A few examples of appraisal values for
SIMON WILLARD

• EARLY SIMON WILLARD BANJO CLOCK
  EARLY SIMON WILLARD BANJO CLOCK Banded mahogany case, original painted iron dial and hands. Period glasses, signed 'S. Willard Patent'. Old patina. Eight-day time only T-bridge movement.
• MASSACHUSETTS FEDERAL MAHOGANY
  MASSACHUSETTS FEDERAL MAHOGANY BANJO CLOCKMassachusetts Federal mahogany banjo clock, early 19th c. , the face signed Simon Willard Boston , 36 1/4" h. Provenance: A Bethlehem, Pennsylvania estate. NO in-house shipping for this lot. Condition: Condition: not examined. Pook & Pook does not guarantee clocks to be complete or in working condition.
• SIMON WILLARD FEDERAL MAHOGANY
  SIMON WILLARD FEDERAL MAHOGANY BANJO CLOCKSimon Willard Federal mahogany banjo clock , with gilt eagle finial and églomisé panel door inscribed For Philip Payn Pinel and S. Willards Patent , with interior label 5665 / Daniel T. Smith Watches, Salem, Mass , 41 1/4" h. NO in-house shipping for this lot. Condition: Parts: none, no pendulum, weights, or winder. Loss to dial glass. Base panel possibly an early replacement. A couple losses to line inlay. Pook & Pook does not guarantee clocks to be complete or in working condition.
• SIMON WILLARD (ATTRIB)
  SIMON WILLARD (ATTRIB) GRANDFATHER CLOCK. From a Greenwich, CT estate. Dimensions: 94" h x 19" w x 9" d. Condition: Looks clean and good however all clocks are sold as / is whether working or not. Please view in person if possible.
• CLOCK: BANJO CLOCK, C. 1840, CASE
  CLOCK: BANJO CLOCK, C. 1840, CASE WITH BRASS FINIAL ON PAINTED CHIMNEY OVER BRASS BEZEL WITH CONVEX GLASS, ELLIPTICAL CUTOUT HEAD, THROAT AND BOX WITH BEVELED MAHOGANY VENEER FRAMES, SINGLE PINE BACKBOARD, BRASS DIAMO...CLOCK: Banjo clock, c. 1840, case with brass finial on painted chimney over brass bezel with convex glass, elliptical cutout head, throat and box with beveled mahogany veneer frames, single pine backboard, brass diamond sidearms, waist and box glass painted with white, blue and gilt rectangular patterns, movement with recoil escapement, standard rectangular bridge, brass trapezoid topped pendulum rod with brass faced lead bob, rear plate screwed to case with one machine screw from back, barbed arrow hands, dial with Arabic numerals bears inscription "Simon Willard – Boston", case possibly from Attleboro, wear consistent with age and use, including replaced hanger and sidearms, one glue block missing, 31 1/2" h.
• FEDERAL BANJO CLOCKFederal mahogany
  FEDERAL BANJO CLOCKFederal mahogany Patent Timepiece or Banjo Clock, painted iron dial with Roman numerals, gesso rope molded frame, reverse painted glass at throat decorated with gilt flowers and flanked by curved brass side ornaments with three brass diamonds, lower case with reverse painted glass door decorated with Classical scene of a goddess, possibly Aphrodite, and cherub or putti, encircled in a wreath, atop a gilded pedestal. Brass eight-day timepiece movement. Length of case not including bracket or finial 28 1/2"L. Possibly Aaron or Simon Willard, Roxbury, Massachusetts, circa 1810. (Higher-resolution photos are available at www.caseantiques.com) Condition: Regilded, with area of missing gilding to back of one ball drop on lower section. Eagle and ball finial may not be original; hole to back of ball finial. 1/4" repainted flake to dial. Shrinkage to sides of case with one area of repaired molding loss to side at back edge, 1" area of wood repair to side at hinge.
