A few examples of appraisal values for
SLOANE STREET

• SLOAN, John, (1871-1951): ''Une Rue
  SLOAN, John, (1871-1951): ''Une Rue a New York'' , etching, Gazette des Beaux-Arts, Paris, 5 5/8'' x 3 1/2'' sight size, quality frame/mat, 15'' x 16 1/2''.
• Eric Sloane (American/New York,
  Eric Sloane (American/New York, 1905-1985)) "Pompanoosuc Bridge, Vermont", oil on board, 23" x 26-3/4", signed lower right "Sloan", titled lower left, retains gallery label en verso "Galleries Maurice Sternberg, Chicago". Presented in a handmade barn siding frame by the artist. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Galleries Maurice Sternberg, Chicago, Illinois, dated August 17, 1985.
• John Sloan
  John Sloan (American/Pennsylvania, 1871-1951) "Fifth Avenue 1909", etching, sight 8-1/2" x 6-1/2", signed in pencil lower right, titled lower center, inscribed lower left "100 proofs", plate signed lower left, titled and dated in the plate lower right, retains gallery label en verso "Kennedy Galleries, Inc., New York". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Kennedy Galleries, Inc., New York, dated January 18, 1986.
• PRINT, JOHN SLOAN John French Sloan
  PRINT, JOHN SLOAN John French Sloan (American, 1871-1951), "14th Street, The Wigwam," 1928, etching, pencil signed lower right, edition 100/100, overall (with frame): 22"h x 18.5"w
• JOHN FRENCH SLOAN (NY/NM/NH,
  JOHN FRENCH SLOAN (NY/NM/NH, 1871-1951) Alley Cat, oil on canvas, signed lower left and dated '07, depicting a New York winter night, with woman holding a bottle watching a cat eyeing a trash can in an alley behind her brownstone, in water gilt deep cove replica frame with linen liner, engraved tag. Original label on stretcher from William Macbeth Gallery, 450 Fifth Ave at 40th St, New York City. OS: 25 1/2" x 20", SS: 19" x 13 1/2". Cleaned, one tiny repaired puncture at bottom. While working as an illustrator for Philadelphia publications, Sloan moved to NYC in 1904, became a member of the Socialist Party, helped to develop 'The Ash Can School' with his old PAFA Mentor Robert Henri.
• STREETS, Alan, (American, 20th
  STREETS, Alan, (American, 20th Century): ''Old Abandoned Building with Graffiti Southern Boulevard, The Bronx'', Oil/Canvas, 17.75' x 24'', signed lower left, titled verso and dated '08, unframed.
• CHANEL CREAM SILK BLOUSE 1980s;
  CHANEL CREAM SILK BLOUSE 1980s; retailed Bergdorf Goodman.
• JAY THORPE GOLD BROCADE EVENING
  JAY THORPE GOLD BROCADE EVENING COAT. 57 Street New York. Open flowing style with exaggerated collar
• GORDON STEELE MODERN NOCTURNAL
  GORDON STEELE MODERN NOCTURNAL STREET PAINTING New York1906-1961Titled "Stormy Streets" depicting flooded streets outside a bar on a dark night. As an artist Gordon Steele had a prolific career in Upstate New York and New England that most do not know of. His early career consisted of training through the W.P.A. and exhibitions with the Springfield Art League, Smith Museum, and Wadsworth Athenaeum before getting involved with the Federal Art Project in 1936. From that point Steele worked intermittently as an artist until settling in Syracuse in 1945 after taking a job as the Art Director for John Flack Studios. In Syracuse Steele became heavily involved in the arts evolving his technique and career winning a total of forty-seven accolades and awards. He had exhibited at the Terry Art Institute of Miami, the Butler Institute of American Art, Youngstown, Ohio, the Corcoran Gallery of Washington, the Columbia Biennial in South Carolina, the Audubon, and National Academy amongst other shows. Alongside his exploding art career in 1957 Gordon became a teacher in the School of Art at Syracuse University before landing his first solo show in New York City with Harry Salpeter (1895-1967) and Salpeter Gallery in 1958. The following year Steele was featured in the December, 1959 issue of American Artist highlighting his career with noted praise for rising without fighting Madison Ave crowds. Today Gordon Steele's artwork is held in the permanent collections of Syracuse University, Munson-Williams-Proctor Art Institute, Springfield Museum of Fine Arts, Everson Museum of Fine Arts, and Butler Institute of American Art among others.
• LORETTA FEENEY NEW YORK STREET
  LORETTA FEENEY NEW YORK STREET SCENE PAINTING Massachusetts,b. 1961Modern depiction of 42nd Street lined with skyscrapers, cars, and busy passersby. Feeney studied under Sam Barber and briefly with Henry Hensche, as well as at the Gloucester Academy of Art, winning gold medals at many Cape Cod juried shows.
