A few examples of appraisal values for
SONG OF THE SEA

• JON MORT (CONTEMPORARY PORT
  JON MORT (CONTEMPORARY PORT CLYDE, ME) Song of the Sea (Mermaid), giclee print form the graphite original, pencil signed, dated 8/8/2014, numbered 5/10. Housed in silverleaf wooden panel frame, matted under UV plexiglass, OS: 23 1/2" x 17", SS: 17" x 10 1/4".
• JOHN ROSE: "SONG OF THE SEA"1998;
  JOHN ROSE: "SONG OF THE SEA"1998; wood and wax; signed, dated and numbered 3/10; Provenance: Chuck Fries, Godfather of the Television Movie, and Ava Fries Estate, Beverly Hills; 13 1/2 inches high Condition:
• GEORGE MCCONNELL (ME/OH, 1852-1929)
  GEORGE MCCONNELL (ME/OH, 1852-1929) "Singing Sea", oil on canvasboard, signed and dated 1908 lower right, titled on a Talent Free Art Gallery (Augusta, ME) label affixed verso, depicting crashing surf on a rocky shore, in a modern silverleaf wooden frame with mat, glazed, OS: 14 1/2" x 21 1/2", SS: 8 1/2" x 15 1/2". Good condition.
• SEALIAN MAP OF "SCOZIA"
  SEALIAN MAP OF "SCOZIA" Hand-colored engraving with mermaids, sea birds, shells and coral in upper left.
• Sea and Sussex From Rudyard
  Sea and Sussex From Rudyard Kipling's Verse, illustrated by Donald Maxwell (Garden City, N.Y., 1926). Number 7 of a limited edition of 150 copies signed by Kipling on the limitation page.
• Leonardo Nierman (Mexican, b. 1932)
  Leonardo Nierman (Mexican, b. 1932) Song of the Sea Tapestry wool textile signed 55 1/2 x 78 inches Property from a Private Collection Curated by Janet and Daniel Hidding
• PALMER, Eugene, (English, b. 1955):
  PALMER, Eugene, (English, b. 1955): ''Songs on the Sea'', Charcoal Portrait of a Young Black Woman by one of England's Preeminent Living Black Artists, sight size 22.75'' x 32.75'', Duncan Campbell Gallery label affixed verso, framed, 27.75'' x 37.5''. CONDITION: Small tear in upper left corner.
• Tennessee Williams painting
  Tennessee Williams painting (Tennessee [Thomas Lanier] Williams, American, 1911-1983), "She Sang Beyond the Genius of the Sea", 1975, signed lower right "T.W.", mixed media on canvas, inscribed verso "Oil - Tennessee Williams 1975", unframed, 30 x 23-7/8 in. Original stretcher and tacking edge, lacking applied letters H, B, T, E, light grime. Private Collection.
• ROBERT MINEO STORMY SEA GENRE
  ROBERT MINEO STORMY SEA GENRE PAINTING New York20th CenturyDepicts sailors on deck of a ship manning the sails while large waves crash into the sides.