• A. HUTCHINS NH TALL CLOCKA late
  A. HUTCHINS NH TALL CLOCKA late 18th/early 19th century New Hampshire Cherry tall clock by Abel Hutchins (1788-1819). Hutchins apprenticed under Simon Willard. 8-day time and strike brass movement with shaped plates and painted dial with moon phase subsidiary dial and seconds bit. Cherry "Roxbury" style case with arched filigree top, Brass finials and round columns, lower case with fan inlaid door, reeded corner columns with brass capitols, Star inlaid base and French feet. Refinished with some wear, crack in lower front panel. 93" high overall. ESTIMATE $2,000-3,000 Condition: Refinished with some wear, crack in lower front panel.
• 19TH C AMERICAN BANJO CLOCKA 19th
  19TH C AMERICAN BANJO CLOCKA 19th century American Banjo wall clock. 8-day time only weight driven movement with painted dial marked "Simon Willard & Son, No. 367". Mahogany case with Paneled throat and lower door with "Peek-a-boo" glass. Running when catalogued. Older refinishing, with dial flaking, replaced finial. 32 1/2" high. ESTIMATE $800-1,200 Condition: Older refinishing, with dial flaking, replaced finial.
• AMERICAN FEDERAL TALL CASE CLOCK BY
  AMERICAN FEDERAL TALL CASE CLOCK BY ABEL HUTCHINSAMERICAN FEDERAL TALL CASE CLOCK BY ABEL HUTCHINS(CONCORD, NEW HAMPSHIRE ACTIVE 1786-1803) , late 18th century, arched bonnet with three brass finials and cut scrolls on turned front pillars with brass capitals and glazed door. The dial decorated with roses and Roman numerals and signed Abel Hutchins, the mid-body with molded door flanked with quarter-columns and brass capitals, on a molded - three panel base on delicate bracket feet. Height 92 in. Width 19 ¾ in. Depth 10 ½ in. Abel Hutchins and his older brother Levi at the ages of 14 and 16 years entered into an apprenticeship with Simon Willard in 1778. Afterward the brothers worked in partnership together from 1786 to 1803 in Concord, New Hampshire. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• RARE SIMON WILLARD LARGE SCALE
  RARE SIMON WILLARD LARGE SCALE MAHOGANY BANJO CLOCKdial signed "S. Willard & Son/Boston", circa 1830s, large painted dial with Roman chapter ring and seconds sweep, figured mahogany case with pendulum window in lower door, brass movement, pendulum, weight, and winder present, 51 x 21 x 6-1/2 in. Provenance: A Private New Jersey Estate Condition: very good condition overall, dial with some scattered old retouch, generally even dry surface, minor cracks at lower panel, wooden surround for window replaced, other typical cracks at molding and other surface flaws
• RARE SIMON WILLARD BANJO CLOCK,
  RARE SIMON WILLARD BANJO CLOCK, SIGNED JOHN R. PENNIMAN...Boston, circa 1803, blue, gilt, and pale orange eglomise base panel signed "S. Willard's Patent", signed on reverse painted "John R. Penniman/Boston 1803", painted and gilt dial with Roman chapter ring, brass movement, pendulum and lead weight present, eagle finial, inlaid mahogany case with eglomise throat panel with acorn and leaf decoration, 33-3/4 x 10-1/2 x 3-1/4 in. Note: Accompanied by a copy of an appraisal and condition report by Robert Cheney from 2012 for $18,000. Provenance: Private Collection, Cincinnati, Ohio Condition: lower plate cracked through middle and with stabilizing tape applied at back, flaking and retouch to painted dial, throat panel with later backing (not removed for exam), probably original gilt eagle finial
• SIMON WILLARD EGLOMISE AND INLAID
