A few examples of appraisal values for
SOUTHPORT

• attributed to Alfred
  attributed to Alfred VickersSOUTHPORT: FIGURES ON A COUNTRY ROADoil on canvas 17.75cm x 25.5cm (7" x 10")
• PRINT THE PORT OF LIVERPOOL.
  PRINT THE PORT OF LIVERPOOL. Published in Liverpool England by Thomas Hague in 1841. Large folio hand colored engraving by James Carter after George Chambers. Features an American sailing ship as well as an English steamboat. In a frame 29''h. 42 1/2''w.
• Fairfield Porter (American
  Fairfield Porter (American 1907-1975) color lithograph ''South Meadow'' edition 58/75 pastel palette shore scene and blind stamp ''BSA'' LR matted simple gilt and black frame ss: 22'' h. x 31 1/2'' w. [Sold to benefit a New England Museum/Institution]
• Large print "The Port of Liverpool"
  Large print "The Port of Liverpool" (after) G. Chamber framed and matted. 23.25"x36"
• A Staffordshire transfer printed
  A Staffordshire transfer printed jug in puce Entrance to the Liverpool and Manchester Railway and three other jugs
• View of Southern Port (French,
  View of Southern Port (French, 1600-1682) 26 x 38 1/2 inches.
• MODEL SAILBOAT. Birkenhead
  MODEL SAILBOAT. Birkenhead England early 20th century. The ''Star Yacht'' named Endeavour 1 with original paint and original sails and rigging. On a modern stand 17''h.
• DOROTHY SPENCER BAILEY (20TH C.
  DOROTHY SPENCER BAILEY (20TH C. WEST SOUTHPORT, MAINE) "March", oil on canvasboard, signed lower right, depicting a thawing stream, in a reeded oak frame with linen liner, OS: 21" x 26", SS: 17 1/2" x 23 1/2". Good condition.
• A Liverpool porcelain 'ship' bowl
  A Liverpool porcelain 'ship' bowl c.1780 probably by Pennington printed in blue to the interior with a twin masted ship within rose and floral borders the exterior printed with the variation on the three flowers pattern 9.75ins together with a Liverpool farming bowl printed in blue to the interior with a scene title 'Ye Generous Britons Venerate The Plough' with three flower pattern to the exterior 9.5ins - both a.f. Estimate ?200-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?200
• POOLE HARBOUR CRUISE A cruise
  POOLE HARBOUR CRUISE A cruise around Poole harbour with Greenslade Pleasure Boats Proceeds to benefit Fortuneswell Cancer Trust
• Stuart Armfield (1916-2000) -
  Stuart Armfield (1916-2000) - Tempura - ''The Spirit of Plymouth'' board 22ins x 30ins signed in modern moulded gilt frame Note : Artist's address and title of the work ''The Storm'' to reverse. An applied label to the frame identifies it as ''The Spirit of Plymouth''.
• OOB - 'South Shore' by George
  OOB - 'South Shore' by George Curtis (MA 1829-1881) unsigned but titled verso in his hand and found with a second painting signed by him and dated 1879 a sunset scene with sailing boats passing a light on a spit of land distant shoreline and group of
• OOB - 'South Shore' by George
  OOB - 'South Shore' by George Curtis (MA 1829-1881) unsigned but titled verso in his hand and found with a second painting signed by him and dated 1879 a sunset scene with sailing boats passing a light on a spit of land distant shoreline and group of
• MITCH BILLIS (MT, 1937- )
  MITCH BILLIS (MT, 1937- ) "Southport Birch", oil on canvasboard, signed lower right, titled on label from Mast Cove Galleries (Kennebunkport, ME) label affixed verso, in a gilded wooden frame with linen inner lip, OS: 16 1/2" x 18 1/2", SS: 9 1/2" x 11 1/2". Good condition.