• ROMAN CHATOV 'THE OLD MAN OF THE
  ROMAN CHATOV 'THE OLD MAN OF THE SEA' OC Roman Chatov (Russian/American 1900-1987), 'The Old Man of the Sea', oil on canvas, depicting a portrait of an elderly man in a green jacket, signed to lower right, in a wood frame. Approximate dimensions: canvas h. 23.75", w. 17.75", frame h. 31.5", w. 25.5", d. 1.5"
• PAINTING, WAVES AT SEA American
  PAINTING, WAVES AT SEA American School (20th century), Waves at Sea, 1967, oil on canvas, signed indistinctly "Searis" and dated lower right, overall (with frame): 25"h x 30"w
• HIROSHI SUGIMOTO SEASCAPES
  HIROSHI SUGIMOTO SEASCAPES PHOTOGRAPH "MIRTOAN SEA"Hiroshi Sugimoto (b. 1948). Photograph titled "Mirtoan Sea, Sounion" from the "Seascapes" series, 1990. Silver gelatin print. Edition: 18/25. Provenance: Sonnabend Gallery, New York, New York; Christie's, New York, February 18, 2007, Lot 164; Private collection, Minnesota Note: The proceeds from hammer price will benefit the Minneapolis College of Art and Design Scholarship Fund. Lot Essay: “Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.” -Hiroshi Sugimoto In Mirtoan Sea, Sounion, Hiroshi Sugimoto captures the essence of the sea and his relationship with it, which make up the heart of his Seascapes series. Gentle grayscale ripples fade up to the horizon and stretch off the edges of the photograph, uninterrupted by any signs of human or animal life. It is desolate without being frightening; Sugimoto has imbued it with the security he feels in his relationship with the sea. Everything is gentle, and the photo has clear edges, almost like a window looking out over the sea. Sugimoto was born in Tokyo in 1948, and one of his earliest memories is being taken to the sea. He developed an interest in photography during childhood, photographing trains and and other local sights. He pursued other interests for several years, dabbling in painting in high school and receiving his degree in Political Science at St. Paul’s University in Tokyo. However, shortly after his graduation, he returned to photography and moved to Los Angeles to attend the Art Center College of Design. In 1974, Sugimoto moved to New York City, where he was influenced by many of the up-and-coming art movements he interacted with there, notably the minimalists. In his photographic works, Sugimoto works exclusively in black and white with a large format camera, often varying the exposure length or using intentional blurring to create his desired effect. He is known for his technical expertise with the camera, which he uses to explore his artistic preoccupation with the human presence in space and time. His works cleverly make the viewer question what they are seeing, utilizing the flattening effects of black and white photography to make dioramas and wax figures seem real, or using long exposures to blur a movie theater screen to a square of pure light. In his later career, Sugimoto has extended these preoccupations to his artistic practice outside of his photographic work, making forays into architecture and the performing arts. His work has received great acclaim; throughout his career he has received many prestigious awards and grants, including the Guggenheim Fellowship, and in 2017 he was honored by the Japanese government as a Person of Cultural Merit. In the Seascapes series, Sugimoto focuses on water and air, the two substances he describes as most “commonplace” and yet most intrinsic to life. Life, Sugimoto notes, was created out of them, and continues to require them to exist. The sea, as the place where these two things meet in isolation, is the perfect place to explore their relationship to one another and to humanity at large. In this photograph, the genius of the Seascapes series becomes clear, as Sugimoto lays clear the universality of the sea as humanity’s “ancestral home.” Devoid of any context, even color, that might indicate to the viewer which sea they are looking at, this photograph presents the sea as it has been viewed by all people in all places and times. The water and the sky stretch in all directions, unimaginably vast and yet intimate. The only point the viewer has with which to ground themself is the horizon line, hardly a real, tangible point in space. We’re adrift, held tightly only by the knowledge that this is a view, an experience, universal to all humans since the first one laid eyes upon the sea. Sight; height: 16 1/2 in x width: 21 1/2 in. Framed; height: 25 3/4 in x width: 33 in. SKU: 03966 Follow us on Instagram: @revereauctions Condition: In good condition. The piece is held in place with paper corners. The piece is signed, titled, and numbered beneath the matting. No chips or creases and a smooth emulsion.
• SEASCAPE / MARITIME ETCHINGS, 3
  SEASCAPE / MARITIME ETCHINGS, 3 Three seascape etchings by various artists, two depicting fleets on calm water, one depicting a beached sailboat during bad weather. Each framed in black wooden painted frames. Image 10.5" H x 13.5" W, frame 12" H x 14.5" W.
• OIL ON MASO - 'Whalemen vs
  OIL ON MASO - 'Whalemen vs Mermaids' by Ralph Eugene Cahoon Jr. (MA 1910-1982) signed lower right undated but circa 1965 depicting six sailors in a longboat fending off an equal number of mermaids who are trying to capsize them their ship in the dis
• ''Glimpse of the Sea'' oil on
  ''Glimpse of the Sea'' oil on canvas. 16'' H x 20'' W.