  SIMON WILLARD EGLOMISE AND INLAID FEDERAL BANJO CLOCKBoston, circa 1815, eglomise base panel signed "Willard's Patent", decorated throat and base panels with pale green and black decoration, throat panel with sunburst, painted dial with Roman chapter ring, brass finial, weight and pendulum present, 33-3/4 x 10 x 3-1/2 in. Provenance: Sold Skinner, June 9, 2002 lot 72 for $15,000; Collection of C.L. Prickett Condition: very good condition overall, flaking with losses and retouch at base panel, throat panel generally good with some distress, typical minor repairs to veneers and banding, dial with fine even crackle, some possible minor surface touch ups, finial replaced
• A VERY RARE BOSTON FEDERAL SIMON
  A VERY RARE BOSTON FEDERAL SIMON WILLARD PAINT DECORATE...Roxbury, Massachusetts, circa 1818-1819, dial signed "Simon Willard", two inked paper labels at case interior inscribed "Simon Willard/for/William Saunders/1826" and "William Saunders. 1826/William A. Saunders. 1872", painted iron dial with Roman numerals and original moon style hands set in brass bezel and frame with open sides exposing works, eight day brass movement, arch top brass movement plates surmounted by silvered false bell with fire gilt brass ball finial and brass ring, on removable brass plate with green velvet lining, situated atop a tapered cylindrical base with lower cove molding decorated in black, red, and gold paint, on painted square base with hinged front door opening to pendulum and weight, on ball feet, with blown glass dome cover, pendulum, weight, and winder key, 29-1/2 x 9 x 8 in. Note: Painted examples of the form are exceptionally rare, and this lighthouse clock is further distinguished by its fine condition, surviving with its original glass dome and brass feet. The accompanying write up from Milly McGehee notes: "The painted case with iron dial and lower rectangular base places this example among a small group of Willard lighthouse clocks made prior to 1820. Simon Willard received a patent for these "patent alarm timepieces" in December of 1819. Most known examples made after that date have enamel (rather than painted) dials and are signed "Patent." Most patent examples also have un-painted mahogany cases with octagonal or circular bases. The early features of this example indicate it was made prior to the patent and circa 1818-1819." Only a handful of painted examples are known to survive. The only other painted example sold publicly that is known to us sold Sotheby’s, Jan- uary 1997 for $744,000. This example is illustrated in Albert Sack, New Fine Points of Furniture , pages 131 and 146, where it is listed as a “Masterpiece”. Illustrated: The Magazine Antiques , March, 1938, pg. 114; The Walpole Society Notebook of 1954 , plate 10; The Magazine Antiques , May, 1977, pg. 994; Husher and Welch, A Study of Simon Willard’s Clocks , pg. 191, fig. 6.12 Foley and Losch, Simon Willard Patent Alarm Time Pieces , Willard House and Clock Museum, North Grafton, MA, 2002, pg. 46-47, fig. 12 Condition: In very fine state of preservation and retaining its original paint and glass dome. Original glass domes are a great rarity, and this example has been used as the basis to create replacement domes for other examples. Conservation by Gary R. Sullivan Antiques Inc. (accompanied by invoice and condition report dated April 1, 2004, which notes various minor repairs and restorations). Also with photographs and letter from Robert Mussey Associates, Inc., dated June 15, 2004; some surface dirt and accretion, case with scattered flaking, crackle, and expected minor losses to paint throughout, dial paint with crackle and small area of loss, not tested for functionality; Retaining its original glass globe and accompanied by an additional modern travel globe. Also accompanied by a custom shipping crate.
