A few examples of appraisal values for
SKIES

• COBALT DECORATED STONEWARE JUG FROM
  COBALT DECORATED STONEWARE JUG FROM MANCHESTER, NHca. 1880; four gallon salt glazed cylindrical stoneware liquor jug with slipped cobalt dotted lily and foliage design, impressed "From/ Hayes & Co/ Manchester, NH/ 4" (Hayes & Co - Wholesale dealers in Whiskies, Wines & C) with a flattened straight banded rim and Albany slip glaze interior, 10 1/2"d, 17"h; Condition: 1/4" shallow rim flake, 1" line across handle, minor foot wear
• JULES DUPRE (FRENCH, 1811-1889) LANDSCAPE
  JULES DUPRE (FRENCH, 1811-1889) LANDSCAPE Oil on canvas. Signed 'J. Dupre' (lower left). Jules Dupre (French, 1811-1889) Jules Dupre, French painter, was one of the chief members of the Barbizon school of landscape painters. Dupre's color is sonorous and resonant; the subjects for which he showed marked preference are dramatic sunset effects and stormy skies and seas. Among his chief works are the “Morning and Evening at the Louvre,” and the early “Crossing the Bridge” in the Wallace Collection.
• " 365 SKIES 1970 - DETAIL " SIGNED PRINT
  " 365 SKIES 1970 - DETAIL " SIGNED PRINT BY SALVATORE PECORAROLarge display or exhibition print by contemporary California artist, Salvatore Pecoraro (born 1936). Titled: "365 Skies 1970 - Detail" the image is a photographic close-up of his monumental group of p
• NICK VACCARO "THEME TO THE WEST #8 (FOR
  NICK VACCARO "THEME TO THE WEST #8 (FOR SPACIOUS SKIES)" (1989 ACRYLIC)Nick Vaccaro (Kansas, 1931-2002) Theme to the West #8 (For Spacious Skies) , 1989 Acrylic on canvas 60" x 60" Signed and titled to the reverse. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Good condition, noting a little bit of scattered grime on the painting and faint mildew to the reverse.
• ANCIENT CIVILIZATIONS AND ARCHAEOLOGY
  ANCIENT CIVILIZATIONS AND ARCHAEOLOGY BOOKS, 19 Group of 19 Ancient Civilizations and Archaeology Books, comprising: "The First 3000 Years", Falls, C.B., "Wonders of the Past", Hammerton, J.A.,"From Tribe to Empire", Moret, A. & Davy, G., "The Ancient Engineers", Sprague de Camp, L., "The World of Ancient Times", Roebuck, Carl, "Wonders of the Ancient World: National Geographic Atlas of Archaeology", The Heritiage of the Past", Easton, Stewart C., "Dawn of the Gods", Hawkes, Jacquetta, "The First Great Civilizations", Hawkes, Jacqueta, Two Volume box set of "The World of the Past", Hawkes, Jacquetta, "Echoes of the Ancient Skies", Krupp, E.C. Dr., "Great Civilizations of Ancient Africa", Brooks, Lester, "Light from the Anciet Past" Vol. I & II, Finegan, Jack, "The Past in PIeces", Cleator, P.E., "A Survey of Civilzatio" Part I, Sheppard & Godfrey, "The Cult of the Seer in the Ancient Middle East" MacDermot, Violet, "Conquest by Man", Bullock, Michael. Wonders of the Ancient World: 11.25" L x 9.5"W. Provenance: From a 50 Madison Avenue estate. Keywords: Bibliophile, Written Word, Antiquity, History, Antiquarian
• 2 CARY TERRESTRIAL AND CELESTIAL GLOBES,
  2 CARY TERRESTRIAL AND CELESTIAL GLOBES, 1800'S John & William Cary of London, a pair of terrestrial and celestial globes on mahogany stands with maps of the Earth and the skies, the terrestrial globe inscribed 'Cary's New Terrestrial Globe, Drawn from the most recent Geographical Words, showing the whole of the New Discoveries with the Tracks of the Principal Navigators and every improvement in Geography to the present Time, London, Published by G&J Cary,' and the celestial globe inscribed 'Cary's New Celestial Globe on Which are carefully laid down the whole of the Stars and Nebulae contained in the Catalogues of Wollaston, Herschel, Bode, Piazzi, Zach & c. calculated to the year 1820. Made & Sold by J&W Cary, Number 38, Strand, London 1818,' Note: The Cary brothers are regarded as the greatest British globe makers of the Georgian period. Provenance: From the Private Collection of Kathy Moe Bazemore, Atlanta, Georgia. Approximate dimensions: Overall h. 40"; to top of stand 30"; stand dia. 20.5".