• John Sloan (NY 1871-1951)
  John Sloan (NY 1871-1951) Swinging in the Squareetching on wove paper with one deckle edge signed and dated 1912 in the plate pencil signed along lower right margin annotated in pencil ''Swinging in the Square'' and ''100 proofs '' matted and framed under glass.Plate 4 x 5.25 in.; Paper 8.5 x 11.5 in.Toning; some foxing to margins; hinged at top with unidentified substance.The Estate of the late Dr. John and Mrs. Lorna Lamont Boston MA
• AFTER JOHN SLOAN: 5TH AVENUE
  AFTER JOHN SLOAN: 5TH AVENUE CRITICS Etching on paper 4 9/16 x 6 5/8 (image sight) 12 x 14 x 5/8 in. (frame) signed in pencil lower right titled under mat and dated 1905 in plate.
• RAPHAEL SOYER THREE WOMEN EIGHT
  RAPHAEL SOYER THREE WOMEN EIGHT AVENUE LITHOGRAPH New York,1899-1987Titled "Eight Avenue," depicts three women standing outside of a gentleman's club.
• SOBOSSEK, Stanley. O/C "3rd Ave El
  SOBOSSEK, Stanley. O/C "3rd Ave El 18th St" Signed lower center and inscribed by artist with his title for the painting, the original price of 150 and his Sixth Ave address of the 1950's. Stanley Sobossek, American/New York, 1918 - 1996, exhibited in annual Washington Square Park art shows in the 1950's and 1960's. Painted scenes of the Village, New Hope PA, and Gloucester MA. Sobossek lived at 309 Sixth Ave in Greenwich Village in the 50's and c.1965, bought a building at 35 Cooper Square used as his studio and gallery as well as a bar, theatre, and music venue. Size: 24 x 36. The Smithsonian's Archives of American Art has files on the artist. Condition: needs cleaning of heavy cigarette smoke residue, otherwise good. PLEASE NOTE: see Lot 167 from this same estate which was professionally cleaned in NYC. Costs for a cleaning would range from $100-200 depending on canvas size and your location. Provenance: friend of the artist.
• JOHN SLOAN AMERICAN, 1871 - 1951
  JOHN SLOAN AMERICAN, 1871 - 1951 "BUSES IN WASHINGTON S...John Sloan American, 1871 - 1951 "Buses in Washington Square" (Morse 219) etching on paper signed, titled and inscribed "100 proof" in pencil throughout the lower margin image size 7 3/4 x 9 3/4 inches Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• SLOANE, Marian P., (American,
  SLOANE, Marian P., (American, 1876-1954): Plein Air Coastal Painting, Oil/Canvas Board, signed lower right, 14'' x 18'', encased in period impressionist frame 17'' x 21''. CONDITION: Several flecks of loss, will need touch up.
• MISSONI SHEER BLACK COLUMN DRESS
  MISSONI SHEER BLACK COLUMN DRESS 1980s.
• LIUDMILA KONDAKOVA PARISIAN
  LIUDMILA KONDAKOVA PARISIAN STREET SERIGRAPH California,b. 1956 Titled "Rive Gauche" edition 104/175, depicts a Parisian street lined with shops and tall buildings with the Eiffel Tower in the background.
• Phyllis Sloane (American,
  Phyllis Sloane (American, 1928-2009) Woman. Hand painted glazed ceramic tiles, framed together, signed at the upper right corner, approx. 19" x 12-3/4".
• ERIC SLOANE (NEW
  ERIC SLOANE (NEW YORK/CONNECTICUT, 1905/10-1985), "CONNECTICUT VILLAGE"., OIL ON BOARD, 24" X 20.5". FRAMED 32" X 28.25".ERIC SLOANE, New York/Connecticut, 1905/10-1985, "Connecticut Village". Signed lower left "Eric Sloane". Illegibly dated. Titled on label verso. Dimensions: Oil on board, 24" x 20.5". Framed 32" x 28.25".
• AMERICAN SCHOOL: LOWER EAST SIDE
  AMERICAN SCHOOL: LOWER EAST SIDE NEW YORK Watercolor and pencil on paper 12 x 22 in. unsigned.
• AFTER JOHN STOBART (AMERICAN B.
  AFTER JOHN STOBART (AMERICAN B. 1929), 'SOUTH STREET, NEW YORK IN 1880' AND 'MAIDEN LANE, NEW YORK IN 1800' TWO LIMITED EDITION PHOTOPRINTS, THE FIRST NUMBERED 180/950 AND THE SECOND NUMBERED 96/750, EACH PENCIL SIGNED LAfter John Stobart (American b. 1929), 'South Street, New York in 1880' and 'Maiden Lane, New York in 1800' Two Limited Edition Photoprints, the first numbered 180/950 and the second numbered 96/750, each pencil signed l.r.,, Dimensions: Each Frame: 35 1/2 x 47 in. (90.2 x 119.4 cm.)
• Framed and matte aquatint ?South
  Framed and matte aquatint ?South Street From Maiden Lane 1828'' (New York). 17''x22''
• Eric Sloane (American/New York,
  Eric Sloane (American/New York, 1905-1985) "Spring Storm", oil on masonite, 22-3/4" x 28", signed lower left. Framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Hammer Galleries, New York, dated December 8, 1976.