• VERY FINE SIMON WILLARD FEDERAL
  VERY FINE SIMON WILLARD FEDERAL INLAID BANJO CLOCKBoston, ca. 1805, attributed to the shop of John and Thomas Seymour, with gilt finial over circular white painted dial, with Roman chapter ring, original throat and base eglomise panels with fine painting and gilding, the lower panel inscribed "S. Willard's," 33 x 10 x 3-1/2 in. Note: Accompanied by a Milly McGehee invoice with extensive notes from Robert Mussey outlining the quality and rarity of this example. McGehee notes record that Mussey "considers this clock one of the four or five finest of this early patent timepiece he has encountered. The clock retains all of its original eglomise painting on both the throat and lower case glass panels; additionally, the white painted dial numerals are original." Condition: very fine condition overall. Fragile dial paint with crackle and scattered retouch and some small losses. The McGehee invoice records that the works have had only minor typical repairs such as the replacement of bushings. The brass finial is period but probably not the original. The repairs to the case are also minor. They include: the side of the case near the latch, small holes in the bottom board where perhaps a support bracket existed at some point, a replaced door latch, repairs to the top rear of the frame of the throat glass, and two small glue blocks on the inside. The works were cleaned and oiled and other minor conservation executed by Robert Mussey. The 2 holes in the front of the movement were added by a clock repairman in order to view the functioning of the escapement. Some small screws have been added to secure the backboard to the drum head and sides.
• RARE SIMON WILLARD MAHOGANY
  RARE SIMON WILLARD MAHOGANY INLAID TALL CASE CLOCKRare Simon Willard Mahogany Inlaid Tall Case Clock, height: 90 in., width: 22 in., depth: 10 in. Provenance: The Tappan Family, Brookline, Massachusetts. Condition:
• SIMON WILLARD (1753-1848) FEDERAL
  SIMON WILLARD (1753-1848) FEDERAL BRASS-MOUNTED MAHOGANY TALL-CASE CLOCKSIMON WILLARD (1753-1848) Federal Brass-Mounted Mahogany Tall-Case Clock, the painted dial bearing a Muse with Lyre and signed Simon Willard; bearing brass plate on interior door From the Collection of J. Cheney Wells, Southbridge, Massachusetts, No. 49; height: 85 in., width: 19 in., depth: 10 1/4 in. Provenance: Property from the J. Cheney Wells Clock Collection, Southbridge, Massachusetts. The Estate of a New England Clock Collector. Other Notes: Joel Cheney Wells (1874-1960) worked with his father, George W. Wells and two brothers in the family business, American Optical Corporation in Southbridge, Massachusetts. In the early 1920's Cheney began collecting clocks and over three decades acquired over 100 tall case clocks, shelf clocks, mantle clocks, and banjo clocks. Joel and his younger brother, Albert B. Wells, spearheaded the founding of Old Sturbridge Village Museum in 1936. The J. Cheney Wells Clock Gallery opened at OSV in May of 1982. Condition: Condition: Minor inpainting to dial at posts and just below XII; tight splits to bonnet door arch; right pillar of bonnet loose; bottom right brass quarter column mount off but present; feet and possibly fret restored; tin can weights, pendulum, and key present; small splits to base panel at corners.
• SIMON WILLARD'S PATENT
  SIMON WILLARD'S PATENT BRASS-MOUNTED BANJO CLOCK Early 19th c., Boston, of typical form, the circular cased dial with acorn finial and brass works, above the throat with glass panel and brass uprights, the rectangular case with interior pendulum and rope-twist and block-hinged door, inset with an eglomise panel "S. WILLARD'S/PATENT." 32 1/2" h x 10" w x 4" d
• RARE SIMON WILLARD BANJO CLOCK
  RARE SIMON WILLARD BANJO CLOCK Simon Willard, Roxbury, Massachusetts. Circa 1810. Cross banded mahogany case. Original painted metal dial and reverse painted tablets, "S. Willard's Patent" on lower glass. Original oversized T-bridge movement, step train, recoil escapement.Catalogue Note: Glasses on this clock identical to S. Willard pictured in Distin and Bishop: The American Clock, Bonzanza, New York, 1983 ed. Figure 552.
• SIMON WILLARD & SON BANJO CLOCK
  SIMON WILLARD & SON BANJO CLOCK MASSACHUSETTS, 19TH CENTURY HEIGHT 29.25”.SIMON WILLARD & SON BANJO CLOCK, Massachusetts, 19th Century, Mahogany and mahogany veneer case. Painted dial with Roman numerals. Face signed "Simon Willard & Son. No 4202". Includes pendulum and weight. Dimensions: Height 29.25".