• YASEMIN KYRENA TOMAKAN (CONNECTICUT/MASSACHUSETTS/TURKEY,
  YASEMIN KYRENA TOMAKAN (CONNECTICUT/MASSACHUSETTS/TURKEY, 1958-), "ATLANTIC SKIES"., OIL ON BOARD, 16" X 20". FRAMED 21" X 25".YASEMIN KYRENA TOMAKAN, Connecticut/Massachusetts/Turkey, 1958-, "Atlantic Skies". Signed lower right "Tomakan". Titled verso. Dimensions: Oil on board, 16" x 20". Framed 21" x 25".
• 20TH CENTURY SCHOOL: AFTER THE STORM;
  20TH CENTURY SCHOOL: AFTER THE STORM; AND STORM SKIESTwo lithographs in back on wove paper, both indistinctly signed and titled in pencil, After the Storm inscribed 'To Murray', Storm Skies inscribed '15 Prints'. Both 11 1/4 x 16 1/4 in. (sheet), unframed. Condition Both with margins and pale staining. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• BUCK MCCAIN, "THE SOARING SPIRITS",
  BUCK MCCAIN, "THE SOARING SPIRITS", 1991 Buck McCain (American, b. 1943), "The Soaring Spirits", 1991, bronze sculpture depicts an inspiring and compelling image of a Native American brave surrounded by the mighty messengers of the skies. 21" L x 12" W x 8" D. Signed and dated on the base: "McCain F17 91." From the Franklin Mint.
• "FLOCK OF SHEEP" OIL ON CANVAS, MONOGRAMMED
  "FLOCK OF SHEEP" OIL ON CANVAS, MONOGRAMMED Oil on canvas, depicting flock of sheep in pastoral landscape with cloudy skies, bearing unknown artist's monogram in red lower left. Image:23.25" H x 35.5" W; frame: 25.25" H x 37" W x 1.25" D. Craquelure. Removed from a 30 Waterside Plaza residence.
• RICHARD FLORSHEIM (1916-1979) MODERN
  RICHARD FLORSHEIM (1916-1979) MODERN URBAN VIEW OILRichard Aberle Florsheim (1916-1979)SUSPENSION BRIDGE (Third quarter of the 20th century.)The modernist interpretation of a suspension bridge over water against red skies and a setting sun is signed by the artist lower left front. A label from Corbino Galleries is affixed verso.Corbino Galleries and the Corbino family promoted contemporary art and artists in their Sarasota and Longboat Key, Florida galleries presenting emerging American and Latin American artists throughout the last of the 20th century and into the first decade of the 21st century.Canvas measures 12 x 36 with a framed size of 18.25 x 42 inches.Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.
• LIVIO MARZOT (B.1934) BLUE SKIES LANDSCAPEFramed
  LIVIO MARZOT (B.1934) BLUE SKIES LANDSCAPEFramed oil on canvas painting, Blue Skies, signed lower left Marzot (Livio Marzot, Italy, b.1934), dated 1993, sight: approx 19"h, 26.75"w, overall: approx 25"h, 32.75"w, 6.5lbs
• BRONZE SCULPTURE "Man of the Soil" by
  BRONZE SCULPTURE "Man of the Soil" by J. Hamilton, '76, 16/30. Depicts a proud farmer in coveralls, his hat in his hand, looking to the skies. Signed, titled, dated and numbered on integral base. 12 3/4" tall.
