A few examples of appraisal values for
SOPHISTICATE

• PA FISH PATTERN FOOD MOLDca.
  PA FISH PATTERN FOOD MOLDca. 1880; well detailed PA fish pattern food mold, all over yellowish-brown lead glaze with a slight manganese application on the rim, notched rim, four finger pressed feet, a more sophisticated mold than those attributed to/signed by Willoughby Smith, probably southeastern PA origin, 3 1/4"x 5"x 13 1/2"; Condition: 3/4" & 1/2" rim chips, glaze losses on edges, some spots of food residues
• Tomlinson Sophisticate Tall Back
  Tomlinson Sophisticate Tall Back Lounge Chair. Dimensions: Height: 48 inches, Width: 23.5 inches, Depth: 32 inches. - Seat Height: 16 inches --- Condition: Needs upholstering.
• SEVEN COFFEE TABLE BOOKS ON
  SEVEN COFFEE TABLE BOOKS ON INTERIOR DESIGN Lot of seven coffee table books on interior design, containing Getways and Retreats by Barclay Butera, published 2013 by Gibbs Smith; High Style by Ron Woodson and Jaime Rummerfield, published 2008 by Chronicle Books; Vern Yip's Vacation At Home, published 2019 by Running Press; Simply Serene by Thomas Pheasant and signed by the author, published 2013 by Rizzoli; Mattia Bonetti by various authors, published 2010 by Skira Rizzoli; Sophisticated Simplicity by Suzanne Kasler, published 2018 by Rizzoli; An Affair With A House by Bunny Williams and signed by the author, published 2005 by Stewart Tabori and Chang. Approximate Dimensions:Varies. Provenance: Private Collection of Bill Stewart, Atlanta, GA.
• PAIR OF JOHN LUBBERTS AND LAMBERT
  PAIR OF JOHN LUBBERTS AND LAMBERT MULDER FOR TOMLINSON WALNUT CANED BACK 'SOPHISTICATES' MODEL 650 SLIPPER CHAIRSEach with removable seat cushion. 28 x 26 1/2 x 25 in., seat height 16 in. Condition In generally good condition. One with a tear to the caned back. Scattered scuffs and nicks. Structurally sound. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• FINE GOTHIC REVIVAL CARVED ROSEWOOD
  FINE GOTHIC REVIVAL CARVED ROSEWOOD MARBLE TOP TABLE29 x 44 x 44 in. Note: The above offered "table is one of several hexagonal marble-topped examples squarely in the refined Louis Philippe style. These tables almost certainly were made in the shop of a French cabinetmaker like Alexander Roux. No table of this form is labeled or associated with a bill of sale. The principal motifs associated with the Louis Philippe style, often wrongly identified as Charles X, are magnificently arrayed in the offered table. The flat base with three trefoil feet is seen in many examples of American furniture and was a recognized hallmark of the Gothic style, although it sometimes supported tables, stands, and screens with Elizabethan or classical detailing. The six cluster columns with floral bud bases and capitals are somewhat ambiguous in style but certainly suggest medieval carving. Hanging inside the columns in a sort of clerestory area is a tracery lantern that had to be assembled and installed before the table was assembled. Both the columns and the lantern enter a large block which in turn supports two horizontal rails from which the six frieze rails are suspended. The frieze is worked in another characteristic Louis Philippe motif that was much copied in England and America, the clipped ogival arcade with turned pendants and corner turrets. Other fine details of the table include reel and arch moldings. Not all New York Gothic furniture with Louis Philippe traits was made by French cabinet makers. English and German competitors incorporated some of the ornamental vocabulary of French furniture in their production models by mid-1840's, but these makers rarely achieved the sophisticated effects seen here, nor did they lavish as much fine workmanship on their products. This table represents a high point in New York City production between the waning of late classical and early mannerist (pillar and scroll) style and the triumph of the rococo revival in the 1850s." - Robert F. Trent. An identical table sold in these galleries on April 2, 2016, Lot 2, The Collection of Judith Hollander, for $25,000 hammer price. Condition In good restored condition. The replaced marble top with minor staining, pitting and scuffing. Formerly had a wooden top, now lacking. Minor chips to the edges. Some repairs to the pendants. Scattered staining to the center of the pedestal base. One, possibly two feet facings replaced. Larger acorn finial and several smaller ones replaced. In generally good condition and refinished. Structurally sound. Very fine quality.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• RARE RUSSIAN BRASS-MOUNTED MAHOGANY