• APPROX. THIRTY PUBLICATIONS ON
  APPROX. THIRTY PUBLICATIONS ON WATCHES AND CLOCKSAPPROX. THIRTY PUBLICATIONS ON WATCHES AND CLOCKS Size, bindings and conditions vary. Most illustrated. Includes A Study of Simon Willard's Clocks ,by R.W. Husher and W.W. Welch , Military Timepieces, ,by Konrad Knirim, several auction and retail catalogs, coffee table books on luxury watches, etc.
• REPRODUCTION SIMON WILLARD STYLE
  REPRODUCTION SIMON WILLARD STYLE GRANDFATHER CLOCK Newer movement housed in a fine 18th century style mahogany case..
• FEDERAL INLAID AND BRASS MOUNTED
  FEDERAL INLAID AND BRASS MOUNTED MAHOGANY TALL CASE CLOCK, PROBABLY ROXBURY, MASSACHUSETTS, PREDOMINANTLY EARLY 19TH CENTURYFederal Inlaid and Brass Mounted Mahogany Tall Case Clock, Probably Roxbury, Massachusetts, Predominantly Early 19th Century The white painted sheetmetal dial with black Roman numerals and subsidiary seconds dial and a date crescent aperture, flanked by painted phoenix above an inscription Simon Willard within floral and fruit spandrels and beneath a lunette with sun and moon phases; the two-train movement striking a bell on the hour. Repairs and losses to bonnet fretwork; brass orb finials replaced; some losses to inlay and veneer particularly to plinth. Height: 94-1/2 in (240 cm)Property from a Maryland Corporation
• MASSACHUSETTS MAHOGANY LIGHTHOUSE
  MASSACHUSETTS MAHOGANY LIGHTHOUSE CLOCK, CA. 1820Massachusetts mahogany lighthouse clock, ca. 1820 , attributed to Simon Willard, 28" h. Illustrated in Foley & Losch Simon Willard Patent Alarm Timepieces: An Exhibition of Willard Lighthouse Clocks , pp. 26-7. Provenance: Skinner, 2017; The Estate of Charles West Wilson, Red Lion, Pennsylvania. Condition: Vintage Willard movement. Good condition. Bottom board renailed to case. Pook & Pook does not guarantee clocks to be complete or in working condition.
• MASSACHUSETTS MAHOGANY LIGHTHOUSE
  MASSACHUSETTS MAHOGANY LIGHTHOUSE CLOCK, 20TH C.Massachusetts mahogany lighthouse clock, 20th c. , the face signed Simon Willard Roxbury , over a cylindrical case, with an octagonal base supported by bone feet, 31 3/4" h. Provenance: The Estate of Charles West Wilson, Red Lion, Pennsylvania. Condition: Maker unknown. Good condition. No apparent damages or repairs. Pook & Pook does not guarantee clocks to be complete or in working condition.
• MASSACHUSETTS FEDERAL MAHOGANY TALL
  MASSACHUSETTS FEDERAL MAHOGANY TALL CASE CLOCKMassachusetts Federal mahogany tall case clock, ca. 1800, the eight day works signed Simon Willard , 92" h. Sold with the approval of the Board of Trustees of the Philadelphia Museum of Art to benefit acquisition funds. Condition: Fretwork is an early replacement. Bottom board attached over original board that was shattered. Repaired breaks to feet. One side facing replaced. One rear facing probably ended out. Trim nails added to secure veneer to bonnet door. Movement appears to be original to case. Pook & Pook does not guarantee clocks to be complete or in working condition.
• SIMON WILLARD BANJO CLOCK EARLY
  SIMON WILLARD BANJO CLOCK EARLY 19TH CENTURY HEIGHT 36”. WIDTH 10.25”. DEPTH 3.25”.SIMON WILLARD BANJO CLOCK, Early 19th Century, Tiger maple case. Maker's name still present on dial but very faint. Includes key, pendulum and weight. Dimensions: Height 36". Width 10.25". Depth 3.25".
