) ''City of Ultramarine'', City Building atop a Large Seagoing Vessel accompanied by several Tugboats, sight size 36.5'' x 24.5'', pencil signed lower right, dated 1973 and numbered 11/35, mid-century metal framing, 32.5'' x 32.75''; 2) ''Swing and Tilt II'', sight size 24'' x 33.5'', pencil signed lower right, dated 1973, numbered 11/40, mid-century metal framing, 32.25'' x 41.5''.
• LEE CRUM (AMERICAN/ARKANSAS, 20TH
  LEE CRUM (AMERICAN/ARKANSAS, 20TH C.)Lee Crum (American/Arkansas, 20th c., active Louisiana, 1978-2005), "Nude beside Brick Ruins", 2004, archival pigment print on paper, pencil-initialed, dated and inscribed "AP" en verso, sheet 46 3/4 in. x 34 7/8 in., framed, overall 56 in. x 45 1/2 in. x 1 1/2 in. Condition: Overall good condition.
• K. J. CRUMP, JUDY GARLAND, OIL ON
  K. J. CRUMP, JUDY GARLAND, OIL ON CANVAS, UNFRAMED, 45 X 45 INCHESK. J. Crump, Judy Garland, Oil on Canvas, Unframed, 45 x 45 inches
• SHARON CRAVEN KINZER (AMERICAN,
  SHARON CRAVEN KINZER (AMERICAN, 1943-2022) 8" x 10" Still life with clock and vase, 1968. Oil on masonite, signed and dated lower right corner, in gold painting frame with linen liner, overall 13 ½" x 15 ¾".
• SUSAN SHATTER, "PROUTS NECK"
  SUSAN SHATTER, "PROUTS NECK" ETCHING/AQUATINTSusan Shatter (American 1943-2011) "Prouts Neck" Etching/Aquatint. Signed lower right. 1981. 20/50. 13.5 x 41.25 Framed: 23 x 50.25 Property from the Milbank collection (MTHM8667)(MM)
• GREGORY CRANE (AMERICAN, B. 1951)
  GREGORY CRANE (AMERICAN, B. 1951) 36" x 60" "Sharon's Backyard", 1988. Oil on canvas, signed and dated lower left, in gilt wood frame, overall 37 ½" x 61 ¾".
• GEORGE CRUIKSHANK (1792-1878,
  GEORGE CRUIKSHANK (1792-1878, ENGLISH)George Cruikshank (1792-1878, English), Three works "Monstrosities of 1816 Scene Hyde Park;" "Monstrosities of 1821;" and "Monstrosities of 1822" Each: Etching with hand coloring on paper under glass Each: Edition size unknown, the second two examples with text lines indicative of the second (final) editions published by Thomas McLean in 1835 Each: Sight: 9.75" H x 13.5" W