  RARE RUSSIAN BRASS-MOUNTED MAHOGANY ARCHITECTS TABLE, IN THE MANNER OF DAVID ROENTGENThe hinged top fitted with a ratchet mechanism above a leather-lined writing surface and one drawer fitted with a sliding leather-lined surface and a secret inkwell drawer, flanked by candle slides, raised on tapering fluted legs ending in sabots. 30 x 36 3/4 x 24 1/4 in. Note: David Roentgen (1743-1807) was a German cabinet-maker who trained in his father's (Abraham) shop and ultimately inherited it in 1772. He was known for beautiful marquetry inlays and creating mechanical furniture. He had Queen Marie-Antoinette of France and Empress Catherine the Great of Russia as great patrons who encouraged him to great heights. In the late 18th century he was known for simple mahogany veneers inlaid with brass and fitted with secret drawers and a sophisticated mechanical interior. He had shops in St. Petersburg and Berlin and influenced many. This architects table is influenced by Roentgen's designs and cabinet-making skills. Condition The table sun bleached with a nice warm color. Repaired age split on the top. In good restored condition. The candle slides with fading spots. Expected nick, scuffing and general wear. Very fine quality, structurally sound.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• FINE GEORGE II MAHOGANY COMB BACK
  FINE GEORGE II MAHOGANY COMB BACK WINDSOR ARMCHAIR43 1/4 x 30 x 23 1/2 in., height of seat 17 1/2 in. Note: An identical Windsor chair is illustrated in Cotton, Bernard D., The English Regional Chair, Woodbridge, Suffolk: Antique Collectors Club Publishing, 1990, p. 46, fig. TV17. This identical Windsor model is also illustrated in a Vernay & Jussel, Inc. catalog with an accompanied footnote: The system of roads left by the Roman occupation of Britain had remained, for almost 1,700 years, the basis of land travel in all areas of the island. It was only at the start of the eighteenth century that major improvements and expansion of the roads began, largely due to the impetus of trade requirements. One by-product of this new ease of travel was the pooling in London of talent drawn from the provincial areas. Gifted craftsman were able, as at no time before, to make the journey "up to London", from any part of the Kingdom, and profit from the higher wages and opportunities for advancement in the metropolis. Conversely, as people returned to their homes from a London visit, they carried back with them new ideas and new styles, profoundly influencing local customs. This intercourse between London and the provinces led to an interesting cross-fertilization of styles, and local craftsman, their talent bred within the framework of an inherited tradition, refined rather than abandoned that tradition in the sophisticated, international atmosphere of the city. The elegant adaptation of the popular Windsor chair is a product of such exchange. here the native beech, yew and ash have been replaced by imported (an expensive) mahogany. The flat out-scrolling arms and seat, the deeply scrolled brackets to the acanthus carved cabriole legs were all fashionable in the second quarter of the (18th) century. Most remarkable is the use of French scroll toes, so popular in the Rococo, integrated with perfect skill into a purely traditional design. "It is estimated that in 1750, 1 out of every 6 Englishman had had direct contact with the capitol." See Wrigley, " A Simple Model of London's Importance, Past and Present ", No. 37, July 1967. We are grateful to Chis Jussel for providing us with this information. Condition Repaired top rail in two spots, one corner block missing. Minor glue residue on the stretcher. Expected wear and scuffing throughout. Structurally sound, good overall condition, grand scale.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• PEABODY-RIG REDHEAD DRAKEGeorge
  PEABODY-RIG REDHEAD DRAKEGeorge Augustus Peabody (1831-1929) Rig Danvers, MA, c. 1850 15 3/4 in. long This very early and exceptional hollow redhead drake is from the rig of George A. Peabody, a friend and fellow Harvard graduate of Dr. John C. Phillips (1876-1938). The removable head is attached by three brass pins, one of which is threaded and held tight by a nut on the underside of the decoy. Matching "XXXI" incisions are on the facing surfaces inside the neck seam. This meticulously crafted removable head system is reminiscent of the dovetailed geese and shorebirds and the Osgood geese. The head is slightly turned and features broad cheeks and detailed bill carving. The long and hollowed body is finished with elaborate wing carving and fine paint. This decoy is perhaps the earliest known example to show this level of sophisticated wing carving. The bottom board is securely affixed with both nails and screws and is twice branded "G. A. PEABODY." Original paint with light gunning wear, flaking, and a bill tip chip. Provenance: George A. Peabody Rig Ronald S. Swanson Collection Private Collection Literature: Ronald Swanson, “The Decoy as Folk Sculpture,” Cranbrook Academy of Art Exhibition Catalog, January 1987, p. 15, fig. 19, exact decoy illustrated. John C. Phillips, "Wenham Lake Shooting Record And The Farm Bag, 1897-1925," 1926, p. 4. Exhibited: Bloomfield Hills, Michigan, “The Decoy as Folk Sculpture,” Cranbrook Academy of Art, January 27-February 22, 1987.
