A few examples of appraisal values for
SIMON GATE

• SIMON GATE FOR ORREFORS GLASS
  SIMON GATE FOR ORREFORS GLASS VASESimon Gate (Swedish, 1883-1945) for Orrefors Glass Vase , c. 1930s, signed, octagonal form, with nude maiden design, h. 9 in., dia. 5 1/2 in Provenance: Jenny's Antiques Shakespeare, Ontario, 1992; Collection of Dr. Isidore Cohn, Jr. (1921-2015), New Orleans
• SARAH SYMONDS GATE WITH FLOWERS
  SARAH SYMONDS GATE WITH FLOWERS DOORSTOP Cast iron white fence with shrubbery background well detailed urn depicted on fence post. 8'' x 4 7/8''. (Pristine Cond.)
• A pair of wrought iron garden gates
  A pair of wrought iron garden gates with scroll work design 162cm x 264cm (63.75" x 104") and another
• GARY SIMMONS (AMERICAN b. 1964):
  GARY SIMMONS (AMERICAN b. 1964): CORNER DETONATION 2008 Pigment oil paint and cold wax on canvas. 54 x 54 in.
• BISHOP'S GATE WARD WITHIN AND
  BISHOP'S GATE WARD WITHIN AND WITHOUT ACCORDING TO A NEW SURVEY... ...This PLAN is most humbly inscribed to MATTHEW BLAKISTON Esqr. Alderman of BISHOP-GATE WARD, 1754, copperplate engraving, presented behind mat in contemporary gilt wooden frame (16-1/2 x 21-1/4 in.).
• Peter Ramsey ''Mind the Gate Kate''
  Peter Ramsey ''Mind the Gate Kate'' 1963 Collograph Framed 24''x27''
• MARKLIN CROSSING GATE Well detailed
  MARKLIN CROSSING GATE Well detailed features warning bell with clockwork and key semaphore gate house has opening door. 14'' l. (Exc. Cond)
• SIMON T.F. (Czechoslovakian
  SIMON T.F. (Czechoslovakian 1877-1942): Figures Traveling in a Snowy City Landscape Etching/Aquatint sight size 17 3/4'' x 21 3/4'' pencil signed lower right artist's cipher stamp lower left monogrammed and dated in the plate 1916 period gilded frame with minor wear 19 1/2'' x 23 1/2''.CONDITION: Scattered pale foxing in the margins two abrasions lower left quadrant sold as is.
• Paul Sandby (1730-1809) - Pair of
  Paul Sandby (1730-1809) - Pair of aquatints - ''Great Gate of St. Augustine's Monastery at Canterbury'' and ''Cemetary Gate of St. Augustine Monastery at Canterbury'' each 12.75ins x 19.75ins published by P. Sandby St. Georges Row North Side of Hyde Park May 1789 (generally discoloured foxed and with some damage to margins) in modern walnut finish frames and glazed
• GAON, SImon. 1964 O/C of Nude
  GAON, SImon. 1964 O/C of Nude Signed and dated verso. Simon Gaon, 1943 - .
• MIXED MEDIA, SIMON EVANS Simon
  MIXED MEDIA, SIMON EVANS Simon Evans (British, b. 1972), "Ghosts you Know," 2004, paper, ink, and tape mixed media wall relief, signed and dated verso, overall: 4.25"h x 7.5"w x 1"d. Provenance: purchase from Jack Hanley Gallery, San Francisco, CA
• FRENCH SCHOOL: DESIGN FOR A DOORWAY
  FRENCH SCHOOL: DESIGN FOR A DOORWAY AND A WINDOW GATE Pencil and watercolor on paper; 37 1/2 x 15 3/4 in.
• GARY SIMMONS (AMERICAN, B. 1964)
  GARY SIMMONS (AMERICAN, B. 1964) '"TRI-WING SPIN" Signed, watermarked and numbered 31/95 (lower left)
• Paul Sandby (1730-1809) - Two
  Paul Sandby (1730-1809) - Two coloured aquatints - ''St. George's Gate at Canterbury'' 12.5ins x 19.75ins and ''Cemetry Gate of St Augustines Monastry at canterbury'' 12.25ins x 19.5ins published by T. Palser Surry Side Westminster Bridge 1812 both in gilt frames and glazed
• OVER 35 TLSS FROM BILL SIMON TO
  OVER 35 TLSS FROM BILL SIMON TO FAUCETT ROSS.Simon, Bill. Over 35 TLSs from Bill Simon to Faucett Ross. Spanning 1949-68. Lengthy TLSs and several ALSs, most three or four pages, and describing step-by-step methods for tricks (Christ's aces among them), and gossip about magic's "inner circle" in the 1940s: Miller, Vernon, Malini, Dr. Daley, Carlyle, among others. Anecdotes and personal gossip fills many lines: "Dai & I returned from a bull-session at Bruce Elliott's last night and when we went up to Dai's apartment [3:00 am?] we were greeted by Carlyle & Neepy [Vernon's son] playing chess!!" "Dai has something that not only makes the double lift obsolete but also makes all of card magic, as we know it today, as remote and worthless as was the devices used by mystics hundreds of years ago. É I have no idea what the hell it is all about." Other subjects include lengthy discourses on hypnotism, marketed magic effects, magic conventions, Dr. Stanley Jaks and Jimmy Grippo. Most on 4to letterheads and signed "Bill Simon" or "Wm." Neatly organized. A successful businessman in the auto industry, Simon (1927 - 1988) had a keen mind and entered college at the age of 15. One of the best-posted amateur card magicians of his era and a close friend of Dai Vernon, he published three books on card conjuring, and another treatise on mathematical magic. He is perhaps best-remembered by modern magicians as an inventor of several clever sleight-of-hand maneuvers, many of which were published in his now-classic text, Effective Card Magic (Louis Tannen, 1952).