• 18TH C. LIVERPOOL & BIRKENHEAD
  18TH C. LIVERPOOL & BIRKENHEAD PANORAMIC ENGLISH LANDSC...English School, 18th century oil on canvas painting depicting a view of Birkenhead, Wirral, with the River Mersey and city of Liverpool in the background. Unsigned. Housed in an ebonized wood frame. Sight: 19 3/4" H x 31 1/2" W. Frame: 22 7/8" H x 34 1/2" W. Note: This is a version of the earliest known painted view of Birkenhead and the River Mersey, looking from Holt Hill, Tranmere over Tranmere Pool and Birkenhead Priory, attributed to Charles Eyes (c. 1745-1803). Other versions of this painting are in the collections of the Walker Art Gallery, Liverpool, and Williamson Art Gallery & Museum, Birkenhead. The latter is dated to 1767. Source: Williamson Art Gallery & Museum. Condition: Scattered retouching throughout, the largest area of which measures 4 1/2" x 4 1/2, to clouds in upper center. Negligible abrasion to lower right quadrant, near the border. Frame with scratches and losses to paint.
• A Philip Christian & Co. Liverpool,
  A Philip Christian & Co. Liverpool, blue and white sauce boat, circa 1765, crisply moulded, the ground of overlapping scales, Rococo scroll cartouches reserved with an Oriental garden, flower sprigs to interior, 18cm long
• SYDNEY THE BLACKWALL PASSENGER SHIP
  SYDNEY THE BLACKWALL PASSENGER SHIP ''PARRAMATTA'' ALONGSIDE CIRCULAR QUAY IN 1872 BY JOHN STOBART (ENGLISH/AMERICAN 1929-). Limited edition print signed and numbered(53/950) lower right. Night dock scene. In a gilt frame 37 3/4''h. 45 1/2''w. John Stobart and Maritime Heritage Prints announced as of January 1 2011 they will no longer sell limited edition prints.
• ALPHONSE (AL) JOSEPH SHELTON
  ALPHONSE (AL) JOSEPH SHELTON (MAINE, 1905-1976) "Into the Sea", oil on canvas, signed lower left, titled on stretcher and rubber stamped by artist with his full name and "Southport, Maine", in handcarved green and gold matched corner frame, OS: 25 1/2" x 35 1/2", SS: 19 1/2" x 29 1/2", very good condition.
• SOUTHERN SCHOOL O/B PAINTING, MAN
  SOUTHERN SCHOOL O/B PAINTING, MAN FISHING ON THE MARSHSouthern school oil on board painting depicting a man seated on the deck of a small houseboat fishing with smaller fishing boats floating nearby, surrounded by a marshy landscape and large trees with Spanish moss. Possible illegible signature in lower left. Housed in a contemporary metallic frame. Sight: 15 1/2" H x 19 1/2" W. Framed: 18 1/4" H x 22 1/4" W. Condition: Overall very good condition with one retouched corner.
• Fairfield Porter 1907–1975. Sun and
  Fairfield Porter 1907–1975. Sun and Sea from the 1776 USA 1976: Bicentennial Prints portfolio. 1975 / 1976, color lithograph on white wove paper. 30 h × 22 w in. result: $1,500. estimate: $300–500. Signed and numbered to lower margin ‘IV/XII Fairfield Porter’. This work is number 4 from the gift edition of 12 printed by Yann Samson and published by Special Projects Group, Chicago.
• COLLECTION OF APPROX. 124 POSTCARDS
  COLLECTION OF APPROX. 124 POSTCARDS RELATED TOWestport, to include: Westport, Horseneck Beach, old homes, beach views, stone walls, weighing swordfish, etc. Approx. 12 of the cards are newer, the rest are early 20th c. In a bound album. Overall good condition, no notable issues.
• B. Parker (Southern 20th century)
  B. Parker (Southern 20th century) SHRIMP FLEET IN PORT oil on canvasboard unframed signed: lower right H12'' W16'' Provenance: New Orleans private collection.
