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SIMON LUERTROUT (?), SEATED MAN AND
SIMON LUERTROUT (?), SEATED MAN AND WOMAN, MIXED MEDIA ON PAPER, FRAME: 20-1/4 X 21-1/2 INSimon Luertrout (?), Seated Man and Woman, Mixed Media on Paper, Frame: 20-1/4 x 21-1/2 in
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SIMON LISSIM (UKRANIAN/AMERICAN,
SIMON LISSIM (UKRANIAN/AMERICAN, 1900-1981), THE FISH Watercolor, gouache, and ink, 1965, signed and dated at lower right, also retains Lissim's label and dedication to frame verso, in original framing.
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Simond, Louis. Journal of a Tour
Simond, Louis. Journal of a Tour and Residence in Great Britain, Second Edition, 2 vols., Edinburgh 1817. 5 engraved plates and 2 folding tables - Goede, C.A.G. A Foreigner's Opinion of England, trans. Thomas Horne, 3 vols., 1821. Cont. half calf. Engraved portrait. Both 8vo., With 3 others (8)/Provenance: Spetchley Park
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SIMON T.F. (Czechoslovakian
SIMON T.F. (Czechoslovakian 1877-1942): Figures Traveling in a Snowy City Landscape Etching/Aquatint sight size 17 3/4'' x 21 3/4'' pencil signed lower right artist's cipher stamp lower left monogrammed and dated in the plate 1916 period gilded frame with minor wear 19 1/2'' x 23 1/2''.CONDITION: Scattered pale foxing in the margins two abrasions lower left quadrant sold as is.
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GAON, SImon. 1964 O/C of Nude
GAON, SImon. 1964 O/C of Nude Signed and dated verso. Simon Gaon, 1943 - .
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Georg
Georg
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Simon Combes (British, 1940-2004)
Simon Combes
(British, 1940-2004)
Africa's Big Six
each signed 'Simon Combes' (lower right)
Each 8 x 10 inches.
Property from the Collection of Fred W. Everett, The Villages, Florida
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SIMON ALVAR (MID 20TH CENTURY): TWO
SIMON ALVAR (MID 20TH CENTURY): TWO WORKSeach: lithograph, matted, framed and glazed; pencil-signed lower right; numbered lower left, artist proofs; the first: large group scene; numbered 4/15 (24 1/4 x 29 1/4 inches sight; 29 3/4 x 34 1/2 inches frame); the second: group scene flanked by columns; numbered 38/75 (25 1/4 x 19 1/2 inches sight; 30 3/4 x 24 3/4 inches frame); Condition:
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George (American 20th century)
George (American 20th century) Two Men at Sea 2000 mixed media on paper signed George and dated (lower right) 29 x 21 inches.
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Simon Gunning (Australian/New
Simon Gunning (Australian/New Orleans b. 1956) "Study for Blue Rigolets" pen and ink on paper signed lower right 34 in. x 46 in. attractively framed. Provenance: Arthur Roger Gallery New Orleans.
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Simon Gunning (American/Louisiana
Simon Gunning (American/Louisiana b. 1956) "Twilight at Barataria" giclée pencil signed titled and numbered "6/100" sight 28 in. x 21 in. framed.
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Jean-Georges Simon (French
Jean-Georges Simon (French 1894-1968)/The Canteen/initialled and dated '40; inscribed, titled and dated 1940 verso/label for Gill Drey Gallery, March 1989/pen and ink, 17cm x 9cm/together with a crayon drawing, Woman on a Beach, 14cm x 9cm
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PETER SIMON (ENGLISH, CIRCA
PETER SIMON (ENGLISH, CIRCA 1764–1813), TWO SHAKESPEARE ENGRAVINGS Each an etching and engraving, circa 1790s, to include one from Romeo and Juliet and one from As You Like It, presumably published by Boydell and with printed details below matting, in uniform framing.
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GEORGE ZIMBEL (b. 1929): TWO BOYS
GEORGE ZIMBEL (b. 1929): TWO BOYS ON 35TH STREET Gelatin silver print 14 x 11 in. dated 1953.
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KATE SIMON, (3) PHOTOGRAPHS INCL.