• ERIC STRAUSS WHIMSICAL PALATIAL
  ERIC STRAUSS WHIMSICAL PALATIAL PAINTED IRON GATE Eric Strauss (American / Georgia 20th / 21st century), "Sun, Moon, and Stars" 1995. palatial mixed metal whimsical gate with floral, bird, and silhouetted mountain motif, executed in iron and mixed metal, signed and dated under mountain. Accompanied by motor. Provenance: From the Private Collection of Veronica Holmes, Atlanta, Georgia. Approx. h. 90", w. 165.5", d. 24".
• BING CROSSING GATE Hand painted
  BING CROSSING GATE Hand painted crank operated gate with wire retaining fence signage at center reads ''HALT.'' Reference to stop when gate is opening. 20'' l. Ingersoll Collection. (Exc. Cond.)
• A wooden slatted garden seat and
  A wooden slatted garden seat and two matching chairs
• Simon Gunning (American/Louisiana
  Simon Gunning (American/Louisiana b. 1956) "Twilight at Barataria" giclée pencil signed titled and numbered "6/100" sight 28 in. x 21 in. framed.
• Simon Gunning (Australian/New
  Simon Gunning (Australian/New Orleans b. 1956) "Study for Blue Rigolets" pen and ink on paper signed lower right 34 in. x 46 in. attractively framed. Provenance: Arthur Roger Gallery New Orleans.
• MARKLIN CROSSING GATE Germany
  MARKLIN CROSSING GATE Germany hand painted tin crossing gate w/semaphore at one end gate keeper's house on elevated embossed platform railed yard swinging gate multi-colored example. 5'' h. Ingersoll Collection. Retouch to signal overall (Exc. Cond.)
• Simon CombesTHE ANGRY ONEsigned and
  Simon CombesTHE ANGRY ONEsigned and numbered 820/850limited edition print in colours 22cm x 30cm (8.75" x 11.75")
• An alloy and wooden slatted
  An alloy and wooden slatted garden seat and a marble topped table
• Simon CombesLOOKOUTsigned and
  Simon CombesLOOKOUTsigned and numbered 777/1250limited edition print in colours 23.5cm x 33cm (9.25" x 13")
• SCHEIBNER, Vira, (American,
  SCHEIBNER, Vira, (American, 1889-1956): ''The Gate'', Oil/Canvas, 14.75'' x 13.25'', signed lower left, unframed. CONDITION: Relined.
• AMERICAN CAST IRON GATE
  AMERICAN CAST IRON GATE PHILADELPHIA late 19th century cast with a tree above two reclining lambs cast W. Moore maker's mark - h:31 w:27.50 in. Other Notes: TPC
• Simon Gunning (Australian/New
  Simon Gunning (Australian/New Orleans b. 1956) "Jeu de Paume" pen and ink on paper signed and titled lower right 13 1/4 in. x 14 3/4 in. attractively matted and framed.
• SIMON KEF! (GERMAN, B. 1989) 18"
  SIMON KEF! (GERMAN, B. 1989) 18" x 12" paper "Glorious Light #5". Color screen print, on thick paper, ed. 197/200, signed in pencil lower right, numbered lower left, in a modern black frame under plexiglass, overall 22" x 16".
• GATE DESIGN BY RICHARD FILIPOWSKI
  GATE DESIGN BY RICHARD FILIPOWSKI (NY, 1923-2008) Wire brushed cut aluminum sheet, engraved signature "Filip, 01". 9" x 10 1/4" x 2 3/4". Member of the "New Bauhaus", mentored by Moholy-Nagy.
• (2) ARCHITECTURAL CAST IRON
  (2) ARCHITECTURAL CAST IRON ESTATE GATES(pair) Parcel gilt cast iron estate gates, approx 114"h, 157"w
• MARKLIN CROSSING GATE Crank
  MARKLIN CROSSING GATE Crank operated crossing gate painted in brown wire track on one side sign at center reads ''HALT '' base done in green & yellow. 14 1/2'' l. Ingersoll Collection. Minor retouch at base (Exc. Cond.)
• AMERICAN CAST IRON GATE
  AMERICAN CAST IRON GATE PHILADELPHIA late 19th century cast with a tree above two reclining lambs cast W. Moore maker's mark - h:31 w:27.50 in. Other Notes: TPC
• AN IRON GATE of squarish form
  AN IRON GATE of squarish form with a pattern of concentric circles on each side and central twisted supports across the center of each side - h:36 w:35 in.
• PETER LIK (AUSTRALIAN, B. 1959)
  PETER LIK (AUSTRALIAN, B. 1959) HEAVENLY GATE A silver halide photographic print from acclaimed photographer Peter Lik titled "Heavenly Gate" captures the famous"floating" torii gate of the Itsukushima Shrine in Japan, the gate hovering above the serene waters with idyllic prescence, signed by artist lower right numbered 438/450, mounted in acrylic with recessed blind frame on reverse, mounting hardware included, along with COA card and hologram from artist studio; 14"H 41"W overall
• SIMON T.F. (Czechoslovakian
  SIMON T.F. (Czechoslovakian 1877-1942): European Market in the Winter Etching in Aquatint 17'' x 14 1/8'' pencil signed lower right cipher lower left unframed.CONDITION: Glued down to back board with visible areas of moisture damage in the margins scattered foxing sold as is.
• T. F. SIMON, AQUATINT ETCHING T. F.
  T. F. SIMON, AQUATINT ETCHING T. F. Simon (Czech, 1877-1942), market scene, pencil signed lower right, numbered 198 lower left, 12"h x 15.5"w (sight), 19.25"h x 22.5"w (frame)