• (3) Vintage vessels, c/o wicker covered
  (3) Vintage vessels, c/o wicker covered blown green glass demijohn (15-1/2" h), Victoria Brunnen Oberlahnstein red clay bottle (12" h), "From IC Shore & Co Rocky Mount NC Rectifiers and Shippers of Pure NC Corn Whiskies and Brandies" stoneware jug with bail handle (9-1/2" h, chips to base)
• PAINTING, ATTRIBUTED TO GEORGE DEMONT
  PAINTING, ATTRIBUTED TO GEORGE DEMONT OTIS Attributed to George Demont Otis (American, 1879-1962), Pier Under Cloudy Skies, oil on canvas, unsigned, overall (with frame): 16"h x 19"w
• IMPRESSIONIST OIL ON CANVAS LANDSCAPE
  IMPRESSIONIST OIL ON CANVAS LANDSCAPE PAINTING Large Impressionist oil on canvas landscape painting, depicting a riverside village under turbulent skies; 47"H 59"W overall
• "WHITESTAR, SOUTH HAMPTON", 19TH C.
  "WHITESTAR, SOUTH HAMPTON", 19TH C. NAIVE OIL ON CANVAS SHIP PORTRAIT, DEPICTS LARGE PASSENGER BARK IN FOREGROUND WITH THREE MASTS AND WHITE HULL FLYING AN AMERICAN FLAG, "WHITE STAR" NEAR STERN, BOAT IS TRAVELING HOR..."Whitestar, South Hampton", 19th C. naive oil on canvas ship portrait, depicts large passenger bark in foreground with three masts and white hull flying an American flag, "WHITE STAR" near stern, boat is traveling horizontally through choppy water and cloudy skies, two ships in background including similar sailboat also with an American flag and a two funnel steamship, in primitive frame with hand-painted stars on block corners, half-pillar unpainted sides, heavy wear including craquelure throughout, waving of canvas, toning, loss of finish to frame, etc., sold as is, frame size: 22 3/4" w. x 30 1/4" w.
• PASTEL, AUTUMN RIVER SCENE, ATTRIB.
  PASTEL, AUTUMN RIVER SCENE, ATTRIB. WILLARD METCALF. Pastel on paper, a winding river through autumnal landscape with blue skies, signed lower right, W.L. Metcalf. Image 19” x 25”, Overall in a contemporary gilt decorated frame 26” x 32”.
• OWEN J. GROMME (1896-1991)Horicon Marsh
  OWEN J. GROMME (1896-1991)Horicon Marsh - Canada Geese, 1949 signed "Owen J. Gromme" lower right oil on canvas, 29 3/4 by 39 3/4 in. According to the Webster family, “The Horicon Marsh was fairly close to where Owen [Gromme] lived, and he was a big supporter of conservation efforts there. Each fall upwards of 200,000 Canada geese migrate through, and Owen was fond of telling stories of his painting research outings, and the clouds of geese that darkened the skies." Bill Webster writes, “[I] was amazed at all the Canada geese in one painting and the different attitudes of the birds. Owen had built a wooden goose model with wire between the wooden pieces. Dad thought that was amazing because Owen could manipulate the model to show the bird in different stages of flight.” In his notes on “Horicon Marsh - Canada Geese,” Bill Webster discusses how he acquired the painting, saying, “In the Late 1960’s, exact date unknown, but probably before founding Wild Wings in 1967, I received a phone call from an elderly Mrs. Nick Kahler. She explained that someone told her I buy paintings by Owen J. Gromme. Her husband, the owner of the two largest Sports Shows in the country, Minneapolis and Kansas City, had recently passed away, and she had moved from a large home in the suburbs to a high rise condominium in downtown Minneapolis; and in the closet taking up a lot of room was a large painting of ducks or geese by Owen J. Gromme that her husband bought from Mr. Gromme in 1947 or 1948. It was a good fit in their big house, but she didn’t want it nor had any room to hang it in her new apartment. "I arranged to stop within a few days and look at it. Which I did, as having met Owen via the WBW 'knock on the door' introduction, a few years earlier, I was anxious to see the painting. Up on the 17th floor and this time a knock on Mrs. Kahler’s door which she promptly opened and ushered me in. Then pulled the painting out of the closet, and much to my surprise was the Horicon Marsh-Canada Geese original oil that on one of my visits with Owen earlier he told me about the painting he literally worked on all one summer, 30” x 40” with over 120 geese some standing some flying. At the time he didn’t tell me who it was painted for but the minute I saw it I knew this was the painting, which he had sold for $500. And would never do another one with that many birds in it, nor he said would any other artist as it was far too much work for what he sold it for. "I asked Mrs. Kahler what the price was, and she said, 'Nick probably paid $500 for it, and if you’ll haul it