• John Stobart (British b. 1929)
  John Stobart (British b. 1929) "South Street New York in 1880" chromolithograph pencil-signed and numbered 434/950 titled in lower margin published by Maritime Heritage Prints 1975 image 23 in. x 33 in. attractively framed.
• Frederick Slocombe (British,
  Frederick Slocombe (British, 1847-1920) "A Pleasant Shady Lane", 1883, hand-colored etching, plate signed and dated lower right, published by Robert Dunthorne at the Cabinet of Fine Arts, sight 26" x 12-1/4". Glazed, matted and handsomely framed.
• CHANEL BURGUNDY SILK BLOUSE late
  CHANEL BURGUNDY SILK BLOUSE late 1980s.
• SOBESSEK, Stanley. O/C c.1960
  SOBESSEK, Stanley. O/C c.1960 Greenwich Village Signed lower right. Stanley Sobossek, American/New York, 1918 - 1996, exhibited in annual Washington Square Park art shows in the 1950's and 1960's. Painted scenes of the Village, New Hope PA, and Gloucester MA. Sobossek lived at 309 Sixth Ave in Greenwich Village in the 50's and c.1965, bought a building at 35 Cooper Square used as his studio and gallery as well as a bar, theatre, and music venue. Size:30 x 24. Condition: needs cleaning of heavy cigarette smoke residue, otherwise good. NOTE: PLEASE SEE Lot 167 for a similar Sobossek which has just been professionally cleaned. These Sobosseks need cleaning which would range from $100 to $200, depending on its size and your location. Provenance: friend of the artist
• SOBOSSEK, Stanley. O/C City
  SOBOSSEK, Stanley. O/C City Street with Carriage. Signed lower right. Stanley Sobossek, American/New York, 1918 - 1996, exhibited in annual Washington Square Park art shows in the 1950's and 1960's. Painted scenes of the Village, New Hope PA, and Gloucester MA. Sobossek lived at 309 Sixth Ave in Greenwich Village in the 50's and c.1965, bought a building at 35 Cooper Square used as his studio and gallery as well as a bar, theatre, and music venue. Size: 36 x 24. The Smithsonian's Archives of American Art has files on the artist. Condition: needs cleaning of heavy cigarette smoke residue, otherwise good. NOTE: PLEASE SEE Lot 167 for a similar Sobossek which has just been professionally cleaned. These Sobosseks need cleaning which would range from $100 to $200, depending on its size and your location. Provenance: friend of the artist.
• AMERICAN SCHOOL (19TH/20TH C.): A
  AMERICAN SCHOOL (19TH/20TH C.): A PROVINCETOWN STREET Hand-colored photograph 9 1/4 x 7 1/4 in. titled and signed R. Winslow. Provenance: Chrysler Museum of Art Norfolk Virginia proceeds to benefit the Acquisitions Fund.
• European city cobblestone street
  European city cobblestone street scene in moonlight; hand touched color lithograph; illegibly signed in pencil, 'E. Lochelongan?'; Plate 20" x 11".
• JOHN SLOANE, GRAPHITE OF A CAR
  JOHN SLOANE, GRAPHITE OF A CAR PORTER, 1937 John French Sloan (American 1871-1951), graphite on paper, 1937, depicting a car porter putting a woman's luggage into a vehicle, signed "John Sloan '37" at lower right, framed under glass. Provenance: From the Private Collection of Elizabeth Cross, Lawrenceville, Georgia. Approx. sight h. 11", w. 14"; overall h. 18.75", w. 21.75", d. 2".
• Marie Stobbe (American/New York,
  Marie Stobbe (American/New York, 1909-2003) "Paris Sidewalk Cafe", oil on masonite, 11" x 14", signed lower left. Framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Christopher Gallery, New York, dated November 13, 1973.
• ERIC SLOANE (NY/CT, 1905-1985)
  ERIC SLOANE (NY/CT, 1905-1985) "Bridge Over the Ashuelot, N.H.", oil on hardboard, captioned and signed lower left, depicting the iconic covered bridge still standing in the New Hampshire rivertown of the same name (pronounced Ash-WEE-lut), with young brother and sister fishing while dog watches, in frame liner with gilt lip, OS: 29 3/4" x 37 3/4", SS: 27 1/2" x 35 1/2". Fine condition.
• Grace Veronica Kelly (American
  Grace Veronica Kelly (American Cleveland School 1877-1950) "Street in Sligo". Watercolor on paper signed in the lower right corner apprx. sight size 17-1/2" x 24" matted and framed under glass overall apprx. 26" x 31-3/4". Several labels verso including: 1934 Ohio State Fair Art Department SEventh Traveling Exhibition of Water Colors by Cleveland Artists 1934 The Cleveland Museum of Art the 1934 May Show Cleveland Museum of Art (Honorable Mention for Watercolor) Cleveland Art Association typed label and others (see detail photographs).
• PHYLLIS SLOANE 2 SILKSCREENSPhyllis
  PHYLLIS SLOANE 2 SILKSCREENSPhyllis Sloane (American 1921-2009)- ''Bernice''; ''Lady in Black'' and ''Flea Market Lady''- 2 silkscreen in colors together with 1 ozalid, all signed in pencil, generally good condition, various sizes.