• THE MCCLEERY BOYD MERGANSER
  THE MCCLEERY BOYD MERGANSER DRAKEGeorge Boyd (1873-1941) Seabrook, NH, c. 1910 18 ¾ in. long “I had the good fortune of visiting with Jim McCleery on several occasions in his home in Texas. He was one of the most noble gentlemen I have ever met and he was a consummate host! I remember our visits as lively affairs that included conversations with his pet parrot, checking out his tortoise in the backyard, and preparing Mexican dinner feasts in the kitchen. Conversations after dinner eventually came back to shorebirds and waterfowl and I was amazed at Jim’s knowledge of all things bird related and how he viewed decoy collecting. "He was a great teacher, and at all times a student. Nuances of decoys and their makers came second nature to Jim and he would often pick up two birds and reveal how the two related. His take was different from any other collector I have ever met. I believe Jim viewed decoy collecting as a giant puzzle, and he was a master at connecting its pieces. "Jim reserved special spots on his shelves, fireplace, and walls for his favorite birds. I remember the first time I saw the George Boyd Mergansers on display in his home. The turned-head hen swimmer graced Jim’s coffee table alongside the famous dovetailed goose and Crowell’s preening goose. Her presence was bold and animated; I was so enamored looking at those three birds, it was a half hour before I realized that Jim owned a matching drake!” — Stephen O’Brien Jr. The McCleery red-breasted merganser pair represents two of the most refined carvings to come out of New England. They literally sit head and shoulders above all other Boyd merganser examples with their uplifted heads, broad shoulders, and wide and sophisticated paddle tails. The delicately carved head is turned to the left approximately thirty degrees with a forward-reaching and uplifted posture. The surface features both concise paint patterns and the artist’s finest stippled paint along the sides. True to the sex, Boyd used red glass eyes for this drake, contrasting the amber eyes of the hen. The pencil-thin upturned bill features nail carving and a mortise-and-tenon fit hardwood bill, identical in construction to the maker’s shorebirds. The bottom retains the “McCLEERY” ink stamp. Outstanding original paint with light, even gunning wear and a tight age line along the bottom. Provenance: Dale and Gary Guyette Collection Dr. James M. McCleery Collection Private Collection Thomas M. Evans Jr. Collection Literature: Sotheby's and Guyette & Schmidt, "American Waterfowl Decoys: The Distinguished Collection of Dr. James M. McCleery," New York, NY, 2000, lot 149, exact decoy illustrated. Ronald J. Gard and Robert Shaw, eds., "The McCleery Auction," Dallas, TX, 2001, p. 175, exact decoy illustrated. Jim Cullen, "Finely Carved and Nicely Painted: The Life, Art and Decoys of George H. Boyd, Seabrook, NH, 1873-1941," Rye, NH, 2009, p. 36, exact decoy illustrated. Stephen B. O'Brien Jr. and Chelsie W. Olney, "Elmer Crowell: Father of American Bird Carving," Hingham, MA, 2018, p. 279, exact decoy illustrated.