out of here right now for that, it’s all yours.' "I’m sure that in a lifetime of buying and selling, this 10 minutes was by far the quickest to 'seal a deal' for a painting. I had it cleaned and varnished, and have spent 40 plus years thoroughly enjoying it hanging on the wall and seeing the painting every time I walk in my office.” Provenance: Collection of Mr. and Mrs. F. W. Kahler William B. Webster III Collection, purchased from the above Private Collection, Wisconsin, acquired from The Winter Sale 2016, lot 46 Exhibited: Milwaukee, Wisconsin, "Wisconsin Outdoor Exposition," Sept 10-18, 1949. Milwaukee, Wisconsin, "A Retrospective Exhibition, The Wildlife Art of Owen J. Gromme," The Milwaukee Public Museum, June 6-16, 1980. Literature: Fred Ott, "The Milwaukee Public Museum Presents a Retrospective Exhibition, The Wildlife Art of Owen J. Gromme," Milwaukee, WI, 1980, p. 11, illustrated.
• DOUG OSA 'CLEARING SKIES' ETCHINGDoug
  DOUG OSA 'CLEARING SKIES' ETCHINGDoug Osa (Kansas, b. 1952) Clearing Skies, 1990 Etching on paper 13 3/4" x 19 3/4" (image) Pencil-signed and dated to the bottom right margin and titled to the bottom left margin. Artist's proof. Presented behind glass in an archival frame that measures 24" x 29 3/4". Provenance: From the corporate art collection of a Kansas City based Fortune 500 company, previously acquired from the American Legacy Gallery in Kansas City, MO. Condition Very good condition. Not removed from the frame.
• FRANZ JOSEF BOLINGER OIL OF FLORIDA
  FRANZ JOSEF BOLINGER OIL OF FLORIDA SKIESFranz Josef Bolinger (Florida, 1903-1986) Untitled (Florida Skies) Oil on canvas 28" x 34" A Floridian landscape with dramatic lighting, signed to the bottom right corner. The frame measures 35 1/4" x 41 1/4". Condition Very good condition.
• PHIL STARKE (1957- ), SUMMER SKIES Fine
  PHIL STARKE (1957- ), SUMMER SKIES Fine Art
• GEORGE BOUVERIE GODDARD (1832-1886),
  GEORGE BOUVERIE GODDARD (1832-1886), STUDY OF HUSKIES Title: George Bouverie Goddard (1832-1886), Study of Huskies Medium: oil on canvas Dimensions: 12 x 14 Frame dimensions: 15 3/4 x 17 3/4 x 2 1/2
• CARL BRENDERS (1937-), LOOKOUT TOWER,
  CARL BRENDERS (1937-), LOOKOUT TOWER, TIMBERWOLVES Title: Carl Brenders (1937-), Lookout Tower, Timberwolves Medium: mixed media on board Dimensions: 43 1/4 x 31 3/4 Frame dimensions: 54 x 42 1/2 x 4 Notes: Born near Antwerp, Belgium in 1937, Carl Brenders has drawn since childhood. He studied at the Fine Arts Academy in Antwerp and later at Berchem. His love for all creatures is evident in his masterful attention to detail. Brenders’ insistence on anatomical perfection in his paintings stems from his philosophy that nature, itself, is perfection. A dedicated conservationist, Brenders has raised awareness for environmental and conservation causes through his art, which enjoys international acclaim. Of his painting Lookout Tower - Timberwolves he says: “Why are most people so fascinated with wolves? If one looks at these four wolves on a cliff, the harmony of their colors and wonderful proportions of their bodies, as well as the resemblance to our dear German Shepherds and Huskies, explains everything. The teamwork in their hunting strategy has fascinated many biologists and naturalists. It is the same for most dog species like the Wild Dogs in Africa and the Dingoes in Australia, to name a few. Just like lions hunting in groups, the wolves can lay down big prey like moose, elk and caribou. Even a bear isn’t safe facing a big pack of wolves. One might wonder why wolves are so shy of humans. The story of Little Red Riding Hood is still in people’s minds. This fairy tale gave the wolf a bad reputation. Wolves avoid humans, as humans are their worst enemy.” He adds: “The inspiration for this painting came when I flew back to Europe after a wonderful field work trip (hunting with my camera). As I am unable to sleep in planes, I often make sketches for future paintings. With a ball-point pen and a little sheet of paper, one sketch was enough to create this painting. The scenery in this painting is typical of Western America with Lodgepole Pine and Rocky Mountain Maple. I mostly paint not what I have seen, but what I dream of seeing in the wild. This painting was done as a celebration for the success of the reintroduction of the wolves in Yellowstone National Park. As a wolf-lover, I am thankful to the people who worked hard to reintroduce the wolf into Yellowstone National Park. A wild area like this isn’t complete without this wonderful predator.”