• Southw
  Southw
• A silver decanter label 'Port', a
  A silver decanter label 'Port', a bonbon dish, a 900 standard cigarette case etc./Provenance: Spetchley Park, Worcestershire
• An English Silkwork Embroidered
  An English Silkwork Embroidered 'Sailor at Port' Picture 19th Century 10 1/2 x 9 1/2 inches. Property from the Estate of Shirley Kay Caskey, Rochester, Minnesota
• Christopher Zhang painting
  Christopher Zhang painting (Chinese/Connecticut, born 1954), titled on label verso "Sea Port", three-masted schooner at dock, signed lower right "Chris Zhang", oil on canvas board, 24 x 20 in.; gilt wood frame. Good condition, original stretcher and tacking edge; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• A 19th Century Sunderland lustre
  A 19th Century Sunderland lustre pottery jug printed and painted with a sailing vessel within a cartouche to one side the other printed with \'\'Words of Comfort\'\' 4.75ins high (small chip to lip) and five other pieces of lustre pottery (some damage)
• A CHRISTIAN'S LIVERPOOL BLUE AND
  A CHRISTIAN'S LIVERPOOL BLUE AND WHITE SAUCEBOAT Circa 1770 Each side painted with a fringed tree and flowers in a fenced garden, 16.5cm length
• A collection of Wade Pottery to
  A collection of Wade Pottery to include Coronation Street Jack and Vera Salt and Pepper Pots Boxed Model of St Sebastians Church Figures Beside the Seaside Andy Capp and a Sylvac Rabbit Carltonware Snowman Aeroplane Figure etc (10)
• British maritime painting, harbor
  British maritime painting, harbor with beached ship, figures pulling mast ashore, unsigned, oil on canvas, 19th century, 36 x 27-7/8 in.; gilt and painted wood frame. Restretched on old stretcher, lined with adhesive, retouch throughout sky and some on masts affecting 35 percent of surface, crackle, stretcher marks; frame with abrasions, loss to composition. A Wilmington, North Carolina Collection.
• Historic Sprunt Family Federal
  Historic Sprunt Family Federal Cellaret Coastal North Carolina, circa 1800, figured walnut, bottle case with hinged top and open interior lifting from original tapered-leg stand with yellow pine backboard, frame with one rail inscribed "Orton", 38-1/4 x 18 x 15 in.,
• Joseph Stubbs Longport deep blue
  Joseph Stubbs Longport deep blue Historical 19th century Staffordshire plate with shell motif. God condition some loss of glaze to the face as well as some scratches see images. Imprinted on bottom. Measures 8.75'' wide. Shipping weight .7 lbs.
• John Sergeant (1937-2010)
  John Sergeant (1937-2010) watercolour and gouache View along the seafront at Kemp Town Brighton signed and dated 1969 7.5 x 11.5in. Estimate ?400-500 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?400
• Sarah Louise Kilpack (1839-1909)
  Sarah Louise Kilpack (1839-1909) oil on board 'Saundersfoot Harbour Near Tenby' signed 9 x 11.5in. Estimate ?300-500 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?320
• LIVERPOOL JUG - Circa 1820
  LIVERPOOL JUG - Circa 1820 Liverpool Jug decorated with American Men-of-War War of 1812 vintage a brigantine on one side and a coastal sloop on the other wreathed 'SHC' monogram under spout remnants of giltwork around top 9 1/4'' tall 9 1/4'' spout to
• 18th century Charleston
  18th century Charleston engraving, South Carolina, "An Exact Prospect of Charlestown, the Metropolis of the Province of South Carolina", panoramic view by William Toms, after Bishop Roberts, second edition (1779), originally published in The London Magazine , June 1762, uncolored, on laid paper, 8 x 20-1/4 in. (sight); modern wood frame. Folds and creases, minor smudges, toning, areas of foxing, possible restorations, not examined out of frame; frame with abrasions. David Stockwell Antiques, Willmington, Delaware, 1972