• SOPHISTICATES by TOMLINSON Server
  SOPHISTICATES by TOMLINSON Server Cabinet. Fossil stone inlaid top. Framed panel facade. Marked. Dimensions: H: 31 inches: W: 34 inches: D: 11 inches --- Condition: Some finish wear to top frame. Light wear around hardware
• PIERRE AUGUSTE RENOIR "FEMME NUE
  PIERRE AUGUSTE RENOIR "FEMME NUE COUCHEE" (FIRST PLATE)Pierre-Auguste Renoir (French, 1841-1919) Femme Nue Couchee (Tournee a Droite) , 1906 1re planche (first plate) Etching and drypoint on paper 5" x 7 1/2" Signed with the artist's stamp to the bottom margin. Delteil 13, Stella 13. Presented behind glass in a frame that measures 12 1/4" x 14 3/4". Of Renoir's three 1906 etchings of reclining nudes, Femme Nue Couchee (Tournee a Droit) is widely considered the most sophisticated, the linework softly elegant, rendered with a deftness astonishing for an artist who suffered from rheumatoid arthritis. Femme Nue Couchee stands as among the finest of Renoir's etchings. Provenance : Acquired from Sam Heller Fine Art (Chicago) in 2006, with accompanying Certificate of Authenticity. Condition A beautifully inked impression. Two very slight (>1/4") scrapes to the sheet: one to the figure's left arm, the other to the edge of the face. A single pale dot to the sheet's bottom margin. Gentle rippling (with no wrinkles). Not removed from the frame.
• TIGER MAPLE BONNET CHEST IN BLUE
  TIGER MAPLE BONNET CHEST IN BLUE PAINT, CA. 1840A very good 19th century tiger maple flat fronted bonnet chest in blue paint, showing a bank of short drawers flanked by two larger drawers, over 3 tiers of graduated full width drawers, all with original turned pulls, raised overall upon stile supports, the front and sides braced by a highly sophisticated apron, splits to sides. American, North Eastern seaboard, circa 1840. Dimensions, 37.25" high x 47" wide x 20.5" deep.
• JACOB EICHHOLTZ OIL PORTRAIT OF
  JACOB EICHHOLTZ OIL PORTRAIT OF GEORGE WASHINGTON.Rare and Important Jacob Eichholtz Oil on Canvas Portrait Painting of George Washington. Original and untouched. Unsigned. (Lancaster and Philadelphia, Pennsylvania, 1776-1842). So called Stuart's Vaugn-type portrait. We know that Eichholtz traveled to Boston to meet Stuart sometime in 1809-1810, sponsored by William Barton of Lancaster, who sought to advance Eichholtz's career. While in Boston Eichholtz observed the work of Stuart, sat at Stuart's easel, and learned all that could be gathered in the space a few short weeks. Shortly after returning to Lancaster, Eichholtz presented William Barton, Esq. with a small copy of a Stuart portrait of George Washington, a portrait which I believe Eichholtz would have painted in Stuart's studio. Barton had served under Washington, and even been offered a territorial governorship by Washington. Thus, it is easy to imagine that Barton would cherish a portrait of his commander-in-chief as a token of Eichholtz's appreciation for sponsoring his Boston sojourn. It is also quite likely that while in Boston Stuart confided in Eichholtz that one of his major portraits of Washington hung in the home of Lancastrian, Alexander Scott. As you know-though the work of Ellen Miles, scholar of the work of America's premier portrait painter of the Early Republic, Gilbert Stuart,--Stuart's Vaughn-type portrait of Washington is one of his most famous. Stuart made many copies of the Vaughn portrait, one of which was for Lancastrian Alexander Scott, who resided on the second block of North Duke Street, Lancaster, one block from the Eichholtz residence. At some point after returning to Lancaster from Boston, Eichholtz no doubt visited the home of Scott and made his copy of Stuart's painting. I believe it is likely that he painted it as early as 1810, but certainly with a few years of that date. I base my conviction on several observations. The canvas is of the type frequently cited as having been used by Eichholtz. It is a rough, rather coarse weave and consists of a sewn-together piece of fabric. The stretchers are almost precisely as described by Theodor Siegl in his essay on Eichholtz's techniques in Rebecca Beal's 1969 work "Jacob Eichholtz, 1776-1842, Portrait Painter of Pennsylvania". They are not mitered, about 2-5/8" wide, and deeply planed on the inner edge. The underpainting seems to be of a vermillion hue, known on several of his works. The flesh tones and the figure itself are handled in a manner consistent with his early work and pre-dates his more accomplished and sophisticated work from the 1820s-1830s. Finally, the frame is right out of his common choice of frames. Although we do not know the frame's maker, the frame bares evidence of former comer decorations consistent with the frames found today on many of his works. LancasterHistory.org is pleased to be the caretakers of almost 100 of Eichholtz's works, the largest collection in any museum. Based on my knowledge of each of those works, my extensive study of his work as part of my doctoral dissertation on the artist, and based on my exposure to countless other paintings by Eichholtz as curator of a major retrospective of his work in 2003, I am as certain as I have ever been, that this is the work of Jacob Eichholtz, portrait painter of Pennsylvania. Thomas R. Ryan, Ph.D., President & CEO Lancaster County Historical Society & President James Buchanan's Wheatland. This painting is listed in Rebecca Beal's 1969 work "Jacob Eichholtz, 1776-1842, Portrait Painter of Pennsylvania" page 245, # 855. Never before offered at auction, from a prominent Lancaster County Family. Canvas measures 29-1/2" x 24", in a gilt molded frame 35-1/2" x 31-3/4" overall. Condition: : Original and untouched, minor wear, in need of professional cleaning. Condition: Condition: : Good with minor wear, in need of professional cleaning.