• SIGNED DAUM NANCY CAMEO SAILBOAT VASE
  SIGNED DAUM NANCY CAMEO SAILBOAT VASE 10" x 3 ½" Signed Daum Nancy acid cut cameo glass vase, sailboat on a lake with overhanging trees. Mottled orange sunset skies with dark brown trees in foreground. Provenance: Sanford P. Gross, Esq., lifetime private collection, Pittsburgh, PA.
• JAKE HOGGUM MAMMOTH TASK SCRIMSHAW ON
  JAKE HOGGUM MAMMOTH TASK SCRIMSHAW ON WOODEN STAND 1 ?" x 12 ¾" mammoth task Masterfully minute hand carved mammoth task, depicting huskies with a snow sled, in mountain landscape on the background, applied polychrome pigments to emphasised details, signed in the lower left corner monogram for Jake Hoggum; attached to the custom made wooden stand, overall 2 ?" x 15" x 27/16".
• OIL ON CANVAS SEASCAPE PAINTING WITH
  OIL ON CANVAS SEASCAPE PAINTING WITH SAIL BOATS.Late 19th/Early 20th Century Oil on Canvas Seascape Painting. Depicting Four Sail boats possibly racing in choppy waters, with stormy skies. Illegibly signed lower right. In a gilt molded frame, 17-3/4' x 15-1/4" overall. Condition: : Good with two small tears, frame has some losses. Condition: Condition: : Good with two small tears, frame has some losses.
• RODNEY DEMPS FLORIDA HIGHWAYMAN OIL
  RODNEY DEMPS FLORIDA HIGHWAYMAN OIL ON BOARD PAINTINGFlorida coastal landscape at sunset. Signed to bottom right. Born November 9, 1953, in Fort Pierce, Florida, Demps attended public schools in St. Lucie County, graduating from Fort Pierce Central High School in 1971. He began painting in the fifth grade and met A. E. Backus while on a school field trip to Backus' studio. At age thirteen, he began painting the skies in the background of Alfred Hairs paintings and after he graduated from high school, he painted for a time with Sam Newton at Newton's studio on Avenue D. A graduate of Florida A & M University, Demps served in the U. S. Marine Corps before becoming a physical education teacher and high school football coach in Fort Pierce. Demps has since retired and now paints several hours a day. He is known as the Surrealist Highwayman. Artist: Rodney Demps Issued: Late 20th c. - early 21st c. Dimensions: 53"L x 29"H x 2.25"D, framed Country of Origin: United States
• LITTLE FRISKIES 1005032 - LLADRO PORCELAIN
  LITTLE FRISKIES 1005032 - LLADRO PORCELAIN FIGURINEGlossy finish, modeled as a girl with kitten in her arms and a curious puppy by her side. Lladro backstamp. No original box. Artist: Juan Huerta Issued: 1980-1997 Dimensions: 7"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain
• LITTLE FRISKIES 1005032 - LLADRO PORCELAIN
  LITTLE FRISKIES 1005032 - LLADRO PORCELAIN FIGURINEGlossy finish; Lladro backstamp. Artist: Juan Huerta Issued: 1980-1997 Dimensions: 7"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Good. Minor hairline crack where petticoat meets skirt.