• GREAT SEA STORIES OF ALL
  GREAT SEA STORIES OF ALL NATIONSGreat Sea Stroies of All Nations. Edited by: H. M. Tomlinson. Publisher: London, Bombay, Sydney: George G. Harap & Co. LTD. Date: 1930
• Romare Bearden (New York/North
  Romare Bearden (New York/North Carolina, 1914-1988) Siren Song, 1979, edition 113/125, from Odysseus, published by Mohammed Khalil, New York, signed lower right "Romare Bearden" with publisher's blindstamp, color screen print on Lana paper, 21-3/4 x 29-1/2 in.; metal frame,
• JOSE B. DAVID MARINE SEASCAPE AT
  JOSE B. DAVID MARINE SEASCAPE AT SUNDOWN PAINTING United States, Philippines,1909-1990Impressionist view of sailboats floating through calm waters with a mountain towering against the sky. Close to that of the Amorsolo school, David creates romantic renditions of the Philippines.
• 1 vol. Wells, H.G. The Sea Lady.
  1 vol. Wells, H.G. The Sea Lady. London: Methuen, 1902. First edition. 8vo, orig. red cloth, gilt, spine gilt, fore & bottom edges untrimmed; light edge wear, spine ends slightly dust soiled, spine a little faded. With 40 pp pub. cat., dated July 1902. Light foxing to front & back matter. First state of adverts & bdg. Hammond B8 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• CATHERINE COURTENAYE: "SIREN
  CATHERINE COURTENAYE: "SIREN SONG"1991; oil and wax on canvas; signed, titled and dated verso; Condition: unframed ; 71 1/2 x 84 inches Condition:
• YUKIO MISHIMA (1925-1970): THE
  YUKIO MISHIMA (1925-1970): THE SOUND OF WAVES. Published by Alfred A. Knopf New York 1956. Bearing an inscription reading ''To Rodney Blackman with the author's best wishes Yukio Mishima 19th July 1957''. Inscription also bears handwritten Japanese characters Condition: No Specific Condition Recorded - Sold As Is
• SEA OF LOVE 01006432 - LLADRO
  SEA OF LOVE 01006432 - LLADRO PORCELAIN FIGURINEGlazed porcelain; modelled as a mermaid and fisherman at sea. Soft pastel coloration; exquisite detail. Lladro backstamp. Item number impressed to base. Artist: Jose Luis Alvarez Issued: 1997-2000 Dimensions: 13.5"H x 13"W Manufacturer: Lladro Country of Origin: Spain
• IMPORTANT U.S. NAVY U.S.S.
  IMPORTANT U.S. NAVY U.S.S. PEACOCK HANDWRITTEN MANUSCRI...Important U.S. Navy U.S.S. Peacock Handwritten Manuscript Music Book , celebrating the United States Exploring Expedition of 1840 & The Sooloo Sea Expedition of 1842. Handwritten by James D. Dana. Volume of nine miscellaneous songs with verses by J. C. Palmer, U. S. N. and others set to music composed and arranged for guitar by James D. Dana. Dana served as mineralogist and geologist for the Pacific expeditions under Captain Charles Wilkes from 1838-1842. 30 manuscript pages, 4 to, 9 5/8 by 13 inches, quarter morocco, marbled boards, (abrading of morocco, typical age toning and foxing of leaves, some leaves removed from front of volume). 1837-1842. Compositions include: "The Old Peacock, A Breeze from the Unpopular Opera of the Icebergs, As sung with great noise on the Forecastle of U.S. Ship Peacock" (1840) and "Antarctic Mariner's Song" (1842) Notes : USS Peacock was a sloop-of-war in the United States Navy during the War of 1812; rebuilt as an exploration ship (1828), she sailed as part of the U.S. Exploring Expedition in 1838. The Peacock ran aground and broke up on the Columbia Bar between Oregon and Washington without loss of life in 1841. Literature : Wilkes, Charles. Narrative of the United States Exploring Expedition,1838-1842. Philadelphia: C. Sherman, 1844. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• EMMANUELA DE NORA, ORIG. BOUND