• NOURMAK LARGE PERSIAN AREA
  NOURMAK LARGE PERSIAN AREA RUGOriental style patterns, gold, olive, red, blue, other colors. Turkish handmade wool rug 20 years old. Manufactured in Nourison's patented Soumak weave, specifically created to give these sophisticated area rugs an elegant, antique look of fine museum originals. Detailed traditional Persian design. Issued: 20th c. Dimensions: 144"H x 113"W Manufacturer: Nourison Country of Origin: United States Condition: Overall good
• NOURMAK PERSIAN AREA RUGOriental
  NOURMAK PERSIAN AREA RUGOriental style patterns, olive, red, blue, other colors. Manufactured in Nourison?s patented Soumak weave, specifically created to give these sophisticated area rugs an elegant, antique look of fine museum originals. Detailed traditional Persian design. Issued: 20th c. Dimensions: 71"H x 46.5"L Manufacturer: Nourison Country of Origin: United States Condition: Overall good
• NOURMAK LARGE BESSARABIAN AREA
  NOURMAK LARGE BESSARABIAN AREA RUGTapestry style with floral patterns. Brown, robin's egg blue. Manufactured in Nourison?s patented Soumak weave, specifically created to give these sophisticated area rugs an elegant, antique look of fine museum originals. Detailed elegant Besararbian floral pattern design. Issued: 20th c. Dimensions: 122"H x 95"W Manufacturer: Nourison Country of Origin: United States Condition: Overall good
• BEN SOLEIMANI LARGE CONTEMPORARY
  BEN SOLEIMANI LARGE CONTEMPORARY WOOL & SILK AREA RUGCream textured corduroy, manufactured for Restoration Hardware. Hand-woven from a soft wool and silk blend, in a thick, lofty weave with a subtle, sophisticated luster. A unique bespoke designed rug. Artist: Ben Soleimani Issued: 20th c. Dimensions: 143"H x 107"W Manufacturer: Restoration Hardware Country of Origin: United States Condition: Overall good
• NOURMAK BESSARABIAN AREA
  NOURMAK BESSARABIAN AREA RUGTapestry style with floral patterns. Brown, robin's egg blue. Manufactured in Nourison?s patented Soumak weave, specifically created to give these sophisticated area rugs an elegant, antique look of fine museum originals. Detailed elegant Besararbian floral pattern design. Issued: 20th c. Dimensions: 71"H x 46.5"L Manufacturer: Nourison Country of Origin: United States Condition: Overall good
• THE FLIRT 1005789 - LLADRO
  THE FLIRT 1005789 - LLADRO PORCELAIN FIGUREA sophisticated lady pauses to look down at her shoe. No box Issued: 1991 Dimensions: 9.75"H x 4"W Manufacturer: Lladro Country of Origin: Spain
• SOPHISTICATE 01005787 - LLADRO
  SOPHISTICATE 01005787 - LLADRO PORCELAIN FIGUREElegant porcelain figurine with a glossy finish; Woman strutting in her fancy night dress. Lladro backstamp. Does not include box. Artist: Joan Coderch Issued: 1991 Dimensions: 10.25"H Manufacturer: Lladro Country of Origin: Spain Condition: Good
• MAE WEST D6688 (AMEX BACKSTAMP) -
  MAE WEST D6688 (AMEX BACKSTAMP) - LARGE - ROYAL DOULTON...American Express Edition. Yellow hair, white feather dress. From her screen debut in 1932, Mae West (1892 - 1980) became an instant hit.She is best known for portraying tough, sophisticated characters who loved luxury and men.The public adored her and her witty quips, the most famous of which appears on the base of the jug: "When I'm good, I'm very good.But when I'm bad, I'm better." Series: The Celebrity Collection. Royal Doulton and American Express backstamp. Approximately 500 jugs were given this backstamp. Artist: Colin M. Davidson Issued: 1983 - 1983 Dimensions: 7"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• VERY RARE ROYAL DOULTON FIGURINE,
  VERY RARE ROYAL DOULTON FIGURINE, GLORIA HN1488Art Deco style figurine, hand decorated in a pleasing palette of green-blue of a very sophisticated lady. Hand painted green title, HN and Potted by Doulton & Co. Royal Doulton backstamp. In very good condition. #artdeco #figurine #royaldoulton Artist: Leslie Harradine Issued: 1932-1938 Dimensions: 7.25"H Manufacturer: Royal Doulton Country of Origin: England Condition: In very good condition.