• LITTLE LAND HN63 - ROYAL DOULTON FIGURINEEarly
  LITTLE LAND HN63 - ROYAL DOULTON FIGURINEEarly Sleepy child with fairies at her feet. Based on a British nursery rhyme. Poem on the base reads: I have just to shut my eyes to go sailing through the skies to the fairy land afar where the little people are. Hand written on the bottom: The Little Land ; H. Tittensor; Potted by Doulton and Co. Artist: H. Tittensor Issued: 1916-1936 Dimensions: 5.25"L x 4"W x 7.25"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• LITTLE FRISKIES 1005032 - LLADRO PORCELAIN
  LITTLE FRISKIES 1005032 - LLADRO PORCELAIN FIGURINEGlossy finish; Lladro backstamp. Artist: Juan Huerta Issued: 1980 - 1997 Dimensions: 7"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Age related wear.
• LA GLORIETTE LIMOGES "TITANIC" BOXDESCRIPTION:
  LA GLORIETTE LIMOGES "TITANIC" BOXDESCRIPTION: A La Gloriette Limoges porcelain box in the motif of the Titanic sailing through blue skies and white capped waves. Finished with an overall glossed glaze, brass hardware with an anchor motif handle and a scene along the interior of the Titanic sailing through a life float. Marked along the underside: "Peint Main Limoges France La Gloriette" CIRCA: Mid-Late 20th Century ORIGIN: France DIMENSIONS: H:1 5/8" L:4 3/8" L: 1 3/8" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• ALOIS ARNEGGER (AUSTRIA 1879-1967) OIL
  ALOIS ARNEGGER (AUSTRIA 1879-1967) OIL ON CAVASDESCRIPTION: Antique oil on canvas painting by Alois Arnegger. Features a hillside scenic landscape with overcast skies and trees flanking the lake along the bottom. Light is seen protruding through the cloudy skies, reflecting off the tries for dramatic realistic effect. Signed: " A. Arnegger" and set in ebonized wooden frame. CIRCA: Late 19th-Early 20th Ct. ORIGIN: Austria DIMENSIONS: With Frame: H:25.5" L:31" Without Frame: H:18" L:23.5" CONDITION: Mild frame damage. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• FIGURAL CRYSTAL ROCK AND PEWTER SCULPTUREDESCRIPTION:
  FIGURAL CRYSTAL ROCK AND PEWTER SCULPTUREDESCRIPTION: A Figural sculpture comprised of a pewter skier fitted with brass skies, and attached to a natural crystal rock formation. CIRCA: 20th Century. DIMENSIONS: H: 6.5" W: 5" Depth: 7.5" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• 4 EAST TN WHISKEY ADVERTISING JUGSFour
  4 EAST TN WHISKEY ADVERTISING JUGSFour East Tennessee liquor or whiskey advertising jugs including two Bristol and two Chattanooga jugs. 1st item - Tennessee liquor jug with cobalt lettering, "Will Lea Bristol, Tenn." 11"H. Late 19th/Early 20th century. 2nd item - Miniature liquor jug with cobalt label, "Parkwood KY. Bourbon - 100 Proof", Martin Lynch Co., Bristol, VA. 2 3/4"H. Late 19th/Early 20th century. 3rd item - Chattanooga liquor jug with cobalt lettering, "Chattanooga Distillery Distillers of Tennessee Whiskies Chattanooga...Tenn." 13 7/8"H. Late 19th/Early 20th century. 4th item - Chattanooga whiskey jug with cobalt lettering, "A. Samuels & Co. Chattanooga, Tenn". 12"H. Late 19th/Early 20th century. Provenance - Yates estate, Greeneville, Tennessee. Condition: 1st item - Overall very good condition, some roughness to base edge underside. 2nd item - Overall excellent condition. 3rd item - Overall very good condition with minor stains to glaze. 4th item - some glaze flakes and shallow chips to rim, couple of large chips to base, hole drilled near base indicating past use as a lamp.