  EMMANUELA DE NORA, ORIG. BOUND MS. AND ART "From the Sea...", 1964-1969, 18 hand-written poems, the first in English, the rest in Italian, each with a facing gouache painting, on onion skin paper, in decorative leather binding attributed to Ganiaris, Athens, inscribed and signed "Emmanuela", 6"h x 4.75"w
• THOMAS HENRY GIBB (ENGLISH, 1833
  THOMAS HENRY GIBB (ENGLISH, 1833 - AFTER 1893), "THE SEA BIRD'S HOME", 1878, OIL ON CANVAS, DEPICTS THE FARNE ISLANDS WITH WAVES RUN..Thomas Henry Gibb (English, 1833 - after 1893), "The Sea Bird's Home", 1878, oil on canvas, depicts the Farne Islands with waves running through cliffs, seabirds in foreground, signed and dated LR and verso, contained in ornately molded frame with acanthus leaf and bellflower decoration, wear consistent with age and use toning, craquelure, minor flakes, etc., not examined out of frame, ss: 29 1/2" h. x 19 1/2" w.
• MERTON D. SIMPSON (AMERICAN/SOUTH
  MERTON D. SIMPSON (AMERICAN/SOUTH CAROLINA, 1928)Merton D. Simpson (American/South Carolina, 1928-2013), "Poem of the Sea", 1955, oil on canvas, signed and dated lower right, pencil-titled en verso, 9 7/8 in. x 7 7/8 in., framed
• WATERCOLOR - 'Swim Beach Monhegan
  WATERCOLOR - 'Swim Beach Monhegan Island Maine' by Sears Gallagher (MA 1869-1955) signed lower left Spanierman Gallery label verso depicting two men in conversation alongside two children playing in a beached skiff in gilt Arts & Crafts frame with
• PETER HAMLETT NOCTURNAL COASTAL
  PETER HAMLETT NOCTURNAL COASTAL SEASCAPE PAINTING California,1919-1972Impressionist work titled "Moon on the Sea" depicting the white capped waves of the ocean illuminated by the moon as viewed behind rockery, location identified as Cliffs of Clodgy., St. Ives, Cornwall.
• Painting by H. von Boutoma,
  Painting by H. von Boutoma, seascape with waves crashing against rocks, signed lower right "Bar. H. von Boutoma", oil on canvas, European, 20th century, 25 x 30 in.; original gilt wood frame.
• FRANK VINING SMITH NOCTURNAL
  FRANK VINING SMITH NOCTURNAL SEASCAPE PAINTING Massachusetts,1879-1967Nocturnal winter seascape depicting a moored fishing boat off an icy dock.
• Oil on canvas seascape painting
  Oil on canvas seascape painting showing seagulls and stormy rough seas and sky signed l.l. "F.B. Thompson". 19.5"x29.5"
• SEASCAPE OIL ON CANVAS with waves
  SEASCAPE OIL ON CANVAS with waves crashing on rocks 20th century image measures 18'' x 24'' unsigned. In a weathered wood frame.
• DAVID PIATOUKAN. "SEA SPIRIT
  DAVID PIATOUKAN. "SEA SPIRIT SHAMAN," SOAPSTONE Carved soapstone, 2006, signed on verso, 9 in. H.
• THOMAS OPENSHAW ROCKY SHORE
  THOMAS OPENSHAW ROCKY SHORE SEASCAPE PAINTING United States,20th CenturyDepicting an early morning with rising sun on the horizon and white capped waves crashing against the beach in the foreground.
• SOVEREIGN OF THE SEA Model of 1400s
  SOVEREIGN OF THE SEA Model of 1400s British warship. Handcrafted by Luciano Montanaro. With display case - L: 38 in.
• Waves on rocks Pacific Ocean oil on
  Waves on rocks Pacific Ocean oil on board. 20'' H x 24'' W.