• VIVIENNE HN2073 - ROYAL DOULTON
  VIVIENNE HN2073 - ROYAL DOULTON FIGURINEBone China. Her sophisticated hat and elaborate red dress tell you Vivienne is a lady with class and style. Series: Harradine Classics. Royal Doulton backstamp. Weight: 1 lb .5 oz Artist: Leslie Harradine Issued: 1951 - 1967 Dimensions: 7.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• MAE WEST D6688 - LARGE - ROYAL
  MAE WEST D6688 - LARGE - ROYAL DOULTON CHARACTER JUGYellow hair, white feather dress. From her screen debut in 1932, Mae West (1892 - 1980) became an instant hit. She is best known for portraying tough, sophisticated characters who loved luxury and men. The public adored her and her witty quips, the most famous of which appears on the base of the jug: "When I'm good, I'm very good. But when I'm bad, I'm better." Artist: Colin M. Davidson Issued: 1983 - 1986 Dimensions: 7"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• MAE WEST D6688 - LARGE - ROYAL
  MAE WEST D6688 - LARGE - ROYAL DOULTON CHARACTER JUGYellow hair, white feather dress. Royal Doulton backstamp. From her screen debut in 1932, Mae West (1892 - 1980) became an instant hit. She is best known for portraying tough, sophisticated characters who loved luxury and men. The public adored her and her witty quips, the most famous of which appears on the base of the jug: " When I'm good, I'm very good. But when I'm bad, I'm better." Series: The Celebrity Collection. Royal Doulton backstamp. Artist: Colin M. Davidson Issued: 1983 - 1986 Dimensions: 7"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• MAE WEST D6688 (AMEX BACKSTAMP) -
  MAE WEST D6688 (AMEX BACKSTAMP) - LARGE - ROYAL DOULTON...American Express Edition. Yellow hair, white feather dress. From her screen debut in 1932, Mae West (1892 - 1980) became an instant hit. She is best known for portraying tough, sophisticated characters who loved luxury and men. The public adored her and her witty quips, the most famous of which appears on the base of the jug: " When I'm good, I'm very good. But when I'm bad, I'm better." Series: The Celebrity Collection. Royal Doulton and American Express backstamp. Approximately 500 jugs were given this backstamp. Artist: Colin M. Davidson Issued: 1983 - 1983 Dimensions: 7"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear
• MAE WEST D6688 - LARGE - ROYAL
  MAE WEST D6688 - LARGE - ROYAL DOULTON CHARACTER JUGYellow hair, white feather dress. From her screen debut in 1932, Mae West (1892 - 1980) became an instant hit. She is best known for portraying tough, sophisticated characters who loved luxury and men. The public adored her and her witty quips, the most famous of which appears on the base of the jug: " When I'm good, I'm very good. But when I'm bad, I'm better." Series: The Celebrity Collection. Royal Doulton backstamp. Artist: Colin M. Davidson Issued: 1983 - 1986 Dimensions: 7"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• SWAROVSKI CRYSTAL FIGURINE,
  SWAROVSKI CRYSTAL FIGURINE, PINEAPPLE GOLD LARGE HAMMER...This sophisticated pineapple is made from faceted sparkling crystal adorned with hammered gold leaf for a touch of glamour and luxury. This item has its original box which measures 5"H x 6"dia and Swarovski swan backstamp. Artist: Max Schreck Issued: 1981-2007 Dimensions: 3.25"L x 3.25"W x 4.25"H Manufacturer: Swarovski Country of Origin: Austria Condition: Age related wear.