• SIMON WILLARD BRASS MOUNTED
  SIMON WILLARD BRASS MOUNTED MAHOGANY AND EGLOMISE BANJO CLOCK, BOSTON, CIRCA 1815 34 1/4 X 9 3/4 X 3 1/2 IN. (87 X 24.8 X 8.9 CM.)SIMON WILLARD BRASS MOUNTED MAHOGANY AND EGLOMISE BANJO CLOCK, BOSTON, CIRCA 1815, signed S. Willard's Patent, the circular dial with Roman numerals above a tapering panel reverse painted with a sun and panel over a door decorated with an eagle and shield pendulum porthole all surmounted by a spread wing eagle Dimensions: 34 1/4 x 9 3/4 x 3 1/2 in. (87 x 24.8 x 8.9 cm.) Provenance: Private Maryland and Massachusetts Estate Collection
• ELNATHAN TABER TALL CASE CLOCK.
  ELNATHAN TABER TALL CASE CLOCK. EARLY 19THcentury. Elnathan Taber Grandfather clock. (1768-1854) Apprenticed under Simon Willard. Roxbury, MA. Circa 1790-1810. Inlaid mahogany case. Brass finials, later eagle finial, cutout fretwork, tombstone shaped glass door, reeded columns with brass fluting. Iron painted dial with moon phase calendar movement. Signed on dial. The throat of the clock has inlaid fans, band inlay, and crotch mahogany panel, fluted quarter columns with brass stock flutes. The base has fan inlay with banding ending in an ogee bracket foot. Old finished condition. 88 1/2" tall, 19" wide, 9 1/2" deep. Currently working but not guaranteed. From a Duxbury, MA family. Elnathan Taber was born in Dartmouth, Massachusetts, on February 14, 1768, and may have died in Dartmouth, Massachusetts, on February 27, 1854, at the age of 86. His grave was moved from Dartmouth to Forest Hills Cemetery in Jamaica Plain on October 29, 1870. His parents were Thomas and Elizabeth (Swift) Taber. Elnathan is the older brother of Stephen Taber, whose fortune helped found Tabor Academy in Marion, MA. Both brothers traveled to Roxbury and were trained as clockmakers by the Willards. Elnathan was just 16. After serving his apprenticeship, Elnathan stayed and worked in Roxbury. His shop was located on Union Street. Union Street was renamed Taber Street in April 1868 in his honor. He was the first resident of that street. William Cummens also moved there and set up shop at the corner of Winslow. This short street was between Warren Street and Winslow Street. Elnathan maintained a close working relationship with his mentor Simon and became one of his most famous apprentices. He was authorized by Simon to make his patent timepieces during the patent period. He was also a prolific repairman. His name can be found engraved on numerous Boston area-made clocks as a service record. Elnathan married Catherine Partridge in January 1797. They had four children between the years of 1797 and 1811. Catherine had three sisters who also married clockmakers. Her sister Elizabeth married Abel Hutchins, and Mary (Polly) married Aaron Willard. A third sister married Samuel Curtis.
• ELMER STENNES BANJO CLOCK Federal
  ELMER STENNES BANJO CLOCK Federal Style Replica of a Simon Willard Banjo Clock. With an 8-day time-only movement (with pendulum and key), gilded metal eagle topped mahogany case, floral and gilt decorated eglomise panels, lower tablet marked "S. Willard's Patent", 33" high, 10" x 4". Good condition.
• SIMON WILLARD & SON BANJO CLOCK
  SIMON WILLARD & SON BANJO CLOCK EARLY 19TH CENTURY MAXIMUM HEIGHT INCLUDING EAGLE FINIAL APPROX. 42”. WIDTH AT DOOR 11.5”. DIAL DIAMETER 7.5”.SIMON WILLARD & SON BANJO CLOCK, Early 19th Century, Mahogany case with reverse-painted throat and door glass, the door glass depicting a harpist. Signed on dial. Dimensions: Maximum height including eagle finial approx. 42". Width at door 11.5". Dial diameter 7.5".