KATE SIMON, (3) PHOTOGRAPHS INCL. LEONARD COHEN Kate Simon (American, b. 1950), "Leonard Cohen, London, 1974" (printed 2014), "Neil Innes, London, 1975" (printed 2011), "Radio City Powder Room, 1983" (printed 2009), silver gelatin print, 1974 (printed 2009), pencil signed, titled and dated verso with studio stamp, loose and unframed, largest 11"h x 14"w (sheet)
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Simon CombesTHE ANGRY ONEsigned and
Simon CombesTHE ANGRY ONEsigned and numbered 820/850limited edition print in colours 22cm x 30cm (8.75" x 11.75")
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SIMON KEF! (GERMAN, B. 1989) 18"
SIMON KEF! (GERMAN, B. 1989) 18" x 12" paper "Glorious Light #5". Color screen print, on thick paper, ed. 197/200, signed in pencil lower right, numbered lower left, in a modern black frame under plexiglass, overall 22" x 16".
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A mixed lot comprising a group of
A mixed lot comprising a group of six sketches of London buildings all signed in the print ''G.S.Fletcher'' a set of four coloured botanical prints and two George III ''cartwheel'' pennies.
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Two George lll silver mounted ivory
Two George lll silver mounted ivory cucumber slices . William Eley London 1803. Phipps & Robinson London 1806 Similar the Eley example with an engraved crest the P & R example with a repair lengths 8 3/4 and 9in (22.3 and 23cm).
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Simon Bussy (1869-1954) French
Simon Bussy (1869-1954) French pastel Sarsonnel Bleu initialled 8.5 x 9.25in. Estimate ?5 000-7 000 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?5 000
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FIVE SIMON PEARCE GLASS TABLE
FIVE SIMON PEARCE GLASS TABLE ORNAMENTSFive Simon Pearce Glass Table Ornaments , incl. 2 penguins, h. 4 1/2 in. and 3 1/2 in.; 2 polar bears, l. 4 1/4 in.; and egg, h. 2 3/4 in.; together with Schneider tree, h. 7 in.; and 2 toads, l. 3 in. (8 pcs)
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G. SYMONS O/B LANDSCAPE WITH
G. SYMONS O/B LANDSCAPE WITH BARNGeorge Gardner Symons (American, 1863-1930) oil on board landscape painting depicting a group of buildings including a barn and larger and smaller structures, possibly a large house with separate kitchen, all shaded by a large tree, with a fence in the foreground. Signed "G Symons" lower right. Cove molded giltwood frame with ribbon molded rabbet edge. Panel: 13 3/4" H x 17" W. Framed: 18" H x 21 1/4" W. Biography: Chicago-born George Symons was noted for his plein-air paintings that combined styles of impressionism and realism. He studied at the Chicago Art Institute with William Wendt, who would become a lifelong friend. Wendt and Symons painted together in California and then in Cornwall, England in 1898, where Symons joined a colony of artists at St. Ives and adopted the plein-air techniques of Julius Olsson, Adrian Stokes, and Rudolph Hellwag. Symons also studied in Paris, Munich and London. In 1903 he returned to California with Wendt and built a studio in Laguna Beach and became active in the California Art Club and other Western art societies. He maintained a studio in Brooklyn, New York, and also painted frequently in Colerain, Massachusetts. Symons' work can be found in the collections of the Metropolitan Museum of Art, the Brooklyn Institute of Arts and Sciences; the Art Institute of Chicago, and the Fleischer Museum in Scottsdale, Arizona. Associations. He was a member of the National Academy of Design, the National Arts Club, the Institute of Arts and Letters, the Lotos, Century, and Salmagundi Clubs. He was also a member of the Royal Society of British Artists and the Union Internationale des Beaux-Arts et des Lettres. (Sources: Edan Hughes, "Artists in California, 1786-1940"; Peter Falk, "Who Was Who in American Art.").
Condition:
Overall very good condition. One small 1/2" L chip to board in center, sky area at frame edge, and one small 1/2" L chip to lower center of board, just above frame edge. Some other minor, shallow chips to board only visible en verso. 1" scratch or pen mark lower center. A couple of scattered tiny flyspecks or dark paint drips. Canvas has faint scent of cigarette smoke.