• MID CENTURY BOOKENDS MONOGRAMMED
  MID CENTURY BOOKENDS MONOGRAMMED SUNBURST PATTERNHandsome pair of bookends. The monogrammed letter, radiating rays of copper, beautifully contrasts with the surrounding bronze metal, creating an attractive and sophisticated style. Dimensions: 5.25"L x 4"W x 5.25"H Condition: Age related wear.
• FARBER BROS OLIVE TRAY CHROME
  FARBER BROS OLIVE TRAY CHROME TRAY WITH COBALT BLUE DIS...Enhance your elegant table setting with this sophisticated chrome-handled tray featuring a cobalt glass dish insert with a scalloped edge. Perfect for serving olives, this tray adds a touch of class to any occasion. Dimensions: 5.5"L x 5.5"W x 4.25"H Manufacturer: Farberware Country of Origin: USA Condition: Age related wear.
• PAIR OF ART DECO BRASS LAMPS W/
  PAIR OF ART DECO BRASS LAMPS W/ RAMS HEAD MOTIFDESCRIPTION: Pair of Art Deco Brass Large Table Lamps with Rams Head Motif. Sleek and sophisticated heavy lamps in antique brass with urn design shape. Solid bronze products by Chapman Manufacturing Company. Includes shades. CIRCA: 1970s. ORIGIN: USA. DIMENSIONS: H: 34" W :10" D: 6 1/2". Shades are: H: 17" W:19". CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• EDGAR BEREBI LIMITED EDITION
  EDGAR BEREBI LIMITED EDITION DELORES 2-WAY FRAME 7404A sophisticated and stylish museum gold plated picture frame adorn with peridot and olivine crystals. Edgar Berebi impressed plaque on the back. Frame size: 6.5"W x 8.25"H. Sight size: 4.75"W x 6.5"H. This item has its original box: 13"L x 2.25"W x 9.75"H. MSRP: $538. Artist: Edgar Berebi Manufacturer: Berebi Country of Origin: United States Condition: Age related wear.
• EDGAR BEREBI LIMITED EDITION
  EDGAR BEREBI LIMITED EDITION DELANEY PICTURE FRAME 7455...A sophisticated museum gold plated frame decorated in a canary enamel and clear crystals. Edgar Berebi impressed plaque on the back. Frame size: 5"W x 6.5"H. Sight size: 3.75"W x 4.5"H. This item has its original box: 7.75"L x 2.25"W x 6.75"H. MSRP: $429. Artist: Edgar Berebi Manufacturer: Berebi Country of Origin: United States Condition: Age related wear.
• SLOMI HAZIZA ABSTRACT LUCITE
  SLOMI HAZIZA ABSTRACT LUCITE SCULPTUREDESCRIPTION: Slomi Haziza (born 1969) Signed lucite sculpture. Rare large signed Shlomi Haziza lucite sculpture. A beautiful multicoloured piece depicting rectangular building shape in a 3D form on a clear base. Signed "Shlomi Haziza". Slomi Haziza is a contemporary artist with a studio in California, USA. Internationally acclaimed artist Shlomi Haziza began creating art at a young age. Acrylic is the most sophisticated material he has mastered to date. It is an unforgiving, but naturally exciting and expressive medium, with light-refracting properties that give it a unique dynamic. Haziza has spent years finding new ways to use color, metal powders and sculpting techniques to bring out the inner fire of acrylic and breathe life and emotion into every piece he makes. This large, stunning piece is an excellent example of his finest work. CIRCA: 20th Century. DIMENSIONS: H: 19" x W: 9" x D: 5". CONDITION: Vintage condition.Some marks on lucite. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• LALIQUE CRYSTAL PERFUME BOTTLE
  LALIQUE CRYSTAL PERFUME BOTTLE SAMOA FROSTED AND CLEARThis crystal perfume bottle in the Samoa design features a blend of frosted and clear crystal, offering a sleek and sophisticated swirling wave style. Signed Lalique, France. Dimensions: 4"L x 3.5"W x 3"H Manufacturer: Lalique Country of Origin: France Provenance: Collection of Marie-Claude Lalique Condition: Good.
• LALIQUE CRYSTAL COVERED BOWL
  LALIQUE CRYSTAL COVERED BOWL OPHELIEGorgeous, covered bowl with lid that is decorated with a frosted crystal finial depicting two females. The base is crystal clear for a nice contrast and sophisticated elegance. Dimensions: 7.5"H x 10.25"dia. Manufacturer: Lalique Country of Origin: France Provenance: Collection of Marie-Claude Lalique Condition: Good.