• BANJO CLOCK MASSACHUSETTS, 19TH
  BANJO CLOCK MASSACHUSETTS, 19TH CENTURY HEIGHT 29.25”.BANJO CLOCK, Massachusetts, 19th Century, Mahogany and mahogany veneer case. Painted dial with Roman numerals. Face signed "Simon Willard & Son. No 4202". Includes pendulum and weight. Dimensions: Height 29.25".
• FEDERAL BRASS MOUNTED PARTIAL
  FEDERAL BRASS MOUNTED PARTIAL GILT MAHOGANY AND ÉGLOMISé PANEL 'BANJO' CLOCK, ATTRIBUTED TO THE WORKSHOP OF SIMON WILLARD, BOSTON, CIRCA 1820-1830Federal Brass Mounted Partial Gilt Mahogany and Églomisé Panel 'Banjo' Clock, Attributed to the Workshop of Simon Willard, Boston, Circa 1820-1830 Églomisé throat panel with inscription WILLARD'S PATENT.. Dimensions: Height approximately: 40 in (101.6 cm) Provenance: Property from a Maryland Trust
• LATE 18TH C AMERICAN TALL CASE
  LATE 18TH C AMERICAN TALL CASE CLOCK, INLAIDMAHOGANY, ROXBURY STYLE CASE, HOOD HAS ORIGINAL FRETWORK AT TOP, 3 URN SHAPE FINIALS, TOMBSTONE SHAPE DOOR, PAINTED METAL DIAL SIGNED SIMON WILLARD, ROXBURY. CALENDAR MOON PHASE AND SECONDS MOVEMENT, MOON PHASE DIAL REPAINTED IN EARLY 20TH C. RECTANGULAR DOOR WITH BRASS STOP FLUTED QUARTER COLUMNS AND BRASS CAPITALS, DOOR HAS ORIGINAL PAPER LABEL. SUPPORTED BY BRACKET BASE. ORIGINAL PENDULUM, WEIGHTS AND KEY. 93" HIGH, 19 1/2" WIDE, 10" DEEP. REFINISHED IN 20TH C, SOME MINOR CHIPS TO MOLDING.
• REPRODUCTION S. WILLARD'S PATENT
  REPRODUCTION S. WILLARD'S PATENT BANJO CLOCK Federal Style Replica of a Simon Willard Banjo Clock, likely made from a kit by Mason & Sullivan, with 8-day brass time-only movement (with pendulum and key), gilded metal eagle topped mahogany case, floral and gilt decorated eglomise panels, lower tablet marked "S. Willard's Patent", 33" high, 10" x 4". Cracked lower tablet glass, interior shrinkage crack.
• Thirteen Clock Reference Books
  Thirteen Clock Reference Books Lot includes; Clocks & Clockmakers of Salisbury The World's Great Clocks & Watches Viennese Regulators and Industrialized Clock Factories Horology Americana It's About Time Two Hundred Years of American Clocks & Watches Pennsylvania Clockmakers Watchmakers and Allied Crafts Jens Olsen's Clock Pennsylvania Clocks and Watches Erastus Hodges 1781-1847 Watchmakers and Clockmakers of the World In Quest of Clocks and the best and last book A History of Simon Willard Inventor and Clockmaker; first edition 1911 written by his great grandson John Ware Willard limited edition of 500 copies this being numbered 153.
• Banjo Clock early 1800's Walnut
  Banjo Clock early 1800's Walnut inlaid case with brass side arms and eagle finial. Painted 7"dial with Roman numerals. Reverse painted glass panel and throat glass with gilding and original weight and pendulum. Glass marked "Simon Willard Patent". Original pendulum weight and crank. Gilt bottom.