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MICHEL LEIRIS & ANDRE MASSON,
MICHEL LEIRIS & ANDRE MASSON, SIMULACRE Poemes et Lithographies, Galerie Simon, 1925, #17/110 signed on the colophon by Leiris and Masson, and with 5 of the 6 lithographs in the text signed in pencil by Masson, bound softcover in glassine wrapper, decorated chemise and slipcase, 10.5"h x 8.25"w
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Sir George Chalmers (1720-1791) oil
Sir George Chalmers (1720-1791) oil on canvas Portrait of Roger Simpkinson (born 1732) holding a ring with sheet music before him 30 x 25in. Estimate ?1 000-1 500 Old (20yrs+) reline canvas now slightly saggy and rather dark with a fine but stable craquelure. running throughout no sign of over-painting sheet music bears lyric 'Honor and Arm.. Such a foe'. In a later gilt gesso scroll frame which is in good order. Label re sitter verso. Provenance: Private collection. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?1 700
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T. F. SIMON, AQUATINT ETCHING T. F.
T. F. SIMON, AQUATINT ETCHING T. F. Simon (Czech, 1877-1942), market scene, pencil signed lower right, numbered 198 lower left, 12"h x 15.5"w (sight), 19.25"h x 22.5"w (frame)
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SIMON LAURIE, BRITISH B. 1964, IN
SIMON LAURIE, BRITISH B. 1964, IN SEARCH OF THE GRAIL, 1986, MIXED MEDIA AND COLLAGE ON PANEL, UNDEFINED, FRAME: 21 1/4 X 13 1/4 IN. (53.98 X 33.66 CM.)SIMON LAURIE, BRITISH, B. 1964 IN SEARCH OF THE GRAIL, 1986, Mixed media and collage on panel Lower left signed and dated: Laurie 86. Mixed media and collage on panel Dimensions: Undefined, Frame: 21 1/4 x 13 1/4 in. (53.98 x 33.66 cm.)
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Simon CombesLOOKOUTsigned and
Simon CombesLOOKOUTsigned and numbered 777/1250limited edition print in colours 23.5cm x 33cm (9.25" x 13")
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After Claude Lorrain (French,
After Claude Lorrain (French, 1600-1682) "St. George Slaying the Dragon" and "Landscape with Sheep Herders", pair of engravings, sight 8-3/4" x 10-3/4", published, respectively, 1774 and 1776, by John Boydell, Cheapside. Glazed, matted and presented in burlwood frames.
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SIMON, Tavik Frantisek, (Czech,
SIMON, Tavik Frantisek, (Czech, 1877-1942) Pair of Aquatints, ''Notre Dame'' and Market Along the Seine, Paris, sight size 13'' x 16'', pencil signed lower right, cipher lower left, original gilded and carved frames, 19.5'' x 22.5''.
CONDITION: Overall even toning, some fading, not examined out of the frame.
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SIMON WINEGAR, (B. 1979), "DARK
SIMON WINEGAR, (B. 1979), "DARK WATERS AHEAD," 2006, OIL ON BOARD, 8.75" H X 15" WSimon Winegar, (b. 1979) "Dark Waters Ahead," 2006 Oil on board Signed lower right: Winegar; signed again, titled, and dated verso 8.75" H x 15" W Provenance: The Estate of George David Sturges Oil on board Dimensions: 8.75" H x 15" W Provenance: The Estate of George David Sturges
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PRINT, SIMON THOMASSIN Simon
PRINT, SIMON THOMASSIN Simon Thomassin (French, 1654-1733), Study of the Laocoon, copperplate engraving, signed in plate lower right, overall (with frame): 13"h x 11"w
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SIMON T.F. (Czechoslovakian
SIMON T.F. (Czechoslovakian 1877-1942): European Market in the Winter Etching in Aquatint 17'' x 14 1/8'' pencil signed lower right cipher lower left unframed.CONDITION: Glued down to back board with visible areas of moisture damage in the margins scattered foxing sold as is.
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GEORGE CONSTANT, (3) ANIMAL
GEORGE CONSTANT, (3) ANIMAL SKETCHES George Constant (Greek/American, 1892-1978), Birds, Horses, and Monkey, pastel sketches on paper, each signed "Constant" at lower right, bird drawing inscribed, 10.75 x 8.25 (two larger drawings), 6.5"h x 8.25"w (smaller drawing), each loose and unframed
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George Febres (Ecuadorian/New
George Febres (Ecuadorian/New Orleans 1943-1996) a pair of pencil drawings on paper including "Freckles" and "Harry" both pencil signed lower right sight both 5 1/4 in. x 4 1/4 in. in matching frames.
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George Benjamin Luks (American,
George Benjamin Luks (American, 1867-1933) portrait of a boy; oil on canvas; 21 1/2" x 17 1/4"; signed upper right.
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George (American 20th century)
George (American 20th century) First Date 2000 mixed media on paper signed George (lower right) 24 1/4 x 19 inches.